Alright, alright, fine! Just stuff me with vegetables and fuck me already. Fuckin' Morrissey just won't give up until he's got a parsnip up my ass and is greasing up his penis and waving it in my cabbage filled face.
Vauxhall and I is the fourth studio album by English alternative rock musician Morrissey. It was released on 14 March 1994, by the record label Parlophone in the UK and Sire/Reprise in the USA.
Alright, alright, fine! Just stuff me with vegetables and fuck me already. Fuckin' Morrissey just won't give up until he's got a parsnip up my ass and is greasing up his penis and waving it in my cabbage filled face.
Seriously, fuck this guy.
I have somehow managed to never listen to The Smiths or Morrissey in my life. I really liked this album. It’s really good! Morrissey’s politics, on the other hand 😬. Yikes.
MOZZA!! He's such a prick. I can't emphasise that enough. But this is a great album both lyrically and muscially. Its still not as good as the Smiths though. 4/5
don't care + didn't ask + you lost your dynamic after the smiths
Why is he so sad?
You know you’re in for a dud when the Wikipedia entry is pretty much “ya this album existed”
twat
The guy is a fucking prick, but he makes great music. 4/5
You know, pre-comeback Morrissey isn't as bad as post-comeback Morrissey but it's still pretentious, self-centered, sad-sack twaddle and I'm not here for it.
Now My Heart Is Full - Pretty generic rock thus far, I think it had some bearings on future Coldplay releases? I can hear a lot of 90s. It's definitely not my favourite track. It is a bit catchy. Morrissey's voice is as smooth as ever, though. Not impressed by the guitars, can do a lot better. Springed-Hill Jim - The bass. The bass. I like it. Using samplers. This is Morrissey more like you've heard in the Smiths. This rocks more. I like the sampling. I like how it fits within the narrative of the song. The man is obviously a whore. Billy Budd - Rocking backtrack. I like it. The guitar is kind of psychedelic, very Hendrix-y. But it's overshadowed a bit by Morrissey's voice. Definitely my favourite song so far. Is this song a reference to the novel? Hold On To Your Friends - Nice little melody, I guess. I think this is going to a ballad. Social commentary on capitalism and happiness? Meh.... a bit hypocritical . The More You Ignore Me, the Closer I Get - I can fuck with this instrumental. I like it. It's.... Unique. A lot of repetition of lyrics throughout the album, especially regarding time. I like this track-- But it feels like Morrissey is just Morrissey. And Morrissey is a controversial figure. I can sort of hear a Pixies-like... Parallel. The distortion of the guitars are a treat and I feel like the instrumentals are what shines on this album and Morrissey could be removed, I'd enjoy these songs more. Why Don't You Find Out for Yourself - A groovy little piece. It's nothing extraordinary but it does its job. The commentary continues through the album through repeated imagery and lyricism. It has a recurring theme of death and loss and acceptance of death and loss. I Am Hated for Lovin - I like the instrumentals a lot. It's a good song, I'd heard it before. I don't know what else to say. It is kind of devoid of the usual rock and forced "agony" for lack of better words of the Smiths, it feels like a very very bittersweet goodbye. May be acceptance is really the recurring theme and motif of the album? He just doesn't belong, he doesn't have many friends... Morrissey needs a psychiatrist and a therapist, not to release albums. This feels more and more like a suicide note. Lifeguard Sleeping, Girl Drowning - Oh, I love the instrumentals. This is baroque rock. This is very worrying, as worrying as it is pretty. The poor girl didn't deserve to drown, what is Morrissey on about? This is a real album with a theme of accepting loss and death. Makes me want to read into his mind state when writing this. But the instrumental shines and even his vocals and his vocal delivery is very different. "Please don't worry..." Yeah, suicide notes have been written to sound happier than this album. This album will kill the mood if you play it during sex. The girl at the end is literally being silenced by the cymbals... She died. Used to Be a Sweet Boy - This is a pretty decent song, I guess? But very samey... Which is a problem with this album. Something went wrong? And he's not to blame. Is that his relationship with his father? I feel like I should have some context for this album, far more than is provided. Otherwise, we don't feel the "pathos" or the "acceptance" as much if we are not already initiated to Morrissey. The background vocals are amazing though, very angelic choir-like. Is Morrissey talking about himself dying or having died and being an angel now? The Lazy Sunbathers - World War? I'm sorry... I don't get this one. War is bad, I guess? But he seems like he's accepting it. This album in general is grim. It's a bit of a kill-mood, it makes you feel a bit depressed. And if that's you want, then sure, this album is for you-- All of you weird folks out there. Speedway - Oh, this song is faster. Chainsaw massacre? This is odd... Definitely cool but very grim very very very grim. A decent finisher to this "album", I think he's released all of his anger and got the pathos he sought. Score - If you know Morrissey and you like Morrissey, then... Sure, this album might be for you. That is, if you want to feel depressed. In that respect, it does really well; it conveys the artist's emotions but requires an already-existing bond to be able to be experienced fully. I would give it a 3.5/5... It's certainly not bad, but it's not on the podium for me. It's just shy of a bronze metal.
First up: Mozza 2023 is a knob. Mozza 1994 was a different man. His masterful lyrics flow through each track. The More You Ignore Me remains infectious. This is a great, great break up album. It's still a little raw for me, almost 30 years later. There's a ray of hope from the old bigot with The Lazy Sunbathers. Lyrics on ecological issues didn't get you NME covers back in the day. It still stacks up. A reluctant five stars.
His masterpiece. Hang it in the fucking Louvre. If this had been his final album, and speedway the last song out of his mouth then his myth would have been cemented. I said what I said.
Just being very clear that giving 1992 Morrissey 5 stars in no way condones 2023 Morrissey. I wonder if he can remember the person that produced this charming, knowing, clever album ?
God I hate morrissey
Morrissey's last great album. Really stands up, even if I wish we'd never heard from him again after this.
I’m biased, but I’ll always love a Morrissey album. The lyrics are unsurprisingly brilliant here, and they’re combined with some really nice instrumentation. I’m probably ignoring some flaws here because I have nostalgia for the british prick, but to me it’s great.
Doesn't get better with age. Self indulgent, arrogant, dire, over-hyped, badly structured, poorly engineered, crap lyrics.....garbage.
I bought this for my dad back in HS. He was a big Smiths fan and didn't have any solo stuff. I didn't really like it as much at first. When I relistened in college I fell in love. No skippable songs. Biggest standouts are the more I love you, Lazy sunbathers and speedway. The album really ends on a bang. The drums on the last song are killer.
Difficult person but some really good songs.
Not listening to this shit. Fuck Morrissey
Two Morrissey solo records down, two more to go.
cool
If an album could qualify for 5 stars on a single song, Speedway is it. It is quintessential Morrissey... dramatic pauses, biting lyrics, a loud orchestral sound, passion. One of my favorite songs of all time. Spring-Heeled Jim and Why Don't You Find Out For Yourself capture a similar passion that really elevate this album. Though I can pass on Billy Budd, everything else here are nice variations of the Morrissey formula and really are a nice continuation of what he was doing with the Smiths. Great.
Regrettably this is pretty great
World needs more Morrissey, less Billy Bragg.
I'm just going to put this out there - this is the first time I've listened to this or any album by Morrissey in its entirety. It came out in the early '90s when tween/teen me was preoccupied with grunge, which spoke to my soul. I'd heard some of his solo work but just a song here or there. But I listened to it three times. I can see why so many friends and acquaintances are/were big Morrissey fans. He taps into that melancholic, misunderstood energy that so many feel. His voice is lovely and soothing, the music was easy to listen to.
Morrissey is a piece of shit and a sad excuse for a human being. But damn is he an amazing songwriter. If you are able to separate the art from the artist with Morrissey his catalogue is a fantastic lesson in music history especially in The Smiths era. And if you don't know how The Smiths wrote music it's worth learning because it is a strange situation that became wonderful art. All that being said this is an amazing album. It opens strong and then "Spring-Heeled Jim" is a weird track and "Billy Budd" falls flat. "Hold on to Your Friends" has a beautiful guitar part. "The More You Ignore Me, the Closer I Get" reminds you that Morrissey is a creep while backed by a great song. The next two tracks just feel like classic Morrissey but nothing too special to me. "Lifeguard Sleeping, Girl Drowning" is strange vocally but solid musically. The next two have that classic Morrissey sound again and "The Lazy Sunbathers" is my second favorite song on the album. "Speedway" I think is the most progressive song on the album, it somehow balances the Morrissey sound with a much more progressive musical sound that is an energetic masterful way to end an album. Morrissey is a 0/5 person this album is a 4.5/5. If Morrissey wasn't a shitty person and was more of a musician I'd be inclined to give it a 5, but I'll stick to a 4.
6.5/10 FT: The more you ignore me, the closer I get
Is the art beholden to the artist, or can it jettison the maker’s flaws? The songs do their part, never surprising, but carrying his romantic sting with confidence, and they don’t hang around. The impression of watching a poison-pen writer dance to themselves from behind a one-way mirror is present. Keep yourselves buttoned; he knows we’re here. The sound is apt: big, dense, surging, regal, with the notes of antiquarianism he wielded in The Smiths - pub chat and siren sounds in Spring-Heeled Jack, not to mention the title itself - the purposefully old beside the modern, out-and-out grandeur never far. Reading the notes, I see Boz Boorer and Alain Whyte deserve more prominence than the blanket “Morrissey” branding allows. Generally, I keep personal life out of these reviews, but context can creep in. As recent arrivals in this country, we’re trying to fit in and be worthy citizens, so in that spirit went on a march today to help safeguard our new home. As we chanted at a cruise ship and burned stuff (libraries with foreign books, a burrito stall, Mazdas), the delicate melodies of Stephen Morrissey synched to our rowdier nativist cries… Immigrants go home, immigrants go home, I heard him sing as smoke curled wistfully over downtown Vancouver.
The problem with Morrissey (aside from the fact that he is a twat) is that he is a great lyricist but he needs a musical genius like Johnny Marr beside him. That is what ultimately made the Smiths work. Some musicians need that collaborative friction to bring out the best in them, and the Smiths are a prime example (alongside the Beatles and Pink Floyd)
Vaguely familiar, likely due to a friend desperately pretending that each new Morrissey release of the period was "a return to form". Nope The trouble with Morrissey's solo career is *not* what a dick he became, it's that (barring "Viva Hate" and parts of "Your Arsenal") the tunes are so threadbare it becomes such a dull slog. Boorer/Whyte (who?) were no match for Johnny Marr, unlike perhaps Vini Reilly or Mick Ronson. But, sure, sample some more Ealing film dialogue and grind out some more basic rockabilly indie mush, someone will buy it. The hit and Speedway afford this a high 2, but nothing more
Usually I have to weigh the music against the level of asshole and artist is. Morrissey is a known asshole so that usually would hurt an albums score. Here though, the album sucks anyway. This one isn't any good. So it's easy to score.
One of the easiest to give a five star.
Really liked this one. Somehow it put me on a very good mood.
This is cool, I didn’t really know what to expect from morrissey but I like this
Now My Heart Is Full, The More You Ignore Me, The Closer I Get
Morrissey has the inimitable sound. Drones on and hits very dissonant tones with his voice. Genius.
Let your guard down for a minute, catch Morrissey religion. Vauxhall And I was a total surprise mostly delightful and entirely melodramatic. Each melody is hummably familiar, mood-as-theme works perfectly. This also sounds rather unlike the Smiths, which helps the vocal choices not-grate.
Is this my first solo Morrissey? I think it is, I know which albums of his are on the list and three of them might very well be his top three albums. I think I slightly prefer "Kill Uncle" over "You Are The Quarry" but it's not my list, is it? Besides this is "Vauxhall And I"
One of mythe two great albums by Morrissey.
Classic Moz. Well, he has better albums with or without Johnny Marr but this is still really good stuff with some essential songs for any fan. Moz always gets a 5.
Cool 90-S pop. Clean and rich sound!
Another Morrissey album in this list and one that could likely be considered his best work to date, with closing track Speedway possibly the best solo song he has released. "All of the rumours keeping me grounded I never said that they were completely unfounded And all those lies, written lies, twisted lies Well, they weren't lies, they weren't lies, they weren't lies"
Always enjoyed Marcy. I grabbed the deluxe remaster that included live versions of all the songs so it was doubly good.
Now My Heart Is Full, The More You Ignore Me, The Closer I Get
4.5/5
One of my absolute faves, ever
Great album
Pretty collection of tunes with great guitar.
This was way too relatable.
I love Morrisey! And the smiths
Just perfect. Probably clouded slightly by my strong memories attached to this one, but it definitely does it for me.
I like the sound of this one. This is one I would consider buying and would look into more of his music.
Not only is the man devilishly handsome, but I love the smiths. I knew this was for me before I even hit play. I need a pint
Now My Heart Is Full, The More You Ignore Me, The Closer I Get
i really liked it and it’s def my music taste :-)
sonzeira, um grande mestre
You know, for all of Morrissey's foolishness, I still like a lot of his music. It's really clever pop music with strikingly eloquent lyrics. You have to be in the mood for this type of stuff, but Vauxhall and I is a really good album. Lovely arrangements and strong as ever vocals from Morrissey. It's less memorable than some of his other albums, but really engaging overall. Morrissey has this way of connecting with you on a really personal level as a listener, in a way most artists can't. Fave Songs: The More You Ignore Me, the Closer I Get, I Am Hated for Loving, Why Don't You Find Out for Yourself, Now My Heart Is Full, Hold On to Your Friends,
good 8/10
No question that he's an self-regarding arsehole of the very highest order, but I have to say that I really enjoyed listening to this & I'm fairly certain it'll grow on me after a few more plays.
Charmant. Belle voix, belles mélodies. Now my heart is full, why don't you find out for yourself.
He's a bit of a dodgy dude but he can write a tune
Solid
Nu bent pora dainu uzkabino. Tai jau yra vau. Reiks daugiau paklausyt. Ig cia dabar bus mano simtadienio dainom
I only recognizes one song but enjoyed the whole album.
I'm a Smiths / Morrissey fan but this album. So ehow escaped my orbit. There are some absolutely gorgeous so gs on this album. As usual his band is spot on...they sound amazing the rockers like Billy Budd; ROCK! The more subtle songs like the beautiful I am Hated For Loving and Lifeguard Sleeping, Girl Drowning are arranged with beautiful tasteful touches. The album is lovely from beginning g to end. Highly recommended. 4 🌟
Dude's a d-bag to the nth degree, but hell if he can't make pretty music with a great voice.
Really like this. Will buy the album.
With the Queen is dead I said that less vocals and more cool production would’ve made it better and I think this album finally found the right balance between the two. It could also be that I’ve just grown warmer to the smiths/morrissey but I liked this one quite a bit. The first track had solid instrumentals and the rest of the album stayed right around that level. Side note: when I was looking for my Queen is dead review I saw my siouxsie reviews and realized that I had given one album a two then the next one a 4 and said I’d never heard of them lol.
I hate Morrissey but pretty good album
I… think I like Morrissey.
Bra men ikke Smiths så..
Almost definitely his best solo album. Bro might be a disaster of a human being, but at least he made some good music back in the day.
It's pretty good if you separate the art from the artist
Ce gars là est peut-etre le plus gros douche du monde. Je ne le connsaissai aucunement avant de commencer cette liste, mais je dois avouer que c'est album son quand même assez bon. Détacher l'oeuvre de l'artiste est quelque chose de difficile et je comprend qu'il semble détestable mais le fait est qu'il fait de la bonne musique. 4
This was better than I expected. I really like the Smiths but always felt like the strong point of the band was Johnny Marr and that Morrissey was a little bit overrated. I was wrong, a lot of songs here are beautiful, especially "Hold on to Your Friends". Look I hate this racist prick as much as the next guy, but this was fine. 7,6/10
Morrissey albums have such nostalgia to them because I listened to them a lot in my early teens.
Veldig bra! 4,49
I probably need a few more spins to process and make sure I truly love the album, and it isn't just Moz trying to seduce me with those baby blues on the album cover. So far, Morrissey's solo work lives solidly right there in the 4 area for me. Which, hey, is nothing to crow about. I can't help but wonder if all that's keeping him from classic status is either the willingness to eat meat or enjoy having sex. No one needs a good lay as badly as Morrissey does.
Prefs : Now My Heart Is Full, Billy Budd, Hold on to Your Friends, Why Don't You Find Out For Yourself, Lifeguard Sleeping, Girl Drowning, The Lazy Sunbathers, Speedway Moins pref: I Am Hated for Loving
Not bad
Frantically trying to ignore M's dodgy political stance and pronouncements to concentrate on the (very good) lyrics and music. Where did he go wrong?
Stupendous! I spent my college years with a housemate whose every item of clothing was a tribute to Morrissey, every record was connected to Morrissey, and said housemate even had Mozza’s quiff. Luckily, I was a fan too, although not so mega. I have a special place in my heart for Viva Hate but Mozza’s style is distinctive and emotionally wrought and never lets you down. Those lyrics are sheer poetry. I am now A central part Of your mind's landscape Whether you care Or do not Yeah, I've made up your mind Yup - indeed - my mind is made up.
moody, check, yodely outburst, check, it's Morrisey.
Rock
Call me emo but this whole record fucking slaps. Now My Heart Is Full is one of a very few songs that can give me a lump in my throat. The production on the solo Morrissey albums outshines anything he recorded with The Smiths too.
Stand-outs: "Now My Heart Is Full," "Lifeguard Sleeping, Girl Drowning," "Speedway"
Surprising a d almost funny. Take a Smiths album master tape, go to the mixing desk and slide every channel containing Johnny Marr's guitar parts down to zero. What you will be left with is this album. It's good, but it would have been so much better with him.
Geweldige stem vind ik dit. Liesjes op zich niet zo spannend maar die stem is echt erg prettig om naar te luisteren.
One of his best solo albums. There's a rare fragility to his voice that really carries this project forward Anyway the Queen died while I was listening to this so that's a bit mad
Morrissey never disappoints. He always delivers music that is versatile yet never lacks his own signature touch. Yet another good album with a perfect runtime
Moz is at his croony best. Every song feels like a desperate attempt to redeem something the poor bastard is longing for. It’s missing that Johnny Mar touch he had with The Smiths.
Mature and balanced, a very good record and by aiming for more understatement than in previous efforts, Morissey wins bigger. The controlled melancholy works beautifully. This is how pop stars can/should age gracefully.
Art 8/10.....Artist 0/10
Kicking off with Now My Heart is Full, instantly nostalgic and remembering a time when it was OK to like Morrissey, because he wasn't obviously a terrible cunt at this point. Also, remembering that Morrissey really did used to be terribly good. Hold on To Your Friends, words to live by as you get older and it gets harder. Lifeguard Sleeping is great too, really unique on the record. This is a terrific album, and easily his best solo effort, for me.
4/5
Oh no. Alright, let's see if I have a new take on this cat. Going into it, my bias is strong. I always found Morrissey impossibly whiny, verbose, and just plain unlikeable. Not the guy I'd like to get stuck talking to at a party. And god damn... another revelation. This album is pretty damned good. Morrissey is nowhere near the insufferable git I remember from The Smiths. I'm hearing a quirky crooner with a bit of an attitude and a penchant for the creepy, which I have to admire. The songs are fairly straightforward on the surface, which is just fine, as it lays the foundation for some cool textures and arrangements that are well done and interesting. And Morrissey uses his voice to great effect, with his melodies sometimes going in odd but familiar directions and his lyrics painted just outside the lines of what most any other writer might arrive at. I'm teetering on a 4, but thinking it's a 3.5. The fact that I'm considering a 4-star review for a Morrissey album is the most surprising thing about this endeavor to date. Couple that with McCormick going low on Marvin Gaye and Marianne buying Limp Bizkit merch and we're about to open a portal to the Upside Down. It's freakin' apocalyptical.
I never really cottoned to The Smiths, and I know just enough about Moz's current political views that I had to hold myself back from groaning as I queued this up. But once again I was surprised. I dug this record, pure and simple. Great production, some killer guitar work, catchy melodies, and the dude knows how to write lyrics. At the risk of being canceled for liking this, I will definitely dive into more of his solo work.
I wasn't happy about another Morrissey album being thrust upon me. Like how many is this now? Maybe 5 or 6 including The Smiths albums? We've only had 2 Beatles albums for heaven's sake. I still listened and I'm really glad I did. This was by far my favourite Morrissey experience. I enjoyed his understated vocals and the overall pace and tone of the record. Still, I'm finding it hard to believe that I'll give this one a 4.... What have I become?