The Village Green Preservation Society

I adore traditional pop songwriting so it's really a no-brainer. It's like Rubber Soul x Sgt. Pepper's and all of the lyrics sound like In My Life.

This album is so imaginative and so wildly different than what the rest of the British Invasion survivors were putting out, and I love every minute of it. Ray Davies loves hyperbolic irony and took great pleasure in skewering British imperialism and culture, but all the while using English colloquialism and flipping things on their head. Other than "All of My Friends Were There", this is a desert island disc. Fav Tracks: Big Sky, Starstruck, Monica, Picture Book and The Last of the Steam-Powered Train

Considered a flop at time of release, this is basically a more upbeat Belle & Sebastian album. It's great.

This album made me want to listen to The Kinks more. The only thing I didn't like about this album is that some of the songs weren't particularly memorable but there aren't any songs that I would say are bad. This album also features a lot of interesting composition and chord progressions that are fairly unique and recognizable (like Johnny Thunder for example). The whole album describes a happy, ignorat upper-middle class lifestyle in a way that is at times satirical. Phenominal Cat is a song about a fat cat and honestly Andre Lloyd Webber wishes he could have written something as good as this. The only part of this album that I dislike is the verse of All of My Friends Were There because it feels a little too cheesy. Wicked Anabella reminds me of Maxwell's Silver Hammer in that it's a 60s song about an evil person and it SLAPS. Pictures of Each Other seems even more relevant today with lyrics such as "People take pictures of each other, just to prove that they really existed." I think The Kinks roasted Instagram 42 years before it existed. Favorite songs: Picture Book, Last of the Steam-Power Trains, Sitting By the Riverside, Animal Farm, Village Green, Phenomenal Cat, Wicked Annabella, People Take Pictures of Each Other Least Favorite Song: All of My Friends Were There Light 9/10

I just...can't. It just doesn't work in my brain.

An early concept album, on the notion of an Englishness that even in 68 was already gone... If it ever existed. Packed with different genres from music hall to psychedelia but always sounds like The Kinks. Elements which would influence ELO, early Bowie, Pink Floyd...

Nothing to hate here. Very solid representation of a time and place. There's some ... we'll call it "experimental" engineering choices on this album that didn't exactly work out all that great but, overall, it's a chill, fun, 60s britrock album.

I love this album, front-to-back. It's the Kinks at their most self-consciously uncool. The backwards-looking approach gives it a unique place in the 60s pantheon. The sidestep from psychadelia, prog, and heavier rock coming into vogue pre-sages decades of power pop to follow. While, in some senses, the Kinks music would become more vaudeville and theatrical in years to follow, this concept record hits a sweet spot of thematic consistency, playfulness, and exquisitely melodic songwriting. Favourite songs: Picture Book, Starstruck, Monica

I listened to the opening track like 7 times, I cannot believe how catchy it was. The whole album was a fun time, and it was among one of my favorite ones I have listened to so far. HELL YEAH VILLAGE GREEN PRESERVATION SOCIETY.

The best way in which I can describe the Kinks is that they sound like the Beatles, but happier. The best way in which I can describe "The Kinks Are The Village Green Preservation Society" is that it has perfect mixing (how can a 50+ year album sound this bloody good?) beautiful harmonies and a delightfully gleeful sense of nostalgia. Ray Davies refers to this record as as an affectionate acknowledgement of his culture, a statement on changes in life and memories that remain, and the search for new things to give meaning and enjoyment to living. In my case, I think the Kinks got it just right. 4/5.

Great! Funny and interesting songs. Up there with some of the most legendary beatles albums from that time.

underground beatles. a little goofy but also very standard. instrumentation standard. Opening track is great. more substance than majority of beatles songs. beatles for the hipster in your life. Adding this to a list of albums I would return to.

Quintessentially English. Top notch!

Old England. Rural retreats, vast swathes of farmland, friendly neighbourhoods, tea parties, Victorian music hall, the village green. Almost fifty years before this kind of nostalgia exposed itself as a complicated, damaging, Brexit-leaning force, Ray Davies was reading Dylan Thomas and reflecting on The Kinks having been banned from touring the US. What did his country mean to him? How was it changing with more and more technological advances? What was going to happen to it? Could the British Invasion go both ways, with the increasing Americanisation of his beloved home turf? The result is The Kinks’ maturation into one of the most versatile and singular bands of the 1960s, and Ray Davies’ blossoming into the next in a great line of romantic English poets pining for the pastoral. The title track of this album, “The Village Green Preservation Society”, is a perfect distillation of these ideals: a seemingly nonsensical lyric mostly comprises jumbled pop culture references from Davies’ childhood and beyond, expressed freely with little fuss or force. Desperate Dan, Sherlock Holmes, Mrs Mopps, Dracula, Donald Duck and many more sit side by side in a cozy, Utopian vision, as Davies searches for one group or another to feel part of. The music- gently strummed acoustic guitar, ramshackle piano intro, a hypnotic backbeat, short and simple riffs on electric guitar and whistling organ, breezy vocal harmonies- is absolutely spellbinding, perfectly capturing a naive innocence which grows more desperate with every key change. The album never quite surpasses its opener, but the themes of nostalgia, memories, change and aging are returned to again and again with a range of interesting perspectives and far more nuance than most of Davies’ contemporaries would have been able to muster. “Picture Book” and the ready-made-for-the-2020s “People Take Pictures of Each Other” consider our obsession with cataloguing memories, and the forlorn hope that a picture could somehow bring it all back. In “Do You Remember Walter”, a childhood friend may be fat, married and sedate, but “memories of people can remain”. Later, “Big Sky” and “Animal Farm” are pure joys of escapism in the face of an indifferent, unfeeling world. Then there’s the astonishing album-centrepiece, “Last of the Steam-Powered Trains”, in which Davies imagines himself as a train, all soot and scum, the voice of a missing-link generation. The album is at most threat of collapsing when the Kinks dial up the whimsy and branch into “When I’m 64”-style vaudeville. “Phenomenal Cat” is a sleepy Mellotron-led number which isn’t quite as clever or timeless as it wants to be. “Sitting by the Riverside” is pleasant but doesn’t quite land its cheap attempts at “Day in the Life” style crescendos. “Wicked Annabella” feels like an early-era Kinks track tacked on towards the end. But it’s easy to overlook these half-decent songs in favour of the brilliant ones. “The Kinks Are The Village Green Preservation Society” is never unlistenable, and at its best it is transcendent. It also deserves points for having much more of a valid hold on the “early concept album” tag than Sgt. Pepper, or Pet Sounds. This is Davies making a full set of songs out of Brian Wilson’s “I Just Wasn’t Made for These Times”. Peerless and unique songwriting, pitch-perfect performances… it’s superb.

Well, I just spent all morning discovering the Kinks and their long history through decades and genres. I hope there are more of their albums on this list. A 5.

the greatest album EVER

I LOVE THE KINKS!!!!!!!!!!!

I know the Kinks for the hits, but I don't know this album, and it doesn't have any of the big hits. But it's still solid musically, hard to fault. Pretty standard '60s rock, but nothing special really. Favorite tracks: Village Green Preservation Society, Big Sky, Picture Book. Album art: Cool band photo, love the swirly neon colors. Title is a mouthful though. 3.5/5

God shit

Since it’s a Sunday during a three day holiday weekend and I’ve got zero pressing responsibilities today, I’m listening to Village Green on vinyl, rather than streaming from my platform of choice. I’ve got a nice, clean 1975 Reprise US pressing that I found at Double Decker Records in Allentown, PA back in 2016 or so. Shout out to Double Decker, the best record store on the East Coast. The Kinks are the Village Green Preservation Society is a concept album of sorts, reflecting Ray Davies’ desire to preserve the culture and traditions of England’s past…or, at least, his recollection of traditions and culture past. I think most of us can relate to that sentiment: we might look back fondly on the decade(s) and culture in which we came of age and hope for a return, but for others, those times might have been miserable and worth leaving behind. In that regard, “Picture Book”, the third track on Village Green, might act as a mission statement for the record: “Picture book of people with each other…To prove they love each other, a long time ago”. Almost as though Ray Davies is saying, “Those were the days, weren’t they? Luckily we were able to preserve them, as reminder that things used to be better”. It may be a pessimistic take on my part, I know, but after the last few years on this planet, it’s hard not to look back fondly on the days where everything was simpler and more worry-free. Despite the nostalgic concept of the record, musically, Village Green is quite forward-thinking. The songs here feel like a blueprint, written and waiting to be uncovered and referenced by a thousand punk and indie rock bands 10, 20 or 30 years in the future. Not to harp on “Picture Book”, but I recall its use in a commercial in the early aughts and thinking it could be a Shins (or similar) song. Not that it’s surprising, even the Kinks earliest songs had an edge to their sound that the Beatles and Stones lacked, it’s unsurprising that their influence would be just as long lasting. I’m not going sit here and try and convince you that the Kinks were a better band than the Beatles or the Stones. I think they are, at least for their late 60’s/early 70’s output, but that’s a realization and personal preference that you’ll have to come to on your own…or not. I’m just saying that for some fans of punk and indie rock, the Kinks’ records might resonate stronger than the Beatles or the Stones do…and I am one of those people.

I would not hesitate to put this on a list of my 10 favourite albums ever.

This is the first album I've listened to before getting the prompt for it! It's hilarious how two days ago we got \"Arthur\", and I thought that \"Village Green\" was the better of the two Kinks albums I've listened to. Anyway, having listened to \"Village Green\" multiple times in the past couple of days - to compare it to \"Arthur\" and now for this prompt - I still stand by that. This is an excellent album - all the tracks are strong from start to finish. It also reminded me a lot of Vampire Weekend's work (especially the first half of their discography, which I absolutely love) - it's clear that they were influenced by this album.

Hugely biased mega-Kinks fan here. But if anyone knows a better written, better performed album of quintessentially English popular music, let me know. And I'll tell you why you're wrong. ;)

This is, hands down, on of the best albums ever.

The best album by a brilliant band.

Love it, listen to it frequently, not a bad song on it and many top tunes including two or three of their best. Wonderful album [EDIT - and the lyrics throughout! So ahead of its time, could be repurposed by a cynical Gen Z'er to illustrate our contemporary shitshow with minimal edits]

I’ve been pecking at this album every few years for the last twenty, aware of its importance while struggling to obtain purchase, reminded of successors that slapped on their nostalgia for Davies’s real nostalgia, creating a simulacrum of nostalgia, a double-fake of a world that preceded these faux-nostalgists - have you ever been to a carnival? have you heard music hall in a music hall? do you think that rations are something that Solid Snake picks up to recoup HP? - which proved the avant garde of Brexit and the pints of Spitfires and blue passports in their train. And after writing that, I stopped, wondered what I’d say besides “Blur” if someone asked me to name one of these bands. And I quite like some Blur. I blame the power of this album’s nostalgia, which is portable and can be passed around. Pick it up and you feel it, regardless of the century you were born in. On return, every hook reveals to have been embedded deep: this is almighty, and also pleasingly sinister, often seedy, which it should be. What finally persuaded me over this listen is the tiny repetitive interstitial guitar riff that pedals “…Walter” along its last few seconds. They’re a accoutrement that makes the song, driving, sleazy and anxious at the same time. They’re so memorable that I was sure they played throughout the entire song, shocking me just now when I went back and found they only come in at the death, two up-down repetitions and then done. “Monica”’s throwaway calypso is my favourite, at least this evening.

The Kinks previously were just a very popular and influential 60's Rock band being at the forefront of both Garage Rock and Psychedelic Pop Rock and they did have some well known and big songs like Waterloo Sunset or You Really Got Me but they were missing a full on project that would cement them just barely behind the Beatles in the 60's Pop Rock hall of fame. Luckily, that album was near as this 1968 release did exactly that. Not only was it somewhat of conceptual album (which they later adapted much stronger) but it was as consistent as they ever been at this point. The entire album is full of fun, well produced and well delivered Pop Rock songs that include different genres from Baroque Pop to Folk neatlessly. It is without a doubt, their biggest and arguably best achievement in their entire career. The album starts with the mellow and calm but fun and happy 'The Village Green Preservation Society' which is a beautiful Folk Pop song that not only starts the album off beautifully but also brings on one of the most memorable songs and hooks that the album can offer. It's quirky with silly but well incorporated references to for example Donald Duck. A pretty much perfect song to start the album with. The quirkiness stays with 'Do You Remember Walter?' which gets much more Rock while still being definitely Pop music but most interestingly, this sounds pretty similar to some of their older Mod stuff. The song is really great but a couple moments in the bridge do feel a little left alone which is kind of bumping the song down a little bit. But still, this is an incredible track. Luckily, 'Picture Book' makes up for that. The songwriting here is absolutely phenomenal. It builds enough tension to be interesting while still being easily enjoyable as a Pop Rock song. The happy energy it releases with the nostalgic instrumental and lyrical delivery is just amazing. The song is silly, very silly, but in the best way possible. It's fun and when it ends I even wished that it'd be longer. What can I say, this is simply perfection and easily one of the best songs in their entire catalogue. 'Johnny Thunder' sounds very much like a mix of the Beatles and the Beach Boys but still with own originality within. The song has a very strong hook and the background vocals add a ton of enjoyment to the already great song. The entirety is simply another maginificant track and again, this should've been longer. A big genre swith happens on 'Last of the Steam Powered Trains' which is not only the albums longest song at over 4 minutes but it adds a lot of Blues Rock as well as Country, Freakbeat and even a little bit of British Rythmn & Blues to the Pop Rock sound. It's an energetic and diverse song that doesn't linger too long on on part or another as it moves from guitar riff to vocals into the bridge and so on. It also speeds up at one point, adding even more energy to the song. And while I am not the biggest fan of Blues Rock, this song is very much how all of Blues Rock should aspire to sound like. It's not perfect but it's very close. The sitar inspired guitar as well as the Spoken Word vocals on 'Big Sky' are resulting in on of the albums weirdest but also most psychedelic moments. It's weird and even if it works and has great songwriting, it still leaves you with mixed feelings. Mixed feelings of if you heard the track the right way or not. It is weird but the mastered that perfectly and this song is doing exactly what it's supposed to do. Some moments though, feel a little bit overlooked and pale which is why the song as a whole is "just" incredible. The accordion on 'Sitting by the Riverside' adds a very French touch to the song. The song is also very theatrical in the delivery of the vocals. It's very psychedelic and lush and closes the albums first half with another incredible track that is just absolutely amazing. The B side of the album opens with 'Animal Farm', a beautiful Folk Rock song with wonderful lyrics and even better songwriting. The song feels like it achieves a lot of what some Country tries to do with its sounds and styles. It's genuinely a masterpiece in every sense of the word: not only the songwriting but the vocal delivery, all performances, the mellow strings and other arrangements added. It all results in a song that's simply beautiful and even a little bit nostalgic. 'Village Green' is pretty much a result of a perfect combination of the Beach Boys and the Kinks in both of the best things they bring to the table. The beautiful arrangements that feel like they were made up when both Davies and Brian Wilson worked together while on LSD and then added incredible songwriting and lyrics on top. Incredible!, perfect even! 'Starstruck' is much rawer and simpler in terms of ideas and execution. The songwriting is still incredible and the performances are wonderful but the song feels pretty simple compared to the rest. It's definitely another incredible song but it feels a little "outdated" when held side by side against the other songs. The experimental sides of 'Phenomenal Cat' with the pitched vocals, the interesting flutes added as well as the vocal delivery result in another pretty weird and slightly haunting song while still being very much a Kinks Pop Rock song, just a little bit less of a happy sunshine Pop song. It's great but one of the "weaker" songs on the album. The few moments of theatrical deliveries are pushed to their biggest extend on 'All of My Friends Were There' and while it was a nice touch on the other songs, here it actually harms the song a little bit. I do like the additional instruments and the music itself but some of the verses do feel a little over the top in terms of delivery. It's still a great track but again, weaker. 'Wicked Annabella' gets very heavy with loud bass and down-tuned guitars that result in something that if it was pushed even further might be enough to be called Proto-Metal but in the way it is finalised here, it's just some well performed Heavy Psych with energetic and haunting deliveries from all members. Sonically this very much stands out but not so much with quality. They were definitely trying something but as what they tried wasn't really a thing and also not what they usually do, the result is great and interesting but not much more. The exotic inspirations that very much feel like something you'd hear in South/Middle America together with the typical Pop Rock is certainly interesting but not really all that well made. The song has it's moments but falls a little bit flat. It's still pretty good. The Ska approach on 'People Take Pictures of Each Other' definitely ends the album in a very funny and enjoyable way when it comes to what they did musically and in terms of songwriting. The vocal delivery absolutely ruins this song. Well it doesn't "ruin" it but it harms it a lot. The song is groovy and it is fun but I cannot enjoy it to the extend that I'd want to when listening to these vocals. The song could've been incredible but it ends up being just a pretty good closing track. favourites: Picture Book, The Village Green Preservation Society, Animal Farm, Village Green, Johnny Thunder least favourites: Monica, People Take Pictures of Each Other Rating: decent 9 https://rateyourmusic.com/~Emil_ph for more ratings, reviews and takes

The Kinks are really underrated in my opinion. Sure, they have a couple of mega-hits but if you delve deeper into their catalog they have a bunch of super catchy, iconic songs that no one seems to have noticed. Picture Book is a great example - I only became aware of it because it was used in a commercial awhile back. What an awesome song! Great album all around. 4 stars.

a nostalgic album about what England once was. no hits on here really except for a couple of songs later used in Hot Fuzz. not commercially successful at the time. (also released the same day as The Beatles White Album).

The Kinks were pioneers. In 1964 they gave us early rock/punk classics “You Really Got Me” and “All Day and All of the Night.” Banned from touring the US, they didn’t get to enjoy all the advantages of their fellow British Invaders but have a solid discography. This is a good album that would be more impressive if it had been released 2 years earlier. By 1968, the Beatles were offering the white album and the Stones, Beggar’s Banquet. This may be intentionally a throwback but it’s a throwback nevertheless. The Kinks and this album deserve more attention. Wish I could give it 5/5 but I think this is a strong 3 or a 4.

lite intetsägande men lite kul att lyssna på ändå. tvåa eller trea.

I was running errands the first time I listened to this & thought it stunk - unfocused quasi psychedelic folk with sophomoric lyrics. But then I heard the third-last song, Wicked Annabella, & I thought that Spotify had moved me to a 90s playlist, so I decided to give it another try. I like the Village Green track - I'm sure I can hear a harpischord in there somewhere and the other tracks now fall into place, though at times they sound a bit like a jug band. It's hard to believe this came out 4 years after You Really Got Me! I appreciate the fact that Davies didn't sucumb to pressure to produce another hit and stuck to the obscure.

Je ne me souviens plus de l'album alors je vais vous raconter ma journée. Vers 9h, je sors de mon lit et vais prendre mon café. Une fois mes mails du jour attentivement lus, je décide d'annoncer à la personne qui m'avait fait passer un entretien vendredi dernier que j'ai finalement accepté une autre offre que la sienne, tout en lui souhaitant de trouver le candidat qu'elle recherche. S'ensuit un black out de 25 heures et un état de conscience repris à l'instant. Affaire à suivre.

I would benefit from a deeper dive or song explainer documentary to better appreciate the lyrics and meaning. As it was, I passively listened to the album (both in real-time in Norway and a month later playing catchup) and came away thinking it was a decent enough baroque pop Beatles knockoff. I can't help but feel I'm missing something that fans are seeing, so I'll be generous and give it a 3.

If you happen to be in desperate need for some music for your retro style kids’ show, you might get some ideas from this album. Everyone else need not apply.

First song of the album all I think of is "Hot Fuzz" lol. Not really my jam but some of the songs weren't bad. Wouldn't actively listen to it but wouldn't mind if it was on. 2.5/5

After you, no after you. I'm sorry are we facilitating a conventional, formulaic, and oversimplified conception, opinion, or image? Tea anyone

i love this

A favourite Kinks album with some classic songs

YES love this one already

Extremely influential

Some rhythms and melodies in here that I know exist elsewhere

5 Punkte, da eins meiner all time lieblingslieder drauf ist.

This album was great. I love Picture Book, great song.

Outstanding.

9/10

Loved it

Pop sixtie y experimentación en un disco conceptual precioso y nostálgico. Canciones cortas y brillantes. Muy bonito, no tiene que envidiar nada a Beatles ni Rolling.

Songs are nice and short, so we're off to a good start. No songs stick out as obvious singles. But overall really good. I actually started listening again after it ended.

Я люблю такое

Ooh goede zomer vibe i like it Animal farm hype

Arguably the best Kinks record.

modern b

Really like this album. I'm familiar with the usual Kinks songs but had never heard any of the songs on this album. I keep listening to the title track over and over again. It's got a Lewis Carroll feel to it. The whole album is amazing though start to finish. There are a few silly songs on the album but they don't really distract from the whole and even those have some parts that are really good.

Wonderful record. Hadn’t realised that it was so ignored initially. “…Walter” a standout track for me.

5 of 1,001. First time listening, but loved this. Lots of great moments. Will listen to this again.

I absolutely love the Kinks, and this is a classic. Picture Book is the standout tune for me, absolutely wonderful.

Picture Book direct inspo for MD's Salad Days

There are some great sounds coming out of this one. There are timeless hooks and builds that have influenced countless bands. Not to mention consumers. Some songs, or portions of them are ubiquitous in film scores (Darjeeling Limited) and commercials. 'Picture Book' was played in an HP Commercial that played incessantly in the early 2000's. Also the intro from 'Steam-Powered Trains' is used in either some Dick Pills, or Valtrex / STD-type commercials. And why not? With lines like "I'm the last of the good old renegades, all my friends are middle-class and gray" and "last of the good choo-choo trains" big pharma was obviously looking to connect with old dudes looking to plow twenty year-olds. The selection only makes sense. Anyhow, I really love the sound of this album. It's ragged, garage-y and crusty, yet loosely unified in all the right spots... perfect for old dudes. This is The Kinks that I know and love.

This sounds like something the Beatles could've put out. Very experimental songwriting and rock solid execution. This might be my favorite Kinks album.

I had never heard this album, but I think I will listen to it and see if it hopes up to Soap Opera

Loved it

The Kinks have a ton of hits. I can probably name 15 off the top of my head, the majority of them perfect pop songs. And there isn't a single one of those gems on this album. In fact, unless you're related to the Davies or you happen to be Wes Anderson, you likely haven't heard any song from this album. It doesn't matter. This album is fucking great. I loved every minute of it, and I'm almost embarrassed that it took this long to finally get around to hearing it. This is a million times better than all the Byrds albums we've had to listen to here. We should probably talk about Ray and Dave Davies more than we do, or at least more than the press we give to the freaking Gallagher Brothers.

Love The Kinks. Perfection.

From the title and album cover down, you may think that this is The Kinks at their most San Francisco in 1967 and you wouldn't be blamed. You also wouldn't be blamed if you think this is The Kinks at their absolute finest. One listen to the title track and you are transported into a time when things were simple and not even that description does this album justice. The Kinks' greatest forty minutes and forty minutes well spent.

FIVE STARS An all-time classic and a personal favorite of mine. As is usually the case with those five-stars albums, I won't write a full-blown review about this particular record, because others have already written wonderful stuff about it and there's not much I can add that I feel could be relevant and interesting. It's just a gem. Go and listen to it a.s.a.p. Number of albums left to review or just listen to: 963 Number of albums from the list I find relevant enough to be mandatory listens: 16 (including this one) Albums from the list I *might* include in mine later on: 8 Albums from the list I will *not* include in mine (as I think many others are more important): 12 Albums I might not be able to judge (some might end up on my final list but it's because I recognize how culturally important they are): 2

Wantlist

Favorite Kinks album, just a great album.

I love this album... Ray Davies at his whimsical best. happy it was the last one I got to listen to in Australia.

Love the Kinks and I believe this is their best album. Their true masterpiece.

As English as the queen of englands proverbials! This is classic songwriting!

Instant 5 for "The Last of the Stream-Powered Trains" - T/E should not be surprised

Listened to this one twice---mono first then stereo and really liked it both times. I think I like the mono mix better but the stereo version is better quality sound. I previously avoided The Kinks b/c of only having access to deluxe/super deluxe/expanded versions; makes for annoying last.fm scrobbles and I don't like having to look up what the original album included and then have save a playlist to avoid the extra, unneeded tracks later. Anyway, I really liked People Take Pictures of Each Other and Big Sky, which has been in my head all weekend. I think I like this as much as my previous favorite Kinks, Muswell Hillbillies.

Well, 'Starstruck' and the weird, slightly unsettling 'Monica' are two of my favourite Kinks tracks; whilst 'Picture Book' is one of my favourite pop songs, full stop. Just those three songs alone warrant five stars. But you know what? The rest is a joy too - charming, ambitious and seemingly unfettered by received notions of what rock music should treat as its subject matter. Very British, wry, observant and rather lovely.

Just such evocative music, really speaks to Britain in a specific way no other album really does. 4.7

One of my favorite concept albums. Whereas Sgt. Pepper's contrasted a drab reality with an escape into psychedelia, Village Green escapes into a nostalgia for the past - and stays more grounded in doing so. It has a more consistent and even keeled tone. Okay, it does become a bit unraveled at the end, with the oddness of "Phenomenal Cat" and the jerky but dreamlike "All Of My Friends Were There." Other than that though, this album flows like The River Thames. These songs seem to come from a very real and direct place. The product of honest self reflection. It amazes me that Ray Davies was only 24 years old at the time of recording this album. He was able to articulate the wisdom and perspective of someone well beyond his years. An underrated classic that stands the rest of time.

Their sound is so freaking delicious. Love the concept thread format.

Easy listening on the train ride home

Such a lovely sweet little album, brings a slight sweet smile to my face. Not unlike a Bill Forsyth movie with sweet characters that are creatively and vividly captured within the grooves of this album. Some might say it's too light-weight where are those Kink rockers? Personally I don't miss them one but. Ray Davies has always written gorgeous melodies and lyrics and to my ear the arrangements for these songs are absolutely perfect. 5 stars.

All time classic.

love it, listen to it frequently, not a bad song on it and many top tunes including two or three of their best. wonderful album

It probably does sound a little dated nowadays but this is one of my favourite albums. It's chock full of well crafted songs with plenty of variety yet it holds together really well. I love the punchy production which makes it a little less whimsical than the preceding 'Something Else' album. The lyrics tell imaginary tales from a Ray Davies fantasy land. Diverse fables and characters about childhood, old school friends, old photographs, wicked witches, the pleasures of idleness, god, prostitutes, 1984, cartoon characters, village fetes. To top it off there's some fabulous vocals and instrumental arrangements. Personal favorites include 'Do You Remember Walter', 'Picture Book', 'Phenomenal Cat' and 'Monica' but pretty much every track is a winner. The only (minor) quibble is the lack of a well know "classic" - it's a shame 'Days' was not on the UK edition.

Beautifully complex classic piece of literature detailing the wants of preservationalists in the 70s great highlights all around can't think of anything wrong with it... for the first listen I'm confident in giving it a 9.9/10

Title track tells you what this album is: a memory project, a sonic collage of a time and place. I think that time is both relative (it's the childhood of The Kinks' band members) and also definite (England after the Second World War). The past often feels like an innocent time of untouched pleasures but we know it's an illusion. Things are hidden from children that they can only see with adult eyes. After the War, the Empire was crumbling and a century of unrest was nowhere near over. Of course when you're experiencing childhood and innocence, you're not conscious of it. You turn it into story and song later, in memory, with the benefit of adult hindsight. The tone of a project like that is what The Kinks get right. The songs are not exactly cheerful but have jingly mostly-major-key melodies that often introduce a note of uncertainty or irresolution. The ascending scale in Picture Book over the chorus is a good example of this. Ditto the very end of Sitting by the Riverside where the keys suddenly become uncanny for just a bit and upset the romantic fantasy before the last refrain comes in. The songs are fairly simple pop ballads, almost reminiscent of nursery songs, if you read them straight. But I think most, given the combination of lyrics and melody, are knowingly ironic. This can be a jaded and bitter irony: "You're taken in by the lights, think you'll never look back..." Or more reflective: "People take pictures of each other, and the moment can last them forever, of the time when they mattered to someone..." Sometimes it becomes comically self-consoling out of necessity: "I went to that old cafe where I had been in much happier days, and all of my friends were there..." You need to really listen to hear those hidden notes. I think the comparison to The Beatles is fair and some of the songs can be a little tedious. But it's just a bit more claustrophobic and sad because it isn't committed to being a transcendent experience like Sgt. Pepper. These songs are committed to making you uncomfortable rather than giving you a good time. It makes me want to listen to them again and again to detect their deceptive nuances.

Such a pleasurable album. Everything feels just right. The songs are all catchy (in a way that's not corny), the arrangement is engaging, fun and organic throughout--I particularly love the spare but well-chosen use of guitars––and the lyrics are witty and biting but never too cynical either. I love it.

I feel pure joy when I listen to the kinks. They are really great at making catchy songs that are also deceptively intricate. Almost none of their songs are simple 4 chord songs like every pop song today. Their songs often change keys or have interesting chord progressions; it’s pop perfection but it’s substantial enough to keep me interested. I love their vocal harmony sound (Their following album is better than this one)

It's really good, enjoyed it.

Absolutely classic, if you haven’t heard this you’ve been missing out

What a great album!

A beautiful album from The Kinks, full of nostalgia and longing for a rural England that perhaps never quite existed. Ray could always write a gorgeous melody and Dave and the band could bring it to vibrant life.

Great!

More recognizable songs. Beetles-esque sound

This is bloody brilliant. For me it doesn’t have any standout hits, it’s just back to back gems. Masterpiece. Listening to this only makes me wish I could’ve also rated Something Else 5* too. Great album

Absolutely glorious, The Kinks are such a blast! Fave track - the title track is great, but "People Take Pictures of Each Other" is even better - long been one of my fave Kinks tunes. If we're including tracks recorded in the same session but inexplicably omitted from the album, then "Days" should get a mention too, as it's utterly halcyon, even if it has been co-opted by advertising with a vengeance....

Our fourth album by The Kinks and their best one for me so far. I rated the other ones 4 stars - but this one is a cut above them in terms of songwriting and musicianship. Still super close to The Beatles, but to The Beatles at their best.

I really loved The Kink’s fourth studio album from a few years before this (Face to Face), so I had high hopes for this. To my great surprise, this far exceeded my high hopes! Every song on this appeals to me. This album is quirky, musically varied, and overflows fun! I wasn’t exposed to a lot of The Kinks growing up, but I’m glad to be making up some of that lost time now. I’m becoming quite a fan of The Kinks.

Clever and funny and good-hearted. The Kinks can play for me any day. And talk about rhymes: Consortium - awarded them, vernacular - Dracula, affiliates - and billiards. God save Donald Duck, vaudeville, and variety!

Totally groovy! I think that I need to expand my familiarity of The Kinks. This 60s rock sounds sweet to me.

I really enjoyed and appreciated this delightful album. It’s warmly nostalgic and so much fun to listen to.