The Gershwin Songbook
Ella Fitzgerald
1959
Album Summary
Ella Fitzgerald Sings the George and Ira Gershwin Song Book is a box set by American jazz singer Ella Fitzgerald that contains songs by George and Ira Gershwin with arrangements by Nelson Riddle. It was produced by Norman Granz, Fitzgerald's manager and the founder of Verve Records. Fifty-nine songs were recorded in the span of eight months in 1959. It is one of the eight album releases comprising what is possibly Fitzgerald's greatest musical legacy: Ella Fitzgerald Sings The Complete American Songbook, in which she recorded, with top arrangers and musicians, a comprehensive collection of both well-known and obscure songs from the Great American Songbook canon, written by the likes of Cole Porter, Rodgers & Hart, Irving Berlin, Duke Ellington, George and Ira Gershwin, Harold Arlen, Jerome Kern, and Johnny Mercer. Fitzgerald's recording of "But Not for Me" won the 1960 Grammy Award for Best Vocal Performance, Female.Ira Gershwin subsequently said that "I never knew how good our songs were until I heard Ella Fitzgerald sing them". Gershwin helped Fitzgerald, Granz and Riddle with the selection of songs. The songs were written by Ira and his brother George between 1924 and 1937. Ira also revised some of his lyrics for the album. Granz memorably suggested that Fitzgerald sing "Oh, Lady Be Good!" as a slow ballad rather than the fast tempo version which had become renowned as a showcase for her scat singing.In 2000 it was voted number 473 in Colin Larkin's All Time Top 1000 Albums.The French painter Bernard Buffet created five paintings that were used as artworks for the five individual LPs that made the original album release. The liner notes were written by Laurence D. Stewart. The album was released in mono and stereo. The mono album was priced at $25 (equivalent to $232 in 2021) and the stereo at $30 (equivalent to $279 in 2021). A deluxe edition was also available priced at $100 (equivalent to $930 in 2021). The deluxe set was packaged in a walnut box, with the five Buffet paintings issued as detachable lithographs. Stewart's liner notes were included as a separate hardback book, The Gershwins: Words Upon Music.
WikipediaThis is some kind of protest vote, and for a few reasons. 1) By all means, slap a 5/5 on your review, but know this: I see you. I know it sounds high-brow and classical and you feel helpless in its presence. "Aw gee, I mean... shit... it's so prestigious." I get it. But I also see you. Grow a spine. 2) Where are the other compilations in this book? Why have I got to listen to Little Richard and James Brown and Buddy Holly studio albums, and pretend they're representative of the best those acts could produce, when I could be listening to far superior comps? I don't accept this as the exception. 3) It's over three hours. That's only allowable for 'Star Time'.
There's just something transcendental about Ella Fitzgerald and her voice. It's music that captures a place, a feeling, an entirely different time period. So beautiful.
I was unsure about how good three hours of music by one composer and for one voice could be. Add to that my appreciation for this era of music but general distrust of magical language about artistic periods. Well, I was utterly wrong. There's something special here, some kind of everyday magic. And now I have a standard for comparing vocals to bells.
Ella’s voice is timeless, and this was just a warmly voiced album to have on during winter.
Ella Fitzgerald is simply the best. I didn't listen to the full 3-hour version, but the Best Of album gave me the highlights. I'm going to imagine myself in a classic film with this playing in the background now.
0:00:30 (01) Wow this is Tom and Jerry-ish 0:01:30 (01) This is surprisingly listenable for me. Not a fan of jazz but I have a big hope that I'll enjoy this one. 0:07:23 (02) That was pretty good. Only 72 songs left... 0:10:40 (02) *yawns* 0:12:20 (02) Since the 4th disc is just a bunch of alternate takes, I will skip that. Only 57 tracks then, let's hope that we will reach track 57. 0:14:20 (03) Wow vocals! Love that voice, that type of singing always take me to the '50s despite the fact that I wasn't even born during those times. 0:22:53 (05) I wonder why this literal compilation album is chosen for the list. Not that it's bad, it's just H U G E. It has an expected fair share of "eh" tracks, like this one. 0:26:32 (06) Lmao the '50s have at least a couple of weird pop songs too. 0:30:51 (07) That voice does better in the ballads. The pop-ish songs are not my jam. 0:33:18 (08) Just kidding. This one is ballad is it's boring. 0:36:05 (09) I'm considering giving up rn. But let's hold on for a bit. 0:37:35 (09) My favorite Beatles album, "Revolver" is considered one of the best and most influential albums of all time. And it's only 35 minutes long. I mean, I'm just thinking that if this is a rock album, then today's listen is finished now. 0:41:45 (10) I mean hiphop albums are usually 70-ish minutes. And that's why they're usually challenging as a listen for me. Oh wait, I'm still listening to an album right now? Lmao I almost forgot. 0:44:21 (11) It's incredible to think that I'm barely 25% into the album as of now. 0:45:11 (11) Love this track and its instrumental break though. 0:52:15 (13) Wonderful track indeed. Woke me up at the moment. 0:57:47 (14) *yaaaaaawwwnnn* "The Wall" is another album that I love. It's 81 plus minutes long. At this time, Pink is probably going Nazi already. 1:00:00 (15) Achievement unlocked: BOOMER MUSIC OVERDOSE (Listen to non-stop '50s pop-jazz music for an hour) 1:04:06 (16) Should I take a break after disc 1 or is it cheating? 1:09:22 (18) Wow, ragtime aint it? Pretty neat way to end a disc. 1:13:36 (19) Yes, "who cares" indeed. Who cares if this is their "very best" or "most influential". Who cares if I didn't finish this album and rated it anyway? 1:26:28 (23) I figuuuuuured ouuuuuutt thaat lissteniiiing to someoneeeee singiiiiiiiing liiiike thiiiiiisssss maakess me sleeeeepppyy.... 1:37:14 (26) This one's pretty good. 1:42:25 (28) Is this really an album one should listen to before they die? I mean three hours of old music is a unique experience. But is it worth it? Does it provide a whole new way to experience music? Is it a good experience? 1:44:20 (29) The 21st Century Fox theme plays and I thought, maybe Is should put an end on this self imposed torture. So now I will raise the white flag and end this madness... 1:46:22 (29) [Game over]; Mission: Listen to it from cover to cover [Failed]; Mission: At least listen to the first three discs [Failed]; Mission: Appreciate the music despite the ridiculous length of this album [Failed]; Mission: At least appreciate Ella Fitzgerald's beautiful voice [Accomplished].
Man, how do you begin to appraise this. It's 3 hours long, for starters. It also represents multiple huge bodies of work (i.e. Ella Fitzgerald's, but the Gershwin bros' too). I've got the 1990 Verve edition, which crams it onto 3 CDs... but even then, this is not a regular triple-album. It's a monolith. Maybe I'm an idiot, because I always vaguely thought this was an anthology collecting some previous Gershwin records by Fitzgerald. But in this case, the collection is the original. It was a 5 LP boxset release. The deluxe version originally cost $100, which is something like $900 in today's money. I'm now even more impressed, at the ambition of the project, and the fact that there was no compromise on quality at this scale. When you consider that Fitzgerald had multiple other albums released in 1959 and 1960, the whole thing is fucking insane. Unlike some of those other albums, I don't think the idea here was "here is Ella's rendition of some famous songs", but rather "here are the definitive versions of a modern canon". And it achieves that aim completely. Anyhow, the songs are gorgeous, and they suit Fitzgerald's voice amazingly. This is Ella at her best, showcasing the Gershwins in their best light. To me, the quality of the music is beyond reproach. On the other hand, there's no getting away from the fact that it's not an album in the contemporary sense, and it makes for a weird listening experience. It would be more enjoyable to just listen to the 15 best tracks, but that's not really the point, since this is deliberately a monolithic document. Do you listen to individual tracks, or sit through 3 hours straight? Or do you recreate the original 5 LPs, and do one at a time? It doesn't ultimately matter, because it's perfection however you play it. So, not really an album... but rated as an album? 5/5. And as a seminal document of American music, and an essential touchstone of twentieth-century culture? 5/5. It's kinda stupid to say a celebrated recording is underrated - but this is underrated... in that it's one of the most important set of recordings ever made, and the discussion it receives in most quarters isn't equal to its sheer skill, beauty, scale, ambition, and contribution to culture.
It's nice. I mean, it's great. It's Ella Fitzgerald. It's lovely. It's proficient, adept, and sets the mood. It's fantastic background music. Maybe that's the point, you take your mistress to a lounge, eat some steak, and grab her thigh while the music tries to be as unobtrusive as possible. Not sure what to rate it.
Billie Holiday is a little too glissando for me, generally, but Ella… Ella… Ms. Fitzgerald always gets it right for me. Stunning. 5 stars every single day and twice on Sundays. Thank you ma’am. Soulful and warm, or playful and coquettish, Ella nails it. Not to mention a natural gift for rhythm and scat-singing (she basically invented it. That’s reductive perhaps, but it may as well be true)
One of the greatest voices of the 20th century singing songs by one of the greatest songwriters of the 20th century. There's really nothing to dislike here. Not a damn thing.
I’m biased, I love playing Gershwin on piano and having Ella Fitzgerald sing to all of these songs I already knew makes the music even better
Ella’s voice is absolutely dessert for the ears, the arrangements are top notch, and you can’t hate on classics from the American Songbook. I had an internal struggle with my desire to rate this a 5. Usually I like albums that are one complete experience; something meant as a one-sitting treat. But this is like a full gallon of premium ice cream. Should I fault it for being larger than it’s pint-sized cousins simply because it won’t fit into one bowl? For this album, I don’t think so. “Let’s Call the Whole Thing Off” is still a trash song though and I stand by that lol.
Coming straight after a 2 hour album that I could not finish (that country one) comes this 3 hour long gem. Sadly I could not find the time to listen to it in one sit so I had to do it across three days but damn this is listenable, how great and full of amazing moments this is. At many points I found myself thinking "damn I need this on vinyl". It's all about the production, it’s all about the treatment and respect for the performer, Ella is outstanding and the producers let her flourish. Remember that Tina Turner record that with the hideous production? Well, they could have use listening to this to learn how to extol the performer. No need to say I really loved this one.
Ella's voice is enchanting, and the songs compliment her voice beautifully. This album felt like a comfy dream that I didn't want to wake up from. Will definitely be listening to this album again.
This music makes me feel like im about to tell the woman I love to get on a plane to help fight the nazis. The version in the book though is a 3 hour long boxset As much as I enjoyed this, 3 hours is way too much, so my rating is for whats linked to spotify rather than whats in the book
Exactly the kind of album I would not have listened to for much of my life and is the benefit of this exercise. Big band / jazz singing was something I really didn't appreciate (like) growing up so this is a relatively new genre for me... ...but who hasn't heard of Ella Fitzgerald? I think the thing I appreciate most right way is how good this sounds - 1959?? Getting a full orchestra sounding this good and clear while blending with Ella's perfect voice had to be a crazy challenge. I'm usually more turned off than on by singing but her voice is truly perfect - there's a clarity and casual vibe to the way she sang that could probably never be taught - how do you learn to lay back on the beat like this and yet nail it so perfectly? It would be an insult to call her singing effortless but therein lies the genius talent I suppose, that she sounds like she could have been told "Ella! quick, sing this song" and she would have cut it on a first take then been on her way. And perhaps that casual-yet-perfect delivery is the reason that millions of people thought/think they could sing like her. (where's my mother-in-law...? ha) Now... the entire album is 3 hours long. Hello. Wayy too much. Then again, where am I gonna go - I'm listening on work time and this is actually perfect working music. I'm not focused on lyrics so it's more the entire sound that washes over me in a much more enjoyable way than I'd have thought... as a negative, on the rare occasion that I do end up hearing the lyrics they're a bit...goofy? I don't like it much at all - but it's the era, I get that, so I'll not knock Gershwin - just grading on Ella and the band here. Not really a genre I love but this is one of the most famous and celebrated singers in American history; for those like me it's a necessary education/addition to the list and has been an excellent listen. I feel like I'm giving this a bit of a legacy rating - even though I'm unlikely to listen to the album again, I enjoyed it more than I expected (again not grading the lyrics so much which for me are best-ignored) and to get by the mammoth running time of this I could see making a (much) shorter "best of" this best of for a personal compilation. 7/10 4 stars
The songs on this album are great for lounge/ background music. It transports one to a place of stillness and calm. Its like a warm blanket on a cold day
Ella is great, and I love the big band and crooner oldies, but this Gershwin covers album didn't do much for me. Tried 3x. Pretty boring record.
With all due respect to the legendary Ella Fitzgerald, I don’t have the time or patience to listen to a three and a half hour box set of Gershwin songs. I’m not gonna sit here and say, “oh my god, this is so amazing. What a landmark record”, just because Ella Fitzgerald is a legend. I hated this record. This type of music bores the ever-loving shit out of me. The truth is, I’ve got about 40 minutes of tolerance for most music that was recorded before 1965. I know, I’m a horrible close minded human being; the poster boy for everything that’s wrong with modern society. I see the value in it, I can appreciate Fitzgerald’s talent…she has an absolutely beautiful voice and the arrangements are wonderful. In short bursts, it’s kind of enjoyable to me. After about 10 songs, though, it becomes torturous. Is it a bad record because of that? No, certainly not. I’m not anywhere near that narcissistic. This just isn’t for me. I wish I could like music like this, I wish I could see what other people see in it. I wish I could put this on, have a cup of coffee and do the Sunday NYT crossword puzzle, without my skeleton attempting to separate from my flesh. I did learn one thing listening to this record, though. The “po-tay-to / po-tah-to” song was written by Gershwin…Saving that in the old memory bank for trivia night. Because I made no attempt to finish this collection, I’m defaulting to site consensus on this. The site ranks it a 3.62, so I’ll give it a 3.
Absolutely beautiful in every way. Immediately blended into the background. Floated around the room and harmonized with the hum of a small in-wall heater, struggling against the cold morning air. C
There's technically nothing wrong with this album, but it didn't interest me at all. It's good background noise for movies and bars/restaurants, or even for classy house parties, but not enough to desire a listen by itself. I will give it props for making smooth music and Fitzgerald's vocals was pleasant.
The first song was pretty good, but it got worse. It is definitely not bad, in fact the singing is very beautiful, but it's just not my cup of tea. Truthfully, it feels outdated.
Another example of something I acknowledge is great and performed well, but is simply not my style. I can appreciate the talent here, though. Her voice is wonderful and the songs are pleasant.
Im not sure if you have to be a fan of Ella Fitzgerald or George Gershwin, I’m guessing it’s the latter. I now know that I am not.
l. 12/26-28 Masterpiece. Standout Tracks... A lot. Best of? Let's Call The Whole Thing Off, (I've Got) Beginner's Luck, Just Another Rhumba, By Strauss It goes on. Truly great.
I don't event know if I listened to the right album, but I listened to 3h of Ella Fitzgerald. So good... https://www.youtube.com/watch?v=EzNbt6Ufcv4
As expected, Ella was fantastic on this album! Classic songs from top to bottom that were all amazing! (Listened to the highlights version, not whole three hours)
If you had to give one best example of 20th century American song writing, this would probably be it.
Come on. It's one of the most recognizable voices in history doing some of the most catchy, melodic, enjoyable music ever written. How can you realistically do better?
Such an important album to listen to. Now I need to go listen to sinatra
this gives me femme fatale smoking a cigarette and sippin' on some bourbon vibes.
was not expecting to be so intrigued by this. the lyrics function really well with the tones.
OMG, Ella Fitzgerald singing Gershwin is an easy 5 stars. I hadn't heard this album before, but wasn't even finished with the first track before I realized this album was going to be great. Would listen again. Frequently.
Ella's voice soothes me in the same way as Karen Carpenter's, and with superb joyful jazz standards "who could ask for anything more"! There is also a shorter "very best of the Gershwin songbook" available too.
“The Very Best of the Gershwin Songbook” by Ella Fitzgerald (1959) The great Ella Fitzgerald sings 12 great songs written by the great songwriting duo (the great George Gershwin and the great Ira Gershwin), arranged by the great Nelson Riddle performed with the backing of his great orchestra released in the great year 1959 delivering great sound produced by the great Norman Granz for his great record label Verve. Do you get an idea of where this is headed? But, it must be noted, the album is a collection of the ‘top’ 12 tracks from the 59 songs included on the original five-LP “Ella Fitzgerald Sings the George and Ira Gershwin Songbook”, and thus is sort of a “greatest hits” compilation. It stretches the standard selection criteria of the 1001 Albums project. Now, to the main point of assessing a product like this: Ella Fitzgerald’s voice has everything—resonance, control, range, diction, power, soul, dynamic scope, and metaphysical transcendence (well, perhaps that’s overdoing it a bit). Her delivery can be characterized as sultry, but still capable of expressing laughter through the words and tones. She hits every curveball that tag team relievers Gershwin, Gershwin, and Riddle throw at her. George Gershwin composes melodies with intervals that are challenging for any singer. And while Barbra Streisand and Ella Fitzgerald can both master these intervals in the studio (e.g., “Someone to Watch Over Me”) only Fitzgerald can do it live (not heard on this album, but well worth exploring). In sum, Ella Fitzgerald’s voice is simply amazing. Riddle’s quasi-humorous inclusion of strains of Gershwin’s “Rhapsody in Blue” in the outro to “The Man I Love” probably elicited an eye-rolling giggle from Fitzgerald. But Riddle’s arrangements are, in fact, superb. He is likely, for instance, surpassed only by Glenn Miller in his effective use of solo bass trombone. Some of his humorous countermelodies are a referential stretch, but entertaining every time. Ira Gershwin mastered the art of stretching to reach a rhyme, and he rarely enters the realm of the profound. But he’s a dutiful slave to meter, if that’s a good thing. Listen to the first ten seconds of “Embraceable You” if that’s all the time you have (and if that’s truly all the time you have, I feel sorry). The only flaw I spotted in this album was that the song “They Can’t Take That Away from Me” should have been arranged in a key that is one whole step higher. Fitzgerald can’t quite descend to the tonic with confidence. But even for a quasi-“greatest hits” collection, this recording is still top notch. 5/5
If I could only listen to one artist for the rest of my life Ella Fitzgerald would be way up in the running. I discovered her music as a teenager & she’s seen me through the good & the bad for 40+ years. The combination of Fitzgerald’s voice & the music of Gershwin is what Sunday afternoons were made for. Just stunning.
ella's probably has one of the greatest voices ever. her tone is impeccable.
Ella . Gershwin. Music doesn't get much more perfect than this. Ella's voice is otherworldly. My only complaint I would love to hear these songs arranged for a small combo. Note. My rating is for a vinyl copy I have if Volume 1, not the full 3 volume box set 5 stars
Standouts - Love Is Here To Stay; But Not For Me Very mellow jazz Great singing
Finding out that today's album was from the great Ella Fitzgerald, I started listening with high expectations. She met all of them, and took me through this story of someone longing for love. I listened to the "best of" edition of this album, not having time for all 55 tracks of the original album, but I will definitely have to give it a full listen soon.
I don't really like to see compilations on this list, but anything by Ella Fitzgerald is always welcome. One of the most pleasant and crystal clear voices of all time. This 45 minutes of heavenly music makes me want to seek out the complete Gershwin songbook.
What’s to say? Mastery on top of mastery. Within its genre (if that’s the word) it couldn’t really get any better.
No deja de ser un disco de covers pero si es Ella por Gershwin todo trasciende hasta convertirse en una obra maestra absoluta. Jazz orquestal preciosista y precioso que junto a ese swing vocal que le da la Fitzgerald convierten en oro cualquier tema de los grabados en estas sesiones. Lo escuchas hoy y sigue sonando nuevo, joven. Para dejarte llevar. Increíble.
I liked it. Even though it was 3+ hours long I did not felt the time. I enjoyed the album. Ella's voice is a blessing to hear.
Oh Ella, my favourite jazz singer of all time. i would listen to her sing the phone book. But this is not the phone book, but a major volume of the great American songbook. A massive project to record a huge number of the Gershwin's greatest output, with beautiful orchestrations, that create a lush bed for Ella's incomparable voice. Truth be told, I prefer her 1950 Gershwin album; her voice is a little brighter and the orchestrations a little less cheesy. But this really is a major work of popular song of the 20th century.
These weren't the Gershwin songs I'm most familiar with, but they're good and she's great.
Uma deliciosa viagem ouvir esse álbum! Melhor música: S'Wonderful Bônus: Someone to Watch over me e Love is here to stay
The warmth, love and just beauty of Ella’s voice is amazing. This album warmed my soul through and through. Loved it!
"I never knew how good our songs were until I heard Ella Fitzgerald sing them". - Ira Gershwin This collection features my favorite era of American music and one of the tops of the genre - Ella Fitzgerald. While it's her name on the album, it's a veritable who's who of greats that made this collection possible. Aside of Ella being the highlight vocalizing the amazing words of the brothers Gershwin, this would not be possible at all without Nelson Riddle's orchestration. I've struggled to get through some of the selections on this list that are only one disc. The whopping six discs of music on this selection wasn't enough for me. I could've gone for more Ella Fitzgerald.
Ella Fitzgerald. Nelson Riddle. Gershwin tunes. A perfect way to spend the day! Among the best things I every listened to.
Lucky I like a Gershwin tune (how about you?) because this was a lot of them. Ira's rhymes don't hurt either --- here's one of my favorites: "The only work that really brings enjoyment Is the kind that is for girl and boy meant" With Ella's smooth and silky voice and Nelson Riddle's lush arrangements, this was pure delight from start to finish.
The 3+ hours was a lot of time to work into today for just one listen, but it sure was worth it.
Oh wow. There aren't many folks I'd like to spend 3.25 hours with. But Ella Fitzgerald, Nelson Riddle, Ira Gershwin, and George Gershwin... This was a magic time, and I'd have gladly spent more time with them. I can't imagine a more perfect combination. This was a lovely day to spend with these masters. I'd do it all again.
OH MY GOD! I've been waiting for an Ella album! Not too lie, I did not have her on my playlist until a bit more than 4 years ago, starting with Bewitched, Bothered and Bewildered, and would not have thought that'd be the start of my love for jazz! Love her so so much. And I got this album on a cold rainy working day which was a great reward!
I get why she’s the best. Voice like honey. Such lovely movement through changes. She a real G.
I sang a surprising number of these songs in high school choir. Of course, Ella sings the heck out of them.
Great Album, one of the best to enjoy in a good evening or a good night
Pure, unadulterated joy. One of the most important recordings of the twentieth century. The playful lyrics and tunes of the Gershwins, the impeccable artistry of Ella Fitzgerald and the classy arrangements of Nelson Riddle come together - this is sheer indulgence.
That was even better than I expected. Nobody does the standards better than Ella. Not Frank, not Bing. Nobody. That voice is so warm, so smooth, so perfect. If you want to be picky, some of the lyrics don't fit my feminist leanings. But Someone To Watch Over Me is a song with astounding longing, just pouring from the singer's heart. The secret is in the delivery - straight. No warbles, no melisma, no screeching out high notes, just honouring the melody.
Ella Fitzgerald infusing her magic into dozens of songs from the Great American Songbook? Yes, please. I don't want to write anything more about her lest I diminish her greatness even in the slightest way. Love you, Lady Ella.
Fantastic. Easy listening from an elegant female singer that invented du wap.
"Ella Fitzgerald Sings the George and Ira Gershwin Song Book" is a collection 59 songs written and composed by George and Ira Gershwin, sung by Ella Fitzgerald and music performed by the Nelson Riddle Orchestra. It is one of eight albums in the "Ella Fitzgerald Sings the Complete American Songbook" series which was recorded between 1956 and 1964 after Ella signed with Verve Records. The songs were written by the Gershwin Brothers between 1924 and 1937 with Ira changing the lyrics on some of the songs especially for Ella. This is quite the listen. Obviously when named "The Queen of Jazz," you'd expect pretty much perfection and that her vocals are. Since these songs were mostly written for musicals and film scores, they switch between big-band loud sounding, kind of fun and playful, and slow and romantic.The first song with lyrics on the album is "Sam and Delilah" originally from the 1931 musical "Girl Crazy" and sung by Ethel Merman. This song starts out slow and sultry and turns more big band loud sounding. Ella glides us threw with her incredible voice and especially her pacing. She reminded me of Frank Sinatra in the way they both know how to play with the timing and music. "But Not For Me" is also from "Girl Crazy" and is soft and slow-paced with strings. Great vocals and, oh, it won the 1960 Grammy for best female performance. Another great song for showcasing her silky smooth voice is "Oh, Lady Be Good," originally from the Broadway musical of the same name. This album is a lot of music. All of it is worth listening to, showcasing an incredible vocal talent. For some reason, I feel like watching a musical or going to the theater. Well, maybe sometime soon.
Ella is a beast. Just a straight up great singer and an easy album to listen to
An incredible voice and performer, glad I got to listen to this whole album.