Sunday At The Village Vanguard
Bill Evans Trio
1961
Album Summary
Sunday at the Village Vanguard is a live album by jazz pianist and composer Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. Released in 1961, the album is routinely ranked as one of the best live jazz recordings of all time.
WikipediaI have always found Bill Evans to sound like "falling down" -- the sun falling down, the rain falling down, the snow falling down. What makes the Trio so transcendent is the dialogue between piano and bass with the percussion actually guiding the journey.
One of the first albums I listened to when getting into jazz. Amazing brassless jazz album. Just a piano, drums and bass and it sounds great.
I listened to this 8 times yesterday, and will do so again today. This is like the jazz album you wanted to discover to help you get a better understanding. Backstory is amazing, it's just incredible brass free jazz.
Unexpectedly easy listening, super accessible and engaging. The live format works well, love the chatter and glass clinking. Even though the band's namesake is on Piano I thought the bass was way more impressive. Has got to be the world's most undercover drummer; he's somehow always there but never there. Would definitely benefit from several more listens. All Of You is the highlight. Although lots of the stuff from this era is difficult to relate to and tempting to dismiss, this exercise has made interesting to imagine what it would've sounded like to me in the context of that time in space. Also have been dishing out lots of five stars lately.
Music can serve as a rush or atmosphere, this is all atmosphere and it’s amazing. Excellent. The deep background conversation noise really adds something. Excellent, jumping off point
J'ai demandé à Robert Dimery ce que faisait cet album dans la liste des 1001 et il m'a très rapidement répondu (Robert et moi sommes très proches) qu'il voulait à la base ajouter un autre album mais a cliqué sans le faire exprès sur une playlist appelée "3 hours jazz chillax music" et l'a insérée dans les 1001. Robert est quelqu'un d'extrêmement tête en l'air.
This was extremely pleasant background music for the stuff I was doing around the house. I was a little leery because sometimes I find the improv parts of jazz to be annoying, but this combination of instruments and chill sound worked well for me.
A jazz album worthy of some serious superlatives. Blissful stuff from open to close. I am a sucker for Alice in Wonderland; this nearly gets 5 starts just for that track.
Not much into jazz, but you listen to this, you understand what makes jazz special. Phenomenal musicianship
Beautiful chemistry between these three. One of Scott La Faro's last recordings. Bill's voicings and phrasings in this performance are masterful.
Really good. Not a jazz guy but the skill is there. It is also more approachable than a lot of jazz but not fading into the background.
Les voy a ser franco y honesto: es demasiado refinado para mí. Los barriobajeros no escuchamos este tipo de obras maestras.
It's tempting to dismiss Sunday At The Village Vanguard as safe, geriatric and boring, the sort of music you would expect to hear in an upscale hotel lobby bar. But that isn't really fair--the album deserves a closer listen. In most popular (as distinguished from classical) improvisatory music, the function of the rhythm section is to lay down a groove, keep time, and provide a rhythmic and harmonic structure for the soloist to blow over. Bill Evans has had a lot of trios over the years, but this is probably the first one in which each member of the trio could and was expected to fluidly take on any role: time keeping, harmony, soloing, holding down a groove or pulse, etc. This required intense listening from all the members of the trio and is actually very difficult to do well. A close listen will reveal that the trio is communicating almost telepathically, and that the playing is exquisite, which accounts for the legendary status of this album, especially among jazz buffs. That said, if you aren't willing to put in the effort to intensively listen to this music, it will most likely come across as safe, geriatric and boring. That is why I actually prefer other recordings of the Bill Evans Trio, especially Turn Out The Stars, which was recorded shortly before Evans died. Evans pours his heart and soul into those performances with unmatched ferocity, knowing he didn't have long to live. So, how to rate Sunday At The Village Vanguard? Well, for what Evans was going for, it's pretty much perfection, an easy 5/5. However, I have to be honest--I don't really enjoy listening to it that much.
I want to listen to this in front of a log fire in a comfy chair drinking good whisky with a few friends.
I realised something masterful was afoot when I noticed these dainties weren't only sighing and swaying but giggling and winking at me too.
A gorgeous stroll with people who make you smile and laugh through a bustling city in winter.
One of the best albums of the vinyl history. One of the great pianists of the history.
Really good and relaxing jazz. Really dug this album a lot. Will give it another listen.
Don't know much about this genre / style of music. I'd hold my snarky criticism if I had any, but this is super-good stuff. Lovely, coffee-and-pajamas Sunday morning listening. Hi-fives.
a fabulous jazz trio playing in a wonderful jazz club - what's not to love?
This is certainly a smooth album that puts a smile on my face. Gorgeous!
Not come across Bill Evans before, but this is now in my list of jazz to listen to.
This is indeed, like they say, one of the best jazz live albums of all time. Bill Evans was one of the greats when it comes to piano, and the clearness and strongness of his style are captured very well in this record. The best thing Evans did was leave Miles Davis' band in 1959 and form his own trio, since Scott LaFaro' bass and Paul Motian' drums were a perfect match for his refinement. It's a shame that this trio only produced four albums and one have to wonder what else they would gift us if it wans't for LaFaro's tragic death. But to end on a lighter note, the performances of "My Man's Gone Now" and "Solar" are essencial jazz.
Bill Evans is an absolute genius on the piano. I'd put him right up there with Oscar Peterson. This album creates a very soothing ambience that I really enjoy. The 'banter' between the bass and piano is playful at times, and you can tell the trio never falls out of sync. The quiet conversation and clinking of glasses leaking through this live recording at times makes me feels right at home. Fave tracks: All of You - Take 2, Alice in Wonderland - Take 1
Oh, to be a fly on the wall (or an audience member in attendance) at the time of this performance. Apparently the last show of the trio to include bassist Scott LaFaro, this live set gave us two albums and plenty of stellar moments sprinkled throughout (from the takes of Alice in Wonderland, All of You, My Man's Gone Now, Porgy, etc.) Go out of your way to listen to whatever variation you prefer (Sunday, Waltz for Debby and/or the Complete) and immerse yourself in one of the more important nights (out of many) in jazz history.
Took me a bit, to realise just who this was, but the more I listened the more I felt I was there.
Great recording, fantastic arrangements, I could listen to this all day. And I kind of did.
While on my home 1001albumsgenerator project I am getting things that are more aggressive, on this one I see, that I get amazingly nice music to keep my working mood up. This album is amazing to listen, while I have my coffee and don't want to hear the noise at work, that lasts for a while. The drums are amazing.
The interplay between them and the intimacy of the Vanguard gives this live performance a a gorgeous sonic stage that gives one the feeling of being there.
My second favorite Bill Evans album. The trio plays seamlessly as one during Bill’s very visual compositions.
Really enjoyed this! I dont know about jazz enough to know why this is considered "the" live jazz album, but there were a lot of elements that really tickles my ears in a good way. Loved the buildup in "Solar", how the trio started drifting apart and then comes back together in unison, super professional and just a joy to hear. Will listen again!
Which idiot at Spotify ordered it so the bonus tracks come immediately after the previous take from the original album? Surely it's not ordered like that on the CD. Anyway, after a quick playlist sort, this is a delight. Really enjoy a bit of jazz but I admit I'm mostly ignorant of many of its greats, so not an album I knew. But yes, superb. Fantastic stuff.
I've been listening to Jazz recently, starting with acclaimed classics and Sunday At the Village Vanguard is definitely an essential Jazz record. It's amazing musicianship and oh, so easy to listen to with it's smart grooves and cool vibe, makes this a no-brainer. A glorious afternoon listen and crystal clear live recording, it felt like they were performing in front of me! Wow, why haven't I been listened to more of this before? Even non-Jazz fans should be impressed, a must hear!
I liked this instantly. This recording sounds so great, so much space taken up by only three instruments. Bill Evans piano playing is simultaneously unpredictable, but at the same time phrases never seem surprising. Reminds me a bit of some of the Miles Davis records I like, no surprise they played together in the late 50's.
It's incredible how many essential jazz albums are missing from this list (I've found the latter online). Key releases by John Coltrane, Miles Davis, Charles Mingus and many others *should* be there... So I guess when one of those records miraculously finds its way in said list, I can't complain, for once. What sounds good in *Sunday At The Village Vanguard* on first listens is how each member of the trio seems to have a telepathic sense of what the two others are about to do. Vivid shapes materialize in front of your eyes if you're paying attention to this. There are moments when you're thinking: "Damn! What is this musician doing now? He's going so far away from the other two, that's not gonna work, everything's gonna crum... Oh. It works. The others just adapted. And now he's back in line." Simply incredible. Just discovered that bassist Scott LaFaro died a few days after this session in a car accident. That's so sad. Clearly, he was at the top of his game here, and so are Evans and Motian. To conclude, here are few words about the moody closer "Jade Visions", so slow, mysterious and melancholic. Here it's not a solo that shines like the moon, but the whole piece. Spotless ending, here, perfect for a film noir scene... Number of albums left to review: 706 Number of albums from the list I find relevant enough to be mandatory listens: 148 Albums from the list I *might* include in mine later on: 70 Albums from the list I will certainly *not* include in mine (many others are more important): 82
Bill Evans played piano on Kind of Blue and his own work pushes that cool modal jazz style even further. Evans is a master of chord voicings and interesting chord progressions that seem to meander and fall back into a groove. The bass playing is exceptional, and much more virtuosic.
Absolutely beautiful background music for a gloomy winter day. The rain is coming down hard outside, but in here it's warm, and the music helps to warm the soul. I couldn't ever listen to jazz pieces like this on a day to day basis, but when the situation is right it's just perfect. Like a rich dessert. I don't know how I could pick a favourite out of an album that flows so well from one song to the next, but as per my self-enforced rules, I'll have to pick. Favourite: Alice in Wonderland, Take 2
When you describe a live act as "tight" you are describing an act that is not only performing at their highest capable level but are nearly symbiotic in their relationship with the minds of the other members on stage. Calling this version of Bill Evans Trio "tight" does a disservice to the players as they are operating at a level beyond even that. The bass is amazing in these sessions. The interplay and countermelodies against the piano are just groundbreaking, and the percussion is a guide keeping everyone on the path while letting them explore their surroundings. I'm so glad that these top tier Jazz recordings are included in the book, as it is the only uniquely American art form, and it would be a shame not to recognize how influential it has been on music in the 20th century and beyond.
Let me just say right off the bat: I love jazz. Especially jazz piano. Needless to say, I've already listened to this album many times - it's an old favorite of mine. Every single track is perfection as far as I'm concerned. The atmosphere of this album is lovely. It was recorded live, and you can faintly hear soft chattering, glasses and silverware clinking, and smatterings of applause. Normally I'm not a fan of live albums, but here, it just works, as if the background noise is part of the performance. If you close your eyes, you can almost picture yourself in a smoky, dimly lit jazz bar.