If Jim Morrison didn't die young, the Doors would be remembered as average at best.
starts falling apart whenever the "rapping" happens. when it moves away from that and leans into the house/techno stuff it's much better. 2.5
Muse makes big dumb arena music. I remember liking this record when it came out but revisiting it 20 years later, it's pretty terrible. Some of the songs here would indeed sound good live, but the lyrics are horrible across the board and anyone with a basic knowledge of arena rock or heavier music can tell that the songs here just don't hold up. The only thing saving this from a 1 is really Knights of Cydonia, that song slaps. There are also some good riffs sprinkled throughout the album, though those are generally ruined by poor song structure. How they got to be so big is a mystery.
Sounds very 90s, but there's not really a bad track on here. She's pissed off and it shows, at times it's almost riot grrl music for the masses. There is a reason this was such a cultural moment and this still holds up today. 4.5/5
Oddly enough, the first track, the very famous You Are My Sunshine, is by far the weakest song on this LP. Maybe I've been to one too many weddings, but that song does not represent what Mr. Wonder is actually capable of doing. Fortunately the record becomes much more interesting immediately, and while there are fleeting moments of self indulgence, me being bored with the opener isn't enough to ding this project.
3.5/5. Essential for Bowie fans but maybe not for this list. If you are going to listen to one album from this era of his I would recommend Low. Outside of Heroes the vocal tracks here do sound a bit dated, unlike on Low.
The production is on point, but I spent the entire record wishing that literally anyone else was rapping. As a fan of the genre and early 00's hip hop, this is anything but essential. Listen to MF Doom or Aesop Rock instead.
A fun album where the deep cuts are better than the singles. Falls off a little at the end but not enough to drag the experience down too much. 3.5
I'm not the person to be rating jazz. He is clearly a proficient musician, and it was a pleasant listen, but i couldn't tell you if this is good jazz or not. Nice to listen to, don't think I will be revisiting.
I can appreciate the musicianship of Rush, but I cannot listen to Geddy Lee for an extended period of time. +1 for them to release an 20 minute track on a record after their labe lwas about to drop them, -1 for it being based on an Ayn Rand story.
I do think that experimental Beatles are their best form, but any record with Yellow Submarine on it cannot be a 5.
Obviously technically proficient, but ultimately soulless, I really don't understand how the Eagles became so popular. There were plenty of more interesting acts making music in the 70s, that Hotel California of all records became this mammoth myabe just speaks to the taste of the average person more than I'd care to admit. Boring music for people whose rebel days were behind them.
I'm not mad that I heard this record, but it's very much something that is put on in the background while you are entertaining or doing something else, at least the first half. Not something you need to pay particularly close attention to which is unfortunate. They are clearly talented musicians. Unfortunately the vocals are terrible. And I do not say that lightly, I think I would rather listen to a toddler scream over this than what we got here. Fortunately that's only on one (20 minute!) track and there's almost 40 minutes of music until they kick in. So it seems they knew better, which is nice.
On one hand, this record has some of the best music the Chilis have ever written. On the other, it is too long for its own good. I also find Anthony Keidis' lyrics to be very hit and miss, he has always been my least favorite part of the band. Shave 10-15 minutes off of this and this would be remembered alongside the likes of Pearl Jam's Ten as on of the seminal rock albums of the 90s. As it is, it's just a step below. 3.5
This was fine, not really my thing. I do appreciate the cover of Iron Man. If you are going to take on a classic like that, you had better make it your own, and they certainly did.
There are some obvious classics on here, but a 9 track album should not have any filler. Definitely two or three tracks on here, where if played live, would be time for a bathroom break.
You can tell the talent is there, but a lot of these songs go on too long for what they are and need better structure.
Listened to the UK version, didn't realize Paint it Black was on the US release. A couple musical highlights, one song that goes on way to long, and some lyrics that can best be described as questionable. This is not yet the band firing on all cylindars, but they are getting there.
I can understand why people may not like the vocals, and some songs to go on to long, but musically this is some top tier post punk.
Can't really find much to fault this record for, other than nothing really stuck out to me as something extraordinarily special. A solid, easy listen. 3.5
This is a bit more uneven than Elephant, but a solid listen all around. 3.5
The only negative I have about this record is the length. I know that it's a concept album, and as such is meant to be listened to in a single sitting, but once I get about halfway though here I just tap out. Nice vocals, great production, and a couple of catchy songs, but a front to back listen for me is exhausting.
Started off well enough but then quickly devolved into pretty generic 60's folk. Put me to sleep, not my thing. Nice Dylan impression though
Somehow perfectly encapsulates the feeling of being on a train ride through Europe while also being explicitly German. An influential classic that doesn't sound dated, something you can put on in the background and just chill.
This is my third favorite Hendrix record, where some of the deep cuts hit harder for me than the big songs. Hendrix is always a good listen, but this is not on the same level as Electric Ladyland or Are You Experienced. 3.5, rounded down just because I like the fore mentioned two better.
This is perfectly acceptable 90's Brit rock. With a name like theirs, you would expect something exceptional, however nothing really stands out here, maybe they should change their name from The Auteurs to The Average. Less than a day after listening and I've already forgotten about it. I have literally no idea why it is on this list.
Very musically talented, however I was hoping there would be a bit more social commentary here given the album's title and cover. This isn't my usual style of music, but can see it on in the background when there is company over. 3.5
This is one of Radiohead's best, hard to believe it's ben almost twenty years since its release. Weird Fishes is one of my all time favorites. The only middling track here is Faust Arp, but even then it's not a horrid listen. Easy five stars.
Maybe if they changed their name to something les stupid than Mott the Hoople more people would remember them. Nothing particularly terrible here, but they are trying so hard to sound like Bowie, why not just listen to him instead?
Obviously a very talented storyteller and lyricist, but musically this puts me to sleep. I can respect the talent but I won't be putting this on again.
Obligatory note about the mixing, they did Jason dirty here. Wild how they went from this to the best mixed album of their catalogue on their next project. Not their best, but solid thrash here before they went and changed their sound over the next few records.
What an album of incredible highs and very middling everything else. If you're not big on U2, this one won't change your mind. The big singles here are probably enough for most listeners.
While there are a few iconic songs on here, the deeper cuts are fairly average at best. I also can only take the Beasties in small doses, and even though this record is well under an hour, their rap style starts to grate on me during loner listening sessions. Still, for a debut album, the sound and style they would go on to perfect is on full display here.
