First two tracks are perfect. Middle section drags on a bit. Last two tracks are great. Kitschy but has tasteful palette of the 1970s.
One of the best rock albums everrrr
I’m probably missing some cultural context, but I don’t really understand the universal acclaim for this album above other Prince albums. I know it’s technically a movie soundtrack and at times you can tell. Some undeniable stone cold classic tracks and some great grooves but definitely some less interesting moments too.
I think it’s a 9. Best I’ve ever felt about it in my life (huge fan for 15 yrs), maybe my 3rd favourite arcade fire album now. Funeral is prob their best but this is the strongest they were as a band.
I couldn’t wait for this to end. Found the covers really corny. Probably was pretty radical in 1970 but it’s 2026. Loved Metamorphosis tho.
Great album. Shoutout Elvin Jones
It’s ok. For every great moment there’s a moment that drags.
Pretty fun listen. It’s the kind of album that you hear playing in the record store or at the bar and it blows your mind so you Shazam it and then listen to it later but it doesn’t really hit the same. Will say I prefer the second half to the first by a lot. When a Damned song title repeats the same word three times you know it’s gonna be good.
I wish I heard this before Rain Dogs because it probably would’ve blown my mind. But in my opinion he really perfected this style on Rain Dogs. On this one the angry pirate songs aren’t as sharp and the crooner songs aren’t as beautiful. Some great tracks and lyrics on this tho.
This sounds to me like an alternate universe Rubber Soul, expect in this universe Rubber Soul is terrible. Just seems like a horrible attempt to make the American Rubber Soul but like 2 years too late. I had a sort of evil mischievous thought as I was listening, that if someone went back in time and plopped any one of these songs onto Rubber Soul, would it still be regarded as a 10 by most people? And I honestly think people would. But this thought kind of exposed the futility of what we are doing here, just grading albums from like 60 years ago against an arbitrary scale, and made me realize that giving a numerical rating to a piece of art (as great or terrible as it may be) can hardly capture its essence, so I chose to ignore this thought so I can keep having fun with this. The thing about this album is that sandwiched in between all of this foolishness is this beautiful and honest moment “You May Just Be The One” which to me sounds proto-GBV, like Robert Pollard might be jealous of this song. It sounds like a different band than the rest of the album. I hate this album. I can’t believe we are still talking about the Monkees in 2026.
It’s like the cave paintings, necessary for the forward movement of art but no one is learning from them anymore.
Basically perfect til the last 4 tracks that drag on for a long time with less compelling melodies. I feel like the album could have been sequenced differently. But that is a minor qualm really cuz this is an awesome album. Just can’t give it a 5 when I’m bored for like 20 min of it.
As a young classic rock kid I always thought Hey Hey My My was corny. And was actually raised to hate Neil Young. But years later hearing the distortion and feedback from that opening riff after everything leading up to it (Thrasher, Sail Away, Powderfinger, SEDAN DELIVERY?!) it all makes so much sense.
This album represents an indie rock ideal to me. A few less interesting tracks, but far outweighed by the quality of the rest of it. He Would Have Laughed is an all time favourite. Earthquake, Desire Lines, Helicopter, Fountain Stairs live in my DNA. It’s a fringe 5 for me but a 4 seems too low.
Edit: I decided to give it a 4 instead. Still love it tho.
Mark Knofler is obviously a world class guitarist and everything but this gotta be some of the most vanilla music to ever be this popular. Sultans of Swing is a certified classic tho, and the first track wasn’t too bad either.
Love the classics, enjoyed some of side 2, but the rest just seems so pedestrian to me. Can’t deny that it’s pretty fun stuff tho.
I have been sleeping on this. Really liked taking the time to appreciate the classics on this one but also experience this as a whole. Middle section wasn’t that interesting to me, too many similar tracks rhythmically, but from Saturday Night to the end it was really enjoyable.
At this time I’m not feeling Sgt Peppers as much as I used to. I think it’s too theatrical/goofy for me at times. As a whole it’s obviously an impressive accomplishment but I’m not reaching for this over Abbey Road or Revolver right now. A Day in the Life is still an all time fave.
I am really into this kind of music but in smaller doses, like mixed into a funk/soul/jazz DJ set or something. So as much as I like the harshness of the brass and relentlessness of the rhythms does get to me after a while. As I was listening I was imagining how fun it would be seeing this music performed.
It’s fun but nothing too memorable.
Fun but nothing memorable, probably won’t return to it
I understand the lore with this album but I don’t think any of the songs on side 1 provide a compelling counterpart to the original except for Just Like a Woman. Feel like he was just kinda screwing around on Mr. Tambourine Man (but that’s Dylan and he would be happy that I don’t like it so whatever [or wouldn’t care]). I feel like it really picks up side 2 and not just because it’s electric but because this early period electric era rips in particular. This band knew how to rock and knew how to piss people off and it’s a lot of fun to listen to.
There’s nothing else like it. “The only that I got’s been bothering my whole life” is one of my favourite lines in any song ever.
I’m digging this, probably the most I have ever enjoyed QOTSA.
I think De Stijl is the true peak Stripes but this is probably the most “White Stripes” White Stripes album they made. 14 year old me gives it 6/5.
