Def Leppard is a band that made a career out of sounding like a Rocky III/Rocky IV soundtrack. The 80s were a strange time. I remember liking the song Rocket as a kid, not so much anymore, but it's still probably my favorite Def Leppard song. Seriously, this could be the soundtrack for Rad. There's the perfect combination of rock and rock ballads to last through a 90 minute movie about a kid who just wanted his dad to accept that he wanted to be a skateboarder rather than a mine worker while he falls in love with his rival's ill-treated girlfriend only to win the big race at the end and have his dad hug him at the finish line. Love Bites is terrible. Which song has been played at strip clubs more, Pour Some Sugar On Me or Panama by Van Halen? I had friends in the early 90s who still loved Def Leppard, hard to believe this lasted when so many other bands have gone by the wayside. This whole album is very dated. I liked Pyromania better, too many power ballads on this one.
This is Blondie's favorite album. The arcade noises on What in the World are not a welcome addition. They sound like sped up King Hippo noises. Just when I think I'm liking this album more, it has a track like Warszawa and I feel differently. I get the video game noises now. Art Decade could be the score for Final Fantasy VIII. These mostly instrumental sides on Heroes and Low just aren't great. The whole second side is like an emo video game soundtrack.
Random yelling right off the bat does not give me a good feeling about this album. This is too much like Nick Cave and the Bad Seeds. Scuzz rock is not for me I think. This genre of music could more aptly be described as garage rockabilly. It's like if Brian Setzer went to prison. Dynamite Lover is good, like if Chris Isaak decide to rock. R.L. Got Soul is the best track on the album.
Perry Farrell's voice is one of a kind. This is very different than I was expecting, more rock than alternative. The Ted Bundy recording is an odd choice. I thought I was getting an album of Caught Stealing...this is much better. There has maybe never been a better example of someone writing a song of just whatever they were doing than Standing in the Shower...Thinking. At this point, I like the music and the vocals are kind of distracting. May distracting isn't the right word. His voice gives every song a similar quality. Jane Says is the hit.
Led Zeppelin is awesome. I recently watched Becoming Led Zeppelin and you realize how fortuitous it was that four super talented musicians found each other to make this band. Almost any other band would kill to have as many great songs in a career as Zeppelin has on this one album. Every song but Four Sticks gets airplay on Classic Rock stations. I hate that I came of age in the era of singles radio rather than album radio, music is worse for the change. The big hit, maybe their biggest hit, Stairway to Heaven might be my least favorite song on the album. This is literally better than almost any other act's greatest hits album. Are there 20 bands that have a better greatest hits album than this? Four Sticks is the least famous song and it's amazing! When the Levee Breaks is possibly the greatest cover of all time.
What the fuck am I getting myself into? 3 hours and 15 minutes is a box set not an album. She has a lovely voice. Let's Call The Whole Thing Off is one of my favorite jazz standards. (I've Got) Beginner's Luck is really good. Oh, Lady Be Good is beautiful. Some of these lyrics are ridiculous. Just Another Rhumba's torturing of standard pronunciation to rhyme is ridiculous. How Long Has This Been Going On? is good as well. One disc of six done. My god, this is going to turn into torture. This is not meant to be listened to in one sitting. A third person self-reference in By Strauss. Someone to Watch Over Me is a great song. The Real American Folk Song is terrible, rags are not my cup of tea. The lyrics are like what a ten year old would write, My Cousin in Milwaukee is so bad. People in the early part of the 20th Century had a lot to contend with, but the Gershwins' lyrics might have been one of the worst. Disc two, done. I wonder if Nora Ephron or Gary Marshall just listened to this album and stole their movies from it...because I would believe they did. There's just too many songs. They could have made on amazing double album; four sides, six songs each. Instead, it's ten sides. Treat Me Rough is about rough sex and I'm here for a swinging, jazzy Closer. Two of the bigger songs in this back to back in They Can't Take That Away From Me and Embraceable You done well by a genius. There's a lot here and you realize that she's more talented in her way than the Gershwins' are in theirs. Her performance is spot on every song, even when the material leaves something to be desired. They close out the Ella portion of the album with I Got Rhythm which is way overrated. An album of showtunes and now a bunch of intermission filler and overtures. What is the point of tacking these on at the end? One on each side I get, but six in a row on their own record?
I think Arcade Fire is one of the most overrated bands but I do like the title track. This album is better than Neon Bible. Do I maybe like Arcade Fire? This album is about the lead singer's childhood in The Woodlands...rich kid complains about being rich. There's like a modern Cure feel to this album. In thirty years when they reboot Stranger Things for the 2000s, Arcade Fire is going to be all over the soundtrack. Month of May is as punk as a post punk band is going to get. We Used to Wait is good. This album threads the needle on continuity and variation across the songs.
I'm firmly in the Jeff Buckley camp through the first song. This is like dime store Dr. John crossed with the poor man's CCR. Abraxas called, it wants its sound back. It's not bad to sound like Santana, Get on Top feels like a rip off of it though. He sounds like a blend of absolutely everything happening in the 70s: Outlaw Country, Psychedelic Rock, Funk, the Sexual Revolution, Drugs, Civil Rights. Tim Buckley's favorite musician was Jim Morrison, I have no doubt.
You Are The Sunshine of My Life is a great song. Maybe Your Baby is a really funky song. It's about as far from You Are the Sunshine of My Life as possible while still being by the same artist. You And I reminds me of another Stevie Wonder song I can't place, vaguely Lately but not. Maybe I'm imagining things. Superstition is the other hit, good stuff. Big Brother is the worst song so far. The longer the album goes, the worse it gets.
Piano Joint (This Kind of Love) is the hit. I feel like it was in something but I can't place it. Ted Lasso, but I had to look it up. I like this album. It would be good to have on at a low volume. As the kids say these days, it's low key good.
God do I hate New Wave music. I hope Henry Mancini got every dime they made off this album for stealing the Peter Gunn theme and turning it into New Wave crap. This is a novelty band, there is no way the belong on this list. Rock Lobster could be the theme for a cartoon, and even then it wouldn't be particularly good. Rock Lobster is the worst song on the album, certainly the most annoying. Every other song on the album is better than it is. That being said, this album is not good, but it is at least short. I bet Courtney Love is a huge fan of the female lead singer. She's 1,000 times better than Fred Schneider's talk-singing. Downtown is one of the worst covers I've ever heard.
I would have thought I liked Shuggie Otis more. Maybe I only like the "hits". Or maybe just Sweet Thang? Aht Uh Mi Hed sounds like video game music with lyrics over it. Happy House is worse though. This is not a good album.
I love the album cover, it's like 1980s hip hop Village People. Tom Tom Club nailed it with Genius of Love. Scorpio is more like a techno track than hip hop, great beat though. Dreamin' is a little creepy. There's a difference between liking Stevie Wonder and fantasizing about him. Hip hop side, I like. R&B side, I do not. The Message is a seminal moment in hip hop, great song and a...well, you know. It also spawned another awesome song, Ice Cube and DAS EFX's Check Yo Self. I'm not sure which one I like best.
I don't get improvisational jazz. Part II is superior to part I. Jazz makes me feel stupid because I absolutely do not understand most of it, this included. This is what is on at a snobby, rich young New Yorker's loft during a party in a movie. I can't imagine real people listening to this even as background music on a day-to-day basis. I feel about the saxophone the way I know many people feel about the harmonica in Bob Dylan's or Neil Young's music. I think I'm just more of a standards and jazz trio kind of person.
This is like the Garbage Bond theme for an off-brand film. Nothing like some theremin (maybe theremin-adjacent) noise to add to the enjoyment of an album. Goldfrapp heard Portishead and thought they could do that. This is the score to a neo-noir film set in Paris. The theremin is back! I bet Zach Braff heard this and wanted to find a place for it in a moody sci-fi relationship on a spaceship film. I get the label "cinematic" when referring to an album now. Why wouldn't you add yodeling to your electronica, natural fit. A circus music interlude feels about right.
This came out in 1982, I would have thought later. Does Rio sound exactly like Hungry Like the Wolf or am I an idiot? Why did they put the zebra stripes all over the girls in the Rio video? Or was that the Hungry Like the Wolf video? New Wave music is terrible. They could have added one hit of the Bond theme and no one would be able to tell the difference between Rio and A View to a Kill. Hungry Like the Wolf is their biggest hit. Every song sounds exactly the same. I've heard electronica that sounds more different from song to song. This could be a Stranger Things soundtrack and kids (and adults who should know better sadly) would go crazy for. Save a Prayer has more plays than Rio and I've never heard it before this moment.
I always really liked Please Forgive Me. I liked Babylon less. Upon listening again though, it's better than I remembered. Five singles off a ten song album is crazy. That's like Jagged Little Pill level. I will say the album tracks are not at the same level as the singles, but they aren't terrible either. This Year's Love was the biggest song off the album and my least favorite song so far. The two hits to start the album are better than the three big songs to close it out. Say Hello, Wave Goodbye deserves more credit than that. it's better than This Year's Love or Sail Away. This is like slightly less good Coldplay.
Eleanor Rigby is one of my favorite Beatles songs. God, it is depressing though. The use of sitar would be an issue of appropriation today. I don't get the hype. Five albums in and they have two great ones and three (so far) average ones. I know it's a goof and Ringo is the silliest Beatle, but Yellow Submarine is the second best song on this album. Good Day Sunshine sounds like something from Sesame Street. Their output is absolutely astonishing in terms of volume though.
There's a lot of hip hop that got left off this list to make room for this. Mama Gave Birth to the Soul Children is my least favorite De La Soul song ever. The baby talk is one of the worst parts of any of the albums I've heard so far. Nina Sky loves Come into My House. There's a little bit of an overstuffed sound that was popular from some early hip hop. It's like DJs thought if they crammed enough sound into a song it would have something for everyone. Latifah's Law is like that and still my favorite song so far. I believe that Queen Latifah is the greatest female battle rapper in history. 80s/90s rappers loved moving into sitcom roles. Queen Latifah, LL Cool J and, king of cheesy rap, the Fresh Prince. Monie Love really puts Queen Latifah's skill in perspective because she sucks. There are so many more deserving hip hop albums.
Seth McFarland nailed it, "This thing was unstoppable. This... this was the soundtrack my '95. To my '95 and my '96, actually." Six of twelve songs on this album were released as singles. I'm sure that wasn't the plan originally, but "unstoppable". It's fun to dunk on how popular this album was, but everyone had this album. All I Really Want is a good lead off song. Followed by the greatest song ever made about giving a blow job to a sitcom star in a movie theater. Well, the best one I've heard, I probably haven't heard all of them. Dave Coulier, you dog. Also unbelievable that Ironic is waaaaaay bigger than You Oughta Know. Hand in My Pocket is one of my favorite songs off this album. Honestly, the album tracks, what few there are, are still pretty good. Wine, dine and 69? Catholic priests? This poor girl was done wrong. Head over Feet is good too. This album is good. Ironic, even without considering her not being super clear on the meaning of irony, is overrated. Not the Doctor is good though.
On some songs, I have no problem understanding his lyrics...others he might as well be speaking Mandarin. The live version of No Woman, No Cry is infinitely better than the studio version. Bob Marley is unequivocally better live than in studio.
The Overture is a dumb into but the two songs after it are good. This feels both futuristic and like a throwback to 60s R&B at the same time. You can hear the Outkast influence throughout the album...beyond just the Big Boi guest spot on Tightrope. Tightrope is a great song. I'm really liking this album. You really realize what a pretentious ass Robert Christgau is when you listen to this album and read his review of it. At the start Oh, Maker had me thinking it was the beginning of a downward slide, I was wrong about that. But starting with Come Alive (War of the Roses) and Mushrooms & Roses has me thinking I was just one song too early. The overtures feel like a nod to this being an "art&B" album more than an integrated part of the album. The balk half of the album is not as good as the first half. It's hard to get 9 songs right, let alone 18. Also, concept albums are almost always, hat tip to Ziggy Stardust, an annoyingly contrived restriction on quality rather than an invitation to tell a compelling story. Say You'll Go is an improvement. An almost 9 minute closing effort...I do not understand why artist after artist insists on having an irrationally long final track on what in some cases is already a long album.
One of the earliest albums on the list, it feels very out of place with most of the other albums. There's nothing wrong with Sinatra, his voice is good, but this doesn't feel exceptional. It's hard to believe, but the lyrics of popular music in the 50s were even cornier than the lyrics of today's pop. I don't hate this, but it's not really interesting to me either. The cool, swinging, jazzy good times just wear smooth after a few songs. I always liked the song Anything Goes...probably has to do with Kate Capshaw's rendition at the beginning of Indiana Jones and The Temple of Doom.
Oh my god, this sucks. I've said it before and I'll say it again, New Wave music sucks. This is unbearable. This is like a William Shatner album with this guy just talking over Cure music expect people took this seriously. Interzone is the best song on the album.
This list has too many 90s Britpop acts. British bands love ska. There's nothing like some annoying noises at the end of a song to improve an album. This isn't terrible, but it sounds like 100 other albums that came out in the mid 90s. Oasis, Pulp, Blur...a bunch of bands that came out around that time or immediately after just sound the same and so much of it is just "meh". British bands love to weigh in on American politics. This album sounds like 1993. In the 90s, America gave us grunge and gangsta rap...great Britain gave us Britpop and it apparently won based on the albums on this list. Ridiculous. It doesn't help that this album is over an hour long. It just keeps spiraling down. This is too much music for an album for anyone except the really great artists. You don't have 17 good ideas for an album. I bet Ludwig Goransson listened to Spun Around before he started writing the music for the Mandalorian. Some backwards talking, sweet. The album swings between generic 90s British pop-rock and terrible 90s British pop-rock. This is one of the least interesting albums on the list so far. God, this album drags. Run My Way Runway is just a jumble of stupid sounds and stupid lyrics. The repetitiveness of The White Noise Revisited is grating.
I hate prog rock. I honestly don't know if I have the patience for this review. One minute in and I'm wishing there was more Britpop on the list. A twenty minute opening song is not a good way to kick off an album. It's half the run length. All I can think about it when it will be over. I bet these guys get along famously with Jethro Tull. This album is terrible. I think it's better than Pictures at an Exhibition, but just barely. At least it's relatively short.
This is not my favorite Springsteen album. Badlands is the hit and I don't love it. Racing in the Street is the best song on the album so far. The back half of the album is much better than the first half. Ends up being a decent, if uneven, album.
An hour and seventeen minutes? Come on Xtina! That's too long for a pop album. Yes, life is hard for you ladies. Lil' Kim cannot sing. Dick jokes! Leave the in song jokes to Eminem. She is upset about something. This is like a Taylor Swift album...beautiful blonde woman complains about ex for an entire album. And I like them about the same. Come on with the Spanish and the Interludes...you're from Western Pennsylvania. She has a nice voice, but she's no Mariah. Infatuation is the best song so far. And another interlude. I hate numbers and letter replacing words in titles, but Loving Me 4 Me is good. The talking was lifted right off Jill Scott though. Let's have an uncredited Alicia Keys cameo! I can't tell if I like this album or her need to be a popular teenage girl is so annoying I don't. Fighter, Beautiful and Dirrty were the singles. Dirrty wins. The theme of Xtina's empowerment runs through the album, but the songs still manage to feel disjointed. It's like she said she wanted one song from every genre about strong women. Redman will guest on literally anyone's album. The video for Dirrty is probably worth half a star. I always liked Redman, he's a highlight. Good song. And a stupid blank 45 seconds on the last song and then some stupid joking around with an offensive accent. CDs were terrible and glad I am that their reign was short lived.
Bjork could have scored Fight Club. I liked Hidden Place a lot. I like her music more than I should, something about it just works sometimes. She reminds me of David Bowie, sometimes his experiments really work, sometimes they fall flat. I bet Billie Eilish loves Bjork. Her music isn't catchy exactly, but there's something I like about it. An Echo a Stain is creeping me out. It's like a noir-thriller soundtrack. The less music in each song, the less I'm liking it generally. Unison is a good song to end on.
I like jazz trios, feels both cool and accessible. I like this album. It's not super memorable and I wouldn't be able to tell it apart from a hundred other jazz trio albums, but I like it.
The website ate my review!
I always liked their debut LP and Quality Control better but this is good. 2na has a voice that is instantly recognizable. I could do without cut chemist interspersing every song with a bunch of old television and movie dialog. It's Golden is their biggest hit, it's a good song. It's weird that Nelly Furtado was such a big thing at the turn of the century. One of Them is a jam.
It's the mixed sex Beach Boys. Monday, Monday is already annoying the hell out of me. This whole album sounds like the soundtrack to Scooby Doo. It's like they kept the harmony and lost any edge the early Beatles had. California Dreamin' is the hit and it is not even close. Monday, Monday might as well not exist. Spanish Harlem is a terrible cover. Aretha is the queen of this song. The original Ben E. King version is vastly superior as well.
I love Bob Dylan, I love folk Dylan, I love electric Dylan, I love young Dylan, I love old Dylan. It's hard to be unbiased. If you don't believe the man is a deserving Nobel Prize winner, listen to Blowin' in the Wind and tell me he isn't a poet with a guitar. Sometimes there's a man. I won't say a hero, because, what's a hero? But sometimes, there's a man. And I'm talking about Bob Dylan here. Sometimes, there's a man, and well, he's the man for his time and place. He fits right in there. Girl from the North Country is such a beautiful song, and his duet with Johnny Cash on Nashville Skyline just goes to show how versatile his songs are. Maybe it's more of a commentary on how great songs transcend genre. This album is incredible, Masters of War is terrific. A Hard Rain's A-Gonna Fall is a beautiful song, I love it. It's in the running for the best Bob Dylan song and that's saying something. The quality of his lyrics is unparalleled, he's like a modern day Shakespeare. This album has so many great songs, and this is effectively the debut of him as a songwriter. Don't Think Twice, It's All Right is another historically great song. Corrina, Corrina is another great song. I've listened to this album so many times, but this is maybe the most I've thought about it while I was listening to it and it is blowing my mind. A great Bob Dylan album which puts it in the running for one of the greatest albums of all time.
Thanks for the introduction Ray. How about you just play and assume the audience can figure out how music works? Willie wrote some of the songs so I'm hopeful. I don't dislike the title track, it's pretty much that post-Hank Williams, 50s/60s Country music; Patsy Cline, Tammy Wynette, Glen Campbell. This cat is not a fan of partying and loose women. This is a depressing album. I guess all country music was sad back in the day. Maybe the real Outlaw Country change was not having every song make you want to hang yourself. This whole album is like the easy listening Country classics late night CD offer.
I don't need the thematic explanation...either do it with the music or don't do it. Timbaland hit his apex working with Missy. A lot of guest spots on this album, not complaining. Method Man, Ludacris and Jay-Z is a pretty strong late 90s lineup of MCs. Work It has always been one of my least favorite rap songs that was a hit, the backwards talking is dumb. Rappers love to do the retrospective hip hop shout out song. Back in the Day is not my favorite one though. Hearing Pussycat for the first time is when Nicki Minaj, Cardi B and Meghan Thee Stallion realized what they wanted to do with their lives. This album is not bad. The song with Beyonce is a highlight. The number of times she says "This is another Missy Elliott exclusive" makes DJ Khaled seem restrained. The back half of the album is the better half. The exclusive thing is super annoying. The sad song about Aaliyah and Left Eye is corny as hell. Nice little chat at the very end, CDs were super stupid.
This is awful. Kate Bush makes Bjork sound like Aretha Franklin. Kate Bush is incredibly overrated. 80s music sucks. Of course this is one of Bjork's favorite albums. The title track is like a pirate shanty. This is terrible, there is not a single redeeming feature of this album.
Nothing like some chit chat before the music starts. This feels like an album that's going to be full of these Odd Future guys being....odd in brief interludes and some found sound. Frank Ocean is the D'Angelo of Alternative R&B. I bet Frank Ocean must idolize Stevie Wonder. More talking. And I bet Steve Lacy idolizes Frank Ocean. The difference between the style and the content of Crack Rock is about as disparate as two things can get. His voice and Musiq Soulchild's are virtually indistinguishable. Pink Matter is amazing. I love Andre 3000.
The title is already tedious. Let me reiterate what absolute pompous douchebags music critics are, a bunch of assholes sniffing each other's farts. This has no place in this list. 30 million people have listened to the first two tracks. I have to assume half of them were involved with this dumbass book and the other half had this in a Spotify "Ambient Music to Sleep To" playlist. I still might like it more than anything he did with Roxy Music. Four songs, 48 minutes, that is an awful ratio. This would be a fine soundtrack to a movie about an airport. And I mean literally about an airport, just a long, slow tracking shot that works it's way from like a drinking fountain inside a terminal to pan out to the show the entire airport facility over 17 minutes. And it closes with a full minute of silence. There's nothing awful about the first song, it just has no place on this list. And now nine minutes of vocals. This is the soundtrack to a movie about lonliness. I can confidently say I will never listen to another Brian Eno solo album after I'm done with this list. This is Tubular Bells all over again. It started as an art project! This isn't even intended to be played like this. But, it did define the ambient genre, so let's put it on this list! All the songs are going to end with an extended period of silence...because they're an art project, not an album.
I might Have Been Queen is not getting this album off to a good start, too new wave-y. She has a sexy voice. She's like R&B Kathleen Turner. This is like classic 60s Tina Turner mixed with new wave 80s Thunderdome Tina Turner...the songs have alternated so far and are a classic reminder that new wave music sucks. Missy Elliot's favorite Tina Turner song. Better Be Good to Me is a great pop song. I hate when there's no way to find the original album release on streaming. Brittany Howard sounds like Tina Turner in some songs, that's a flattering comparison for both of them. This cover of Let's Stay Together feels unnecessary. The new wave songs could be the soundtrack to a terrible 80s movie. I'm going to go out on a limb and say that Private Dancer is the greatest song about strippers ever.
This is like slightly better Devo. It's not nearly as good as the other album, More Songs About Buildings and Food. This is just a weird album. This is more like what I thought of Talking Heads before I heard More Songs About Buildings and Food. And now I see my first impression was not unfounded. Psycho Killer is the biggest hit on the album and maybe their biggest hit ever. I never liked it and I still don't. Better than Devo though.
His delivery is annoying. G. Love is like the Fred Durst of jazz rock. I might prefer William Shatner's delivery to this. There's no reason to put real hip hop on this list when you can fill it with mediocre almost rapping from G. Love. The Bob Dylan reference (Song to Woody) is not enough to save how stupid Blues Music is. I cannot escape how corny his singing/rapping is. This is the music of 1994 fraternity parties. Jack Johnson loves G. Love. G. Love's solo projects are on Jack Johnson's record label! Cage the Elephant heard this and knew they could make an album. Cold Beverage is supremely overrated on a supremely overrated album. I bet they regret the fat shaming classic, Fatman. This is too much G. Love in one sitting. Shooting Hoops is terrible. First, it's another song where they treat saying famous people's names as a shortcut to writing actual lyrics. Secondly, they do the same thing on another album on I-76. This is not a good album or a good band and the critic who put this on the list should be banned from writing about music. It's not even that it's so terrible so much that it feels like an act and isn't a very interesting one at that. I bet Citizen Cope loves G. Love.
Curtis Mayfield is heartbreakingly underrated. Apparently blaxploitation movies were basically vehicles for funk musicians to make records. Pusherman is the most lighthearted song ever about a drug dealer. Freddie's Dead is the most overrated song on the album. My college roommate my freshman year loved Curtis Mayfield, and this album specifically, and he sucked. That may have put me off this for a while. Give Me Your Love (Love Song) might be the spiritual forerunner for all porno music. I love it. Curtis Mayfield loves using the harp in his music. I really like this album. Closes with the Theme for the movie, bold choice.
Another neo-soul album?!? I'm here for it! This is a great album. 90s/00s R&B is the best R&B, the era of the Slow Jam. Sumthin' Sumthin' followed by Ascension (Don't Ever Wonder), two great songs. I always liked D'Angelo more than Maxwell, this album isn't changing my position on that. This is a good album though, everything is solid to great. Dancewitme is good. This feels very much of its time. The first half of the album is definitely stronger.
A good start. Take Five is the hit and probably one of the most famous jazz compositions ever. It is undeniably good. This is probably my favorite jazz album on the list so far.
I guess this is ok? It's not terrible, like a modern Kate Bush? She's like the solo lady Velvet Underground? Loops in the Secret Society is a good song. I'm having a hard time telling exactly how I feel about this album. I think I kind of like it.
Skits....what is the deal with rappers and skits. And this one is long. The Cymande sample is in the 25th Hours scene when they walk into the club. I remembered De La Soul had goofy lyrics, Can U Keep a Secret maybe pushes the envelope too far. This album is not good enough for me to totally overlook numerous skits, found sound in French and a run time of over an hour. Eye Know has more listens than Me, Myself and I. That is insane. Take It Off is another one that is just befuddling. The non-song tracks are so annoying. The late 80s were the era of unfettered sampling. I'm not loving this album. Plug Tunin' (Last Chance to Comprehend) is one of the better songs on the album. I would not have thought these guys would have a sex sounds skit. Dr. Dre, yes. De La Soul, no. Me, Myself and I is the best song on the album. This was a disappointing trip down memory lane. And it closes with the stupid sketch concluding.
