Superfuzz Bigmuff

My wife hated it, the neighbors complained. 5 stars

Nirvana similarities. Like Nirvana, The Stooges and early californian punk all rolled into one. These guys were just before Nirvana too, so seems like they paved the way but then Nirvana did it much better. This feels like a 4 just because it clearly was paving the way and I'm surprised by how much I enjoyed it.

Another big muff! Who's muff is bigger, Mudhoney or John Martyn?? I wanted to learn more about Mudhoney's muff, and in doing so I fell down a Wikipedia rabbit hole. But it turns out, rather than beavers and pie, I learned a lot about distortion pedals. Because the Univox Super-Fuzz and the Electro-Harmonix Big Muff Pi (π) were pedals that were instrumental (get it?) in shaping Mudhoney's sound. Ok, I guess I did learn about π. But not pie. It was pretty cool to learn about how the technology for distorting and dirtying a guitar's sound evolved over time, from deliberately misused and broken amps to fuzzboxes that do some kind of science-y stuff to sound waves that I don't fully understand. I may not understand just how the fuzzbox distorts those sound waves, but I do love the sound it creates. My formative music-appreciating years were in the early 90s, so grunge and its reliance on fuzzy, growling, and gritty guitars have a warm place in my heart. And grunge's early 90s boom is thanks to the groundwork laid by Mudhoney, Green River, and Soundgarden in the early days of Sub Pop Records. For as influential as early Sub Pop was in shaping that genre, it's surprising that the 1001 has only 2 Mudhoney albums and the only Soundgarden album is their most mainstream major record release. There would be no Nirvana without Green River and Mudhoney. There would be no Pearl Jam without Green River and Mudhoney. But beyond Nirvana, grunge doesn't get enough love on the 1001. Not British enough, I suppose. Mudhoney isn't my favorite grunge, but "Superfuzz Bigmuff" played a crucial role in launching Sub Pop and the genre to national attention.

Listened to quite a lot of Mudhoney (and other roots grunge like Screaming Trees, Dinosaur Jr. etc) back in the mid 90s. It deserves points for the energy, the consistency of execution, and how foundational it was to the development of this particular sound... Though it’s a sound I’m not all that interested in listening to anymore.

Everything about this is perfect. The cover. The opening guitar. My slightly unreliable memory of seeing them live in Wolverhampton around this time

When protogrunge is better than 90% of grunge. Great big classic

There's a lot of noise and shrieking on this album. I suppose I understand why some people would think it's great, but I'm not one of those people. I wouldn't listen to this again if given the choice. 1 star.

My God, just awful

A bit poo.

I never quite got this band. There's some pretty good songs but also a healthy dose of "Yeah, that's okay I guess." I always suspected that they got the attention they did was because Cobain was a big fan. Not bad but there's a ton of other albums that I'd rather listen to.

Survived 5 tracks. That’s quite enough to know this scream fest is not for me.

80's grunge always hits the spot for me, so raw and gritty and fun. This formative release was a perfect little snack to start the morning.

Great driving hardcore-punk infused, proto-grunge, garage/noise rock. Can obviously hear the influence on nirvana, soundgarden and grunge. Had some of these songs on mixtapes as a teenager, love the riff in "In n Out of Grace". To be picky, they are missing the catchy choruses of the more successful grunge bands, and I don't love the singer's nasal tone. Generally feels really visceral and angry, and would have been great live.

Meh

Much better than expected. Never heard of these guys before, but glad I got a chance to hear their music. 2/5

There's proto Nirvana in here. But it doesn't hold up

I was 16 when grunge hit, and I still think that living through the 90s as a late teen / early twenty-something was a great time, possibly only beaten out by the mid-late 60s. I didn't catch on to Mudhoney at the time, but I knew of them, but listening to this really shows where grunge came from. So much of the energy, anger, garage-bandness clearly influenced much of that scene a few years later. This brings back memories of a good time, even if the music is (mostly) new to me.

There’s nothing on earth better than a rock record that feels like it could go off the rails at any moment; the kind of record that could just collapse in on itself in a fit of feedback and fuzz, propelled to the point of supernova by the sheer intensity of the band’s playing. That’s the type of record Superfuzz Big Muff is.

Comment tu vas justifier ça Robert ?

Someone said they made it through 5 tracks ... how?

!!! amaze. Definitely see where nirvana got some of its inspiration from!

THIS IS AMAZING

fuck yeah

I really enjoyed this album. Really grungy.

mi primer correo era mudhoney arroba algo punto com. es una obra maestra de estupidez post-adolescente como el mejor rock and roll siempre lo es.

Lekker!!! Vroeger toen ik nog het idee had om gitarist te worden wilde in een superfuzz en een bigmuff als effecten. Wat een geluid. Uiteindelijk werd het een “Power-rat” pedaaltje (om het verhaaltje compleet te maken)..

Bad ass album! Truly ahead of its time. The birth of grunge?

When this was first released it changed everything (well, musically). It's still awesome

Banging debut from one of the best bands to emerge from the Grunge period.

A two hour and 15 minute ep? Really good! 4.5!

Awesome. Raw guitar tone, high energy.

Grunge before they even had a word for it. This EP is a mind blowing revelation that will pave the road for the next big rock and cultural movement of the 90's. It will inspire some really great bands for sure.

groooovy

Abrasive, the kind of music you need when you're pissed off. The production fits perfectly. I listened to the EP + the singles. If I Think is fucking genius. 5/5

When I first saw this album was over two hours long I thought fucking hell these guys have some ego on them then I started listening and saw it was Punkrock and then I loved every moment of it

32 BRANI!

Regardless of the mutations that the structure of Superfuzz Bigmuff has gone through (six track EP to 14 track full length to two disc deluxe edition with live shows and radio sessions), one thing remains consistent: this fucking rips. With this release, Mudhoney set off something massive and ultimately set that stone for what the next several years were going to be for not just their label but for their hometown and the genre they've birthed. Without this, it is quite impossible to fathom what the landscape would be like and it looks very bleak indeed. Probably bad, perhaps worse. Thankfully, it's not the case. In any way, whether an EP or an LP or a 2 CD set, Superfuzz Bigmuff is required listening for the starting point for grunge.

Great energy

The time of some of the albums that come on this list is just evil sometimes. Mudhoney are playing their First show in Sydney in 9 years tonight. I decided not to go months ago but bam, this comes up and I regretting the fact I'm not going. Seeing them at the Bondi Pavilion at the tail end of 1990 was one of the best thing to happen to me at stage of my life. Most of what they played is from this album which to me is still as blistering, and fresh as on that day standing just behind a sun burnt drunken mosh

Hammer (Mini-) Album der Grunge-Ära. Rotziger Garage Rock/Grunge, aber trotzdem melodiös. Zwischen 4-5. Ich gebe 5, weil es einfach herausragt.

Seminal album in my youth.

Slightly aggravating to figure out how to listen to this. Originally released as an EP in 1988, then re-released as an album length compilation including the songs on this EP (although in a different order) and early singles from the band. The only thing available on streaming services is a 2+ hour deluxe edition which has yet a different tracklisting order than either of the first two releases. Reading interviews and such, it seems like Mudhoney has been asked about it a bunch as they seem pretty adament that they consider this their first album, and that they consider the designation between EP and LP to be pretty arbitrary. With that in mind I chose to listen to the 6 song 22 minute original "EP" releaes for this. This album definitely rules and rocks. Mudhoney were the best grunge band in that scene, and that should not come as shocking or surprising to anyone anymore. And like most bands from that scene, their first release was their best. It's the most urgent, raw and true to live representation for them. Just a great recording as well to capture that spirit.

Wow, did I need this today. "Superfuzz Bigmuff" is the debut EP and first major release by Seattle grunge band Mudhoney. The album was recorded in Seattle on the Subpop label with producer Jack Endino. The album title was named after the band's two favorite guitar effects: the Univox Super-fuzz and Electro-Harmonix Bigmuff. It initially sold poorly but was later acknowledged as a seminal record in the Seattle grunge scene. Guitar strumming as band kicks in opening "Need." Mark Arm's throttled vocals. A dirty sound with the guitar and music sounding very Stooges' like. Nirvana was in the room. There's so much he needs, he bleeds. The band goes punk on "Chain That Door." Fast-paced thrashy drums. A churning guitar. "Mudride" is slower, grungier. Steve Turner stretches those guitar strings. Here's the grunge and heavy feel. A wah-wah and distorted guitar layering: still my beating heart. There's no place to hide as he takes you on a mudride, baby. "No One Has" is back to fast paced. Great drumming and off-key guitar chord notes. "If I Think" starts off slow. It takes off and we got that soft-loud-soft thang goin.' It ends in Southern rock fashion. Why not? The last song "In 'n' Out of Grace" is just straight thrash metal basically. A Peter Fonda eulogy open from "The Wild Angels." More wah-wah and distorted guitar layering. This a pounding, great album. No halfway on this. They fuse the Stooges, Jimi Hendrix, punk and early-to-mid eighties thrash metal into something their own. Great guitar. Arm's lyrics and vocals are edgy (hell, the whole band is edgy), chaotic and strained. He's lived a rugged life and his plans are not to change. Put this record on now and wake your neighbors the fuck up. Tremendous album cover too.

Oh yeah, great album. Obviously the album that influenced nirvana, pearl jam, all the grunge bands.

Wasn't really into grunge back in the day, but that was more due to high school clique biz than anything else. Yeah, this slaps! Was gonna say 4.5 but due to its influence on a lot of stuff I now like, and the fact that more listens will surely deepen my affection, I'll round up. This entry makes me want to stick Robert Dimery with TWO pins. Firstly for picking an EP (or a compilation, either is annoying) for the list, and secondly because it's made me realize there's no Melvins on the list, and arguably they were even more crucial to the birth of grunge. Fave tracks - "In 'n' Out of Grace" from the original EP, with honorable mentions to "Need" and "Mudride" - "Sweet Young Thing Ain't Sweet No More" if we open it up to the 1990 compilation, and "Here Comes the Sickness" if we're using the 2008 compilation!

4.5 YAY screamy noise! some of these songs sound very soundgarden, which makes sense as i'm sure mudhoney were very musically inspring to them. i really like this, it's inspired me to make a fun grungy playlist. some songs felt a little samey, but this is a genre in which i don't particularly mind - if/when i listen through this album more times i'm sure i'll be able to distinguish between songs more easily. favourite(s): halloween or you got it, although the first track was such a strong opener as well. very good stuff.

Era exatamente o que eu precisava, guitarras que moldaram o grunge.

Big, *dumb* riffs. But god, are they fucking good. You can easily hear what was emerging from the Pacific Northwest on this, especially shades of the likes of Soundgarden. I hesitate to use the word "bro-y", but I do get, for lack of better description, party vibes off this. It's the evolution of punk rock, *soaked* in beer. It's fun, it's dumb. Bang your head. Favorite tracks: "Mudride", "If I Think", "In 'n' Out of Grace"

I'd heard of Mudhoney, mostly for "Touch Me I'm Sick", but hadn't listened to anything else. I was a bit bothered about the 2 hour runtime of this album, then found it was a re-release with a bunch of other stuff, and the Spotify one was the deluxe album, so even more. The 1001 book entry on this was about the original 6 track version, so I listened to those tracks first, then had the deluxe one on in the background. I really enjoyed it, will listen again. I can see how they may have inspired the more popular 90s grunge scene. Probably should be a 4, but yesterday it's a 5 for the raw punky energy.

Had heard of them but never listened big angry sound. Loved it.

Sounding very similar to Bleach era Nirvana, this is a propulsive album full of passionate back of the throat vocals, distorted fuzzy guitars, throbbing bass lines and machine gun drums. That late 80s early 90s grunge scene was an awesome period in rock and this is a perfect example.

I really dug this album. I listened to it all the way through twice. It felt somewhere in between the glam metal of the 80s and the grunge of the 90s. Right up my alley.

Magnífico de principio a fin.

Dude, I think your guitar is broken. But man it sounds kewl. Punk into grunge. Pretty music is out. Crooked sounds. Energetic tempos. Off-kilter is the new normal. I'm sick (but don't you wish you were too). Subversiveness is required. Irony. Incorrectness. Society might want to cast us out but we've already left. Attitude must be expressed at all times. This is where we stop making electric guitars try to sound like acoustic ones. Fuzz, wah, feedback, elctronic fracturings are part of the desired sound and being used as core music components. Disaffection as a way of being in the world. The ultimate in dropout from "standard culture." Get drunk. Get wasted. Get fucked.

If primus was punk and less weird lol. I liked it!

Mudhoney's first EP carries on its brief runtime more energy than most of the grunge scene together. A high that was hit once and rarely achieved again in all of the genre's run.

Very much enjoyed it

On my first attempt at Sydney University, I was not a good student. Tuesdays, in particular, I would go to my 11am English literature lecture with my mate Grant, and then we would trundle off to Manning Bar when it opened at noon, because Tuesday was band day. Every lunchtime there would be a band playing, usually some local alternative band. But hard to argue with free, right? One week in March of 1990, we ambled up to the bar, where they were lugging in very large, but incredibly beaten up, amplifiers. "Who's playing?" I enquired of Ian, the Activities Officer. "Mudhoney" he replied. "Cool", I thought. The chance to see an overseas band was a special treat, and I knew the name, even if I wasn't familiar with their music. At 1pm, they shambled out and ripped through a cacophonous and powerful set, largely based on Superfuzz Bigmuff and their self-titled record. They were a revelation. They were loud and fast and angsty and funny and drunk as hell (at lunchtime!). This was music as I wanted it to be. Proper dangerous punk rock that didn't take itself _too_ seriously. As I recall, lots of people thought it was a terrible racket and left, but it sure made a mark on me. It is one of the greatest gigs I have ever seen. As soon as the set finished, I hiked up to Scratches Records at Newtown and bought a copy of Superfuzz Bigmuff, which is one of my all-time favourite records. I have bought at least four copies over the last 30 years: my original black vinyl, which I wore out (literally wore it out, I played it so much), followed by an orange AuGoGo pressing to replace it, then a CD copy with the extra early singles (which I also already had on vinyl, but it's handy to have on a single CD, you know?), then the deluxe CD edition with the demos and live disc. My wife looks askance at me when I mention I own four copies of the same album, but it is all worth it, I tell you, worth it! I went to see them a few times that tour, and on their next Australian tour, which was in December of the same year if I remember correctly. I saw them at the Lansdowne Hotel, the Phoenician Club, the Paddington RSL, and then a few years later at the Big Day Out. I love, love, love, their stuff. I had been hanging around on the Sydney alternative live scene for a couple of years, so this made a lot of sense to me. Australian alternative had a lot of the elements of grunge (that noisy, punky garage rock thing, leavened with a piss-take attitude), but this was the first American band that I had seen doing what became known as grunge, which was about to take off. I love the fuzzy, terrible recording quality, the sloppy playing, the punk energy, the heady combination of angst and humour, the sense of being out of control. Mudhoney were my band. I bought their records, I wore the t-shirts, I saw them live as often as I could. It helped codify my musical taste and also heavily influenced the terrible band I was in for most of the 90s. I ended up working at Scratches Records not long after that, so I had a front row seat for the explosion of grunge in 1991. Oh, to be 20 years old again, working in a little record shop and seeing bands three or four nights a week at a time when there was so much exciting music happening. While the explosion of underground music into the mainstream was exciting at the time, in the long term, it didn't really turn out well for many people (including independent alternative record stores like Scratches). But that's a story for another day... My infatuation with Mudhoney did influence me in one way that I regret. When Nirvana's Nevermind exploded, I was pretty lukewarm on it. Everyone I knew who worked in alternative record stores got thoroughly sick of how overplayed it was. I distinctly recall being at a barbecue on Boxing Day with a bunch of alternative music store and band scene people, when my mate Tim tried to put Nevermind on the stereo. There were cries of "no, no, no, anything but this" from the record store contingent. I mean, good record, but you can't listen to it all day every day, and it's not Mudhoney now is it? And so, with a combination of being tired of Nevermind and generally being broke, I didn't buy tickets to the first Big Day Out or to see Nirvana when they played the Phoenician. I really regret that now. But I don't regret ever listening to Mudhoney. They are still my band. I really love this record. It is an all-time, top ten classic, desert island disc record for me, but maybe not for everyone. Five stars

Yep. Should be here and is pretty great. If I named my album like this it’d be Wah bluesdriver delay. This is how you do noise. And rock.

I was so happy to get this on a Friday

Wonderful album from an oft-overlooked great of the grunge scene. Saw them live a couple of times and the deluxe edition reminds me of just how good they were

Lovely combination of purposefully unpolished and competent musicianship.

Fuck yes. Sadly, I had never heard of this band before today. Forget Nirvana, Pearl Jam, and Soundgarden. Mudhoney is the shit. Just kidding, never forget about them. I don’t have very much to say about this masterpiece besides that it fucking rocks. Songs like “Need”, “Sweet Young Thing Ain’t Sweet No More”, and “Hate the Police” make me want to burn it down. Not anything in particular, just everything. Although I’d probably get arrested pretty quick. After all, you can’t find justice, it’ll find you.

Listened to the original 6 song EP first. This shit rips. Album name does not disappoint. Fuzzy, grungy and absolutely filthy guitar sound. I wish all of the albums on this list had half the distortion that these tracks have. I get it's not everyone's cup of tea, but I can't think of a better way to sweeten my morning beverage than with some Mudhoney.

-this is a perfect album (EP actually, I listened to the original release, only those 6 tracks, not the others that the latter release has, keep in mind) -this is grunge before Nirvana (or any of the big 4) came around (even Kurt loved this album) -it's energetic -I FUCKING LOVE THE ALBUM COVER RAHHH! It matches the sound this album is going for and I love this type of punk rock energy -lyrics are pretty sarcastic I'd say -it's noisy at times (and I love that when its done well, here is definitely the case) -favorite songs: all of them (again, the 6 tracks the EP has) -least favorite song: N/A

Lovely early grunge!

Propre (pas la version de + de 2h sur Spotify)

Mudhoney!!! Good ol Greg of Parklane, put a song or 2 of these guys on my mix tape he made me. This is good shit! 5 stars! I thoroughly enjoyed this album!!

Ich finds geil und liebe den Sound, die Hits und die Attitüde. Dreckpunk, Proberaum, Heroin, Power, Amerika. Sehr ambitioniert ist das natürlich nicht, aber wer Touch Me I'm Sick und Mudride an zwei Enden einer Platte packt, darf dazwischen gern auch mal bisschen stoppeln. Und schon aus Prinzip kann ich hier nicht weniger geben als für Pearl Jams Ten.

Не, саундом пропёрся. Сразу прям захотелось уши через звуковуху подключить. Покачивает, покачивает. Вики бы не написала - я бы даже не особо выкупил, шо цэ гранж. При оценке альбома возникает вопрос занимательный. Не "А судьи кто?", а "А судить то что?". В оригинальном EP всего 6 треков, в итоге 22,5 мин. А в современном издании эти 6 треки помещены внутрь дополнительных. Ещё и второй диск присобачен. Я угарну, если кто-то в рамках этого движа вместо 6 треков будет 32 слушать, лол.

ну во-первых как постоянный юзер биг маффа хочу заявить, что строить весь альбом на этом звуке — максимально хуёвая затея. Его для ритма и не используют почти, он же ватный сильно, да и для соляков звук как-то недокрутили. Если уж делать звук с ним, то используя какую-нибудь грелку, меня например тащит подрубать его через боссовский турбо дисторшн. Но ладно, цэ всё лирика. Во-вторых — песни на этом альбоме просто на пять голов выше всего, что я слышал от мадхани до этого. хз, может они так скатились в будущем, но ожидал я вообще другого. Это-то ну. норм. даже очень. Как для пост-хардкора — вощще конфетка. Как для гранжа — ну чутка хаотично и мелодики не хватает порой, но влияние на того же Кобейна очевидно. Как для 88 года — передовая нахуй музыка. Вокалист просто зверюга, тащит энергетикой через эти фуззовые стены и долбящие ударные. Трек Hate the Police — вообще один из самых впечатляющих вокальных перфомансов, что я когда-либо слышал. Mudride тоже где-то близко валяется. Композиционно не откровение, конечно, но определенные треки радуют. Для меня небольшой проблемой стала так называемая Ear Fatigue — «ушная усталость», когда под конец альбома уже так много этого фузза и однообразного звука, что физически устаешь это слушать (я гонял полную версию, ясен хуй). В общем для своего времени — ништяк, для нашего — детский доктор, группа когда-то была горяча, 8/10.

Seattle... Lärm!

May have been the template for grunge, but it's possible to make poppier, hookier songs without selling out.

Yet another surprise for me. This one grabs me immediately with big noise. It follows up with fast and medium hard sound that really keeps me interested. For '88 this seems like a really groundbreaking album.

This dirty, messy garage punk makes me want to buy another Big Muff pedal. This album was fun, and short enough that it didn't outstay its welcome like some bands like this

Punk-rock en estado puro. Buen disco, buen estilo, un imprescindible de esta lista.

definitely grew on me. some songs were too similar and repetitive but the screaming and guitar were kinda additive. cool name x

Another solid album that rocks hard. Early grunge. A few great songs, especially toward the end but not consistent throughout. A 3.5 but will listen again so I'll bump to 4

Nice proto-grunge. Grunge is my favorite genre and this is one of the early trendsetters. I can totally hear Nirvana and Soundgarden here. Good album.

Really enjoyable, liked it more than most grunge i've heard due to the great energy and dirty sound.

Focused rocker. I didn't realize EPs were included in this list

Decent grunge, especially the last song. 7/10

I liked the later mudhoney better, but this was a solid angsty garage rock EP. 7/10

I believe that this is the pure definition of a very historical album that sounds "simple" or "old" because of so many things it influenced after its release. The songs are great and the spirit is pure 90's grunge.

Straightforward, short, but oh so tight. The closer clinches it, stretching out without losing the edge that has been honed by the other five tracks.

The 1990 version includes some awesome songs, but I decided for the purposes of this review I'm just looking at the 6 songs on the 1988 release. I wasn't big on grunge when it first broke through, so I think really listened around bands like Mudhoney at the time. I suppose that's fine, as I don't think I would have much appreciated them at the time. But man, these guys are great. They're the only band I can think of that consistently embodies the raw energy of groups like the Stooges and the MC5. This is some stellar proto-grunge that burns with a ramshackle energy, with some furious guitar work and hard driving drums. The vocals by Mark Arm are some of the most blistering and I have heard. I like the contrast between slow burn and straight up rage he does in “If I Think.” Following it up and closing it out with the high energy “In 'n' Out of Grace,” and that’s a pretty compelling group of songs. It makes me want to hear more. Fave Songs (1988 version): In 'n' Out of Grace, No One Has, If I Think

This just blew the cobwebs right away

Quality feels like it’s recorded right off the floor. I’m a clean sounding kinda guy but this is gritty and I dig it. Loved Rape Me.... I mean Need. (Oof another lifted riff for Cobain & Co.) Fave tracks: “in n’ out of grace” “need”

Some classic tracks from my youth on here. Always worth a listen even though some tracks take it down slightly from a 5.

Grunge incarnate - squalling guitars, fizzing with sass

Rating: 8/10 Best songs:

Grunge visceral, pero con buenas melodías. Fuerza sobre el escenario

I love how RAW this album was, but God it was rough to listen to for long. Overall good experience though.

2/6/2022 Today's Album: "Superfuzz Bigmuff" by Mudhoney - I think this is one of the most influential albums for the 90s. Coming out in 1988 and predating the entire grunge movement, this band shows off a lot of talent and innovation. The groany vocals and and slightly detuned guitars that would define the grunge rock takeover in the 90s are all over this record and are well executed. This album is messy, but controlled and there are a lot of diverse ideas on the record, even if the instrumentation stays pretty similar throughout. Some songs sound like they're made for the mosh pit and some just fit that crying-alone-in-your-bedroom vibe and I think if you look at Nirvana and Pearl Jam, which to me are the closest in comparison to this group, you'll find a very similar aesthetic. It seems that the movement sort of took off without these guys, which is really a damn shame since they were such pioneers of the genre. I don't really know if I am totally on board with grunge music, but I have to say that if you're even just tolerant of hard-rock and metal, you'll appreciate this album or at least enjoy listening to it while it's on. It sounds like the exact transition point between the hair metal that ruled the 80s and more subtle grunge rock, with plenty of chugging 80s guitar and bass lines on tracks like No One Has, but also slowed down grunge beats on tracks like Need and If I Think, both of which sound like Nirvana songs before Nirvana existed. In 'N' Out of Grace and You Got It are absolutely crazy tracks and I like them a lot. I think there are a lot of songs on here that are just sort of forgettable or just don't leave a big impact, but the good parts are really great and there weren't really moments where I didn't at least half-like what I was hearing. I think it's definitely worth it for those who like music with an edge. Score: 7.5 Angsty and Grungy Highlights: Touch Me I'm Sick, Need, If I Think, In 'N' Out of Grace, You Got It (Keep It Outta My Face)

Grimy as hell and I love it. Rougher than the big 4 grunge bands. 8/10

Дерзко.

The linear progression of punk to grunge and everything outside and in between is demonstrated well by this list

4, pretty dope grunge, a lot of good tracks

Punk-grunge ochentero. No está mal. Un 4.

Garage grunge/punk type sound. I'm into it