Savane

This is what I'd put on in the background of a neighborhood party to give people the impression I'm deep and interesting. Some will find it annoying and be reminded of the human torture scene from Indiana Jones & The Temple Of Doom. Those are the people who leave early and giveaway the fact they're not cut out for the Swingers Lifestyle. Everyone else grabs a random set of keys from the petri dish and goes home with a delightful stranger.

This album was a really cool change of pace. It's sound is both familiar and novel at the same time. I wouldn't have envisioned the mixture of American blues and African music to be so seamless, but this feels like it was meant to be. The intricacy of the guitar adds a lot to this album 5/5

This is really interesting, partly because I can’t quite figure out what it is. There are times I think I hear Arabic, and then times when I think I hear French. And it sounds mostly Arabic, but then sometimes it doesn’t. It’s so interesting.

This album creates a very specific ambience. It's a humid summer night in the south, I'm on an airboat en route to a Louisiana gumbo party, just cruising through the bayou. I wanna get there while the cornbread is still warm, but I'm also not rushing. I've never done any of those things in my life, but if I close my eyes while I listen to this album I feel like I might have.

Around 30 years ago, I was working with a client that had a gold project in Mali. I was intrigued with the country and sought out some local music. This is how I found Ali Farka Toure and his splendid guitar licks. He was a legend and the artist who attracted me to West African music. His album with Ry Cooder's in the mid 90s brought him well deserved exposure in North America. After this, he retreated to Timbuktu to revert to playing weddings and spend his "fortune" fixing sewers near his home town. What a man. His final musical offering is as good as they get. RIP

African (Malian to be specific) blues is... well, it's a niche sound. I've rubbed up against it in the form of the artist Bombino before but this is a whole different level of unique. It... it FEELS like the blues. But, at the same time, it feels distinctly african. There are harminicas, banjos, and guitars... but also hand drums and some sort of unique stringed instrument (Zither? Kora? Not sure.) mixed in. It all combines into a wild and entrancing musical experience. Ali's voice is pure blues. Even though I can't understand most of what he's saying (though some of the album is in french, thankfully), his emotion comes right through the language barrier untarnished. Apparently, this album was released posthumously and, while I'm glad the world has this album, it's a crying shame that we lost this talent because the album is just really really good.

I say this is in the nicest way possible: this sounds like a CD my parents would randomly own in the early 2000s that they'd play for us while on road trips because of its somewhat jazzy and folky stylings remind them of Celtic music they enjoyed, and it would become a part of my subconscious moving forward without me ever knowing what it was. Really good!

The instruments mesh together well, creating a distinctive, warm, laid-back atmosphere. For such an unfamiliar musical style, I enjoyed it more than I expected to. Now for the negatives. The songs are unadventurous and painstakingly repetitive. This makes the album really dull for close listening after the first 30 seconds or so of each track, and even a little grating in the lengthier ones. Some people might describe the songs as "chill, doin' their own thang" but I think it's very important that the musicians interact with and entertain the listener as much as possible. In my eyes, Toure's music does not accomplish this.

This is an album that I would have never discovered had it not been for this app. Not my cup of tea, but I’m grateful to have experienced it.

I just don’t like many of these noises. Never liked harmonics, the guitar is very “twangy” and I find his nasally vocals unpleasant. Turned this off half way through.

When one traces the origins of their meal, they discover that even a simple pasta has traveled extensively; the tomatoes are from Mexico, the wheat from Ukraine, the eggs from New England, and the onions from Quebec. This album, too, has such strong roots in so many different communities. It is a deliciously simple dish with ingredients from West Africa, South Africa, France, USA, and the Arabian Gulf. It isn't the kind of dish that you discover, beg your friend for the recipe, and put into your regular rotation of meals at home. And when you prep it, it takes you to all those different moments with your friends across so many different places.

So good!!! Absolutely smooth, guitar is just another vocals and it blends beautifully with the music. Distinctly African and also distinctly Blues. Fantastic!

After waiting through over 50 albums to finally encounter a non-Western release on this list, two hit back-to-back. Once again, I have to admit I’m far from an expert in the genre at hand, let alone its African roots (or more accurately, its forefathers). Indeed, I’m ashamed to admit that, with a few notable exceptions, my knowledge of African music as a whole leaves much to be desired. But when someone is labelled "the king of desert blues singers" right on their album cover, you can’t help but pay attention. Speaking of the cover: Ali Farka Touré reclines in a wooden deck chair, beige chinos, a white t-shirt, shiny black shoes, shades on, cigarette in mouth, and a black guitar across his lap. Few people manage to look this effortlessly cool. Even without knowing much about Touré, I felt an immediate connection to Savane, despite understanding little of the lyrics. Maybe it’s because Touré passed away just weeks before the album was released, but the music feels like a quiet celebration—Touré’s final message to his fans and the world. There’s a deep intimacy here, like you’ve dropped by to hear Touré and his band play just for you. Don’t mistake the laid-back vibe for amateurism, though—the musicianship is incredible. The repetitive grooves of songs like "Erdi" and "Soya" are hypnotic rather than tiring. The call-and-response vocals pull you in as they dig into a groove and build something remarkable from it. I found myself especially drawn to tracks like "Beto," "Savane," and "Ledi Coumbe," where the West African influences shine brightest. Did/Do I own this release? No. Does this release belong on the list? Tentatively yes, though, considering his vast discography, one could argue for other releases in his catalogue. Would this release make my personal list? I really enjoyed it and will likely revisit it to fully grasp its depth. Will I be listening to it again? Definitely—I’m eager to explore more of Touré’s music.

This was surprisingly delicious. The songs didn't really go anywhere, but they didn't really need to. They just chilled out and did their thing; I like that.

Not what I was anticipating, much more sombre and "devotional" than my limited experience of Malian music predicted. Understandable given the circumstances of recording but didn't hold my attention, sorry

I sincerely wish I could play guitar as well as Ali. A fantastic album and introduction to African blues/guitar. The layering of instruments is enchanting, and everything from melody to accompaniment feels absolutely fresh and interesting.

Savane Ali Farke Toure is one of those people I’m aware of and have heard quite a bit of through various compilations, but I haven’t ever listened to one of his albums fully. Anyway I really liked this, the desert blues, the middle eastern inflections, the rhythms, the horns, harmonica, acoustic guitars, and his guitar tone, the words seemingly dipping in and out of Arabic and French, it all feels very evocative of a place I’ve never been with a beautiful stateliness and warmth. On some listens I just let the whole thing warmly wash over me like and on others I paid closer attention. Songhoy Blues was the other Desert Blues album we’ve had and I really liked it, but that felt more youthful and energetic, whereas this felt older and more comfortable. Maybe it’s because Savane sounds a bit like What Good Am I or something from Oh Mercy, but I get the same feeling that albums gives me, kind of ruminative and contemplative, but also with a sense of being at ease (even though I don’t know what he’s singing about). I enjoyed pretty much every track, but the run of Beto-Savane-Soya-Penda Yoro is great, and I really liked the folk-ish desert blues of Soya. Hanana I liked too, the arabic fiddle, tabla percussion and drone is great, very charmingly hypnotic. N’jarou is great too, the rhythmic brass and guitar together are lovely. It’s a lovely, meandering, charming album, like gentle waves of lovely warm water lapping over your feet on a lovely sunny beach - solid 4. 🇲🇱🇲🇱🇲🇱🇲🇱 Playlist submission: Soya

I found this more interesting than good. Ultimately it’s just not my thing. I’ll never return to this. But I did like parts of it even when things got far too repetitious. 2.5/5

Really great mixture of musical styles. Only complaint is that the repetition is well, really repetitive. You need about a minute of each song and it's time to move on.

Yes I love hearing the same bluesy guitar lick repeated over and over for 5 minutes, then getting a new lick on the next song that repeats over and over. 2nd album from this guy on the list and i'm not seeing what the point is at all. I'm completely ok with repetition if it's a cool idea (I love The Fall after all), but every song here is just one single idea drawn out to a full track.

Hated this. I literally had a splitting headache after the first track.

Knowing he was going to die after making his final album, I'm not going to disrespect. Thought is was interesting, but can't say this is something I would listen to or revisit. Thanks for your contribution and the unique listening experience. It did get me thinking though. What if Stacey's Mom was really Jessie's Girl and her phone number was 8675309? Think about it.........

Is this supposed to be good just because it uses some less familiar rhythms and it is sung in a language we don't understand? It just plain isn't very good at all. The rhythms don't keep to their own time structures, the instrumentation doesn't keep to the rhythms and the vocals are lacking in inspiration and emotion. For supposedly the king of the desert blues this is very flat indeed. The album was released posthumously, and it may be that Touré's illness had an impact on the quality of the music, but if this is the case then surely some other, earlier work should be in the 1001, not this. Songhoy Blues is far superior.

Could not get into the music. African Blues is one of those genres that I cannot enjoy, even if it is my a famous artist or groundbreaking work.

😊

Incomparable guitarist. Great stuff.

This is the 73rd album I’m rating. I don’t really know what this is but African Blues seems pretty cool. Adding to my Playlist - Erdi, Yer Bounda Fora, Beto, Savane, Soya, Penda Yoro, Machengoidi, Ledi Coumbe, Hanana, Soko Yhinka, Gambari Didi, Banga, and N’Jarou. Not Adding to my Playlist - Nothing. All in all I liked 13/13 songs. This feels so familiar and it just sounds so good. I don’t understand it but African Blues and Ali Farka Touré are great.

From his breakthrough record yesterday to his final album, recorded just before his death in 2006 and released posthumously. This is an album full of strangeness and charm, with traditional instruments like the ngoni and calabash alongside guitars and harmonicas and vocals in a mix of languages. You don’t need to understand the words to feel the powerful emotions running through them. Touré said that he thought this was his best album and who are we to argue? I also read today that in 2004 he became mayor of his home town of Niafunké and spent his own money earned from his music improving the roads, building generators, and installing irrigation and sewage systems. I can’t think of a better legacy to aspire to.

Yeah I really like this. So different with strong blues undertones but a great flow

More richly produced and fully arranged than his more bare bones early 90s albums, AFT reaps the rewards of his breakthrough into the world music genre on this album. It's a more fully realized, if slightly more generic sound as a result. His guitar work is great, all mesmerizing drones and melodic fills, working with and against the kora GOAT Toumani Diabate to weave together a complex call and response, polyrhythmic, relaxed but super energetic sound. The sokou single string violin adds an awesome lead element and extra melodic voice on a few songs, really bringing that wild trancey velvet underground sound. I might've picked In the Heart of the Moon over this one, but this is a great representation of Malian music at its moment of peak global recognition.

This is the stuff that's so far outside what I normally listen to that I'd never find it and ... if I never had, I'd be sad.

5/5. Excellent guitar work and mesmerizing vocals. Could be due to the fact that I have no idea what he's saying but the cadences and flow with his guitar really enhances the music. The album flows together which can be a detriment in other albums but this one keeps the same energy while introducing new instruments or vocals to make them stand out. It's blues that's older than the blues, according to his words, and that tracks. Only complaint is that it is a little long, a 40 minute album would be perfect. Best Song: Soyas, Savane, Erdi

Give me more of this!

My first foreign language album! Never heard of Ali Farka Toure before. Great music with a good beat and some wonderful twangy banjo. Not a single bad track on the album, with Yer Bounda Fara, Soya, and Soko Yhinka topping them. Definitely going to listen to more of him. The entire album just made me have a smile on my face, the whole way through. Love it. Best song: Yer Bounda Fara

Excellent album! Really fun instrumentals. I can only hope that I can understand the lyrics one day. 'Soya' and 'Soko Yhinka' are tied for my faves.

# Playlist Track - Beto # Notes - Music that magically takes you somewhere else. Where? Heck if I know. - It sounds both familiar and new. Not being able to even recognize a single word or sound, but being driven by Toure's guitar in a comfortable, enjoyable place towards this place is super fun. - Incredible experience, strongly recommend!

Hell yeah, love this one. It's been a while

Super different w it h great percussion. Love!

Fascinating look at Malian music - released posthumously, this album does not succumb to the introspection of many artists recording while terminally ill. What it is is lovely listening, great as a backing to something, with bits interesting enough to stop what you're doing and make you focus in on the music. Exquisitely played.

Really damn surprising and cool. Certainly the title track seems to be the highlight, though the whole album has a cool african blues vibe that seems to require the least out of the lyrics to still enjoy it. I had a wonderful evening/sunset beach walk with this being the soundtrack. It was great!

Utterly hypnotic. So smooth and soulful. Let the desert blues just wash over you…

Lovely to hear significant music that never made the pop charts. The first time I heard Ali Farka Toure was in the late 1980s and his music so securely cemented the thread of the blues as a West African music that my first listen of him continues to resonate. The moment I saw this album come up, I knew it was a five. But why? There is nothing performative about this music. Toure at this point in his career knows what he has and knows what he is doing and his commitment to the fidelity of traditional forms is deep and authentic. He is a brilliant guitar player and singer, and his music is soaked in feeling and reaches into history to source what is to come. Always a spiritual experience listening to him.

An amazing record by an amazing musician. It's like the earth is talking. It's like the wind sings to us. It's like water filling cracks I did not know I had. I do not know what he is saying but this makes me feel more. Good art does that. It meanders, explores corners of the soul like a good story can. And gathers the embers of a life aiming towards its end, surrounded by friends and grounded in the place where the story began and unfolded. And though he was dying at the time and knew it, there is so much life that is flowing through these songs. What a beautiful gift to leave behind.

That's some finger lickin' guitar pickin', I tell you hwat.

Every now and then, this list completely redeems itself and produces an excellent album by an artist that I had never heard before. This is one of those times. 5/5

great

Great Album! Love, Love, Love.

A true East meets West situation. Like if Robert Johnson sold his soul to Allah and not the devil. Nice blues instrumentation with a middle-eastern flair.

Stuff like this really motivates me to keep with the list. This was incredibly good, and something I never would have known existed otherwise. The blues with African and Arabic sounds comes together in a way I didn't expect.

Awesome vibes, can't wait for a summer road trip playing this.

I don't understand any of the words that Toure sang... and I don't care. This album is fantastic. Blues are universal, and instruments are their own voice that transcends language. I'm not sure I could pick out a single track to add to my favorites list just yet, but the whole album can go into rotation, especially as general background music for my life. Out of all the 'modern' (ie since 2000) albums, this is my favorite. I can and will recommend this album to people without hesitation.

Absolutely classic blues with a zing!

mali albumi.. mikrotonaalinen avant-garde teos... . ei, ei voi termejä käyttää. MUSIIKKI ON MUSIIKKIA..tämä koskettaa.. häpelöi, hyväilee.. tarvi teknistä soopaa kerskailla.. kitaratyöskentely... ei kitaran stringejä näppäile, vaan sydämen...heartstrings being played... holey moley... aavikkoblues, bamako style... varo ettei hiekkaa mene silmiin heh savane

I recognize his last name because Khruangbin did an album with his son recently. Check it out if you like this.

Not my usual but was very enjoyable.

Ooh I’m looking forward to this. While I don’t know the album, I do know the artist. I listened to a couple of his other albums on repeat during the pandemic lockdowns. Toure’s voice and blend of instruments are so soothing. One instrument in particular - I think it’s the kora? - produces a beautiful bluesy sound that I adore. In the end, this album does not disappoint.

I have no idea what he's saying and it doesn't even matter. The music and vibes transcend the need for understanding the lyrics. You can feel the soul in every single note being played here. Just some really solid blues with some very interesting instrumentation. Can't wait to listen to this again. Standout Tracks: Erdi, Savane, N'jarou

So light and yet it has so much substance. Like Tom Waits without the gravelly gruffness. I could honestly listen to this forever.

Very Interesting..something I would hear on NPR's Echos

Outstanding. This will go in my frequently listened list. Unique, original, great musician ship, great songs. Loved it!

The wiki says this is African Blues so that's slightly different than what I usually expect from this project. At first, I was worried this was going to be something you'd hear on NPR late at night. #1 - I couldn't make out a word the gentleman was saying, and the instrumentals are eclectic and all over the place and work together in parts. This is going to be a very unique album to say the least. #2 - Okay, this is starting to sound more like blues that I would expect. This one feels a lot more structured and put together. It flows really well even if it sounds somber and mournful. #3 - I didn't know African Blues was a genre, but if you had to have me point to a song that would be most similar to it, it would be this one. Good music picking and instrumentals, lovely background vocals. ★ #4 - It starts with an almost latin american style guitar picking and that continues. The song is very mellow and relaxing without being tiring. #5 - Good beat, I found myself following along. Again, good mix of instrumentals and vocals. #6 - Another bluesy song. Great all around. Mr. Toure knows how to put in background vocals as well as create this kind of music. I haven't heard this good of guitar picking in a while. #7 - To me, it sounds like this would be sung while doing work (something like The Song of the Volga Boatmen, for example). It's good. #8 - First one of the album where I felt this one was alright. Definitely not my favorite of the album. #9 - Short and sweet with parts that sound frenzied (could be a good track to run to or if something hectic/fastpaced was happening a movie). Good bass. #10 - Simple to follow along with. Found myself humming the song after the album was over. ★ #11 - Instrumentals here were good, enjoyed the thumping. Compared to previous tracks, I'm not entirely sure if the vocals they went with worked well. #12 - A good, quality song. Not much more to say. #13 - Really not much more to say about this album. If you got this point, you know what to expect. A good track to send us off. While I don't speak the language of Ali Farka Touré, there's clear passion to his craft in these songs. After some of the albums I've been getting, this has been a very pleasant surprise; I've never heard of him. I feel like this album is what the 1001 album book should showcase more of (granted I'm only day 60 of 1001 so we'll see). So far, this is one where I was confident in giving a five only a few songs in.

Something special here. Transports you to another place, these desert blues, and this effortless, masterful guitar playing is exemplary. What a talent and what a recording - captures the sound and the mood perfectly.

Rhythmic, full bodied, rich. A truly new genre for me and a fun listening experience

Fantastic desert blues!

not as good as with ry cooder but man this guy just loves to have a jam

This ruled. I had another of his albums earlier and did not like it nearly as much. This album was haunting and hypnotic.

This might be one of my first exposures to Desert Blues music in any real depth. I know after hearing this though, I will absolutely seek out a physical release of this album and explore this genre. It's evocative, it's hypnotic, it's enchanting, it's very beautiful. It brought an amazing and immediately intriguing style of North and West African music to my attention, bringing forth a general feeling comparable to Western Soul and Blues, but with Malian flair. It kept me hooked for the entire time, seeming to be good music for driving, working, or just having in the background to vibe with. It's fair to say that I'm hooked on this album upon the first listen. Thanks for introducing a whole genre to me, Generator! Favourite: Yer Bounda Fara

I’ve always loved this album. Glad to see it included on this list. It’s a great album to throw on and vibe with. It’s so effortlessly cool.

wow. was completely unfamiliar with this album and artist but it’s really excellent. going to listen to this a lot in the future

I know I'm a stereotype of myself, but I fucking loved this. 4 tracks in and I was already sad at how quickly it was going by. I never wanted it to end! Cool rock attitudes with some traditional elements and an overall catchy swagger.

Brilliant album

Spectacular. Quintessential West African Blues.

I love love love desert blues, or tishoumaren, or whatever you want to call it, and Ali Farka Touré is the daddy. It's hypnotic, exotic, but familiar at the same time. You can easily let it blend into a wonderful background wash, but it also repays close attention, which is a quality I highly value in music. Fave track - "Yer Bounda Fara" maybe? It's not really about individual tracks with this one...

This one completely dodges the complaints leveled at my other African album (the Koffi Olomide one). It not only feels real, but it’s interesting and enjoyable. 4 stars, but one added just because I felt nice today (it’s because of my new dog).

Great listening, really like this!

The title track sounds like the riff from Child in Time, but on a Reggae beat! Penda Yoro is a blues jam, with a polyrhthm. Totally danceable. This was a very pleasant surprise.

I vibed hard to this

Beautiful desert blues

Dit is m

What an absolutely fascinating record and one that conjures up so many different influences and emotions. The record meanders along at its own pace, going wherever it wants and I really respect that. I feel bad that it had never even occurred to me that kind of blues fusion could exist but it doesn't just stop there its got heavy ska and reggae influences displayed and Arabic style scales are heavily used in parts. Much drone as well drone good, me likey. Very evocative, it takes me straight back to time spent in Uganda, sitting on a bus driving long hours through the colorful streets of Kampala. I adore this album and have saved it straight away for future listens. 5/5

Only on the first song and I'm so intrigued. This just has such a raw feel.

Gostoso de ouvir

I really enjoy this a lot.

Amazing album. Great world music. Great instrumentals. Awesome find.

Sensational guitarist, hypnotic rhythms and really interesting musically - time signatures, scales and use of intervals entirely different to western ears, but still recognisably the blues - Malian style. I love this.

Lovely - blues and jazz with a Malian twist - warm and enchanting from end to end.

Another one I’d listen to again. Love the desert blues sound from beginning to end, with nice variation in mood throughout. Amazing voice and arrangements too.

Una das mejores descobertas deste guía

quality music

I loved it that I listened to the album again.

I really enjoyed this, very fun to drive around to. It’s not something I would have listened to before but I can actually see myself listening to it again should I be in the mood. So for an album I’ve never listened to in a style I don’t usually consider I’m gonna give the 5 star

Would be nice to have on out the back of the new Toowong pool hall while smoking a shisha but otherwise probably wouldn’t re-listen to be honest. Cool sounds though.

Nice memories

Enjoyed well

This has a feeling of soul. Passes lingual barriers, and just damn good to jam to.

5

REALLY good. 5 stars.

In a more impulsive era, I cajoled a clerk at an incense shop to sell me the store’s copy of Ali Farka Toure’s The Source because I was so spellbound by it. This is more bluesy than that one but is nonetheless hypnotic.

What makes this posthumous release especially interesting to listen to is how it bridges continents and musical styles. There are fiddles and other traditional West African instruments throughout, but also saxophones ("N'jarou," "Beto") and harmonica ("Ledi Coumbe"), and he sings "Savane" in French. Ali Farka Toure was often compared to John Lee Hooker, and while he has his own distinctive sound, he often veers into a similarly droning Delta blues vein. It all makes for a highly captivating, meditative listen.

genuinely very good