Cosmo's Factory

The Dude: Do you find them much, these, stolen cars? Younger Cop: Sometimes. Wouldn't hold out much hope for the tape deck though. Older Cop: Or the Creedence.

Travelin' Band, Lookin' Out My Back Door, Run Through the Jungle, Who'll Stop the Rain, I Heard It Through the Grapevine, Long As I Can See the Light. Those are not songs from their greatest hits collection. Well, i'm sure they ARE, but more specifically they are from this album. That's simply a crazy collection of good songs. This really made me want to sit on a patio out in the Bayou and drink beers. If you dont feel the same - call for help.

To argue that this was anything less than a 5-star album would be a fight against democracy itself. The people have voted. CCR is an institution. Any band that can get right-wing voters to belt out anti-war anthems have some sort of Creole VOODOO going on behind the scenes. John Fogerty is from Berkley, California. The Fortress of Solitude for all things liberal. Yet if you see the confederate flag on a pick-up 50/50 chance they are bumping Fortunate Son. Insanity. True Bipartisanship rocking, I dig.

This is a really legendary album. Probably 75% of it's songs are on every CCR Greatest Hits collection. I really can't say enough good things about. The real star of the show is John Fogerty's vocals, but the musicianship is great too. Long as I can See the Light and Heard it Through the Grapevine are my 2 favorites, but I love most of the songs on here.

A wonderful album with great songs. Can’t believe they were only together for three years, and they managed to create so many tunes that are still played today.

ok it seems like a four-worthy album to be honest but i really don't have the urge to listen to any of these songs again and its not my type of music so three it is.

I grew up on this band, mostly through Chronicles Vol 1, but most of the tracks on here are also on that. Discovered Ramble Tamble, which I love and Ooby Dooby, which I hate. Had to listen to Up Around the Bend twice because it’s so good. I’m amazed at the different style influences across this album. So good!

11 minutes is a fucking joke

I am devastated—DEVASTATED I TELL YOU—that I got all three CCR albums within a week of each other. I love CCR and would have rather spread them out to be a little tasty treat for my ears. This is my favorite of the three CCR albums on the list—some certified classics and also features CCR really experimenting with their sound on a few tracks. I do find “I Heard It Through The Grapevine” unnecessarily long and CCR has always excelled at creating great singles rather than cohesive albums, so this one still earns 4/5 stars. Nonetheless, they really were a one of a kind group that wrote some of the greatest songs in the rock and roll canon. Also, let’s pour one out for “Willy and the Poor Boys,” which easily could have been on this list and features my favorite CCR song (“Fortunate Son”).

I liked this one a lot better than the other CCR album I got from this album generator. This one seems somehow 'swampier', but it also has more variety and more experimentation in the songs. This sets it apart from just being more highly polished radio-friendly standard rock-fare. Just a really good album, loved listening to it.

4.5 stars. Loved the Rockabilly tones. The country was strong with such lovely bluesy undertones. Vocals are on point on this and an 11 minute cover of a Soul Classic in heard through the grapevine is the perfect ending. Which sadly eclipses the actual last song on the album.

I see why the Dude was concerned about getting his Creedence back.

There are people who say that Creedence Clearwater Revival is the West Coast Velvet Underground. …and if you listen to “Ramble Tamble” from about 3:05 to 5:32, it’s kind of hard to argue with that assessment. The drone is real on that one. I’m not sure that I totally agree with the comparison, but Creedence and The Velvet Underground are probably the two best American bands of their era. I’m not sure what else to say…very few bands have a run as consistent as CCR did from 1968-1970 (during which they put out *six* albums). Cosmo’s Factory might be their best, but they were so consistent that “best” could easily apply to 3 or 4 of those records.

Fogerty can really put an album together. So many classics, so much grit.

The opening track alone (Ramble Tamble) is inexplicably not on any greatest hits, but is their best song.

I already knew over half the songs, but hearing it all come together as one unit makes it all the better. Some classic stuff here.

I hate when this generator gives me a universally-loved Dad Rock band who I have little previous experience with, because 99% of the time, they’re just not my vibe. Especially if the top reviews start referencing The Big Lebowski [a movie I don’t have much nostalgic love for, either]. I have never heard Cosmo’s Factory. If I’ve heard any of the tracks off of it, I have no memory of it, and it certainly wasn’t on purpose. In fact, before today, the only CCR songs I could even hum the hooks of were “Fortunate Son” and “Have You Ever Seen The Rain.” I don’t even think I’ve ever listened to their Greatest Hits compilation, even during my Classic Rock phase as a pre-teen. I think that has a lot to do with what CCR represents. They may be from California, but they are quintessentially a Heartland band, if not a fully Southern band. I can count on one hand the number of times I’ve ever traveled further than Philadelphia in my entire 32 years of existence, and could count the times I’ve been further than New York State on two hands. I’m a Northeastern girl through and through, and while any Swamp Yankee New Englander will tell you that that doesn’t absolve me from coming into contact with a tinge of Southern culture, especially Southern music, I think I’m much too young for CCR to have made a lasting impact up here, even in the farm towns of Rhode Island. Right away, I knew that CCR’s style was not for me. Let’s start with the weakest parts: the covers. I’m not opposed to covering old rock ’n’ roll songs, but my problem seems to be that no one ever changes them up, and CCR certainly aren’t the band to do that. Of the 4 covers– already a third of this record– 3 of them just sound like their original versions done by a very talented, very tight County Fair Band™️. The fourth is an 11 minute cover (!!!) of “I Heard It Through the Grapevine,” and while this one does have some stylistic flair, I only needed the first 4 minutes to get the gist. Those covers clog up this record a lot, and even if that was my only issue, I’d still have a hard time seeing why this album is hailed as some great masterpiece. Maybe within their internal discography, but already, Cosmo’s Factory is far from flawless. The thing is, even original material still isn’t for me. I think starting off with the drunken tempo-shifter “Ramble Tamble” already put me in a bad mood. Meanwhile, the pastiche distracts me on “Travelin’ Band,” which just sounds like a Little Richard knockoff, and “Lookin’ Out My Back Door,” which is like a mid-tier country song from 10 years prior. If that’s your style, that’s all well and good, but it just isn’t clicking for me. Thankfully, Cosmo’s Factory is a backloaded record. I think it’s hard to deny the hook of “Up Around the Bend,” and the emotion of “Who’ll Stop the Rain.” I even like the change-up in style for “Long As I Can See the Light,” and again, while it’s way too long, I get why their “Grapevine” cover is noteworthy. But even at its best, even when I can recognize why this is hailed as a great record, even when I enjoy a song here and there, I’m not head-over-heels for it. I know I’m not going to revisit these songs. To me, even the best material on Cosmo’s Factory just sounds like Drinking Budweiser In Your Garage™️ music. And look– I normally enjoy ✨cock rock✨, but there’s a twang to this whole record that just doesn’t taste good on my tongue. The good songs are well-made, but I am not going out of my way to hear about ‘Nam and the swamps, personally. And even though the mid-tier songs are still done well, they lack a hook that sounds unique to make me want to revisit them. Hell, even the strongest material here has a samey-ness quality to it that makes this overall feel empty to me. I think a large part of my apathy toward this album is simply that CCR is not a band for me. They’re for my blue collar brother who moved to the South, not me, a trans woman in Brooklyn. But I also do think this record is way overhyped. I think if 33.3% of your 33 1/3 is bland covers, you don’t have a classic on your hands. I also think this is a much spottier record than people want to admit. I understand if there’s nostalgia tied to CCR, I understand that they’re a gateway band for a lot of music nerds, I understand their chart impact, I understand it all, but I just don’t think the songs are always as ✨there✨ as people say they are. Strong Side B, yes, but a middling record overall. Maybe CCR are just a singles band. Sorry.

Pretty dreadful stuff. I really dislike Fogerty's voice. Travelin' Band is a straight rip off of Good Golly Miss Molly. The version of Grapevine adds nothing to the Marvin Gaye version. Sorry Dude, I'd be relieved if my Credence tape was stolen (though I agree about the f'n Eagles, man)

Love it' A Classic. Reminds me of drinking in a barn in NB.

3 Stars (8/15)

A few notable songs on the album, like "Up Around The Bend". Never really was a big fan of CCR but can certainly appreciate their music. Some songs are dopey though, like "Ooby Dooby" is a waste of time. There's a cover or two on the album as well, which I almost never appreciate on studio albums because it's just filler, IMHO. Like we don't need an 11+ minute rendition of "Heard it through the grapevine". 7/10.

This has to be THE Creedence album right? I don't think I've ever realised what an amazing band they were. Their 5th album in what, 2 years? 11 tracks, five of which were top 5 singles? Magnificent.

Play loud.

Dear lord this rips. What a band these guys were at their peak. They were a greatest hits band by the time I came to them -- but I can only imagine what it was like to slap this down on an old turntable and crank up "Born on the Bayou." Pure American rock and roll. The shiznit.

This is proper good. Really, it is! I've never taken much of a plunge into CCR despite the constant banging on about them from my fellow pub-goers, and on this evidence I 100% get the love for them. Jubilant, swinging rock and roll at its foundations, there is also a healthy and very tasteful country influence weaved into the fabric here, not dominating the sound but accentuating it very well. A deceptively simple album on the surface of it, but there were some interesting variations and subtle switch ups in time signatures and song structures to keep each track fresh in direct succession from one another. It chugs along brilliantly whilst avoiding becoming too formulaic, and the playing here is really tight. Interesting to note that the album's title derives from the meticulous rehearsal sessions which were conducted in drummer Doug Clifford (Cosmo)'s warehouse, though this doesn't pervade into the music too much for me as to detract from the intimate nature of it. Another one to whack onto the wishlist, honestly there is very little, if any fault I can pick with this one.

I mean, it's Creedence. I think it's genuinely impossible to flat-out hate Creedence Clearwater Revival. I know I don't hate them. Cosmo's Factory is my third album of theirs, and you know what? It's also my favorite of theirs. This thing is amazing. This is CCR at its absolute peak, and I'm not alone in thinking that. This is, from my perception, the most critically acclaimed CCR album. After listening to it, I can see why. At first glance, there's not much that makes this much different from an album like Green River or Bayou Country. That's fair, but I also think that it's not entirely accurate. I do think that Cosmo's Factory has a bit more experimentation to it. Like, Green River might be the best encapsulation of CCR's greatness at its core, but Cosmo's Factory is probably the band's creative peak. I really like the variety on the album. That's kind of what makes this one stick out to me personally. Comparing a song like "Travelin' Band" to "Who'll Stop the Rain" helps you realize that CCR isn't some one-trick pony. They can do different things while still retaining the timeless core of their music. Speaking of timeless, that's kind of what CCR really means to me. Their music feels like it's been around forever, and I love it. It has that universality that makes them appeal to all sorts of people without having the more poorly-aged aspects of earlier rock and roll. It's great. Of course, the songwriting is a big part of this. John Fogerty's really got a knack for musical talent. The aforementioned "Who'll Stop The Rain" shows this off very well. There are some covers on the album though, and they're great. The 11-minute-long cover of "I Heard It Through The Grapevine" is a highlight for me. I can't comfortably call it the definitive version of the song, but it's a great rendition regardless. I don't think I need to say much more. CCR is just one of "those bands," you know? With its exceptional creativity and remarkable consistency, Cosmo's Factory proves itself as a stone-cold classic album that represents the best of what this excellent band has to offer. 5/5.

Foot-tapping fun. Effortless instrumentals. CCR clocked in at Cosmos Factory and churned out nothing but certified bangers. 5 outta 5 classic

The first couple songs of the album, in my opinion don't quite warm you up for the awesomeness of the rest of it. Traveling band, Lookin' Out My Backdoor, Run Through the Jungle, should I just list all of the rest of the tracks because there's more bangers than not.

Loved this. Several absolute classics on this album and a few gems I'd never heard.

Great - the Mix of Roots Rock, Swamp Rock, Country Rock and Blues Rock - A Milestone

Always down for CCR

This is the third album of CCR, which I encounter here on this list. Great as the other two. Don't know what to say more.

Love CCR. I ran through the jungle to listen and was introduced to songs that I hadn’t heard. Added this on my service to listen to again.

Incredible collection of songs, how did they crank out so many monsters so quickly? Banger after banger, with all the greats included on Chronicle Vol 1 (a solid 50% of this album). I could play "Lookin' Out My Back Door" or "Up Around The Bend" on repeat indefinitely, and made a decent effort in that regard today.

Cosmo’s Factory is CCR’s bittersweet love letter to an America that’s as rough around the edges as a roadside diner at 3 a.m. Imagine walking into a dimly lit bar where the jukebox plays anthems of a generation too jaded to care, yet too spirited to stop dancing. With tracks like “Who’ll Stop the Rain” and “Run Through the Jungle,” CCR doesn’t so much deliver music as they deliver a punch of raw, unsentimental truth—a truth that slaps you awake harder than your morning coffee. It’s as if the band took the collective woes of the working class, mixed them with swampy blues and rock ‘n’ roll gusto, and then poured it into a vinyl that’s both a rallying cry and a wry, knowing smirk at the absurdity of it all. So, dust off your cynicism, spin this record, and let Cosmo’s Factory remind you that even in a tired world, there’s always a raucous melody ready to set you free.

I'm sure my older brother bought this album when it came first out and I listened to it then but I don't remember it as an album. Many of the songs are iconic and I knew them as singles. So when the album popped up, I knew that I'd like it - I just didn't expect it to be as great as it is. I would normally list the standout songs - for this one it's easy to list the less-than-A-side songs and that would be "Ooby Dooby" - all the rest were fantastic. Unlike some other reviewers - I loved the 11 minute "Heard it Through the Grapevine"!

Everything I've heard from CCR was enjoyable so far, but I never imagined this album would be so solid! About as good as white man's blues/rock gets.

Truly amazing the amount of hits this band kicked out in such a short space of time. Could be a greatest hits album 5*

This is the John Fogerty show through and through which is both fantastic, because he's an amazing musician, and rough, because so are his band mates. It's a damn shame the man couldn't muster three dimes worth of humility because what this band could do when they worked together was incredible. Regardless of the internal drama and their breakup just over a year after dropping this gold, Cosmo's Factory is a great album. Every CCR album (except maybe Mardi Gras) has one or two stone cold classics but this one is packed. Travlin' Band, Lookin' Out My Backdoor, Run Through the Jungle, Up Around the Bend, and Who'll Stop the Rain are all instantly recognizable to anyone who's listened to music in the last twenty years. On top of that you've got some solid blues tracks and CCR's recording of Heard It Through the Grapevine which competes with Marvin Gaye's classic version. Just a phenomenal album.

Acid flashback to ‘Nam ‘71

A masterpiece.

Amazing how many timeless classic songs CCR was able to produce in such a short period of time. I went into this album thinking it would end up being a 4 star rating, but after listening to it I'm giving it a 5.

Ooby Dolby is a little silly, but the rest of this album is fantastic.

I forgot how much I absolutely love this album!

Loved it. The right vibe for my later day relaxation.

10/10

Very fun album to listen to.

Hell yea

Amazing

Put me in, coach

Love this album

Awesome album. Can listen to it wherever

Classics all around. Though 11 minutes for I heard it through the grapevine is excessive

Catchy songs. The whole album listened as well I expected to it - good stuff all around. Nothing more to say about CCR that hasn’t been said before.

Can't go wrong with CCR

The best songs lock into patterns that could comfortably entertain the back of your mind forever. Am reminded of Dr Feelgood today: both stripped-down, tight bands that used the blues form to accommodate their own peculiar rawness and guitar tangle that sounds simple and fun a probably a pig to imitate.

This album is a collection of great songs. It’s not necessary that they are from the same album thanks to 1980s classic radio. Some of the individual songs would be five star. But the album remain four for me.

👍

Switching from Dead Kennedys to CCR makes for quite a contrast on every level; sort of a smooth bourbon after several jolts of Jaegermeister. Sadly, I've never been much of a Creedence Clearwater Revival aficionado, and this is the first album for me of their three in this collection, so I'm not sure how it compares to their other albums. But it definitely sounds like them and has a shocking number of their classic radio hits, so it certainly *seems* like a good-if-not-great selection. I also enjoyed a surprising number of their non-singles tracks (possibly in part because many of their songs have a pretty consistent sound), especially the opening track "Ramble tamble". It's amazing to see how many albums, and extremely popular hits, they cranked out in the space of about 3 years. Too bad that John Fogerty's imperiousness eventually burned out the CCR candle long before their time had come.

For some reason, my distaste for southern style classic rock, which this band epitomizes, is completely erased by CCR. I actually really like this band. It has to be something underneath that I just can't quite grasp that sets this band, in particular, apart from all the stereotypical "classic rock" bands out there. They technically ARE a classic rock band (even with that southern tinge) But yeah, they remain an anomaly in my musical taste library. I don't think I will BUY the tee-shirt but if someone gave me one I would wear it.

I don’t know what I expected before listening to this album. I think my preconceptions about Creedence Clearwater Revival were that they were a country band like the Allman Brothers, and while I think there is a time in a place for that kind of music, it’s not my favorite. But after just a couple minutes of listening to this album, I am a convert. only giving four stars because white people gaining fame from music that is clearly inspired by traditions of black musicians deserves to be knocked down a peg on principle.

sehr gut. macht bisschen gute laune. so halbhintergrung

Hits, hits and more hits! For CCR fans this I the one of you!

Creedence Cosmo’s Factory 1970 I was 13 when these songs were on the radio and they were ubiquitous. I prefer rock over blues and I don’t like it when the latter is too heavily involved. Songs like Before You Accuse Me are an auditorial assault while Travelin’ Band is a favorite, a punchy rocker minus the heavy blues. Hard to rate an album with five songs I’ve known for 45 years, so I’ll give it a 3/5.

Instantly makes you 290% more horny for your sister

Repetitive, Frantic, Plagiaristic.

When I was a kid, my mom wanted to get my dad a copy of John Fogerty's Centerfield on vinyl. We went around to every record shop in town trying to find a copy. One shop we tried to go to had a sign on the door that said "no minors," which my mom thought was an incredibly confusing and stupid policy, and she held a grudge about that incident for several years. That story really doesn't have a lot to do with this album, but I always think about it when I listen to CCR. I've listened to quite a bit of CCR over the years. They were never one of my favorite classic rock acts, but they got a ton of radio play on the local classic rock station. It's not that I think they're bad, there's just other stuff I'd rather listen to when it comes to classic rock. Needless to say, this was my first time listening to one of their albums in its entirety. I'm familiar with a few of the songs on this album, and "Up Around the Bend" is easily my favorite CCR song. Outside of the songs I knew, this was about what I'd expect for a CCR album: a southern rock album with touches of psychedelica, blues, and rockabilly. Most of the songs were good, with "Ramble Tamble" being my favorite of the songs that I didn't know. John Fogerty has one of the most recognizable voices in classic rock, and his vocals on this album were really good. His voice really helps create the band's unique swamp rock sound. "Up Around the Bend" is easily the best track on the album in my opinion. That high pitched guitar riff is just incredible, and the song does a fantastic job of making me feel like I'm driving down an old country road, headed to a backyard cookout. This song always puts a smile on my face, and listening to it today was no exception. CCR's version of "I Heard It Through the Grapevine" is really good too, and they really succeed at making the song their own. Outside of those tracks though, the album was just kind of boring to me, and that makes this album pretty middle of the road overall in my book. Again, I don't think it's bad, but it's just not my cup of tea.

Surprising how one album can have songs that are absolutely shit and amazing.

I already know this is five stars... it would be six if I could. I bought this album when it came out😍

Classic 70’s Americana roots rock. Timeless album that can’t be skipped.

Tub thumping swamp music. Never really heard them before, but worth listening to twice on the same day.

Hit after hit. These guys rule. Best album yet.

I’m relatively late to CCR but my word, what a band. Cosmo’s factory is them at their swamp Rock best. That back to back combo of “Run Through the Jungle” straight into “Up Around the Bend” is perfection. Also, funnily enough this is there the second record I’ve listened to that’s had a “I heard it through the grapevine” cover on it.

Excellent southern rock record. “Travelin’ Blues” is a great rock n roller. “Lookin Out My Back Door” is one of my favorite CCR songs, it’s great. “Run Through The Jungle” is awesome as is “Up Around the Bend”. “Who’ll Stop The Rain” is perfection. “I Heard It Through The Grapevine” is also great.

Suscribo a mi amigo Montes: todos sus discos son Grandes Éxitos

Probably their best album, which means it should rightfully be given six stars. However, in silly social media ranking exercies, as in life, I oppose grade inflation.

Y'wanna know what's crazy about Creedence? This was their fifth album in two years. Yeah — the pace Creedence was at at their height was **crazy**. I mean, as I remember John Fogerty saying once, "Every three months there's a new Creedence single." With this album, we're six months out from 'Wily & The Poor Boys', which was their **third** album of 1969. Heck, we're a year and change out from the first album my group got from these guys, 'Bayou Country', which was their **first** album of '69. It's like, the only band who's since managed to have a crazier rate of output was King Gizzard & The Lizard Wizard, who'd managed to put out multiple albums in single years **multiple years**. And they managed to **double** Creedence's output the **first** year they did that! And what's particularly remarkable about both of these bands is that while their releases were generous, they **never** skimped on the quality. Obviously Gizz's track record is more impressive given the range of styles they attempt on each album, but Creedence is sure no slouch. Sure, it's largely all hard livin' swamp rock, though you'd imagine after putting out five albums in two years they'd've run out of songs and tricks. I mean, come on, no one can put out five records of material without running out of steam, right? Not only is Creedence still running at full steam on this album, I think they're better here than they were five albums ago. Like, Creedence is truly a funny kind of band where their albums get worse the longer they take to make (y'want proof of that, go check out 'Mari Gras'and the rashomon shitshow that was **its** creation). But seriously, I think back to 'Bayou Country', and while I do like it a lot, I can't help but think it sounds so ... primordial in the face of this album? I mean, 'Bayou Country' is largely just swamp rock — **good** swamp rock, but nonetheless. Whereas this album, suddenly there's whole new worlds of sonic variety they're adding in. There's R&B and country and soul and psychedelia ... whereas on 'Bayou Country' there were songs I could take or leave, there's not a single one on 'Cosmo's Factory' I can imagine going without. Do you want an album without "Ramble Tamble"? Yeah, right. You wanna see the real comparison point between these albums, you just compare the longest song from 'Bayou Country' ("Graveyard Train") to the longest one here, their jammed out cover of "I Heard It Through The Grapevine". And, y'know, I really don't dislike "Graveyard Train"; as I've said, it's a slinky lil' number that you can pop yer fingers to. Hoh-cha! But at the same time, you'd be crazy not to acknowledge how comfortable the song is just sitting and spinning its wheels for a lot of its runtime. Like, jeez, can this train **go somewhere** already? Meanwhile, you'd think a jam track like "Grapevine" cover would get boring long before it hits ten minutes, but, dang, I'unno. I found it captivating the whole time. These guys can jus' really **play** — and not just Fogerty, but the other three guys as well: Stu, Doug and the other Fogerty, Tom. I can hear a lil' why radio stations were playing this thing in full way back when. But it's even in the smaller songs. As much as I love "Proud Mary", there are songs here it can only just hold a candle to. "Up Around The Bend", for one? Goodness. "Run Through The Jungle"? Incredible song for it only being one chord. "Lookin' Out My Back Door"? A fun little ditty about relaxing (love them "doo doo doo"s). "Long As I Can See The Light"? Just a wonderfully hopefully little closer. And just to think, they're considered a singles band, in the same kind of way Elvis was a singles artist — y'know, where they'd have a great hit single and then slap an album of other shit around it, usually covers. I suppose it helps that this album is made out of three great single (A- **and** B-sides), but come on, everything else they've put on here to fill the spaces is great as well. "I Heard It Through The Grapevine" is one of them. "Ooby Dooby" is stupid enough that I can't help but love it. Their take on "My Baby Left Me" is a bit more "That's Alright Mama" than the original, but damn if it still ain't a good take. And might I bring it up again: "Ramble Tamble". Another long song that succeeds in holding your interest where "Graveyard Train" can't. Goodness! Honestly, I'm kind of surprised I ended up writing this much about ... well, not just this album, but a Creedence album in general. I really don't ever ask too much of these things besides some good, rockin' tunes and to hear John Fogerty hollerin'. This album provides that in spades, and I really expected the length of my review to match my expectations. But dammit, if this ain't one of **the** finest albums in Creedence's discography. For my money I think I still might prefer their previous release, 'Willy & The Poor Boys' (that's the one with "Fortunate Son", and it's a shame the album's not on this list), but 'Cosmo's Factory' is nothing to sneeze at. Creedence was a damn hit machine at their height, and this was one of the highest highs that machine ever produced. Goodness me.

Goddamn, CCR is a good band. Solid 5 Stars.

I’m at a 10. No flaws there. Not a single one. Just a CCR masterclass, really. John Fogerty’s vocals are on point here, the writing is about as sharp as it could possibly be, and the band is firing on all cylinders, especially in the guitar / percussion work. That is a stellar 42 minutes. The only track I knew going in was “Up Around The Bend” (all timer, obviously) – of course, “Lookin’ Out My Back Door” gave me a classic “this is that song” moment, & “Who’ll Stop The Rain” did as well. The cover of “I Heard It Through The Grapevine” here is electric; maybe just a tad long, but the way it builds & evolves around the melody for the final 7 minutes or so after playing it perfectly straight in the beginning is just super cool to hear. “Ramble Tamble” is a great opener, & I liked the blues tones of “Before You Accuse Me” a lot. I’m surprised at the 1-2 punch of Little Richard inspired tracks for “Travelin’ Band” & “Ooby Dooby”, both of which gave me really big “Tutti Frutti” vibes, especially the latter. It just makes me think we need more upbeat, purely energetic tracks like that nowadays; make it go viral on TikTok next year or something. “Run Through The Jungle” is immediately striking with the intro & outro effect, and despite John Fogerty’s protests, that is a perfect anti-Vietnam track. “My Baby Left Me” has huge Ray Charles energy, in a good way, and I love the way the instrumentation layers itself throughout “Long As I Can See The Light”, which is a really strong capper on an album that’s loosely centered around traveling & leaving to escape some sort of hardship on a vast majority of the tracks, given that he finally finds a desire to return home, according to the lyrics. I really, truly don’t have any complaints. That’s as close to perfect as you can get, I think. Stop reading this & just go listen to it, if you somehow haven’t; a foot-stomping banger of a time, elevated by John Fogerty’s voice and his pen, capturing the very frustrated essence of 1969 / 1970, in a way that just rocks like a motherfucker. I loved that – an easy, easy 10. I can only hope “Green River” is just as good.

Super

I give this album 10 stars out of five. CCR is the epitome of American rock and roll. Every song on this album is a certified banger. And John Fogerty sounds just as good live as he does in the studio.

mt gostosinho de ouvir. ramble tamble é uma intro mt foda pq, alem do instrumental ser insano, te deixa no mood pra escutar o resto. up around the bend é insano.

ÁLBUM BANGER

Absolute album de música!! Gostei do instrumental, vocal e ritmo. Uma pegada meio vamos viver uhu Ramble Tamble muito foda, gostei muito de I Heard It Through The Grapevine também, instrumentais muito satisfatórios Adorei que tem umas músicas mais calminhas que eu sinto que você escuta em uma viagem de carro e umas mais agitadas do estilo que devia torar nos salões dos anos 70

Uma obra prima de uma das bandas mais importantes e influentes da história. Um álbum de mais de meio século que envelheceu como um whisky. Definitivo no estilo de rock clássico e blues americano. Excelente em composição, execução, produção, mixagem, duração, ordenação de músicas, tudo. Impecável! Melhor do álbum: "Travelin' Band". Pior do álbum: "Ooby Dooby" (que ainda é boa).

Good good

Soit des tubes originaux, soit des super reprises, parfois meilleures que l'originales. Difficile de critiquer ce genre de galette.

Phenomenal album, great mix of guitars, lyrics, and styles. Just keeps you wanting more

Loved this. Re listened a few times. Mostly new tracks to me too.

Favorite CCR album, and one of those albums I can listen to cover to cover. Great jams on this album

I can't really imagine this not being part of music. Everything feels like a hit and all of the choices feel so obvious that it almost sounds simple.

The songs on this album are woven into the tapestry of reality. Solid album, bang for your buck.

Bão demais. A última fecha com chave de ouro!

Incredible album, every song is amazing. Gotta love John Fogerty’s voice, just so good

Fucking CCR, man. Great album

This is bittersweet, as it is the 3rd and final CCR album dealt to me on this list, and I’ve given the all 5 stars. In fact, when I came to play this, I realised I’d already added it to my library but hadn’t listened before - past me must have just assumed it was going to be great. Some very familiar sounding blues rock on this album, particularly Travelin Band, which reminded me of Jailhouse Rock. The highlight here was an epic 11 minute cover version of I Heard It Through The Grapevine. I’ll be coming back to this a lot I suspect.

A swampy-style rock n roll album rooted in the blues and R&B concepts. The sounds that CCR was renowned for. Some of their best songs came off this album, making it not only an all-time classic of CCR's, but for the rock n roll genre too. It's a must-listen if you like swamp rock and the early rock n roll sound.

CCR were incredible lol. Burned crazy bright for three years, released six albums that mixed original material, standards, and jam sessions into a big ol' gumbo, each one of them an immediate classic. Someone big upping Cosmo's Factory might say that it is CCR at the peak of the powers but the truth is that the peak of CCR's power was 1968-1970. The talent here is indisputable. Some of their catchiest single tracks, some of the funkiest jams (opener Ramble Tamble's a sweater and that's without getting into Heard It Through the Grapevine), and no fewer than four original songs that rocketed into the American consciousness. Sometimes a band is just on fire - Creedence Clearwater Revival was one of them. It's almost irresponsible of them to be this consistent, how were any of them supposed to follow this up? Circling back to Heard It Through the Grapevine, a shortlist contender for greatest song of all time. Nearly every version of it is impeccable; Gladys & the Pips, Marvin Gaye, The Slits, and CCR all recorded versions that rank among their best songs. If you started a band, your version would probably be one of your best songs too. The bones on Heard It Through the Grapevine are so defined, you could use it to teach anatomy. Creedence's version is (likely) the longest recording of it by a major artist and the way the band stretches out the song's elliptical rhythms is hypnotic. I said on my Everybody Knows This is Nowhere review that you could listen to Down by the River for five hours and not realize it - the same is true of this cover. Around the six minute mark, it sinks into a groove so deep & mellow that it explodes the possibilities of the original composition. I don't think you get The Slits version (my personal favorite) without this one first. Best Tracks: Heard It Through the Grapevine (duh), Ramble Tamble, Lookin' Out my Back Door, Run Through the Jungle

Back to back days with bangers. Never listened to a CCR album all the way through before. Gotta love the hits I already know and the other good songs I've never heard.

Fantastic! 5/5