1001 Albums Summary

the windmills of your mind is a great tune, son of a preacher man is good

The sound of the 2000s. Its iconic. duh. In the cold cold night is a good one. ball and biscuit has serious hendrix envy

this was okay i guess

Coltrane's sax texture is all over the map in the best possible way. THE BASS SOLO ON PART THREE!

THIS ALBUM HAS GROOVE FOR DAYS

This is real good. Three Bricks is an awesome closing track

I spent most of this album hoping for it to end

This reminds me so much of Darren. wild and thoughtful, occassionally way too obtuse for me to get it

R.E.S.P.E.C.T! I wanted that album like 15 more times on repeat. fabulous all the way through

god this album is dark. Its Em processing his fame and celebrity while still digging into his own desperate childhood. Bitch Please II is iconic gangster rap song. Kim is graphic and disturbing and i never want to hear it again in my life

Opening thought: this is the perfect boat rock album

Jeff's voice is weird, reminds me of like a 60s singer but the title track has this crazy prog rock sound. Lilac Wine is a good tune

god damnit do i have to? The guitar work has some nice fills on only the strong survive. bleh

This is probably the best, ballsiest sounding live record around. Big Eyes has huge energy on a weird guitar part that takes over the room like a big animal. turns out the audio is from Osaka and not at the Budokan, the recording there was a failure. FABULOUS ALBUM

I mean basically every song is a single, its all stoner rock, so i cant really say its for me a 5 star album. it gets a little languid in the middle, but hey its great

This one fell flat for me. lots of guitar shredding, but just felt bland. maybe because all of the classic rock i listened to when i was younger

Rock 'n' Roll Star: wtf? Oasis used to sound like this? what happened! rest of the album: oh this is why, because they sound like every other alt rock stadium band, though its hard to tell because they have always been aggressively generic. Married With Children is look ahead at the Oasis sound of (What's the Story) Morning Glory

Finally a good electro pop album. Zero checks a lot of boxes for me. HEADS WILL ROLLL. The album starts to peter out after that but its got great electro rock grooves throughout

first track is very solid. Yea this is great in the pocket horn playing jazz. oh man this is great atmosphere. yea this thing is great not just good I feel like i am listening to something really special on track nine Maesha

first blush is that it sounds like a concept album. interested to see where it goes. I really have no idea what to make of this album, will need to listen to it again sometime

the first punk record so far! actually its got a more stadium heavy/alt metal feel. great cover of war pigs. its just not really my jam, its just too close to bad religion without actually being bad religion. like the mass market version

First thought is that this sounds nostalgic, even though i have never heard it before. I like the opening groove on ruler's back, so richly textured, though the trumpets and brass is cheap sounding. The Takeover is one of those great follow-up tracks with a Fame callback. so good. Dude every track is incredibly crafted. I think that the track Renegade is the weakest one on the album

This sounds like The Postal Service. Yea, I'm not super about this sound, but I can see it was ahead of its time for 1993.

Its great its everything its toasted its wonderful

The Golden Age is big space cowboy vibes. very much a low key breakup album, nice for zoning out but I didnt really get much out of it

Im not crazy about the tonality of neils voice but the tracks are wonderfully arranged. Heart of Gold deserves all the praise it gets. Alabama is a good diss the south country song. Great guitar work on the whole album

This big band record catches me in the right mood. Dude this album was great to sit and fill out a really angry company survey to.

Big and up front 70s rock and roll sound. Feels like a fun album, definitely in the boat rock glam feel of things. Spaceball Ricochet is very David Bowie like. Yea this is peak boat rock

Its very much like sound as texture. like ASMR. Its cool but I am not quite sure what it makes me feel. I feel sort of lost in these sounds, can't quite predict how the songs will go. Its Not Up To You is a good track. Pagan Poetry is intense. Good album to have on in the winter. Yea this album is a lot about getting busy, and the songs themselves individually don't have the same impact as the whole thing in its totality.

Yea this is cool. Its like a more electronic, funk inspired They Might Be Giants. Its just not striking me in the right way today.

Its that bridge to modern hip-hop. Halftime is rad. Memory Lane is rad. Aint hard to tell is a great closer

ooooooooooo that bass sound. dude this album is great.

Freddy's tone on Brighton Rock isnt great. Killer queen is incredibly, duh. Stone Cold Crazy is a cool thrash piece. Bring Back Leroy Brown is wacky. some good tracks but it didnt really leave me with much as a whole

Weird proto-electronica sounds on the first track, though the drums sound way better played by a human. Also the bass is doing some weirdness. St. Elmo's Fire is such a weird track, I love it. wild and weird the whole way though.

Greeeeeeeeeeennnnnn ONNNNNIOOOONNNNNSSSSS! this song is everywhere. this is sold rhythm and blues. Comin' Home Baby is fucking solid

I don't immediately hate this. the first track is pleasant. Fever is a good restrained second track. yea this was okay.

Yea this is good. Ready or Not, Killing Me Softly, lots of good tracks. Cowboys is a good track. NO WOMAN NO CRY!

america is calling is cool, mea culpa sucks. The album is a cool expirament with sampling. Jezebel spirit is a rad track. A secret life is really rubbing me the wrong way

push it along/luck of lucien are a great 1-2 combo. its very much lyricist as a story teller and the poetry is nice. Pubic Enemy I could do without

yea as far as jam band records go this was better than most. "Sittin´ here thinkin´ of my love is a giant pile of dogshit track. i might dock this album a star just for this bonus track. yea the end of this album went from okay to just languid. there is too much actual skill in here to say it is 1 star but hot damn

Immigrant Song. though the rest really feels like a southern rock/blues record. Plant has some cool vocal lines. a solid record but its not really a zepplin one that i like

no. goddamnit no. I could go an entire lifetime not listening to a single damn sinatra song and be happy as a clam. The band and arrangements are good, but sinatra ruins it with his too-smarmy-for-you vocal texture crooning. These lyrics are ridiculous, see Old Devil Moon

yea this is good. I wish it wasn't mono, its a little flat. My Generation is a killer single. Please, Please, Please, Please Me is a good cover. THAT GUITAR TONE ON THE OX!!!

NEEEEEWWWW WWWWAAAAVE. I like his ridiculous accent. I like how loose and shambolic this album feels

OH YEAAAAAAAAA. Lively Up Yourself. No Woman No Cry, though I don't know that I have every heard it this upbeat and gospel. it almost feels rushed. dude this fucking album is so great.

Its fun! Yea i like this Bakersfield sound. Good one two punch on this album. Yea this was a great honky tonk album

BARNSTORMIN. WE DONT NEED THAT FACIST GROOVE THANG! solid electropop sound. lots of intense slap bass. Song With No Name is definitely weird. it gets weirder and weirder the longer it goes.

Oooo I wonder if Katie would like this? Matty Groves is a good tune. yea this is cool as a 60's acid rock folk album

yea this album is good and polished, I am just not finding anything that i would latch on to. Those blues man is great tune.

meh im not really into house. dear god this is aggressively 90s. Come Together aggressively wears out its welcome after about minute 5. Damaged has the worst vocalist ever. guy isnt even close to in tune. These songs are forever long, especially if there isnt something that grabs you. totally over self indulgent in its sound. jesus thank god thats over

Its very REM. I guess i dont mind it but i dont really like it much either

Meh. Eric's guitar is cool, but man is the blues boring. god damn. this album would be a good exercise to pick apart just the guitar parts and clapton's playing, but really I'm bored out of my mind

Really getting a lot of the operatic influence on their sound. The guitar tone is thick and heavy, almost sludgey. Some day one day is a cool track. Ogre Battle kicks ass. The March of the Black Queen is a wild song

I generally like this album, there area few good guitar licks. though i cant say i will ever listen to it again

Everything put together is great song. ME AND JULIO!

This is very cold play esque. Mirrorball is a good, chill tune.

oh yesss. am i going to listen to a billie holiday album and not give it 5 stars? i dont think so. its just perfect. he casual mastery of her instrument is incredible. the orchestration does just enough.

yea im not into this album.

meh. so much of the albums strength relies on the final 17 minute track. which i mean is super iconic but i dont really like it

If I Had A Heart has some cool edge with its stereo panning. Its a cool album but I'm not super into it.

You know, I think I would like a lot more of this album if not for the wild, out of place, forever long intros. See like on Beginnings, I don't mind the extended outro, but a whole minute of the same groove just to do a super slow fade out? come on! Free Form Guitar is one of those tracks critics love and I don't get because its not pleasant to listen to. I'm docking a star for a 14 minute jam song at the end.

opening track has promise. yea i think this album needs another and deeper pass in order for me to really get it, but the sonic atmosphere is pleasant. though there is a bigger sonic change midway into the second side of the 1st LP. Give Your Best comes out of nowhere. nice climactic finish. yea i just missed a lot of the concept album stuff just listening to it at work

The bass on this is killer. great tone. I never knew that Morissey was my defacto english new wave vocalist. Yea holy cow the bass work is awesome. i like how the album shifts dynamically and it doesn't fail to grab me.

ehhhhhhh, this is a cool defy genre kind of piece, but its just not my vibe. From Rags to Riches is weird and cool. meh just not my style

hell yea fiona apple kicks ass! great debut album. Criminal is awesome. just a banger. The First Taste is also a good one

Hell yea. This is so good. Noise, Noise, Noise is a great tune. I love this landmark statement of British punk rock.

Ooooooooo. funkay. Love the funk R&B on Secrets. So Many Sides Of You is a great opening track. I actually don't love If You Think You're Lonely now, but I still love this album. Great album, I had a blast listening to it.

1967 guitar tone and styling. This is a pleasant listen but I didn't really take anything from it.

Alt rock, meh. I find this album flaccid and boring. Magic in the Air is a pretty decent song. Disillusion is more my speed.

an oldie but a goodie. its amazing. Changes to Oh! You Pretty Things is a classic 1-2 punch. Life on Mars. Kooks. Andy Wahol. You cannot hide from the hits!

This album is just so good i think my words fail me

How do you turn off One Way or Another and a Heart of Glass? Though a lot more of the album just sort of passes me by.

1999 into Little Red Corvette is great 1-2. Delirious is a lot of fun, cool album

its good just not my style.

Soundtrack to my child hood. a punk meets world album.

Know Your Product is a great opening track. This is a real straight ahead, classic punk album, with the first sounds of ska. No, Your Product has a truck full of balls. The bonus tracks are kind of samey but i still liked some of it

The vocal tone is killer. I'm digging the bass work. There Goes Norman is a bop! Man, I am having a lot of fun listening to this album.

This is a solid groove right between the gangster hop of later rap albums and the older sounds of earlier hip hop. Murdergram is a nice change from the more laid back rhythms. Mama Said Knock You Out is one of those cultural touchstones with a huge reach. Illegal Search is 31 years old and still applies to today.

The opening 2 tracks are nice. Not wild, not provacative, just nice. Yellow is basically the album but in miniature. Everything's Not Lost is a great closer.

Its cool. Walk On The Wild Side is a generational tune. The Bowie connection on this album is strong. Its a good album that has that late 70's new york city metro sexual vibe.

meh. This is soft rock plus cheese synth 2 tracks in. Yea this kinda sucked eggs.

Some pretty rad guitar on the solo for Speakin' Out. Roll Another Number (For The Road) is great. New Mama has a cool ending. Solid Neil Young album, but I'm not huge on him. Would say I liked it better than Harvest.

This album is just such a thundering monster in the best way. Good Times Bad Times hooks hard. Dazed and Confused is a muddy, spooky masterpiece. Communication Breakdown sets the stage for an explosion in music.

Connected is a bop for sure. yea this album fades into a funky backbeat groovathon.

R&B soft rock. meh. She has a cool unique vocal sound tho. good bass parts.

cool drum pattern to start off Happiness Is Easy. Life's What You Make It is a good pop single. though some tones on that track come out of nowhere. This is good laundry folding music, or back yard barbequing music. Chameleon Day is very, very different from the rest of the album. Not a big fan of an 8 minute operatic ending on an album fueled by synth pop hits

Its like a stadium soundtrack for an empty stadium. an audience of 1 or no one. Ambient rock. which is cool if that's your thing. Its a cool contrast between desolation and life. order and void.

I think Southern Point is the first indie rock album opener I have liked in about forever. AH! I remember Two Weeks taking over the world for a hot second. This album has groove, though its a late 2000s indie album. Yea this album was cool.

TC and Honeybear reached out and grabbed me. Where Dreams Go To Die has awesome lyrics and an uncomplicated soundscape to drive the focus on the lyrics. great tune. Then right on its heels Sigourney Weaver just comes in with the silliest lyrics. This album kicks ass.

Oh man this album is a lot. Shore Leave is wacky. 16 Shells is super cool, like an absolute killer song. from there it dumps into Town With No Cheer, which is totally different. lots of musical whiplash. In The Neighborhood is an encapsulation of the album as a whole. Frank's Wild Years is the happiest nightmare I ever did hear. Rainbirds is an excellent closer.

Ehhh. I'm not super into it at the halfway point. Coconut is cool.

I'm A Lonesome Fugitive is the seed of every cowboy country song. Yea this album is a solid encapsulation of the change of country from the blues to the outlaw.

Visions Of You does a good job of setting up the rhythmic style of Relight The Flame, but the vocals on Relight are a huge bummer. Bomba is cool. Ungodly Kingdom was a fun listen. Sweet Divinity has all the problems of Relight the Flame but none of the charm.

Somebody That I Used To Know features some killer acoustic guitar work. I liked L.A. meh its just not for me.

Death of a Clown and Harry Rag are my two favorites off the front side. David Watts I wasn't too impressed by. Musical shift to the more relaxed on the B side. Afternoon Tea is a bop.

Illegal Smile has me hopeful about this album. I'm liking this wayyyyy more than Bob Dylan's Blood On The Tracks. Sam Stone is a great tune. Your Flag Decal would be a good punk cover song.

muahahahahahaha oh hell yea. gosh the bass line on Invaders is just everywhere. Goddamn even two songs in you can tell this is one of the best black metal albums ever made. Number Of The Beast still kicks the most ass.

So You Want To Be A Rock 'N' Roll Star is a wild awesome groove that sets the hooks in deep. CTA-102 comes in outta nowhere with the weird. hard to see where it fits. lots of great time signature and rhythm work. Hot shit the late 60's was just a genre soup where every band borrowed every texture and sound under the sun. Yea a real landmark of an album

I really wish this wasn't today's album, but that's just personal circumstances. Green Light and Sober is a good 1-2 punch. The Louvre is.....uncomfortable right now at time of writing. Its good though. Then Liability happens. Jesus. THIS ALBUM IS AWESOME!

Summers Cauldron and Grass feel like a part 1 & 2 of the same mellow opening. The Meeting Place takes the next step in the journey. Ballet For A Rainy Day into 1000 Umbrellas is a fun counter point to the front of the album, though i like Ballet as a song better than 1000 Umbrellas. Then the album takes this really weird psychadelic space turn culminating in Another Satellite. Mermaid Smile has a great guitar intro. Cool concept album overall, one worth revisiting but first blush is a meh. Yea without Dear God as the final track, how does this album wrap itself up?

Yep this sounds like a knock off Rolling Stones or Aerosmith. not really my vibe. Yea its a louder, faster blues album.

This is basically an Elvis album. I can see how this is a bridge into R&B but I'm just bored

World music meets hip hop? ok. I mean its cool just not really my speed or style. Double Dutch has a cool hypnotic groove. Punk It Up is infectious. The second half of the album is starting to warm on me, with Jive My Baby. might be worth another listen at a later time, good summer party album. Duck For The Oyster would be fun to hear at a party but in a "wtf is this?" sense.

American roots album. The Boil Weevil is a good tune. New York Town with Woody Guthrie is a great tune.

uhhhhhhhh. This is very much Dan Hart music. roomy, heavy, weird. Don, Aman is a great, unnerving ride of a song. Good Morning, Captain feels so weird and strange. like walking through swamps with muddy boots

I can see how this would cement The Beatles as icons. This sound is even still so unique and them. Till There Was You is a great cover.

American Pie is a perennial bop. Vincent is a tear jerker. This whole album is sad! Babylon is a choral piece.

Blue Skinned Beast is a pretty cool song, though this is not the best Madness album. That will always be One Step Beyond. Though Our House may well be the best Madness song. New Delhi is okay. yea the second half of the album drops way off after Our House.

funky and mad rhythm right off the bat. this album grooves so hard. Kiss Me On My Neck is a good groove. Yea this album slaps

crazy to go from Green Eyes on Mama's Gun to All I Really Want. I'm hooked immediately. Her rage just drips from every single note and vocal stab. Loads of different layers. It feels beat up and triumphant at the same time. Head Over Feet, You Outta Know, Ironic? All on the same album?

Sounds exactly like Iron Maiden, though its big hair metal. Breaking The Law case in point. Quite honestly, its interesting as a piece of metal history but I'm not particularly taken with the album.

Cool dance/house album sounds. I am big into the sound and feel after the first two tracks. Run is a great track to get lost to. Man what a great album to ride through. will have to give it another spin at some point

I'm not sold on this album or the band's sound. Yea its tone goes out of its way to be the most over the top sad thing you could think of. Bleak, washed out guitar tones makes the whole thing feel like a gloomy rainy day in March or November. Fascination Street is actually my speed though. Growling bass fills a more harsh and aggressive soundscape. Yep this is teenage angst turned up to 11.

It fucking kills it. Thats it

Spellbound is a cool opening track and I am excited for it. I am digging the dark moodiness, very like The Smiths. Night Shift is a great moody tune. Head Cut is another cool spooky tune.

More 80s brit pop. okay. Its got good technique and a well crafted sound, but damn it is so soft rock-y that i cant latch on to it. She has a great voice but the content is just so smarmy I can't deal. Apron Strings I can see being a cool wedding song.

More British alternative. Its basically a harder and heavier Oasis. One To Another is a good track. Yea this is like listening to a lost Oasis album, which means I'm pretty bored with the sound.

Its early grindcore! I think its pretty alright 4 songs in. I wouldn't want to be at the show, but the album is a great showcase of the emergence of grindcore. I think a lot of people bitch and moan about how you cant hear what they are saying on most of the album but no one talks about how it makes them feel. Thats grindcore, an explosion of rage. Seige Of Power is a great track. Huge sonic difference A side and B side. A side is like a mad max car, B side is a lawnmower covered in underwater chainsaws. Dragnet is a good closer.

Take Me Out is a personally formative rock and roll tune. Funk roots and grooves sort of blend the first 4 tracks in my mind. Cool theramin into Auf Achse, which is a great track. Michael hits the right vibes. 40' is a great closer.

Its cool. Afro Brasilian lounge jazz. Taj Mahal is a time capsule.

Radiohead is one of those bands that comes with a lot of baggage, so I will try to give it a fair listen. I like singing along to High and Dry. I will say, Thom York as a vocalist is very good. The album at mid way has a good sense of dynamism, even if it feels restrained. Just strikes me as very weird. My Iron Lung is a good tune. This album would be worth a revisit but right now I am just so sick of this English alt rock sound.

One in the punk rock firmament. How could I not love the shit out of this album. The A side just comes out with so much panache and energy, it's infectious. The B side is equally solid. Love the hell out of it.

Its hard to come up with an immediate reaction to the first two tracks. There is a sense of foreboding in the upbeat jams. Like a dance party in a cave. There is almost like a ghoulish, halloween feeling to this album. See Second Head for reference. I get sort of lost after that song. Thief of Baghdad was pretty cool, I guess? Reward comes and sonically breaks up the languidness of the back half of the album. the bonus tracks i have no idea what to do with.

Theme from Shaft is rad. 3 songs in and I am hooked! Great song structure, interesting motifs, and a sense of grounding and authenticity in the sound. Man what a pleasure to listen to.

Holy Moly this is basically 2 albums. I love Nashville Blues. Tennessee Stud is another great song. Nine Pound Hammer, Tennessee Stud, Black Mountain Rag all kick ass. Though just the length of this double album is a workout; 2 hours is a lot of fecking bluegrass.

welp space music it is. just not my speed. I'm docking a star for a 17 minute long, languid album closer.

Cash proves he is every measure the legend on this record. Even though the vast majority is covers, his crowd work is great and you can hear a pin drop on The Long Black Veil. Jackson is a cool duet. booing the warden on the last track is great

Got that earlier 70s sense of groove. Tudo O Que has my interest. Cravo E Canela is a good tune. Um Girassol Da Cor Do Seu Cabelo has this wacky break section in the middle of the song and comes back with authority. Side 3 sort of breezed by me. Side 4 has some really weird parts. I would say side 1 and maybe side 2 deserve a relisten.

Cool Afrobeat record, but I feel like there is a lot of subtext that I miss.

Blister In The Sun! Great bass work on the album and is really a treat to listen to. Excellent sonic balance. Ugly is a great, loud, and loose track.

This is probably my least favorite punk record so far on the list. in that I like it but I don't immediately love it. The soundscape overall is very tinny and scratchy.

Dig Me Out is a super strong opener. Though I don't really love the dual guitar no bass setup, sonically it works. Though Corin Tucker's vocals cut like a frenzied, razor sharp knife. Not What You Want is great multi-layered track. I do love how the backing vocals are so distinctive on the album in general. Jenny is a strong closer.

Wild Jungle starts the party off right. Great trumpet tone. Kenya, Oyeme are excellent grooves. Holiday puts a smile on my face. Excellent album.

Ok! Freak Scene. Good song. They Always Come sounds like an indie J-rock song. Don't is five minutes of feedback, which I could do without. Though its the better closer. The bonus track is kind of slapped on the back.

MMMMM this feels like mid 90s alt comfort food. Stupid Girl partial writing credit is Joe Strummer from The Clash! Queer is an excellent song. Only Happy When It Rains is another great track.

Janice has a great blues voice. A Woman Left Lonely is a wild tune, transcending the genre. Half Moon Comes in with this funk rock intro and I'm all for it. Wow what a back half of an album.

That classic rock and roll sound. But no Peggy Sue?! Yea this album is a great time capsule but lacks the punch of his singles.

Much different from The Smiths sound of Morrissey. We'll let you know has some very not PC overtones. I mean its a great Morrissey album, its just if you are on the fence about him like I am, then its hard to say if it shifts it for me out of 3 territory.

I vaguely remember Boys & Girls from my childhood. I do like it more than some of the other Britpop of the era, but I'm sort of done with the genre in totality. Bank Holiday is pretty dope. However, To The End is boring as hell.

Take It Easy, Witchy Woman is hard to beat in terms of a 1-2 punch. I mean the Eagles have a way of creating a laid back groove with ease. Yea these harmonies are where its at. Early Bird is real weird but i like the banjo.

Race For The Prize has me interested. Three tracks in and I can feel the album really has musical legs that it is stretching. The lyrics of this album are really good. By the end of this album, I was hooked. Will merit a second listen.

4 tracks in and I am still waiting to grab onto something. I don't find the acid club/industrial rock genre incredibly compelling in album format. I am sure they would be much different live, with a lot of sweaty people doing drugs and losing their minds. Deep Water with the surprise ukulele! yep the rest of the album is the same and I couldn't wait for it to end.

Oh man very familiar with this album. Fucking pristine tracks cover to cover. Have A Talk With God up next to Village Ghetto Land is lots of whiplash. Contusion!! Sir Duke sparkles like a new copper penny with lush orchestration and feels just as joyful as when it was first made. Then to hit the listener with I Wish. Past time Paradise is a great track. I mean everything on here is a great track. Even the Extra LP tracks add a bunch of great tunes.

This is the kind of synth pop that is unapologetic in its sounds. angular, refusing to blend. the task then is more in stacking them, which sounds like what I am in for. This almost feels like a less fun DEVO. Or like listening to a very poetic retro gamer stream. Some songs have interesting hooks but I'm just not super interested in the sounds. Don't You Want Me Baby keeps this from being a 2 star for me. Seconds is a good track.

Oh boy One Hundred Years really sets the tone here. Too gloomy for me.

Very Garage-y aesthetic. Let It Slide is good. The low recording quality makes all of the songs sound exactly the same. Shoot The Moon is more my speed, but Move Out was good too. The harmonica does a lot to add something bright and cutting with everything else being fuzzed out, like in Pokin' Around.

Cool rock electronica fusion. I appreciate the roomy kit sound. Playground For A Wedgeless Firm is probably my favorite track.

Cool blues/roots punk. Sex Beat is a treat of an opener. great formational album of a lot of the grunge and alt rock.

I can never take Randy Newman's voice seriously. Lonely At The Top is a dark carnival soundscape. Its a charming album, I just don't think I really care for most of it.

Girl Punk! YaY! like an early Bombpops kind of sound. Almost hypnotic looping on Hot Topic. One of the founders was in Bikini Kill, so that explains the similarities in sound. The The Empty is great. Artist at Free University is also great. this will need another spin to say if it is a 4 or a 5 in my book.

Concrete Jungle and Stop That Train are solid Bob hits, even if they arent the cultural juggernaut that some of his other songs are. Stir It Up is in that pantheon of greatest grooves ever conceived. Midnight Ravers kicks ass.

Mandela doesn't sound like anyone is playing in the same time. the downbeats are all mixed up. Song For Sathima is alright! Water From An Ancient Well is the axis about which the entire album turns. the ultimate chill and jazz album. Sameeda is a weird closer. I like it but man it is weird in the context of the entire rest of the album.

The vocals are so clear in this mix. i think its because the kick drum is so soft on the attack. Roots, Bloody Roots has my attention. Ratamahatta is a real cool groovy. Ambush has some classic hardcore metal gang vocals. I feel like I am obligated to take off a star because of a 12+ minute album closing canyon jam session, though one of the instruments is a gun?

Love Sick into Dirt Road Blues is an excellent contrast in tones. I still don't like Bob's diction. And after a while its just the blues. Tryng To Get To Heaven is a perfect example of Bob Dylan ruining a perfectly good song with his voice. Jesus I can't stand this guy's voice. Cold Irons Bound is a good tune, which I think is the only real reason I don't give this a 1 star. Highlands is bullshit.

They have the early 2000s alt sound lined up and nailed. Date With The Night is abound with lipstick and neon. Maps is a great tune. Cool album, will need another spin

Bowie plus Eno. Really hear it on Breaking Glass. I am really feeling this sonic landscape. Warszawa and the second side where this album really stretches out its legs. Need to re-spin it.

I like Thrasher a lot. The acoustic side is really roomy and sounds great. The Crazy Horse side is probably the best version I have heard of Neil Young yet. Welfare Mothers is a weird song though.

this is weird but also somehow pleasant? this is basically room music for me. its more just boring and strange.

I am digging the sonic landscape of Elvis Costello. Really dig The Long Honeymoon. Lots of the album just feels like it lacks punch.

very alt british sound. kind of an oasis clone but i think a little more nuanced. Luv is a good track.

So I had to bootstrap this album together from different sources on youtube so the listening experience is way out of wack. Spanish Castle Magic finally gets the album started with some really modern sound guitar. Little Wing is a forceful beautiful song. Jimmy's guitar work is outrageous how relevant is still is.

Its that laid back alt sound. I like how Norway opens up. Meh.

Here's the thing about american rock in the 80s. lots of it sucks. but at least it has an edge. Brit rock of the era is so polished its boring. Little Fury Things is exhibit A of why American rock at least had something interesting when it sounded about. The Kracked is a great punk track with a psychedelic guitar solo. The Lung is like listening to proto-Nirvana. Poledo is a great time. Good cover of Just Like Heaven for the reissue closer.

Save The Life Of A Child is a cool way to start off. The production quality gives the album this sheen. Great dynamics on Old Friends. Punkys Dilemma gets overshadowed by the meteoric hit that is Mrs Robinson. a Hazy Shade of Winter has the sounds of a single that never took off.

Ray of Light is a pop hit, though these sounds are such a time capsule of late 90s electronica. Nothing Really Matters is the first track that I think the whole sound grooves for me. To Have and Not to Hold paints in the same sonic space as the soundtrack from Nier: Automata

Cool hip-hop rock fusion sounds. Scooby Snacks is a great single. We Have All The Time In The World is a really refreshing mid album break.

I'm not really in a glam rock kind of mood. this is a fine album.

Aw yea. The simple kick snare pattern starts this trance like background where instruments and voices come in and fade out. sneaky Parliament sample at the end of Sunshine. Good Newz Comin' is a house beat jam. damn what a cool album.

To me this feels like a weaker Janis Joplin vocal record. Piece Of My Heart is one of those rock and roll songs that will stay forever. But this album is mostly the blues. I still don't see what people find interesting about the blues. Janis's vocal tone is one in a billion, which you hear right in front on Ball And Chain.

Oh hell yea. So Far Away is actually a great opener, Money For Nothing stuffs you right in the face with its hook in the most pleasant way, and Walk Of Life keeps it breezy and honky tonky. Your Latest Trick and Why Worry tread some pretty slow, cheeseball synth footsteps. Also Why Worry takes about a million years for noodling. docking a star for that. The Man's Too Strong is a great tune and doesn't get the respect it merits. Brothers In Arms is a little overly saccharine for me

The first two tracks are soooooo boorrrrrring. This is the simplified song structures of punk, but slowed down and all the fun or edge taken out. its like a masonry wall or a piece of concrete that is just there. How To Handle A Rope connected with me. What the hell this sucked.

House album so tracks are long. And its house music from the mid 90s, so it all feels like the backing tracks to the club scene from blade. The best parts of the album are when it leans into its afro inspired samples, but these beats just sound dated and stale. I am sure at the time this shit was ground breaking but now its just dull. very dull

The recording quality on this is the best but i will give it some slack being 60+ years ago. Not having the best jazz ear, I don't know that I would be able to pick a song in here that I latched onto. Though I do like jazz and miles davis.

Is this a synthwave album? this might be a synthwave album. Hell yea. Though its not like some cheeseball synth emulation, there is actually a really well crafted sonic vision on this one. The Architect slaps. Ravenspoint is weird.

Break On Through To The Other Side!! I like how visceral these songs feel. That organ is used like a cannon! Wild and licentious.

Hotel California and Life In The Fast Lane cement this album in the American psyche. Wasted Time is just one of those lazy ballads. I hear that Parliament synth tone in Pretty Maids All In A Row. The Last Resort is another overly saccharine effort.

Opening track has some biiiiiiiig Sara Bareilles energy. Strong Enough is a certified banger. Its really interesting to hear her in her release. So much of her sonic landscape feels so different from what it would become. The country elements are there, but its such a pop record. All I Wanna Do is also certified banger status for good reason. We Do What We Can really sticks out on this album. In general a solid album with a set of weird closers.

Oh yea Let The Good Times Roll. I hear DEVO and hair rock in this, blended together for mutual benefit. The first 3 tracks on this album are some of the best openers ever. This album kicks ass. Its like a best of but its the first release.

Joni's vocal talent is way out in front, highlighted by sparse instrumentation. California basically ripped out my heart. This album should be required listening in schools. A Case Of You is another absolute thunderously emotional track. The Last Time I Saw Richard hits harder when i thought this album was out of punches. "Only a phase these dark cafe days"

Looks like I am in for a real ride on this one. Yea this is all over the map in terms of genres and feels. Locked Inside is a groove at the end of the universe. Cold War is a great track made mediocre by too much heavy handed mastering compression. Tightrope is a banger. Come Alive is a another one. yea all of Suite II is good, lets see Suite III. I don't get Make The Bus. I like the vocal texture on Wonderland. I got lost about halfway through Suite III. It launches into these lavish soundscapes, and if you haven't been locked into the story, you will feel lost. But Monae's voice is so rich and plays so nicely with the the elegance of the soundscape.

The Humpty Dance is a bop. Gutfest 89 is fun. The sheer amount of Parliament samples is quite impressive. Doowhutchyalike is a send up to early 90's hedonism. Its an afrofuturistic hedonistic album about sex and unrequited desire.

So the seeds of an alt movement are in there. It almost gives off a proto math rock jazz vibe with a lot of counter melodies in the guitar voices. The vocal texture is okay. It has an early 60s vibe, but maybe a touch more focus. Marquee Moon is a track where it all comes together, the other tracks on the A-side don't feel harmonious(?) like the orchestration isn't paced out.

Its classic, but I'm not getting much from it. Its well built and has a solid tone, I just don't find it interesting.

Holy shit a dylan album where he can actually sing?! This is actually a real delight to listen to, the songs have a great personality and life. Desolation Row goes on about 3 verses too far.

Running With The Devil!!!!! This album is a masterpiece of hair and guitar shredding. Atomic Punk I think is the sleeper hit on this album. deep, moody, shreddy and paints a clear story.

This is really cool. not a 5 for me but definitely cool.

I could listen to Bob albums all day. Jamming!!!! One Love, a song that completely barnstormed the entire world, just barely over 3 minutes. All of these tracks are a pleasure to listen to, i wish there was more of it.

Interesting to hear rap in a different language but to hear it use a similar music language as lots of other rap music at the time, but MC Solaar's vocals are just sooooooo smooth. Caroline immediately grabbed me. La devise is a solid close to a killer album.

Yea this is fine. His guitar work is great, I am just not into sad boi brit rock.

Love it. The beating British punk heart. Goddamn this album is good.

Not feeling this blues rock. really not feeling it. The whole album feels like its not interested in making a statement sonically. Ship of Fools and Land Ho! are the lamest Doors songs. Its lazy southern blues rock. Dear lord get me out of this album.

Lush 3-1 is a good track. Its a cool sonic atmosphere but i just cant find it in me to put a house album above a 3

Sloppy, hairy, excessive. This band is like a house made double cheeseburger and loaded fries. In the moment, its deeply satisfying. On closer inspection, its very bloated and doesn't say or offer anything new. But hot damn You Give Love A Bad Name hits like few other hair metal tunes do. And Livin' On A Prayer deserved to take over the world. Raise Your Hands is a sleeper hit on this record.

Shining Star is hitting the right vibes on this friday. All About Love intro sound exactly like one of my coworkers. Africano's woodwinds is really nice. This was a fine album but not the best one by this band.

Breakdown is still a great song, but Tom hadn't found his iconic vocal style on this album. I like the hammond organ on Luna. American Girl batts last on the record and is a perennial favorite of mine.

This albums is great, if not just for the craziness and sophmoric silliness that surrounds its creation. Its 100% a birthplace of punk. Master Race Rock is oddly endearing(?) not actually problematic. California Sun is the best song here, and really nails the punk sound to come.

This is excellent. Great feeling RNB that strikes the right balance sonically. Jonz In My Bonz is a song that I don't fully get, maybe its just a song about boning. Cruisin' is good but When We Get By is waaaaayy good

I like everything going on except the vocals. They sound weak and winded. Like the guy just ran 6 flights of stairs to get to the studio. Big Muff is a good tune. I am really torn on this album, but I think there is enough here to merit me coming back to it.

Unapologetic and raw. Boisterous and moody. Authentic grunge right from the well.

Genre bending all in the service of this intense introspection. Don't Shoot Gun Sound then turns that into an immediate regrounding in the physical. This is cool to listen to as an art piece, but I don't know that I would come back to it. Clearly its a masterpiece.

This feels like a pretty forgettable big band record. Am I Blue is a great song

This album has a fun infectiousness. Bjork sounds right at home in front of a post punk band. Delicious Demon is a sleeper hit. That was so fun!

This is boring and toothless. God its the softest rock conceivable.

GROOVE. Le Freak is a great time. The bass tone is great, and the singles kick. I don't think there is enough variety to make it a 5 star, but I thoroughly enjoyed this. At Last I Am Free lingers longer than it should, but being a ballad i guess that's just a personal preference. [Funny] Bone is a good track.

2nd of the Berlin Triology and hot off recording Lust for Life by Iggy Pop. Opening track is synth to the face, but that inescapable rock groove makes for a weird space age dance club. Heroes the single nails this sounds, creating a sonic horizon forever wide. The back half is a wild, Eno filled miasma. Secret Life of Arabia is a final french kiss dance hall ender for the album.

Love And Affection is a good track. Its hard for me to put this album in a box 3 tracks in. Join The Boys has a mysterious groove behind it to kick off the back half of the album.

Oh yea! Uh Uh is a breakneck bass odyssey. Tokyo is funny. Friend zone is a huge lazy neon groove. The lyrics are so discrete. DUI is the shambling, triumphant and just weird af ending to a real trip of an album.

Its pleasant, but if I wanted more of this sound and better I would listen to the Beatles

Cool Afrobeat textures and sounds. Rock solid groove. Stubbor Problems is a gem.

Babylon is a dated hit. Boorrrring soft rock nonsense. technically and sonically competent.

YESSSSSS! The title track sets up this celtic rock masterpiece. Turkish Song of the Damned is a thundering folk piece. Fairy Tale of New York is a ballad of a drunk sung by a drunk. Like quite honestly, his voice is sooooooo bad. Fiesta is a lot of fun. Worms is a great closer.

This is a high mark on this style of sound. I Really Don't Want To Know is begging for a modern cover. Tomorrow Never Comes is a stage for Loretta to really air out what she can do. The Devil Gets His Dues has this awesome major 7th root vocal movement and it kicks ass. This whole album is great!

Yea its fine, I'm not into it.

Again, Its fine. great vocal harmonies. Time Of The Season is a thundering hit in an album that is the quintessentially sixties experiment.

I don't really know what to take from this album. Is it iconic because this sound was the first in a wave of bands cutting albums like this later? This album has interesting stuff in terms of sonic textures but I don't see the cohesive whole where I care about it? I don't give a shit about this album.

15 steps and Bodysnatchers are really good tunes and a nice 1 2 punch. Once it hits Nude, it all slows way down to ballading grandeous sounds into All I Need, which are interesting but I don't think Thom sounds good on this record.

This is like if english pop and house had a baby. And then the Space Rock part happens. its pretty boring.

Time to Pretend is an earnest repudiation of fame and fortune from someone who feels trapped inescapably. I am really digging this blown out eletro pop sound. Of Moons Birds and Monsters provides a lot of needed breathing on the album as a whole, though the back half, with the exception of Kids, is kess impressive than the first half.

This is ok.

An album with more singles than it knows what to do with. Taken by themselves, these songs are well written and have a fully formed sonic vision. Too much personal exposure blunts their impact on me now but something needs to be said for their ability to command attention. Its not a 5 star album for me because all of their low tempo acoustic stuff all sounds the exact same!

Dirty Boots into Karen is a strong 1-2. This album definitely has my attention.

This was a good relaxing time.

Dog Eat Dog has some excellent beat and bass work. This sounds like the sound track for the lost boys in Peter Pan.

The bells on Sour Times sounds like the Taskmaster TV show. And is also a cool groove! It's A Fire is another groove. Glory Box is a nice closer, though I personally feel this album as a whole is lacking.

I like how this album brings the bass fuzz on Next Girl and is very comfortable in it's sonic atmosphere. Howlin For You is an excellent showcase of the power of this sound. I like Too Afraid To Love You, though it leans in heavy on a 60s nostalgia vibe. I love the story about the band getting plastered and asking their manager for a harpsichord. recorded at Muscle Shoals. I go back and forth on whether this is a 4 or a 5. I will be generous this morning.

Starting your album off with a cover? bold choice. Though its so transformational that its a nice setup for the rest of the album. Girl VII is infectious. I like Nothing Can Stop Us. Kiss And Make Up is fun as well.

I like the blend on his voice in Time Has Told Me. River Man is a lot more of his second album sound, which was so damn depressing. I am a little sad about not being able to give this album a totally blank slate as work kept getting in the way. The guys has guitar chops, its just I am not into sad wistful rock.

I Feel The Earth Move and You Make Me Feel Like A Natural Woman! Home Again has some pretty forward, dumb lyrics however. Where You Lead! Will You Love Me Tomorrow! wow this album is studded with hits.

This is of so much in electronic music ethos in here. Crazy to think of how much impact this style would basically take over the world and put music on its head. Changeling is a cool track and doesn't overstay its welcome even at over 7 minutes. Stem/Long Stem goes into some weird cool places. The Organ Donor theme comes up a couple times previously but the track itself is the power of a compelling hook. What Does Your Soul Look Like is a relaxed groove.

MOVING OUT! and Scences From An Italian Restaurant. This album is basically all hits, though I don't know that I find Billy Joel especially compelling. It's supremely polished, no rough edges, and all about appealing to the widest audience possible. Which is a valid approach, but not one I find super compelling.

I don't remember the huge extended musical intro to this album, though its got that early 70s grit. This album is so grand in vision scope and sound. It goes everywhere. Its incredible.

The bass work is really wild. They have a great sense for song dynamics on Nowhere Fast. The album gets kind of same-y in the middle. Drive gives a breath of free air to this album. Battlestar is way out of place.

This album is the mount olympus of music. Soaring highs, crushing lows, and the depth of human connection birthed from the most totured of circumstances.

WE ARE THE ROBOTS. This album is all angles and geometry. Metropolis sounds way ahead of its time. Goddamn that specific song has been copy pasted to a wide variety of success about a billion times. The album as a whole is a great showcase of this sound and style. The influence it has on electronic music is hard to overstate.

This was meh. They have 1 good song, thats spread out between 12 songs. like too much bread and not enough butter.

This album in it's entirety is more than Will The Circle Be Unbroken. Jesus what am in for? I am going to break this into two days of listening, because I am currently playing catchup so 2 albums a day isn't too bad. First 23 are filled with quirky and wonderful little songs like Reno Dakota, Chicken With Its Head Cut Off, etc. Come Back From San Fransico. Very TMBG vibes. Luckiest Guy on the Lower East Side slaps. First 23 songs is good, though kind of tapers off the last third. 2nd album starts with Roses and Love Is Like Jazz, puts this on a darker and weirder footing. album 2 is super dark, Noone Will Ever Love You, If You Don't Cry and others. Long Forgotten Fairy Tale is G R O O V E. Papa Was A Rodeo is beautiful. I Shatter is a great way to end the 2nd album. Third album puts the album into an electronica space, very spacey and etherial. More groove in this one than album 2. Album 3 is just all over the place, like flying over the concept of love from 30,000ft away. Love Is Like A Bottle Of Gin perfect example. Zebra is a fantastic, weird, shambolic, perfect way to end this towering weird monument to love songs.

I really don't understand the critical appeal of this band. Wish Fulfillment is the only song on the album to grab me even a little this far into it. This is like punk but without the point. Dear god this album sucks. Chapel Hill keeps this from being a 1 star album.

System Of A Down had their sound basically fully formed on this album, in time to lead as kings of the nu metal scene. They have this sense of dynamism and groove that is so rare in this space. Tankian's voice soars on Spiders. Soil and War? both have powerful lyrics. Mind I am not too fond of.

I don't see what the big deal of this band is, but maybe its more of an influence thing than an actual product thing. Of course, when Andy motherfucking Warhol makes your album art I guess that's a good sign. Venus In Furs is not great as a song but cool as an artistic expression. Heroin is a legitimate masterpiece work of art. European Son is minutes of aimless noodling and feedback. I am docking a star for that bullshit.

The narrative intro on this album is really engaging, I'm hooked. Jesus Walks comes in like a bomb on the first third of the album. I think the album feels bloated in the middle. Get 'Em High is pretty bland. The New Workout Plan is pretty fun and very influential. Slow Jamz kicks ass. I really like School Spirit. Through The Wire is really impressive. Last Call is nuts and I love it.

southern boogie rock. its fine if thats your thing. Layla is a perennial hit.

This album was shoegaze. its was lame and boring.

Paris 1919 is good. everything else is meh

Probably the best sounding and arranged version of all of these songs. Parade Of The Wooden Soldiers is a weak song in general, even with the Phil Spector treatment. During the holiday season this is a 5, post holidays its a 3

I have a difficult time with concept albums, especially with linear story lines. I don't feel there is enough for me to grab on to and follow through in the music. The guitar work ranges from great to mediocre, but i think this would be worth another spin. Undertone is a good self contained groove. Pinball Wizard kicks ass. Sally Simpson is a cool groove. We're not Gonna Take It/See Me, Feel Me doesn't feel powerful enough musically to match the lyrical content cap of the album.

Blues rock band featuring Rod Stewart as the front man. Smart and tight performed, this gives good vibes with a blues sound. Stay With Me is pretty gross, mainly because it puts the image of Rod Stewart having sex in my brain, which I could do without.

Alt Country? What in hell? This sucked ass

This is fine. The guitar tone doesn't cut at all, so the sound seems a little too round for the style. Their sound is really reminiscent of a lot of bands, especially the vocal tone. Some of these songs I think could be really good, but the overly compressed sound and poor dynamic choices really hamstring this album's impact. Tell You Why Tomorrow is a perfect example.

The title track has me curious. Looking For The Perfect Beat has a great intro. Renegades Of Funk is one of those great covers that couldn't be more different in its original version. The album leans in as hard into the new electronic production techniques of the time like on Go Go Pop. It sounds dated to modern ears but has a charm in its unabashed big boom hip hop styling.

Dusty has a great soul voice. You Don't Own Me is a great tune. Will You Love Me Tomorrow and Wishin' And Hopin' are both classics. The album has great singles but there is not a unifying theme that ties the whole thing together.

The third Nick Drake album! This I feel has the best sound of the three. It has a laser focus on nick's guitar work and his voice. The lyrics are more artistic and the songs in general more expressive. Things Behind The Sun for me is a standout track. Free Ride is another great example of this growth in sonic style.

If you are into the melding point between Southern and classic rock, here it is. Walk This Way is too big to be ignored. The boogie is real on Big Ten Inch Record. Sweet Emotion is the other pillar of this album. It's just not something I'm interested in. The singles keep this from being a 2 star.

48 minutes of ambient music, eh? well I guess. Eno says that this is music "Really, it’s music to resign you to the possibility of death." Its very calming after a while, so thats nice. Wow that album passed me by in a flash. Defintely soothing.

In an album of stunning rock monuments and some of the most iconic pop culture statements, you get the colossal stinker Why Don't We Do It In The Road. Wild Honey Pie is in the same vein. The thing about this album is that the Beatles still had expiraments they wanted to do. It doesn't sound like a band ready to explode and splinter. Helter Skelter kicks so much ass. Revolution 1! Goddamn the final act of a cultural juggernaut.

Love this sound! Precious is tight, great jagged guitar tones! This is everything I love about punk in the 80s. Personality. Great songs. A real great ear for how to orchestrate something as simple as 2 guitars, drums, bass, and vocals. Brass In Pocket is a great tune. I had so much fun listening to this album!

The lyrics are actuallly quite clever in service of aggressively generic themes. In fact, the lyrics are to clever for the stories he's singing about. I Got You is a great example. Though it hits like a brick when you dig in on the title track. I hate the instrumentation. The Streets Of Bakersfield is underwhelming.

Give Me All Your Loving is a great boogying tune. Its not just the singles that have this deep and abiding sense of groove. What a kickass album.

Thrashcore jazz? What in god? Holy shit, I guess we are in for a violent, unhinged jazz onslaught. Good Old Days takes a little off the gas pedal for some more synchronized power. The drums are just SO BOOMY! They sound like they are 50 feet away! This is a fun album to just sonically surf through. Ecars is a fun tune with the heaviest end beat imaginable. Mob Job is like a pulling up to the station as the last act of this jazz rollercoaster of bodyblows and razor blades.

This album is like balm for the soul. The funk rock is just what I needed on this Friday.

I love Common's beats, even if his vocals get kind of buried. They don't have that super in front compression. Oh shit it was produced by Kanye. That would make sense. Go is a great song. Testify kills.

How is this better than Nirvana's Nevermind, Spin Magazine? It's watery garage rock. Yea this is like shitty Oasis.

Okay first track has me intrigued. Miss Chatelaine has a sort of easy riviara mood about it. Wash Me Clean has a nice hook.

Adele has this million in 1 vocal presence. Its got so much color while sounding so effortless. The song writing is kind of 1 speed though. Its all ballads. The singles (4 of them) are stadium shakers, but this album as a whole doesn't seem to shift out of that mood. I'll Be Waiting is sonically what this album needed more of.

This is okay? Has an early Ben Folds vibe. Spunky Is probably my favorite track, but the whole album is at once pleasant and forgettable.

First two tracks have me curious about where this going to go. Lots of elements in the sonic landscape that are being pulled in and blended. Dirty Trip has these chords that don't ever feel like home. Sets me on edge and I kind of dig it! And then the tension release on Highschool Lover is just everything! Suicide Underground is just a cool song, even wrapping in a synopsis.

Uhhhhhh. There is some cool vocal melodies in here, but its just not for me.

fuck this tedious and boring POS.

Don't Stop Til You Get Enough is pretty explosive. Rock With You is another one. Off The Wall is buttery smooth. Damn this whole album is a pop disco masterpiece.

Sally MacLennane is a great song. This album depends on your mood for that Irish folk style. right now this is hitting me on an above average day because it's friday.

This is bland english dance pop right in the front. Face Up was probably the only track that I found interesting.

Listening to these guys is 2022, they sound dated as hell. Like a last gasp of that southern rock sound. Hard To Handle is a hit but belongs back in the stone age. My issue is that this band's sound is so derivitive that its goes beyond homage. She Talks To Angels is the same spirit that this album needed more of. Alas, its more of the same after.

Violet immediately hooks me with the great dynamics in the song writing. The acoustic guitar work is a real highlight, they use it to cut the sonic atmosphere of the booming guitars and drums and make it a real treat for the ears.

very relaxing first two tracks, though with the average song being over 6 minutes, we are going to see if this album starts to wear out its welcome. Staralfur has the sappiest strings and is really effective right now, though the end leaves me cold. The rest of the album just sort of meanders aroud.

Oh hell yes. Young Americans is a GROOVE. This whole album is a great reinvention of Bowie out of the glam and into soul. again proves that Bowie is the ultimate musical chameleon. The Across The Universe cover is killer. Fame is a great funk closer.

Alrighty, cant say I know much about this guy other than hallelugia. Master Song is kinda trippy and intriguing. This album was pleasant, but not really my thing.

Debaser has me smiling this morning. This is a terrific thrash around punk album with great breakbeats, song structure, and a killer sense of song and album dynamics. Gouge Away leaves a yearning feeling in its wake.

This album is so bouncy and fun, constantly weaving these grooves from all over. Radio is a jam. A Different Feeling reminds me of old Daft Punk. Frontier Psychologist is a favorite. Etoh into Summer Crane is smooth like butter.

Don Fagan, of Steely Dan fame, cutting tracks on his own. The recording style is T I G H T. I.G.Y feels meticulously crafted, with not a beat out of place. This album is very best of this style of sound. There is something so perfect about it, it feels stripped of its spontaneity.

Holy shit a 2 hour double album. well strap in I guess. Unhappy is a mix of busy melody, groove, and a really interesting rape flow structure. The Way You Move is on this album? This is great. Church is a really cool, odd sounding song. Speakerboxx, great rap album. The Love Below is much more expiramental and I don't know where to latch on to it. The guy shouting ICE COLD on Where Are My Panties is my hero. Prototype slaps. Hey Ya kicks so much booooootaayy and then is followed up by Roses. She's Alive is a poignant song. A blistering backbeat on My Favorite Things adds a pretty awesome dimension to the song.

A classic country album. Silver Raven has some interesting vocal moments. Halfway in and I can't say I have found anything that really grabbed me thus far. Some Misunderstanding is another standout song. meh

Ok so we are going to do the greatest pop album thats ever been made. Coolcoolcoolcool. Baby Be Mine has a couple wild transitions in the middle that caught me way off guard. The middle of this album is so stacked with hits that it is hard to ignore. I don't find it as good as Bad but better than Off The Wall if I had to do a shootout of MJ albums.

Let's go Missy! The sampling on this album is really heavy on the soul and jazz which gives the songs this sense of cool thats hard to beat. Work It is a generational groove. Back In The Day is just all up in my face with Jay giving the opening rap. Pussycat is incredibly explicit, but Missy comes in with an explainer. Aight cool. This album was great I loved it a bunch.

Street Lights is a poppin' 70s groove. There is plenty to groove on in this album but nothing really feels spicy or exotic in the jazz styling. It feels closer to jam band music than jazz.

Oh yea buddy. What Is and What Should Never Be is a great example of the range that Zepplin found in being able to explore this heavy sonic space. There is a lot of blues in this, which is not my favorite; see The Lemon Song. Ramble On is a perfect song. Moby Dick is a shit song. This album is just so blues heavy that I cant say i loved it. Good album I can appreciate the sonic space they were staking, but its not for me.

Band On The Run is a fine song and album opener. Dear lord, this side A is boring. Picasso's Last Words (Drink To Me) has some fun shifts and textures.

Same kind of folk sound like some of the earlier folk albums on the list from the same time period. Pleasant folk noodling. Folk noodling. Aghhh this is just not my cup of tea. Its fine?

Lyrics by Woodie Guthrie, music by Billy Bragg, with Wilco as the backing band. What a wacky idea. Way Over Yonder In The Minor Key has a familiar melody and is a great song. Birds And Ships is great. The compression on Hoodoo Voodoo basically sucks the life right out of it. She Came Along To Me has a knock at the facists. Thanks for that Woodie, kind of crazy how of all the things coming back into fashion, thats one of them. Eisler On The Go, Hesitating Beauty. Lots of great songs on this record.

The Ace Of Spades sets the tone and boy does this album never shift out of that gear. Jailbait is a rather unfortunate song. This album is peak 80s mysogeny, sex, drugs, and rock and roll. (We Are) The Road Crew is a nice send up for the tough life of a stage crew.

Plenty of personal history with this album. Greased funk bassline grooves with Anthony's mercurial lyrical delivery comes together to make a really sonic statement. Power of Equality into If You Have You Have To Ask is smooth and sets the tone for the real groove flexibility the Chili Peppers display on the album. Breaking The Girl is a titan of a song. Suck My Kiss is another. The connective tissue on this record does the important work of creating the space for these monster hits. I Could Have Lied is a sleeper hit on the record. Give It Away punches us all in the face with how it takes over, with the most absolute insane soundscape. Followed immediately by Under The Bridge. Goddamn the hits literally cannot be stoped. The best part is there is this true thread that runs through all of these songs. They're Red Hot is a nice little bow on the end of the sprawling Mr Psycho Sexy. What a goddamn album.

There is a huge laundry list of artists on this one. Also 4 different production teams? Tina's vocal delivery is POWER. What's Love Got To Do With It is a killer sad song. Can't Stand The Rain has that horns in a can sound, but it's only just on the verge of being too much. Let's Stay Together is a wild cover. Again, it borders on too much and I think crosses that line. Steel Claw is a raccous boogie. Though there is a lot of lyrically whiplash on this album. The Help! cover is not my favorite. The 1984 cover I think is spot on. So on balance I have no idea where to put this album. Will need to revisit this.

Double Vegetation has a cool 90's alt vibe. The whole album is like that, so it gets a little old by the middle of the album.

This is good morning music. I am finding it a useful tool to focus my energy where I want it after a grumpy start this morning. All The Pictures On The Wall is a good tune. Shadow Of The Sun is another one.

Mostly haunted and not really dancehall

Time to scale The Wall, I guess. To break this album up into tracks is almost a disservice. The story is so well told, a perfect marriage of lyrics and music. The orchestration allows for the lyrics to be clear as day and all of the associated background, atmospherics only furthers the narrative. Mother is the most disturbing rock song. The perfect concept album against which every single one after will be compared to.

Blue Rondo A La Turk is such a fun time piece. This is the home of the complete door busting hit Take Five. Damn this album is good.

The lyrics are poetic with a delivery that is genuinely catches me off balance. I have heard this album is a slow burn so I will see. Death To Everyone is good and creepy. Black is good. I get the lyrics, but it didn't really convince me of anything. Maybe worth a relisten?

Back At The Chicken Shack doesn't ever say anthing interesting as it remains locked to its 12 bars like a weight around its neck. When I Grow To Old To Dream is a good track. Minor Chant is also a good listen, though I am generally not a huge organ jazz kind of guy. Yea I enjoyed every track on this other then the title track. Does it go wild off kilter places? no. But this was absolutely pleasant.

Interesting blend of rock and out there ambient expiramentation. Cool as a museum piece. Aumgn is a deep trip down the rabbit hole. Peking-O is a bundle of trash falling on a crazy cat lady.

Big Iron is a fun song. There are some actually really nice musical progressions and modulations. All the songs have these tight narratives, and are just so enjoyable. The Master's Call is christian fan fic, though a god killing 100 cattle with a lighting bolt is pretty rad. El Paso is really violent for such an upbeat song. This was a great time.

This is one of those rap albums that better lyrically minded listeners can parse. The album goes a lot of musical directions with its orchestration and is definetly a kitchen sink style. Definetly worth a revisit. Break You Off is so smooth.

YESSSSSSS!!!!! Rise Above punches people in the face. TV Party is funny. This is a decent punk record and you can hear the seeds of something more approachable and also the start of the more modern hardcore movement. But as an album on its own? not my favorite punk record.

Surfside beach blues tunes. The thing about Clapton is these songs are not locked to a blues traditionalist pattern and the ornamentation is more thoughtful. Still, the songs are that consistent mid tempo dad rock that is very mood dependent for me. I Shot The Sheriff is a great tune. the back side of this record is pretty dull.

This is a punk album before punk even knew what it was. Higgle-Dy-Piggle-Dy is a perfect example. Complication is a sound straight out of the 80s almost 15 years before its time. Drunken Maria is another one.

This is cool as a museum piece. Like looking at a fossil of rock and picking out elements in it that would be refined over and over. The songs themselves are fine but I'm pretty full of this kind of sound. the fact that its in mono is also a bummer. Shangri-La is a good track. This would be a fun concert.

Ugh can i get out of the 60s yet? Its a decade that I cant seem to hate but also cant seem to wholly love. Honestly every song has this mid tempo genre soup with that one overdrive guitar sound. the mixes are great on this album.

Blergh. This album is pretty boring.

This album is like 80s bjork and a little sarah bareilles. Suspended in Gaffa is really a wild ride. Night Of The Swallow hits its stride right at the last third of the song. Houdini is Kate Bush letting it R I P. Man what a weird art rock album. Maybe worth a relisten?

Absolutely smashing drums. Dave grohl storming the scene. That double overdrive guitar. Sounds like the band that took over the world. Crazy to think dave recorded all the parts himself and only brought a band together to play it live.

Love that bass tone. Set The House Ablaze kicks ass. Music For The Last Couple starts way in left field. The back half of the album sort of loses its way but that was excellent!

Its a return to the Doors blues roots. Changeling has some of that magic that brought this group to superstardom. Love Her Madly is another catchy tune. But we hit Cars Hiss By My Window and things slow waaay down. L.A. Woman is a good tune. L'America is bullshit. Snake King and WASP are bullshit. Riders Of The Storm makes no sense as to why it's as big a hit as it is.

kinda cool, never heard of an Algerian artist before. straight ahead pop with a mix of this almost bollywood style vocal sound. But then C'est La Nuit is a totally different vocal texture. Kind of a straight up cover of Imagine, but sure it's nice. Trigue Lycee is a fucking bop. This album goes a lot of places sonically. Goulalah - Dji is a prefect example. Wow what a great listen!

Baba O’Riley is a stadium shaker. And then Bargin is the two and cements this as one of the strongest opening one-twos in all of rock. The Song Is Over has the worst synth tone for a ballad. Getting In Tune strikes the right balance for a slower, more operatic feeling song. Behind Blue Eyes is great. Won't Get Fooled Again is another fanstastic stadium closer. Honestly, the strength of the Lifehouse songs on this is more than enough to merit a 5 from me.

That vocal just sits in the perfect spot in the mix. Dead Embryonic Cells is as heavy as any song could get get at this time. Digging the into on Desperate Cry. However this album really feels repetitive. It doesn't go anywhere. The wild solo on Subtraction could have had more room to breathe. The Orgasmatron cover puts it into the same sonic style as the rest of the album, which felt like a chore to listen to.

How was Shame On A N***a ever given a radio friendly version? The sampling on this record is awesome. The way they break this up with different long form interviews and samples, this is more than an album. It's a manifesto. Wu-Tang Clan Ain't Nuthing ta Fuck Wit is the start of and a high point in the entire gangsta rap genre. Its also an incredibly DARK album, especially on the break right before M.E.T.H.O.D. Man.

Woah there is some chugga in this opening track. Velouria is a cool 90s track. Is She Weird is a real power fun example of this 90s proto alt sound. Havalina is a good closer.

Britpop the band. yep, its brit pop alright.

A cool like country roots album. "I need to spend some money and it won't wait" The title track is a good groove with excellent and grabbing lyrics.

Fela Kuti clocking in another smooth funk masterpiece. Ginger Baker absolutely kills it on the drums.

Story of Isaac sucks ass. I really don't see the appeal of this guy. He is continually flat, has the intonation of a dead goldfish and is just not interesting to listen to. Tonight Will Be Fine adds insult to injury with a goddamn recorder and whistle solo.

Stop is a strong opener. Ain't No Right is way out there. This album really is not afraid to graft a new sound or texture onto the core of straight ahead hard rock. 3 Days is a great song and then straight into Then She Did. Classic Girl is a wonderful send up.

I am struggling to find anything to say about this album. Its just such a blatant doors ripoff. I got through the album no problem but cant say that I would want to go back to it. The Toonerville Trolley is a real piece of shit and is a star demerit.

Early dub and ambient. music to have a psychotic beak with reality to.

Talking About A Revolution into Fast Car is awesome. Behind The Wall is awesome. Very nice album.

This opens like its from the 70s. Redondo Beach is a fun forward feeling song. Birdland is a strange song choice for the third spot, but if a spoken work poem is more your speed then its fine. It has fun dynamics at least. Break It Up is a cool ballad. I'm on the fence on if I want to hear this one again.

Let's go baby. The drums on Family Entertainment is the big hook. A collection of grooving, uptempo old school Brit punk.

OOOOOOO great album. The expiramentation lends the album this off kilter, shambling kind of feel. Reminds me of a Tom Waits feeling. Relay is probably the song that grabs me the most. For Her is a heavenly blend of harmonies and rage.

Terrible Love is an interesting song to put in the 1 spot. Sorrow was a single I remember fondly. Im just not really into it.

Let's go Kendrick. I don't have the best ears for lyrics, but Kendrick's beat and instrumentation is a real treat for the ears. i is such a release from a lot of the heaviness inside the album.

Em's ultraviolent LP is a full exploration of the Slim Shady character is twisted, disturbing, and full of hot button celebrity culture chicanery. The songs themselves are tight and the samples come together to have incredible sonic textures; see Just Don't Give A Fuck. I can't tell if I was angry when I started listening to this album or if listening to this album made me angry.

fun dub record. if dub is your thing. Bussing is feeling my speed this morning.

That bass is killer. That's about it. kind of like a knock off diana ross

Things Done Changed is a song for history books. Gimme The Loot is a rad song. Biggie's flow was very beat and rhythm focused. There is a great sense of where a word falls in relation to the beat and he can choose where on it he falls. His story telling is crystal clear, though I don't really find the story he's telling all that interesting halfway through. Method Man's appearance on The What is killer. Juicy is a stellar track. Everyday Struggle starts to show the cracks in the character of Biggie, which is the drama his story telling. It's just not interesting to listen to someone tell a story about how great he is at sex or whatever, see One More Chance. There is no tension, no struggle. It becomes more of an advertisement than a story. Big Poppa is a huge single. Friend Of Mine is kind of a trash song. Suicidal Thoughts is the fall of a titan, and is the only proper way to end this album.

I love that Steely Dan sound. Smooth, elegant, barbs in all the right places. The whole thing polished like a disco ball. Do It Again into Dirty Work is a great one two. Reelin' In The Years is another amazing classic. What a collection of great songs on the same sonic effort.

Good Times!! This is a album full of peak 70's disco boogie funk goodness.

oh man and the hits keep coming! I am such a sucker for this Steely Dan sound. Barrytown, Night By Night are great first side sleepers and the East St. Louis Toodle-OO is a really fun jazz cover. Parkers Band and Charlie Freak are both bouncing jazz fueled pop sendups. Its just such a short stinger of an album.

I remember this being a huge album in the college environmental community. God I hated that music. time, distance, and a general broadening of my musical horizons might give me a better chance to listen to this. The harmony work right off the bat is ethereal and tight. Tiger Mountain Peasant Song is a good tune, I just don't like it. These high harmonies and the spacy open verb are good and I can see the appeal, I just don't really like it. its like modern church choir music.

This is an interesting sound. if dub is your thing then this is your album. Hymn Of The Big Wheel is dope.

STOP YOUR MESSIN' AROUND! The drums sound like they were recorded in an alley for Do The Dog. Nite Klub has that party ska sound that just took over the world. Much of this album is like a single speed bike. This is not an album for range but its very fun for a pleasure cruise. Stupid Marriage is good. Too Much Too Young. I didn't know Little Bitch was a Specials song!

This is really upbeat for a Smiths record. Some Girls Are Bigger Than Others is a certified banger!

This album is disturbing and glam. The title track has the extended free jazz solo that sounds like razor blades falling down a bunch of stairs. Panic In Detroit is probably my favorite song on the album. No, it's Cracked Actor. No, Let's Spend The Night Together is it. No, it's Jean Genie! this album goes to some fabulously depraved places with a vaudeville sensibility. Almost to say "Come See The Freak Show, Watch The Descent From The Bottom Up!"

Come As You Are is heightened by it being acoustic. The Man Who Sold The World takes on a whole new meaning when Kurt sings it. Something In The Way is a good cut. Never knew Lake Of Fire was a cover, specifically this version coming from a live album.

Dreamer is a cool song. Thoughts Of You follows up and is also really stretches its dyanmic muscles. Decent album but im not really into the Wilson brothers mystique

Brilliant Corners is one of the odd ball tunes. Its so spikey and angular, especially in 1957. I love this album just like I love all of Monk's music.

Keep The Car Running is a good tune. My big thing with Arcade Fire is that I am not up for trying to parse their lyrics and dig into what they are trying to say. There is a fair amount of depth in their instrumentation. Honestly, this album seems like some great elaborate attack that completely missed me.

Honky tonkin guitar from the 80s. if thats your vibe then boy howdy do we have an album for you. Its well produced, and Steve's voice has a charm, I just dont like this hyper prodcued country sound.

Avalanche is great guitar work with dumb vocals. "The crumbs of love" yes indeed, Lenny. "Like the shy one at an orgy". Another classic line, Lenny. Diamonds In The Mine sounds like he is going nuts.

I'm feeling the groove on Mr. Self Destruct and then on Piggy. Closer is an awesome genre bending single. Hurt is a banger.

Goddamn I love Matthew Bellamey's voice. His falsetto is so clean, I hate it! Starlight is great. Supermassive Black Hole is entertaining. Soldier's Poem is very Queen-esque. Knights of Cydonia is just so good. Gosh this album was such ear candy I can't help giving it a high ranking even if it doesn't converge on some grand ideal.

BLUUUUEEEEESSSSSS RROOOOOOCCCCCCKKKK. Bad Company is at its best when they stretch out their songwriting chops and get a little more ballady. And hey if blues rock is up your alley then these guys are what you want. if not, boy you are in for a long time. Crazy thing is they were english, even though I associate them with the Southern Rock sub genre. This is an album for divorced uncles.

Wouldn't It Be Nice is a great masterclass in harmony. I'm Waiting For Today has a couple weird lyrics but is a solid song. Let's Go Away For A While is a song? God Only Knows is a killer song. Caroline, No is another cool track. Definetly worth a respin. Weird album though.

Cinnamon Girl and Everyone Knows This Is Nowhere are a goo pair of openers, by Down By The River is 9 minutes about nothing. Again I don't get why so many people have a hard on for this sound. Cowgirl In The Sand is 10 minutes of bullshit.

Heard It Through The Grapevine is given an upbeat cover and I don't hate it! meh on the whole album.

Oh god damnit. His version of Girl From Ipanema is not terrible but there are other versions that i enjoy way better. The orchestration on the track is good. I still think Frank Sinatra is hilariously overrated because he is at best a 2nd rate vocal talent. However, his voice on this record is tempered by the softness of the orchestration. This modulation to a less forceful vocal texture makes his voice more palatable, at least to me. Also a change-up to a bossa nova record allows for a different viewing of the same voice. Quiet Nights of Quiet Stars and Meditation almost sound the same, though the latter has more of Frank's "upper register" which basically is just the sound of peanut butter melting on a string section. I Concentrate On You fucking sucks. Once I Loved also fucking sucks. Bossa Nova is a great music genre I will have to look more into and I still hate Frank Sinatra.

4 songs for Herbie Hancock to lay it down. Chameleon is a solid funky groove all the way through and changes its stripes at set intervals. Watermelon Man is cool. Vein Melter also very cool.

Feels wacky having this be the second album after Herbie Hancock's Headhunters today. This guy is smooth and with a silky upper register. Til The Cops Come Knockin' is a song that drips.

kind of a col mix of Bowie and Talking Heads. Breakfast Time sucks. Yea I am not into this by Flesh Of My Flesh.

Pretty cool swing and lyrical delivery. Nice acoustic stylings in a straight ahead, not presumptuous manner.

Darkness Darkness and Smug is a solid 1-2. The middle is pretty meh with the exceptional line "If the world was peanut butter/We'd be sticking by each other".

oh holy shit 3 songs, 37+minutes. what in tarnation? Close To The Edge is heckin rad! woah what an incredible album

Song Of Joy gets this off to a spooky start. Curse Of Millhaven is rad. Wild Rose is okay but not my favorite on the album. O'Malley's Bar is a long string of murderous delight.

Some Other Time is a cool song. pretty bland punk sound.

17 year old me is screaming right now. Nitro still kicks ass, Bad Habit is still morbid fun. I find a lot of the albums brightest songs are the non-singles. Something To Believe In, Killboy Powerhead, So Alone are all fun songs. The singles on the album I feel are pretty dusty and tired but there is still a lot of nostalgia driven love for this album.

OoOoOoOOOOOOOO. I feel a little uncomfotable listening to this in the morning of a work day. but oooooooo Let's Get It On has gotten countless hopeless fools laid so its irresistable. Marvin's upper register is woah! If I Should Die Tonight is a great song.

Really cool guitar tones on this one. Blue Motel Room is a sweet low swung song. totally worth a revisit.

As much as I hate Kanye's ego, the first two tracks have me interested. BLKKK SKKKN HEAD has a great, light swing with very grounding textures. New Slaves has a big juicy hook. Bound 2s music video is stupid, but the song is alright. pretty solid record on the whole. a lot of musical texture to give it body.

The youtube link is all fucked. so I'm not going to get a clean run at this album. Though thats not a huge loss, three tracks in and its a big boring nothing burger so far. It lacks any apprechiable drive, or forward thrust. just sort of floating noodling. Then Revolution happens and the whole space thing is dissolved into something just as aimless but with rhythm. I don't think I have liked a single track thus far and its time for the 11 minute song Suicide. God, what a turd.

This album kicks ass. The aimless noodling on Moonchild is a bit much though. come on guys. Court of the Crimson King is just so good.

Shout has me off the bat interested in where this album goes. Everybody Wants To Rule The World is a perenial hit. The rest is just sort of filler.

This is fun in a barn party sort of way. depends heavily on how into barn parties you are into at time of listening. Motor City Burning is just a heavy blues song.

this is a fine early punk album.

These guys suck on an album. Behind The Door is the only song so far that has gotten my interest. The story of early punk and hardcore band beef is honestly the dumbest shit.

OOOOO the slick funked out groove immediately has my attention. I like this salsa. I have absoltely heard Pedro Navaja before. And it fucking slaps.

oh god its a live blues rock album. It's actually surprisingly tolerable if you just go ahead and ignore it, which is pretty easy to do. God I wish this stupid guitar solo would stop. Dear lord, its me. I am trapped in this neverending blues extravaganza. Down here, a Hammond organ and the blandest overdriven guitars do basic pentatonic solos with occassional blues notes follwed by 1 4 5 4 progressions. There is no color. There is respite. There is no where to hide. Only the blues. This was like 15 mins of music stretched out to almost 2 and a half hours.

This is a laid back, slow burn of an album. This is actually great for getting work done to.

OOOOOOOOOOOOOO. This is an album I have loved for so many years. They took the world by storm and laid the foundation for the electronica explosion that was to come. Around The World has the best video.

The songs are upbeat, driving and have a sense of purpose. Pump It Up is a killer hit. (I Don't Want To Go To) Chelsea is a good showcase of brit punk/pop. Great album, will need to revisit

Sympathy For The Devil is pretty tired at this point, No Expectations wisely takes things into a lower gear. There is a lot of roots american and blues acoustic on this record. Prodigal Son is a great song.

Bittersweet Symphony is a throwback hit. This is like a slower, proto-Muse. Its pretty inoffensive.

First song is a hit. the rest is just psychadelia.

This is really cool sounding, like a Foo Fighters, but the vocals are this light airy thing balanced on these guitars that want to take off on a heavy Nirvana track. This was really enjoyable

Its 90s brit rock. if its for you its for you. It sort of bounces off me. I am not a huge fan of the lead singer's upper register.

I wouldn't want to be the follow-up album to Rumors either. Over & Over starts on a pretty somber and slow foot. Its very ethereal and transitory. 10 songs in and Sisters Of The Moon is the first song I have liked on this. Tusk is a lot of fun. Ultimately, the album itself is not bad, not great, with a couple fun songs and other I'm not very keen on.

The title track is a huge hit. Too Many Tears is also really introspective and fresh sounding. Heavy In The Game and Lord Knows are both songs I enjoy. This album is a no holds bared look into Tupac, similar in vision to Biggie's Ready To Die. Outlaw I am not too enthused about.

I don't really like the Stones. Gimmie Shelter is like all of the backing parts of a song just got fully fleshed out but no song in the middle of it. Country Honk makes me want to die. I am really not in the mood for these clowns this morning. You Can't Always Get What You Want is a great tune. and that is what keeps this album from being a 1 imho.

Weeeeiirrrd. Okay so a sort of tight vocal electronic sound. This is like Ellie Goulding but wayyy more art. The electronics are way more angular, grooves more alien. The vocal textures are at times so lush but always so crystal. This was really great music to read the new chainsaw man to.

Bombast has me feeling the groove. The hooks are a lot like what I used to write when I was just learning guitar. In fact, these songs sound like a bunch of songs that any modern garage band could come up with. I am not particularly taken with it but I don't really hate it either.

This is a good album and has a lot of good things going on, I am just not in the right headspace to take it in. 9-9 is a great song. This album was good, so i will throw a 4 on it so i can revisit it.

This was good, if a bit wistful and short.

This starts with Take On Me? Wow that's a high mark to keep up. Hunting High and Low is deceptively complex. Every time I seem to wane interest in the sound, there is a new thing thrown in.

Is this a house or industrial album? Pulk/Pull Revolving Doors is very odd. This feels pretty irritating. God I hate Thom Yorke. Dollars And Cents is self important, self indulgent, and fucking boring. Living In A Glass House is way out in nowhere in context of the rest of this album.

Four Women is indeed unforgettable. What More Can I Say is a soaring ballad, though its place on the tracklist is strange. The Lilac Wine cover is excellent. Why Keep On Breaking My Heart is Nina showing off. Wild Is The Wind is very nice. Great Album!

I am really hooked by this sound in the first few songs. Interesting vocal textures. Rose Parade is another great tune. Say Yes is a great tune! What an excellent album!

With Mr. Blue Sky being on this album, the more important thing is trying to figure out the non-hits. Its got a lot of duwop and tight Brian Wilson like harmony. Jungle is a fun song. Summer and Lightning is a great tune.

the first track still has me 4 minutes in. though holy shit your first two tracks are combined almost a half hour!? Confusion The Waitress is a solid dub/jungle sound. Its a pretty inocuous album but I have been able to get some solid work done this morning.

I don't like their voice. I really don't like this. Yep, still don't like it even with it being in spanish and 4 and a half songs to go. This folk singer songwriter sound has never appealed to me and its sort of nice to know that it still very much does not.

This is pretty bland and generic, though its not as much of a torture session as yesterday's

Cecilia is a hit. This album has a lot of sonic whiplash in it. some songs are these upbeat dance hall jams, then you hit So Long, Frank Lloyd Wright like a brick wall. The Boxer is a killer song. Bye Bye Love is another good tune. This was a good album!

This is a very digestible punk album. lots of sonic grit that is mixed very well, 3 tracks in.

This was upbeat enough to keep me entertained but it doesnt do much for me. Vapor Trail is a good track.

Nick Cave is a story teller seemingly out of time. His lyrics are sooooo cryptic. "And I slid my little songs out from under you" is a good line. This is a concept album that has well and truely flown right over my head. I like Nick Cave's voice and the way he delivers his words. will have to come back to.

Cool house/trap sound.

Title track is a fucking bop. The Passenger is fucking bop. The rest I can do without.

holy shit sarah sounds great! Sarah Vaugn makes each song leap to life and is just so effortlessly musical. That and so playful with her skat and call outs to various artists and flubs.