Origin of Symmetry is the second studio album by the English rock band Muse, released on 18 June 2001 through Taste Media. It was produced by John Leckie, who produced Muse's debut album, Showbiz (1999), and David Bottrill.
Origin of Symmetry is considered Muse’s breakthrough album. It reached number three on the UK Albums Chart and was certified platinum. Four singles were released: "Plug In Baby", "New Born", "Bliss", and "Hyper Music" / "Feeling Good". It was their first album to chart in the U.S. As of 2018, Origin of Symmetry had sold more than two million copies worldwide. It received mostly positive reviews, with critics praising its blend of rock and classical music. It has since been named one of the greatest rock albums of the 2000s by several publications.
For the album's 20th anniversary in 2021, Muse released a remixed and remastered version, Origin of Symmetry: XX Anniversary RemiXX.
Origin of Symmetry is certainly not my favorite Muse album. "Plug In Baby" is an absolute fantastic song, "Hyper Music" and "Bliss" are worth listening, but the other songs are a bit meh. As "Black Holes and Revelations" is on the original list, I would have preferred "Showbiz" and "Absolution".
Yes! One of my favourite albums, by the band who mean the most to me. For a second album, it sounds so polished and mature, but still with the madness and energy of their early years. Not the Muse album I would have picked (I'll always love Showbiz a wee bit more, and probably listen to Drones most at the moment) but a solid choice which I would fully support for a place in the list.
It’s hard to believe given the mountain of shit they’ve produced recently, but Muse used to be an amazing band. This LP soars well clear of the sophomore slump, building on ‘Showbiz’ dark, insular themes while turning the instrumental maximalism to 11. It’s an album that lays the framework for the rest of the band’s career, the characteristic synth arpeggios and Bellamy’s conspiratorially-themed lyrics making their first appearances atop the layered, maximalist rock that defined their early output. Even though the LP could be balanced a bit better given the saggy back half, it still hits hard as a complete artistic product – from the album art to the track names to every one of Bellamy’s squealing falsettos, every element builds toward a complete, cohesive experience which is something that’s become incredibly rare nowadays. I miss the old Muse, but at least their early work has aged well and still stands as a solid listen – somebody’s just gotta add Absolution and we’ll have all the classics on the list!
I started off less than enthused about this album. It had some of the Muse that I loved in Black Holes and Revelations but felt a bit less polished? As this progressed I appreciated it more and more. This was a bit towards some common Muse/Radiohead ancestral sound… but Muse took some alternative roads.
Really surprised at the cover of Feeling Good - fabulous highlight. Plug In Baby and Screenager stood out on the first listen.
It may not have claimed my favorite Muse album spot… but it shows plenty of the things I love about this group.
I don’t listen to Muse anywhere near as much as I used to but this is still probably my favourite of theirs by quite some way. It’s the logical progression of their sound from the rough yet fragile Showbiz, and is so much more confident and ambitious. New Born, Space Dementia, Citizen Erased, Screenager - just so many fantastic songs on here
There's just no bad song on this album! This was also one of the contenders for my own submission in this list. The 'rawness' of the song is amazing. The guitarwork is heavenly. Awesome basslines. Everything is perfect.
Muse to me is a band that is purely alternative music. They have a sound that is a bit stronger than other English rock bands while not sacrificing actual enjoyability. Muse may have more popular albums than this one but this is still a pretty solid album with electronic and other alternative influences. Would revisit this one as it’s not as poppy as some of their other albums. 7.1/10
Dismissing the Radiohead (as Wikipedia sugggests many have done) comparisons seems pretty disingenuous: there's really no disputing the influence. It does stretch well beyond that though and the findamental vibe lands elsewhere. I liked this and would ve up to hear more of this band, though occasionally the upper ranges of high-end noise brushes up against aural assault.
I remember buying this album because I wanted to like it and to like Muse. But I didn’t then and I don’t think I do now.
The cover of Feeling Good felt weird - it is so Nina Simone’s song that it felt like cultural appropriation, but a quick google shows that may be misguided and the song in fact comes from a musical! Every day’s a school day.