2112

Sonically good. Too long. Does not stick. Story not interesting. Also, fuck Ayn Rand.

Prog for people who want to dismantle Social Security.

Come on man, it's Rush! Progressive Canadian Kings! 100% deserves to be on this list. Everyone should at least listen to the overture.

Pretty much amazing all the way through. Brilliant vocals, closest reference for me is actually The Mars Volta. Perfectly delivery no matter how high he goes. Meanwhile some of the instrumental parts wouldn't sound out of place on a Queens of the Stone Age song. All this to say basically that this has aged amazingly well and I'm disappointed with myself for not getting into Rush sooner. Bass is absolutely brilliant.

Side one is simultaneously rocking to the max, and geeky to the max. I love how this album opens, and the way the track 2112 begins by sketching out a blueprint of all the cool riffs you're going to encounter in this stupid dystopian space opera. Glorious. Side two has a song that makes doing drugs sound about as hip as voting Republican, a surprisingly touching ballad in Tears and a slamming track to wrap everything up. Full marks for prog rock's most notable Ayn Rand adherents!

Not bad music but kinda long songs and not particularly special to me. Reading the wikipedia helped me realize why this is included in this list, but overall I found it not that exciting

Man finds guitar and starts playing. 5/5.

The perfect album. Each song is exactly where it needs to be. 2112 opens with its legendary overture into geddy lee's controlling and sneering priests of syrinx. We get the catchy passage to Bangkok and the heartfelt Tears. The drums are spectacular throughout. A truly timeless album that has it all. You'd have to be deaf to give this anything under a 3

It's hard not to appreciate the sheer musical powerhouse that is Rush. Lee, Lightson, and Peart are musical titans and, even if you're not a Rush fan (which I'm not), you can't deny their skill or impact on music in general. Just being Rush earns this album 3 stars right out the gate. That said, a 20-minute track is a hard pill to swallow. Especially as it contains a section around the 7-minute mark that's just guitar tuning. It's pretentious as hell and I'm not okay with it. The second half of the album is much more digestable and absolutely redeems the album from that 20-minute monstrosity.

Fine, but a bit dull. Very long first track, which isn't a crime in itself, but it felt like four or five different tracks needlessly stitched together (although it is telling the one story). Other side of the album is a bit more accessible, but nothing that really stands out. I do like a bit of prog rock, but it needs to be a bit tighter and a bit cleverer than this. I came into this not knowing Rush at all, but am not particularly minded to investigate further. 2/5.

Just 39 minutes but it feels much, much longer. This is the first album on this site that I played twice in a day. Not because I liked it but because I wanted to know if it made more sense with a bit more familiarity. Turns out no, the second time it still felt like lots separate bits of flashy rock of different levels of bombast stuck together in a random way. (And I am not particularly big on flashy, bombastic rock with a shouty singer to begin with). 4/10

Poor. Hackneyed lyrics. Pedestrian tunes

fucking amazing. a 20 minute sci-fi epic in 7 parts. this is everything I want out of music. the b side isn't bad, but I'm rating this 5 stars for the title track alone

2112 avoids the worst excesses of prog and keeps all the good bits, earning its place in the dad rock canon. The first side is discursive and indulgent, of course, but that's why you're here, and it's just half a record. For the rest of the runtime, we get songs, each distinct but tied together with instrumental chops and, most of all, Lee's wails. There's nothing mind-blowing here, and calling out those who say there is is fair play. But that doesn't make the music any worse.

I liked this. Thought all the playing was great. Especially the drums and bass. Not enough albums start with a 20 minute track about mad priests who worship computers. It's all quite indulgent but if you can't do that on a 70s prog album then when can you?

The epitome of musical integrity. Last album didn’t sell well? Fuck you here’s a 20 minute epic. The other tracks are good too, Lessons and Something For Nothing being my favorites

why do ppl make 20 min songs, i'm sorry

Loved this. Rush are a band I have never listened to despite being a massive Dream Theater fan and so I wasn't surprised by 2112. Found the storyline to be engaging and the music was great, especially for a three piece (and a session synth player). Liked the twist in the story at the end. Thought the B-side was better, the straight up rock songs and Geddy Lee's vocals were pure old school rock bliss. Never realised how good a singer he is, reminds me of Robert Plant but better. Instruments are all tip top and vocals were ridiculously good. Album sailed by and I loved every minute of it

I know Rush isn't many (most?) people's favorites, but if we're talking about a band's great albums, it's hard to ignore 2112, or at least Side A. I first listened to this somewhere around 6th-8th grade, and it never occurred to me that this was corny or might be somewhat painful to listen to decades later (besides, I was and am a big sci-fi fan). And as much as the other side of this record has pretty much *nothing* to do with the 2112 story, I've always enjoyed those songs too. Music-wise, I think I'd rank "Permanent Waves" and "Moving Pictures" as my favorite Rush albums, but it's fun to re-listen to Rush's more prog-rock-oriented stuff too (and cringe at some of those photos from that era). A solid 4! (And for those who can't really enjoy (too) much of Rush, just remember Dave Grohl's great homage to Neil Peart after his untimely death: "I still vividly remember my first listen of 2112 when I was young. It was the first time I really listened to a drummer. And since that day, music has never been the same. His power, precision, and composition was incomparable. He was called ‘The Professor’ for a reason: We all learned from him.")

If you like Rush then you're going to love this album! If you don't like Rush then you can go ahead and pass on this one. I'm going to pass on this one

Pretty over-bloated wank as far as I'm concerned. Pretty sure it is of it's time and hasn't aged well. Voice is annoying, lyrics are awful. Some quasi racially inappropriate Asian riff on the Bangkok song. Definitely all very good musicians, some good riffs here, but it's lost in the muck, doubtful of a second listen.

I hate this album

STANDOUTS: Tears? Maybe? OVERALL: 1.5/5; sick of these 1970s albums at this point.

Classic case of not for me, dawg. There's just an inante sci-fi looser energy coming from this whole thing - sounds like they're huge fans of all of the worst aspects of Led Zeppelin and learned all the wrong lessons from the Who. The first four minutes is just a series of intro-riffs, so you're just left wondering when the song is going to actually start, then a bomb goes off, a stupid bible quote, and more intro riffs into the first verse (4:50). Then it ends with a few notes on a lute before burbling water takes us into the next song in the overture. They do the 'chinatown riff' at the start of passage to bangkok. They make the typical prog error of confusing having lots of parts in songs for having interesting song-writing. The songs just seem like cobbled undeveloped ideas, but sound totally sterile. They have a reputation for being super technical complex prog-wizards, but these riffs are just power chords! His voice is powerful, but if you're not into it its pretty grating. The drums are too hyperactive to actually establish much of a beat. Think of something positive to say...The breakdown at the 19 minute mark of the overture is pretty fun. The bass playing throughout is good. The guitar tone is cool and there are spurts of twin-lead harmonies I liked. The guitar solos are ok, and a respite from the singing. Despite a 20 minute opening track, it's only 38 minutes long...

Rush's make it or break it album. I love how they pushed back against their management and continued with the longer song format. Here, the guys successfully found out how to make it work on both an ambitious and accessible scale. In general, I really like the dynamics on this album, going from very aggressive to very beautiful at the drop of a dime. Alex really shines here and I always found his switching from folky arpeggiation to heavy power chording really interesting. I'm a big Rush fan, so I'll gush a little.. 2112 Suite - Loosly based on Anthem by Ayn Rand, it's a very geeky concept that exemplifies youthful individualism against a controlling establishment. It was a recurring theme for much of their early period and really set the tone for much of their material to follow. It took a while for me to realize that Overture instrumentally set up most of the song chapters, creating motifs to return to. They would revisit this idea again on later songs. Musically, there inhabitants an interesting blend of anger and frustration but also a wild exuberance of exploration and fun. At times, this was a very serious band, but they knew how to have fun and they were goofy as hell. A Passage to Bangkok - I really like the live version they refined in the late 70s and early 80s where Geddy would use the double neck guitar so that during the guitar solo, he could hit the power chords while playing the bass on his Taurus Pedals. Good stuff. Anyway, kind of goofy one but a fun fan favorite that would have fit pretty well on a previous album. The Twilight Zone - A song that's actually about the TV show. I like the contrast between the bouncy verses and the shift into the creepier coruses complete with the whispered vocals. Lessons - One of my favorites from this album. It sort of catches you off guard going from a more poppy acoustic feel into some pretty hard rock. Tears - Beautifully haunting and a bit strange. I really like this one. Great acoustic guitar work and love the mellotron Something For Nothing - Closes out the album with a bang which essentially bookends things nicely as Geddy wails some of my favorite lyrics from Neil during the bridge: "What you own is your own kingdom. What you do is your own glory. What you love is your own power. What you live is your own story. In your head is the answer, let it guide you along. Let your heart be the anchor and the beat of your song." - Neil Peart (September 12 1952 - January 7th, 2020)

Very solid album with a great opening. The later tracks are not as memorable as the first half but still great.

A landmark album for the band and for the prog rock genre as a whole. I remember "discovering" this record when I was in high school through friends (my dad was never a Rush fan) and it blew me away.

04/03/2022 Really great stuff here. Loved the 20-minute opening track; it takes you on an entire journey from start to finish. So many ways this could have been awful, and there are already multiple albums on this 1001 list that have tracks that are SO much longer than is really necessary, but this one hit just right. Such a great listen.

The first half of this album is a prog-rock masterpiece. It is a highly influential conceptual piece that does so many things well. The rest of the album is pretty good too. 4.6/5

You want an album where one track takes up over half the runtime. Boy do I have news for you

Did not enjoy listening to Geddy Lee do his best Robert Plant impression for much of the opening track. I think this album must be on the list because that first 20 minute song is meant to break your spirit, thus making it easier to die. Rest of the album struck me as mid, with a lot of the same feeling that they must’ve really been into listening to Led Zeppelin. Was also kinda odd to hear guitar that reminded me of early metal, specifically Iron Maiden, because they wouldn’t release an album until some 4 years later. Kinda like Something for Nothing, it justifies the one star

There is not a song on this album that I would actually care to listen to. And I've seen them live....

nah.

Rubbish

Eh not a fan of the sound or his voice

I can't stand the vocals :))))))))))))))

It's hard for me to be unbiased here because Rush is my favorite band ever. Objectively, 2112 is not a perfect album but there's so much energy and fire here that you can't help but feel moved. This is the first of at least 5 albums where they were firing on all cylinders, and it's the right blend of their early rawness (i.e. before synthesizers, double-necked guitars and orchestral percussion) and their expansive vision.

Top 10 album of all time. A master class. Desert island album

Masterpiece

This was an easy ome, it's straight up one of the best prog albums of all time.

As a rush fan I was never giving this anything but 5 stars.

Jeez. All headbangers.

A pillar of prog rock excellence

I. Overture, II. The Temples of Syrinx, III. Discovery, IV. Presentation, V. Oracle: The Dream, VI. Soliloquy, VII. Grand Finale. - 10/10 A Passage to Bangkok - 9/10 The Twilight Zone - 10/10 Lessons - 10/10 Tears - 9/10 Something for Nothing - 10/10

2112 is an album I own (on cassette of all things), and I've listened to Rush many times. I have heard all of Rush's albums, except for perhaps the last 2 or 3, and 2112 is a favorite. This album is progressive rock, but a hard rock version of prog rock. Headphones make the listening experience better. I love the opening sounds, followed by the blast to the foundations of what you're listening to from the guitar and drums. The opening movement ("Overture") resolves with an explosion followed by quiet guitar and vocals. All of side A is full of these contrasts between blasting energy and quiet reflection. There are times when you have to concentrate to hear where the guitar and bass separate. Alex Lifeson and Geddy Lee give you plenty of music to listen to, and Niel Peart is not shy to show you what he can do with his drums. Above all the music, Geddy Lee's vocals on this album are in their most iconic form. Lee adds to the contrast between energy and reflection, using more than one voice to tell the story. Both voices are iconically Lee’s. Side A ("2112") is a progressive rock classic, and gets a full 5 stars from me. I've listened to Side A more often than I have the whole album together. Side B is good, but I would only give it 4 stars on its own. I will still give this album 5 stars, because it won't be long before I listen to this whole album again.

One of my favorite albums. 2112 transcends music for me, it is a piece of my life. The title track is one of the greatest pieces of music ever created. While the second half is a fun mix of complementary tracks.

One of their best. Classic Peart storytelling, side one is ONE song. Fantastic all across the board.

I remember being completely blown away when hearing the song 2112 for the first time. At that point in my life (age 17? 18?) I had heard some proggy music but this was on a whole other level of sci fi wizardry.

Killer prog rock with sci-fi lyrics? That’s my shit.

GREAT prog stuff I’ve heard Rush’s first three albums now and I feel like they keep improving with each one, the first was just your average prog rock, the second album really stepped up with more beautiful, dynamic sounds, and this third one got even better going all out prog in the best way 10/10, really want to hear their other stuff

Canada's best

5/5 Amazing

The album that made them. The first Prog Metal album and work of art.

The best Rush album. This is the one that turned them into the holy triumvirate.

Five star streak continues. On Fourth of July no less! Great summer album. Priests of Syrinx and Train to Bangkok are tops. Not the best Rush album, but any early rush gets a 5 from me

One of the all time best.

Went in there expecting not much, having never listened to them before but I had a great time listening to this album and enjoyed it thoroughly. The more melodic aspect of this album hit exactly what I like in rock and I'm definitely looking forward to check out more of then

5555

A while back, I read the book "Ready Player One", and I remember one section that referenced some band releasing a 7 part rock epic about some city or something. I remember thinking it seemed like a neat concept, but knowing that life's too short to listen to every weird concept album from the 70's. Well here I am, listening to 2112 by Rush, and... it's pretty good! I can see why some people would absolutely love this sort of thing. I like prog, power metal, and rock trios, but this album doesn't quite do enough musically to earn a place amongst my favorite albums. The acoustic guitars that were used alongside the electrics were pretty cool, which give the album a softer and more intentional feel to it, and I would have liked to see them explored a bit more throughout each track rather than mostly at the beginning. I hope to listen to it again a few times, though, because I'm certainly enjoying it, glad it exists, and believe it belongs on this list. And who knows? It may click all the way in a future listen and earn that fifth star! Favorite Track: 2112

Generally speaking, I don't want to live that long of a life. I want to die at a reasonable age before I get all decrepit and senile. With that said, I do think it would be really funny if I lived to be 106 just so I could listen to 2112 by Rush in the year 2112. Oh well. I guess I'll settle for listening to it in 2025. I can't be too upset though considering it's Rush. What can I say? I know what I like. Rush is great, and 2112 is a great album. I do like Moving Picture more, but that's just me. 2112 still has some great ideas though. As stated in my previous review for Frank Ocean's Channel Orange, I love long songs when they're done well, so of course the title track is my favorite song on this album. "2112" is a sprawling 20-minute-long epic split into 7 parts and I love it. It has everything that I love about Rush. The other 5 songs are good, but let's be real here. The focus is on "2112" the song. Geddy Lee's vocals definitely feature a bit more screaming here than on an album like Moving Pictures. His vocals are still definitely an acquired taste, but I've become acquired to them. His basslines are phenomenal though, as are Alex Lifeson's guitar parts and Neil Peart's drumming. I must reiterate that Neil Peart is one of the greatest drummers of all time, possibly even THE greatest. His songwriting here is pretty interesting. I don't think it's as good as the writing on Moving Pictures, but it's still good at telling interesting stories with unique vibes. I do, however, feel that I have to acknowledge the objectivist elephant in the room in regards to the title track. Yeah, turns out a lot of Neil Peart's early writing was inspired by the controversial writer and "philosopher" Ayn Rand, whose objectivist movement has garnered considerable criticism for turning countless teenagers into selfish, right-wing assholes. As far as the Randian elements of "2112," I'd like to make a comparison to a song from one of my favorite bands, that being "ATWA" by System of a Down. "ATWA" from the band's second album, Toxicity, was largely inspired by the ecological beliefs of infamous cult leader and Beatles nerd Charles Manson. I don't think either of these songs directly promote the beliefs or actions of their respective people. I think sometimes people are just interested in notable bad people and how their brain's worked. These songs both incorporate the less questionable elements of the beliefs in question, so I don't think it's that big of a deal for either of these situations. I could see how some would be turned off of an album like this for that connection, but I see it as kind of a slightly-questionable, albeit relatively harmless source of inspiration. After all, some of the greatest songs in history were inspired by tragedies and villains of the past. So, in conclusion, "2112" the song and 2112 the album are pretty good. Not quite Rush at their peak, but it's some great stuff nonetheless. High 4/5.

this album would be a 5 if it was just the title track. the other songs on it ain’t the best tho. also ik some people who would knock this down bc this basically being ayn rand fanfiction but i wont do that even though that also makes the album a bit worse lmao

prog rock babyyyy. controversial opinion but I don't think one can go wrong with Rush. I never listened to a whole album before, but it was so so worth it. loved it

Fun prog album

Enjoyableeee. Really wish the first song was seperated but they're all amazing. Favorite one is Something For Nothing

2112 the song is incredible. The rest of the album i don’t care for as much and I’d give 3. it averages at around a 4

good album, the first one i've listened to of Rush, not disappointed. Would probably be more 3.5, but here's 4 for our Canadian friends.

Such a weird and talented group made up of a bunch of dorks. Love it.

I put off listening to rush because I thought it was widdly widdly nonsense for Middle Aged men. Turns out I really like it. Am I a Middle Aged man? First track seemed almost prog-metal

The title track and passage to Bangkok are probably in the conversation for Rush's finest work. It's absolutely a shame that the majority of the second half isn't as memorable

I like this album more than I think I should. I'm not a Rush fan but I'm not a hater either, but I'm well aware of the stigma their fanbase carries, and I kinda feel bad for that because I get it, the band is really good and some of their stuff can really hit if you don't look too closely at the camp and somewhat cliché lyrics. This album should probably get a 2 but I'm giving it a 3. I'll go back to parts of it for sure.

Geddy Lee's voice is annoying. I keep wondering why Rush is so successful despite this miscasting. Of course, all the musicians are masters of their instruments. Neil Peart's drumming is fantastic. Alex Lifeson is a great guitarist, and Lee is also a good bassist, but he really should stop singing. The album 2112, although actually not that long—39 minutes—seems longer to me. I'm bored. The "Overture" is good. "A Passage to Bangkok" is my favorite. And now the album ends for me; I can't stand too much Rush.

Great classic prog album. Ayn Rand sucks.

I think this album is the definition of fine.

I like Rush as much, if not more than the next guy, and I understand the significance of this album to the fan base. That said, for me, I've never been able to shake the feeling that this one is severely over-hyped. In traditional prog-fashion, the album is composed as a two-sided adventure where the first side is a long-running, multi-part odyssey featuring widely varied instrumentation, storytelling, and technical focus. The second is devoted to more-consumable "single"-formatted tracks. 2112 is a nerdy dedication to one of the shittier philosophers to grace our planet in the past 100 years: Ayn Rand (who dedicated her life towards the proliferation of the idea of rational self-interest; basically the idea that one should value their own objectives and interests above all else). Shitty inspiration aside, the song certainly has some chops to it and I found a few of the sections to be really enjoyable. Overture and The Temples of Syrinx are the highlight in my mind with some weakness towards the middle. Also, by contrast to other prog acts (like Yes) who put together long-running opuses that actually blend from section to section, this song is very Rush in the sense that it is pretty formulaic and feels more like a distinctly segmented opera. Great instrumental work throughout of course -- I'd be lying if I wasn't drumming along while listening to this. Side two is weaker than most of their records IMO. I love Passage To Bangkok (top 7 Rush song for me) and Something For Nothing, but the rest is pretty throwaway for me. IDK man, I was excited when this came up on the list, but tbh it just doesn't clear a 3 for me.

I've never been able to get fully into Rush, so what a perfect opportunity right now! Thanks 1001albumgenerator.com! The music is pretty solid (what up prog), but the one thing I feel like has always bothered me about Rush was Geddy Lee's voice. Just have never been able to get over it. It's ok in small samples for me but over a whole album it's a lot. The first song was by far the best part of the album to me. Started to falter after that a bit, but still solid. Going high 3 here and my inability to get into Rush continues.

Prog, ugh. While I appreciate Pete Townshend's intellectual ambitions to push the rock and roll form into new areas (like rock opera), unfortunately the door he opened led to concept albums like this; aliens, authoritarian priests, galactic battles and a lone guitar player leading a rebellion, all inspired by Ayn Rand (god help me). Why on earth do we need to sit through this nonsensical, libertarian claptrap? On a musical level, I feel like this is a somewhat stilted copy of The Who, Led Zep and whatever other stadium rockers were around. The guitar playing has little to make it noteworthy, Geddy Lee's vocals as annoying (which I think even the most diehard Rush fan will concede) and (here comes my heretical opinion) I just don't rate Peart's drumming. I mean, he drums a lot, but that isn't the same thing as drumming well. The only thing about Rush that prevents them from being hateful (merely pointless and dull) is that they don't change musical ideas every two bars (like Yes), so at least you can get into the groove and rock out a bit.

Pretty much a straight forward pop-guitar album with some weird time signatures that give fedora-wearing a/v kids a pass to listen to pop music.

Out of the incel frying pan and into the fire! There are Rush songs I like but none of them are on here. The best thing I can say about this album is, like my favorite dental procedures, it's over before you know it!

What an annoying voice this guy has. Really grating. Besides that, the songs are kind of boring. And also apparently these guys like Ayn Rand? I was going to rate it a 2 before I knew that but I almost deducted another star just for that.

This album has its moments. Some of those moments are inside the side-long multipart first track, some on the tracks from side 2. I kind of wish the songs on side one were just separated out into distinct tracks of their own. Not being a big Rush fan I was unaware how much their earlier material sounds so much like a proggier Led Zeppelin. They seem to be on the road to their own more distinct sound here but it's still a ways off from something like "Moving Pictures," which I enjoyed much more. I can see why people like this, it's fun and sort of peak AOR classic rock in a way, but ultimately it's not for me. 2 stars for Ayn Rand references.

Won’t be rushing to listen again

Boring

Nope. I can still respect the band's talent, find some merit while also loathing the ever loving shit out of them.

Wow, is this ever not for me. Wankery for adolescent male nerds and the men who were once adolescent male nerds. Seriously. You have this shrill lunatic screaming about how they are the priests of some temple or something, and then suddenly you have to listen to a guy literally tune his guitar over waterfall sounds for three minutes. And you're only a third of the way through the first song! Good god. And it just keeps going and going and going. It took everything I had to get through until the end. Sometimes the drums are cool.

Brilliant

> The Beatles

This was the first in the ‘golden period’ of, in my opinion, the 5 greatest Rush albums, between 1976 and 1981. Consecutively 2112, A Farewell To Kings, Hemispheres, Permanent Waves and Moving Pictures. Not that Fly By Night or Caress of Steel before those were in any way bad, or Power Windows after. (I don’t like to think about Signals or Grace Under Pressure too much. Geddy’s synth madness years). I haven’t listened to 2112 as recently as I’ve listened to Hemispheres (regularly) or Permanent Waves (often) - but that’s clearly been a mistake. 2112 (the track) is up there with Supper’s Ready as one of the greatest “longs” of all time. And I’d forgotten how much I liked the whole of side 2. And how many of the lyrics I could remember (pretty much all of them). Possibly the production isn’t as good as the later albums in that particular group, but this is the album that got me into Rush and for that it will always hold a place in my heart. 6

5 stars not enough

Got a list in my head of the Top 10 Progressive Rock albums ever. This album is on that list. Easy 5⭐️

Another Amazing Album! I had to listen to the remastered as that was all my music streamer had. Great songs! I definitely know why this is the most legendary and quintessential Canadian band ever.

The title of this record refers to my level of cognitive dissonance between my love for rush and my hatred of Neil Peart’s Randian bullshit on a scale of 1 to 10.

Love it.

One of the greatest albums ever made. From deep and thoughtful lyrics to amazing riffs and tempo changes, 2112 has it all. One of the most influential albums of my lifetime, and prog rock at its absolute best. 2112 is a must-listen, and I'm glad I was able to dive in again. 6 stars!

So this is what this whole Rush is about...

ATTENTION ALL PLANETS OF THE SOLAR FEDERATION. ATTENTION ALL PLANETS OF THE SOLAR FEDERATION. WE HAVE ASSUMED CONTROL. WE HAVE ASSUMED CONTROL. WE HAVE ASSUMED CONTROL. Liked Songs Added: 2112 A Passage To Bankok Something For Nothing

Bad ass!!!

I mean, what can you say, an album that launched 2112 legends !!🤟

One of the best albums ever let alone Rush

A little more interesting to me than Moving Pictures was. With that said, the first mega track tired me out the second time through it when I was almost exclusively focusing in on it with headphones over my ears. The rest of the tracks are fantastic. I could play them over and over again without fatigue. Twilight Zone avoided corniness, but was still very 70s. Lessons was something of a radio hit. And for those reasons, its a 5. Great fit for a weekend album

Crazy 20 min intro Temples of syrinx was awesome Overall I really enjoyed this album.