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Let's take shitty indie music and add auto tune. It was still awful. Songs were skipped.
Whooooooh tightightightight
Too experimental with vocoder voicings and weird electronica. Not enjoying this one
Another one not for me
My first full-length Bon Iver listen, and I fully get the hype. This is a wondrous, expansive LP that strives to push boundaries and break things, misusing production techniques to create some truly clever tracks. This does, however, lead to a certain sense of emotional sterility – the LP reads more as a museum art piece than an album I'd put on to fully listen to for the emotional response. I know Iver's other works have soul in spades, so it's a shame this collection of tracks doesn't quite read that intimately. That said, however, this is still an amazingly cool work of art and one I could see myself returning to when the vibes are just right.
First of the user albums that I've heard before
Nice variety of sounds. Very interesting. Although it's not much of my taste, I'll give it a 2, but more of this kind of experimental sounds could have been on the list. This kind of "indie" music is kinda over-exploted nowadays also, I think.
Meh. Hipsters doing... something. 2/5
The sampling and the integrity of Bon Iver kind of don't match for me... I don't think it's their best album. But it's enjoyable
Once in a while I hear a Bon Iver song and thing, "Oh, that's pretty nice." But mostly I just find him pretentious. Naming songs the way Elon Musk names his children, and please, enough with the auto-tuner. 2 stars.
Yeah this is where Bon Iver really mashed a Radiohead and Gotye sound together with his own blend.
I know people raved about this then and I think some called it album of the year, but I never understood it. I really loved his debut with his beautiful voice. On this album is full of vocoder and autotune. Such a waste.
It is definitely a very unique, instant recognizable sound. I should listen to this more often to actually get into it more. For now, I'm starting with 3/5 stars.
Folk boy goes experimental with mixed results. Seldom has auto tune been more unnecessarily applied.
I have a great fondness for the first three releases, I kind of had stopped following at this one. Some of this seems verging at (I think intentional) self-parody, certainly it seems a rebellion of sorts. I don't hate it and like some of it pretty well but overall it doesn't quite seem fully baked. In all though I'd rather see someone forging into new territory, even if not fully successful, than circling over the same oground.
Amazing addition to the list. Still my fav record by them.
The Song is dead. Justin Vernon is still alive, apparent and there as sculptor. Which is to say that 22, A Million never bends its sound to architecture, a strict and intentional limit less a shame for pain's sake than beauty's. Can't live within modernity, the squeeze of the literally digital.
Bon Iver is definitely an acquired taste, and apparently it is something I haven't acquired.
What a cool guy
Does not match the highs of Emily, but is still pretty great. Cool to see that his sound continued to evolve even after I stopped listening regularly.
4/10. A mix of weird electronic sounds and sleepy piano music that just really isn't doing it for me today. Good to know that someone is out there forcing Spotify to support unicode, though.
I don't know what Bon Iver was trying to accomplish with this album, but I did not get it. I still don't get it now