Feel good, wistful melodies. Absurd lyrics that hit too close to home. Buttery vocals that I want to listen to forever.

Dancing Queen is a classic, 10/10 vibes from childhood. Ballads have ethereal vocals, upbeat songs have driving beats that make you want to dance, and harmonies are always on point.

Feel good, wistful melodies. Absurd lyrics that hit too close to home. Buttery vocals that I want to listen to forever.

I enjoy these songs a lot more than their popular hits. It's softer but still catchy. I don't enjoy the loud, "yelling" singing.

I respect the heck out of this album, but it's not my vibe.

This album will always hold a special place in my heart. It takes me right back to high school band when I was just starting to discover how playful and complex music could be. Learning about odd time signatures felt like unlocking a secret language, and this album made it feel exciting and effortless. It's not just great jazz... it's a nostalgic reminder of when music started to really come alive for me.

This was a great album. I could see myself listening to this while working and being completely relaxed.

Complex & aggresive album that showcases Metallia's technical prowess and darker, more political themes. It's raw and intense, but famously known for missing depth with a thin bass mix.

Gritty and raw garage rock vibes. Feels like a wild, sweaty night out in college in Middle Tennessee when these guys were catching traction.

I'm not a huge fan of Taylor Swift's voice, but this album feels very personal and well produced. It's just a little boring to me.

Classic blues rock album from one of my favorite bands. It's raw and southern and has so many good riffs and good grooves.

Epic, theatrical, packed with riffs that make you feel like you're charging into battle with an army of the damned.

This album definitely has a cool, moody new wave vibe that I appreciated at first, but it didn't hold my attention all the way through and turned very monotonous.

I respect the heck out of this album for its bold concept and theatrical flair (no one sounds like Queen), but I find myself wanting the punchier, riff-heavy hooks that I grew up listening to on their later albums.

I respect the cultural weight of this album and I love the raw production, but as much as I admire Cash's grit, it's more fascinating historically than it is something I'd put on repeat.

This one might’ve hit hard with teens in the ’90s punk scene, but for me, the Offspring’s sound, especially the vocals, just feels grating and chaotic in a way that doesn’t click with me.

This album feels like the quirky lovechild of Rocky Horror and Napoleon Dynamite. Kind of fun and weird in a good way at first, but after a few songs the vocals wear on me and I’m ready for something different.

Crocodiles nails that gritty, moody 80's alt-rock sound with raw vocals and jangly, echo-drenched guitars that make it feel like you're wandering through a rainy dreamscape in a leather jacket.

This album feels messy, like a high school project band where each person made music separately, put it together without changes, and that's what they turned in.