287
Albums Rated
3.17
Average Rating
26%
Complete
802 albums remaining
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1950s
Favorite Decade
Britpop
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US
Top Origin
Wordsmith
Rater Style ?
29
5-Star Albums
11
1-Star Albums
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You Love More Than Most
Albums you rated higher than global average
| Album | You | Global | Diff |
|---|---|---|---|
| Scott 4 | 5 | 2.8 | +2.2 |
| Oxygène | 5 | 3.08 | +1.92 |
| Tubular Bells | 5 | 3.1 | +1.9 |
| Everything Must Go | 5 | 3.11 | +1.89 |
| Exit Planet Dust | 5 | 3.16 | +1.84 |
| Actually | 5 | 3.18 | +1.82 |
| Protection | 5 | 3.25 | +1.75 |
| The Seldom Seen Kid | 5 | 3.26 | +1.74 |
| Fear Of A Black Planet | 5 | 3.34 | +1.66 |
| I Should Coco | 5 | 3.35 | +1.65 |
You Love Less Than Most
Albums you rated lower than global average
| Album | You | Global | Diff |
|---|---|---|---|
| Your Arsenal | 1 | 3.05 | -2.05 |
| Fever Ray | 1 | 2.99 | -1.99 |
| Viva Hate | 1 | 2.96 | -1.96 |
| Fromohio | 1 | 2.89 | -1.89 |
| My Life In The Bush Of Ghosts | 1 | 2.78 | -1.78 |
| Isn't Anything | 1 | 2.75 | -1.75 |
| Atomizer | 1 | 2.72 | -1.72 |
| Remain In Light | 2 | 3.67 | -1.67 |
| The Velvet Underground | 2 | 3.54 | -1.54 |
| Now I Got Worry | 1 | 2.52 | -1.52 |
Artist Analysis
Favorite Artists
Artists with 2+ albums
| Artist | Albums | Average |
|---|---|---|
| Nirvana | 2 | 5 |
| Public Enemy | 2 | 5 |
Least Favorite Artists
Artists with 2+ albums
| Artist | Albums | Average |
|---|---|---|
| Morrissey | 2 | 1 |
5-Star Albums (29)
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Popular Reviews
Pet Shop Boys
5/5
Cracking debut from the lads. Four number one singles, some classic pop tunes. Excellent!
1 likes
Mylo
3/5
Drop the Pressure is the stand-out of course, but there are a few other good 'uns that make this a good listening experience.
1 likes
1-Star Albums (11)
All Ratings
Dr. Octagon
3/5
Very much a 'late night' album. Lo-fi beats, flowing raps and some killer samples laid over a concept around a sleazy doctor. Noice.
Missy Elliott
4/5
Missy showing she was one of the finest rappers of the era. Some great collaborations too, including Meth, TLC, and Beyonce. Good times.
Don McLean
3/5
Featuring The Song With a Life of Its Own, and of course Vincent, this is quite a nice collection of songs, some haunting, beautiful and poetic, and some slightly less memorable. But I liked it overall.
Nirvana
5/5
My favourite live album ever. Every track is superbly done, The Man Who Sold the World and Pennyroyal Tea are particular highlights. I do love this one!
Jazmine Sullivan
3/5
An interesting album. I've seen it described as a concept album, and I wouldn't argue with that. The interludes are there for a reason - sometimes interludes are to be endured, this is the artist having a bit of a giggle - but here they not only tie the album together, they provide a platform for the next song to jump from. Standout: Price Tags (with a certain Anderson .Paak in full flow)
G. Love & Special Sauce
2/5
Started off all right, jazzy, funky, laid-back tunes, so laid-back they were almost horizontal. But more of the same and more of the same just got wearing after a while and I was glad to get to the end. Just kidding, I didn't get to the end.
SZA
3/5
Confident album with some excellent collaborations. I liked.
2/5
I like XTC. I don't like this album. Sure there are a couple of decent tracks, but it's not enough for me, and it just has me hankering for their earlier, more punky stuff.
Mudhoney
3/5
Nice bit of grunge this, but you can kind of see why they didn't make it as big as Nirvana or Soundgarden...
Paul McCartney
2/5
Sounded more like a collection of B-sides, demos and outtakes to me. Not the best start to his solo career.
Robert Wyatt
3/5
An eclectic album from Mr Wyatt. I wasn't quite prepared for the sonic output from this album, but if you're aware of his style you should have a nice time with this.
Jane's Addiction
3/5
Jane's Addiction's debut album and a fine introduction to their alt-rock stylings. Stand out is of course Jane Says, but listen out for Summertime Rolls too.
Dinosaur Jr.
3/5
Grunge before there was grunge. Vocals, sometimes drawling, sometimes wailing; guitar fuzz turned up to 11; themes of love, loss and darkness abound. I rather liked it.
Pet Shop Boys
5/5
Cracking debut from the lads. Four number one singles, some classic pop tunes. Excellent!
Manic Street Preachers
5/5
Superb. Spawned a couple of huge hits, and the rest of the album holds up well too. Excellent stuff!
Paul Revere & The Raiders
3/5
Classic 60s album, all the elements are in place, jangly guitars, easy drumming, slightly unhinged singer. But it's good fun and I recommend it thoroughly.
Merle Haggard
3/5
A solid effort from one of the doyens of the country scene. Familiar themes of love and loss and the American Way are all present and correct.
Marilyn Manson
3/5
Deep, dark, pit of your soul, end of the world, offering from Marilyn Manson. And it's effective too: you have to remind yourself, "it's just a song", sometimes. Try it, but, er, put the sharp objects away first.
Bon Jovi
4/5
Cracking album, with some big tunes, as rock music started making its comeback in a difficult decade dominated by pop, electro, and the end of disco. A good listen.
R.E.M.
3/5
Nice this one. Early REM is good REM. Mind you, late REM isn't too shabby either.
Talvin Singh
3/5
World Music in its truest sense, as Talvin covers the globe to record its beauty in sonic form. Music for the soul - if you've had a bad day, put it on; if you've had a good day, put it on.
The Velvet Underground
2/5
Yeah, well...
Belle & Sebastian
3/5
Lovely stuff, what you'd expect from a Bell & Sebastian release. Instantly catchy and heart-warming,
Kid Rock
1/5
Every day, we stray further from God's light.
Dennis Wilson
3/5
It's Dennis Wilson, but it's definitely not The Beach Boys' sound. Sometimes dreamy, sometimes trippy, always interesting. Not bad at all.
Scott Walker
5/5
We should be grateful that Scott beamed down to this planet to give us his combined oeuvre, of which this is one charming fragment. Beautiful ballads, tender and touching torch songs, mellifluous melodies. Really quite excellent. Now to check out the rest...
Scritti Politti
3/5
Synth pop with an ethereal yet earthy quality. Contains their four biggest hit (love a bit of Wood Beez, me) and the rest ain't bad either.
Radiohead
3/5
One of their better albums, yet I still found myself yearning for some OK Computer. Maybe I just can't let go...
Alexander 'Skip' Spence
1/5
Don't do drugs, kids. Psychedelic folk, and not in a good way either. There are some good songs trying to break out here, possibly, but the sub-Bob Dylan mumbling (and that's saying something) and the seemingly random strumming of guitars and odd placing of the instruments pretty much knackers their chances. No likey.
Elvis Presley
3/5
Elvis continued his comeback with this effort, not long after his TV special, which we can probably file under Southern Bluesy Rock, or similar. In the Ghetto and Suspicious Minds are the biggest tracks on this, but the rest of the album holds up well too.
Rufus Wainwright
4/5
The never knowingly understated Rufus Wainwright here with the first half of his two-parter, and it's jolly good too. Each of these tunes could easily find their way into a musical. Recommended!
Alice Cooper
3/5
Starting off with the title track, this is alternately raw and in-your-face and melodic, and is a fine introduction to the stylings of Mr Cooper. A most welcome entry into the rock canon.
King Crimson
3/5
Prog rock for the win! Where would we be without King Crimson and, around the same time, Can?
Janelle Monáe
4/5
Yes. This is a cracker. Full of memorable songs that will get you up and dancing, or nodding in a reflective mood, as the mood befits. She's not a bad actress either you know...
The Mars Volta
3/5
Think Tool. Think Nine Inch Nails. Think (of course) At the Drive In. Think Tool again. Yeah you're pretty darn close. Some standouts but it's not quite my scene.
Os Mutantes
3/5
Brazil, 60s, tropicalia, psychedelia; mix it up and what do you get? Something a lot like this: dreamier and trippier than a night on the acid, with unexpected treats appearing here, there and everywhere. Occasionally discordant as their creativity exceeds their execution, but always charming, beguiling and enticing. You might need a little, er, chemical help to get fully into it, but it will reward you. It gets a 3 from me, but only because my stash is nearly empty.
Everything But The Girl
3/5
EBTG is always a welcome listening experience. Tracey really does have the most delightful voice, and the songs are beautifully rendered ballads. All in all, worthy of a thumbs up, and something I may return to at some point.
Jeru The Damaja
3/5
Smooth raps, thumping beats (courtesy of one DJ Premier); this came out in 1994 but still stands up well today. A fine head-nodder to add to the collection.
Beatles
5/5
With the exception of the truly godawful Yellow Submarine, every track here is a belter. Eleanor Rigby is probably my favourite Beatles song of all time. And then you've got Here There and Everywhere, Tomorrow Never Knows, Taxman, Got to Get You Into My Life... All superb. 5 stars all the way!
Van Morrison
3/5
Everyone's favourite Grumpy Old Bastard, heard here as a younger, more fresh-faced, curmudgeon. This is a very pleasant and listenable album, filled with jaunty and upbeat tunes about love and not having love and all that sort of malarkey. The title track is my standout. That used to be my and my ex's song... sigh... I'm over it, I'm over it, I'm fine
Stereo MC's
3/5
The title track got me through most of my first year at Uni. The rest of the album though, is largely forgettable if I'm honest. It's a shame really, but there you go. Two stars normally, but an extra one for 'Connected'. I see through you, I see through you...
Fela Kuti
4/5
Most excellent. Afrobeat at its finest. Adding Ginger Baker on top is tremendous!
The Velvet Underground
2/5
When the reviews mention the amount of distortion as a positive, you could be forgiven for thinking you're in for a tough listen, especially if you like your rock a little less on the fuzzy side. You were never going to get a "classic" set of tunes, with things like being in tune, and discernable chord progressions, let's be honest. Come on, this is early VU. But if you like wailing guitars, loads of feedback, poetry recitals, and occasional interjections from Mr Reed and his attempts to... 'sing', are we calling it? Then this will be right up your strasse.
The Kinks
3/5
Dexys Midnight Runners
3/5
Dexy's in their Northern Soul original incarnation, featuring of course, the stomper that is "Geno", bangier than a box of firecrackers. Of course, they would go on to discover violins and dungarees and give us the timeless classic "Come on Eileen", but let's enjoy them as they were...
Kacey Musgraves
3/5
Some nice songs, but not quite my scene. All fine though.
Beach House
3/5
I did have to check that I hadn't put on Fleet Foxes instead; it's got that same sort of dreamy, ethereal feel to it. A nice listen though.
Morrissey
1/5
Morrissey is a twat. I'm boycotting this album, because Morrissey is a twat. Now don't get me wrong, I like the Smiths, they had some belters, I've got a lot of time for them, but Morrissey was a twat then too.
He had a couple of big hits off this effort, which are fine and do a good job, but at the end of the day, when all is said and done, Morrissey is a twat. I would give it three stars, but I'm knocking two of them off because, well, you know, Morrissey is a twat.
#MorrisseyIsATwat
Garbage
4/5
Excellent stuff! Britpop's slightly fuzzier offspring, with some rocking tunes and great guitar work and vocals. Recommended!
Nick Cave & The Bad Seeds
3/5
Kings of the murder ballad here, with songs darker than dark energy, dark matter and Vantablack (that's very dark indeed) put together. If you're feeling in a mood, this won't help at all.
Kendrick Lamar
5/5
Sublime, a joy from start to finish. The next album is going to do well not to be a disappointment compared to this.
Fever Ray
1/5
Nope. Not for me. Too dark, too deep, too abstract to get into.
Deerhunter
2/5
Nowt I haven't heard before, and done better. Some nice riffs going on, but those airy vocals can leave on the next train out of town. It's a "meh" from me
Boston
4/5
A true Rock 'n' Roll Classic. The opening track is one you'll have heard many, many times, but that hasn't dulled its power. Strong riffs, powerful vocals that you know you've tried to emulate before realising too late that it's *just* a little high, this is top-drawer "play loud with the roof down" stuff.
Elvis Costello & The Attractions
3/5
Elvis Costello was, is, and shall be one of Britain's finest songwriters. Focusing on themes of love and loss (a well much travelled to and from down the years), he and his band wrest some fine tunes and make this an engaging part of their oeuvre. I'm docking myself a star for the use of the word 'oeuvre'. This one gets a 3 from me.
Rage Against The Machine
5/5
As debut albums go, this is right up there. Each track is like a two-footed tackle... to the back of the head. Bombtrack and Killing in the Name have to be one of the best pairs of opening tracks to any album, punching you in the chest at every turn. Put it on and rock out like a mother.
Sonic Youth
3/5
Some excellent tracks here, but a lot of the time the album lives up to its name.
Dusty Springfield
5/5
Wonderful. Dusty Springfield is one of the finest musical talents Britain (via Ireland) has ever produced. Every song here, even the most straightforward and mundane, is a showstopper with her voice to it. Anyone else with these songs, it would be 4 stars, tops.
I can't hear Son of a Preacher Man without thinking of Cypress Hill's Hits From the Bong though :-)
The Icarus Line
1/5
1001 albums? Add a couple more zeroes between the ones and you might be getting close. Did not like this. Next.
Pink Floyd
2/5
A lot of people love Pink Floyd. With a couple of exceptions, I don't get it. And I didn't get this either, odd spaced-out lyrics and... unconventional chord progressions. I lost interest after about the third or fourth track.
Beastie Boys
3/5
Curtis Mayfield
3/5
Fairport Convention
3/5
Scott Walker
3/5
Scott's epic voice and some lush production (heavy with the violins is this) elevate this album. It's not his best solo album (that's Scott 4), but this is still very much worth a listen.
The Clash
5/5
Cracking. London Calling, Guns of Brixton, Brand New Cadillac are the standouts - this stands the test of time as not only one of the finest albums of the punk era, but of the 1970s, and - to be honest - of any period and genre since.
Steely Dan
4/5
An enjoyable jaunt this, you could almost call this one of the presagers of yacht rock, if you were pretentious enough to use the word 'presagers'
Peter Gabriel
3/5
Brian Eno
1/5
Too weird for me
Orbital
3/5
Nightmares On Wax
2/5
Eh, it's fine. I think you'd have to be in a... er, certain frame of mind of appreciate it.
Public Enemy
5/5
Absolutely banging. Like a sledgehammer to the base of the spine.
Joan Baez
2/5
Jungle Brothers
3/5
Iron Maiden
3/5
Queen
3/5
3/5
It's a good album - lots of classic tunes (With a Little Help From My Friends, When I'm 64, A Day in the Life) - but it doesn't deserve the mythical status conferred upon it by so many. There are better Beatles albums out there - the ones immediately before and after, for example.
Drive-By Truckers
3/5
Syd Barrett
3/5
It's... what you would have expected from a Syd Barrett album, completely out there. But somehow it works.
The Police
3/5
The Gun Club
2/5
Singer needs lessons
Primal Scream
4/5
Bangin'
Mike Oldfield
5/5
Lovely. A warm bath of an album. Brought back many memories.
2/5
Just didn't grab me. Must have been that weird falsetto in the opening track Ramblin' Rose that put me off
Throwing Muses
3/5
Motörhead
3/5
Neil Young & Crazy Horse
2/5
System Of A Down
3/5
The Flaming Lips
4/5
Weird, but wonderful. And also very weird. I was torn between 3 and 4 stars, but I eventually settled for the higher.
Jimi Hendrix
4/5
Jimi Hendrix was, is, and always shall be, the man.
Rocket From The Crypt
3/5
Jurassic 5
4/5
Aretha Franklin
3/5
Michael Jackson
4/5
A belter. The new Michael Jackson - very different from Off the Wall and Thriller, which were more R&B-ish, this is more pop, and it works, and it works very well!
The Crusaders
3/5
Johnny Cash
4/5
What's not to love. The Man gives us his take on some noble classics and other well-known songs. It works superbly
Various Artists
3/5
Should I be worried about the sort of gift Phil Spector would be bearing...?
Dire Straits
3/5
The Go-Betweens
3/5
The B-52's
3/5
Roxy Music
3/5
Hole
3/5
Nick Cave & The Bad Seeds
3/5
Talking Heads
2/5
10cc
3/5
Shuggie Otis
4/5
Jimi Hendrix
4/5
Fantastic, for me the greatest guitarist that ever lived
The Stooges
3/5
Alice In Chains
3/5
Elvis Presley
3/5
Turbonegro
4/5
Absolutely cracking. Rocks out without a care in the world, check it out.
David Bowie
3/5
Monsieur Bowie, we do like.
MC Solaar
3/5
Blondie
3/5
Tangerine Dream
2/5
More spaced out than a journey to the next galaxy. Three discs was probably too much for me though
Crowded House
4/5
The Sensational Alex Harvey Band
4/5
SAHB drive a coach and horses through the rock and roll rule book and insist on doing it their way, and that you will like it. And I do. I enjoyed the opener, and was hooked from the second. Chances are you will be too. A highly enjoyable romp.
Curtis Mayfield
4/5
Pet Shop Boys
3/5
Television
3/5
Lenny Kravitz
3/5
Don't be fooled by the 3 rating, I rather liked it. Some of the tracks had a tendency to meander a bit; 57 minutes running time could easily have come down to 40-45
Van Morrison
3/5
Queen Latifah
3/5
Terence Trent D'Arby
3/5
Nirvana
5/5
Beatles
3/5
Van Halen
3/5
Common
3/5
Good, with nice smooth beats and a jazzy feel to it, but darn it's just too long
Magazine
3/5
The Stranglers
3/5
You really can't go far wrong with the Stranglers
Supergrass
5/5
Not. One. Bad. Song. On. This. Album.
The Triffids
3/5
Bruce Springsteen
3/5
Creedence Clearwater Revival
3/5
Standout is of course Bad Moon Rising, but there are some fine tunes on this one.
Hanoi Rocks
3/5
Small Faces
3/5
Nice slice of 60s pop. Well-loved album, which makes a lot of good moves in the right places. Plus! Sir Stanley Unwin! How can you not love it...?
Elton John
3/5
Paul McCartney and Wings
3/5
Such a refreshing change from the rubbish that was his post-Beatles debut effort. Some fine tunage going on, you'll sing along to Jet's chorus or your money back.
Fleet Foxes
3/5
The Jon Spencer Blues Explosion
1/5
Ugh. The closest thing to anti-music I've heard in this experiment so far. Halfway through Fuck Shit Up, someone says "this sucks". No-one has ever been more right about anything in the entire history of the world, than they were about that.
If I had only this to listen to for the rest of my life, I really would have worry. I have to rate it, so it gets a 1, but really that 1 should follow a decimal point and a near-infinite series of zeroes.
Beatles
4/5
One of the better Beatles albums this one, with the lads still in their moptop era. The title track makes for a cracking start, which then leads to a succession of balllads which are all highly listenable. Can't Buy Me Love gets back to the pop-rock side, before we get back to the ballads, Things We Said Today standing out there. Those loveable cheeky scallies are hitting their songwriting stride here and it can only presage good things... (massive foreshadowing; look to camera)
The Verve
5/5
Wonderful. This is The Verve at the peak of their powers, there is not a single weak track here - many bands would kill to have a opening fourfold as good as Bitter Sweet Symphony, Sonnet, The Rolling People and The Drugs Don't Work. And they don't rest on their laurels, Catching the Butterfly, Space and Time, Lucky Man... I could go on. Just put it on and be transported.
3/5
Derek & The Dominos
3/5
Gram Parsons
3/5
The Beau Brummels
3/5
R.E.M.
5/5
Excellent. Less rocky than their earlier stuff, but it showcases a band at the top of their game. Sure, everyone remembers Everybody Hurts and Man on the Moon, but Drive, Sweetness Follows, and Nightswimming, among others, deserve more recognition. Do yourself a favour and check it out.
Talking Heads
3/5
Mylo
3/5
Drop the Pressure is the stand-out of course, but there are a few other good 'uns that make this a good listening experience.
Louis Prima
4/5
Elbow
5/5
My word this is brilliant. For me, it's Elbow's best by some distance. 'Epic' barely begins to cover it, it's magnificent from start to finish. One of my all-time favourites. Thanks, 1001 Albums Generator, for letting me live this again.
ZZ Top
4/5
Banger after banger! Top tunes all the way through!
Jean-Michel Jarre
5/5
Heard this as a kid and I'm sure I changed my life even then. If not the father of electronic music, then at least an uncle once removed. Superb stuff!
Jimmy Smith
3/5
Some smooth jazz for you. Nice.
Paul Simon
5/5
The album that launched Ladysmith Black Mambazo onto the wider world. "Eclectic" somewhat fails to cover it, to be honest. I first heard this as a 15-year-old and I couldn't get into it at first, but it won me over and I ended up playing it and playing until the tape broke.
The most famous track is of course You Can Call Me Al, though my favourite is the opener, The Boy in the Bubble. The collaborations are a joy: Homeless, Diamonds on the Soles of Her Shoes, Under African Skies, and That Was Your Mother are all excellent.
In short: I love it. If you haven't heard it, try it out and see if it has the same effect on you.
Arcade Fire
3/5
The Cure
3/5
A doom-laden 3
The Stooges
3/5
Leftfield
4/5
Cracking! Tremendous beats throughout and a couple of excellent collaborations. Recommended!
Michael Jackson
5/5
Superb. Michael was a superstar already of course, but this just elevated him to a whole new level. You know you're onto something good when you can release seven singles off an album and they all thunder into the top end of the charts without breaking sweat. Top, top album; here's five stars!
Eels
3/5
Alternative rock that really is alternative, it's out there but in a good way.
Beatles
3/5
We're still with the early Beatles here, so there are a few covers (Please Mr Postman, Roll Over Beethoven, Money (That's What I Want), and others), but they're done very well, very well indeed. They do manage to avoid Difficult Second Album Syndrome on their own compositions - All My Loving went on to be a classic in their stable, and the others can hold their heads high. All in all, if you're a fan you'll know it, if not give it a try, you won't go far wrong.
Aerosmith
3/5
Rather liked this one. The original version of Walk This Way sounds SOOOO different.
Jeff Buckley
5/5
Wonderful. What a talent we lost when Jeff passed away. Most famous for Hallelujah of course, but the rest of the album is heartfelt, evocative, ethereal, atmospheric, and just plain beautiful. Worth several listens, because this is one of those albums that gives back a little more with each repeated playback.
Hawkwind
3/5
Simon & Garfunkel
3/5
Are you going to Scarborough Fair? Can you give me a lift?
David Gray
4/5
Now this I like. David Gray burst onto the wider scene with this debut effort, showcasing a very talented singer-songwriter. Most famous for Babylon, Please Forgive Me and This Year's Love, it's My Oh My that has stayed in my brain with the most effect, if I were to choose a word for it, I would say haunting. Excellent effort all round from the lad, recommended!
The Chemical Brothers
5/5
One word: bangin'. It's incredible (and harrowing) to think that this debut effort is now thirty years old; it sounds just as fresh as it did in the mid-90s. Every track has something to offer, and if you don't start grooving (yeah I'm that old) then honestly you should check for a pulse. It's a 5 from me!
Venom
3/5
Like your metal in the classic, riff-driven, power-drumming, Satan-invoking style? Look no further
Orange Juice
3/5
Dusty Springfield
4/5
Dusty's debut sparkles and crackles and showcases the voice that would enrapture and entrance over the next few decades. OK so there's little original here, it's mostly covers of other artists, but she imbues the tunes with a passion rarely felt in or by others. Can we talk about how much better her version of Anyone Who Had a Heart is than Cilla "Voice Like a Fire in a Pet Shop" Black? As is Dionne Warwick's for that matter.
Put it on, sit back, relax and enjoy.
N.E.R.D
4/5
Top stuff, and a most excellent follow-up to In Search Of... Key track for me (and I suspect for many) will be She Wants to Move; it is impossible to sit still and listen to this, you will be grooving or your money back (lawyer's note: no refunds will actually be given).
If I could give half-stars it would be a 3.5 from me, but 3.5 rounds up to 4, so 4 it is :-)
The Dictators
3/5
David Bowie
3/5
I'll still never be able to work out how he did it. No two songs he ever did sounded the same. Remarkable.
The world went to shit when he died, it's true...
Todd Rundgren
3/5
The Auteurs
4/5
Rather enjoyable, another 7/10 album but this one I'm going to round up to 4/5.
Harry Nilsson
4/5
Mad as a March hare
Elvis Costello & The Attractions
3/5
Two belting songs I practically grew up with, and the rest isn't too shabby either. Watch out for these lads...
Big Black
1/5
Dafuqevenizdis? Shite. Dazwat.
Next.
Cyndi Lauper
3/5
Bad Brains
3/5
George Jones
3/5
Simon & Garfunkel
3/5
Soft Cell
3/5
RIP David Ball.
I have to admit, though, that beyond the hits, I didn't really care much for this. Oh go on I'll give it a 3
John Lennon
2/5
Better than McCartney's post-Beatles debut, but fucking hell that bar is partially buried in the mud
Billy Bragg
3/5
David Bowie
3/5
Madness
4/5
House of Fun, Our House, Driving in My Car, Mr Speaker, Tomorrow's Just Another Day - all present and very correct on here. Plus a decent supporting cast; what's not to love?
The Monkees
3/5
It always surprises and disappoints me when people write off the Monkees as just some manufactured boyband. For a start, they got together before the TV show. They're far more musical than most similar (in name) bands could hope to be. This has a fine selection of tunes - not a fan of putting together mono and stereo versions to pad out the track listing though, plus the odd demo lobbed in as well.
Franz Ferdinand
4/5
An assured debut from these Scottish alt-rockers. Take Me Out is the standout of course, but it's ably supported: This Fire, Michael, The Dark of the Matinee, and Tell Her Tonight are excellent too
Wild Beasts
2/5
Dr. John
3/5
Led Zeppelin
4/5
Sleater-Kinney
3/5
Stevie Wonder
5/5
Magnificent. Some absolute classics on this record, and even the less well-known ones are better than many an act's entire output. I am a fan of Stevie Wonder, and it's hard not to be when he had this quality of material to his name. Do yourself a favour and check it out.
KISS
4/5
Really rather enjoyable, from a time when KISS weren't known as 'hoary old rockers'. Just good, proper rock'n' roll
Sam Cooke
5/5
Wonderful. Sam Cooke was a talent taken from us far too young. Here he wows an initially reluctant crowd with a mixture of his hits and other classics. His crowd work is second to none as well. Definitely one for the collection.
Buddy Holly & The Crickets
3/5
The least likely-looking rock 'n' roll star ever, ah what might have been... standouts are Oh Boy, Maybe Baby, It's Too Late, and That'll Be The Day. Good times.
Elvis Costello
3/5
Massive Attack
5/5
Simply sublime. The opening track, the title track, sung by Tracey Thorn, is one of my favourite songs of all time, the most dreamily beautiful song, with a languid beat and gorgeous vocals. Karmacoma, Eurochild, Sly, Better Things - all superb, Massive Attack at their imperious best. We didn't deserve this album, but we're sure glad it's here. I cannot believe it's over 30 years old now.
3/5
Japan
2/5
Bit dull, if I'm honest. Each song felt interminable, even though the average length was about five minutes.
Tom Waits
2/5
PJ Harvey
3/5
Don't be fooled - I quite liked this. Enough to give it a 4? I'm not sure. Would definitely be a 7/10.
Neil Young
3/5
Good Lord. A Neil Young album I sat through all the way through, will miracles never cease? You're here for Needle and the Damage Done, aren't you, yes you are, but you'll have to be patient (it's the second last track). But don't despair, Heart of Gold is there in all its glory too, and there are some other fine tunes to hold your auditory system's attention before you get there.
Big Star
3/5
Nas
3/5
Bonnie "Prince" Billy
3/5
Bobby Womack
3/5
A definite 80s turn on Soul and R&B from our Bobby. Sure, the funk is there, but there's a fair amount of squelchy keyboard and it kind of gets in the way rather. Stand out track for me was If You Think You're Lonely Now, much more classic Womack. Overall a reasonable listen but I doubt I'll return to it anytime soon.
The 13th Floor Elevators
3/5
Psychedelic is definitely the word. It sounded exactly like what you'd expect a 60s band that's into experimenting with soundscapes and genres would sound like. Don't be put off by the lengthy track list (27), a number of them are different versions of certain songs. All in all, I found it interesting enough to keep my attention, but it's another one I won't be going back to
Nick Cave & The Bad Seeds
3/5
Pavement
2/5
The refrain for Conduit for Sale! goes, "I'm tryin, I'm tryin, I'm tryin, I'm tryin, I'm tryin, I'm tryin, I'm tryin and I'll try!"
Fucking... try harder if you want to retain my interest. Get off. This is so close to a 1, but I reserve those for the most hopeless of cases, and it's not quite that bad
Stereolab
3/5
Nick Drake
3/5
The Beach Boys
3/5
With a title like that, you'd probably be expecting songs in the vein of California Girls and, yes, Surfin' USA. But you'd be wrong. These are deeper, more introspective ballads rather than cheery bubblegum pop. It's an interesting diversion.
Eurythmics
3/5
Jefferson Airplane
3/5
It's the 60s. It's jangly guitars. It's top vocals and harmonies. It's a hippyish vibe. It's all good.
The Who
2/5
Some good songs, but lost among the dross and the 'adverts'. It's also overlong; got to love 'alternative versions'
The Byrds
3/5
You'll know the title track and All I Really Want To Do the most, but they're well supported here. Nice album.
The Zombies
3/5
Nothing here quite as good as She's Not There (that's a belter that is), but still a good slab of 60s pop. Well worth a listen
The Who
3/5
Stephen Stills
3/5
Black Sabbath
3/5
RIP Ozzy.
The Clash
3/5
The xx
3/5
N.W.A.
4/5
Emerson, Lake & Palmer
2/5
What a time to find out that prog rock isn't really my thing. One lives and learns...
Screaming Trees
3/5
Supertramp
3/5
A Tribe Called Quest
5/5
I do love A Tribe Called Quest, they're up there with the absolute finest in the genre. Every track here is a delight, my particular favourites are the first (Excursions) and the last (Scenario). There are some great collabs too, with Brand Nubian and Leaders of the New School standing out. In short, if you're looking for hip-hop that's smooth, you'll find it here. Want a bit of a harder edge? You'll find it here too. Effortlessly brilliant.
Giant Sand
3/5
Kings of Leon
3/5
Suede
4/5
Although they were around at the same time as Britpop, it would be almost disrepectful to call them a Britpop band, they had so much more to them than that. Atmospheric, orchestral at times, dark, doom-laden songs with a deep need to connect with something, anything, someone, anyone running through them.
David Bowie
3/5
Red Hot Chili Peppers
3/5
Black Sabbath
3/5
RIP Ozzy.
The Mamas & The Papas
4/5
Really quite lovely
My Bloody Valentine
1/5
Tuneless bollocks. Okay that was a bit harsh, there are a couple of tunes in there, but I wouldn't advise listening too hard to find them. Guitars are just a wall (and a wail) of noise, vocals are everywhere except on the beat. Would have got one star anyway, but I'm knocking a point off for the lower case spelling. So in my mind, zero stars, but officially it's a no from me and one single, solitary star.
This Isn't Anything like what I'd want to listen to again on this side of the mortal plane.
The Electric Prunes
3/5
The 60s were a very different time...
Public Enemy
5/5
God DAMN! Like a nuclear explosion in your face.
Spacemen 3
3/5
Culture Club
2/5
When you title an album Colour by Numbers you invite the usual accusations of being unoriginal, formulaic and trite. And guess what? Beyond the hits (Victims, Church of the Poison Mind, It's a Miracle and of course, Karma Chameleon) you might as well use this as lift music or as background filler in a restaurant.
Taylor Swift
2/5
Not quite sure how this ended up in my playlist...
Klaxons
4/5
Whatever happened to nu-rave? I think it was best it was allowed to gently curl up and die in its corner - this was the first major release of the genre, and no-one else could get near it, not even these guys with their follow-up, Surfing the Void. I rather like this - some seriously odd lyrics abound but it's very well-read.
You know Golden Skans. Of course you do, it was the sound of 2007. A rather good cover of Not Over Yet as well. Do you know what, I'm going 4 stars. It's bizarre but worth it.
The Louvin Brothers
3/5
Missy Elliott
3/5
Johnny Cash
4/5
The Man is on top form here
The Adverts
3/5
Buzzcocks
3/5
Joni Mitchell
3/5
David Crosby
3/5
Kanye West
4/5
Our favourite Black Nazi here with a banging collection of beats, rhymes, flows and collabs that stand up to anything you want to throw at it. Jesus Walks is iconic, as are All Falls Down, Spaceship, Get Em High, Breathe In Breathe Out, and others you can care to mention. It would be a 5, but... see those first four words, and I'm struggling to decide whether to give it a 3 or a 4. Sod it, 4...
Parliament
5/5
The wrong Clinton became US President: it shoulda bin George, not Bill. Imagine the possibilities...
Listen to this as often as you can. Your life will thank you for it.
Isaac Hayes
3/5
Q-Tip
4/5
Electric Light Orchestra
3/5
Gil Scott-Heron
3/5
SAULT
3/5
I liked this. Almost lost a point for being in all caps, but was reassured by Wikipedia that it's a frequent styling and not their official going-by name.
Happy Mondays
2/5
The title rather summed up my feelings while listening to it. No track comes out of this mess with any credit.
k.d. lang
3/5
Nice country album, k.d. has a most excellent voice, a good listen
Sonic Youth
2/5
Meh, there must be something I'm missing about Sonic Youth. Folks (usually around my age) rave about them, bands cite them as influences, but they just leave me cold.
Maybe I'm in the wrong: I suck
Nick Drake
3/5
JAY Z
3/5
Pretty decent effort from Mr Zee. High production values, average rap; give me some Dre, Cube or 'Nem any day.
Mudhoney
3/5
Coldcut
3/5
The Incredible String Band
2/5
Goldfrapp
2/5
Lost interest halfway through to be honest, but hung on for the best track, Utopia
Carpenters
3/5
Quite delightful
The Rolling Stones
3/5
Tom Tom Club
2/5
Take the first two tracks out of the equation and there was little there to maintain my interest. It gets a 2 because I've always liked Wordy Rappinghood and Genius of Love
John Lennon
3/5
Honestly whoever wrote these songs ought to have been shot
Ray Charles
4/5
Ray Charles and a big band is a winning combination.
Pere Ubu
2/5
Wilfully different, but then they always were. Got on my nerves by the end to be honest.
Brian Eno
3/5
There should be half stars in the ratings, or double it to a score out of 10. This is a 2.5 / 5 if ever there was one. I'll round it up this time, but I won't be so generous next time
Willie Nelson
3/5
5/5
No difficult second album syndrome here. Is it better than Definitely Maybe? Maybe. The first album was bright, brash, and arguably had more tunes. This is more grown up, considered, but still rocks like a cradle in a strong breeze. And has a lot of tunes. Take your five stars, gents.
Otis Redding
5/5
Soul as it should be done. Superb all the way through.
Tom Petty and the Heartbreakers
3/5
George Michael
3/5
Decent effort from the lad. He's very missed you know...
Peter Frampton
3/5
And he does. And it's not bad either.
fIREHOSE
1/5
Track 5 on this, Mas Cojones, translates as More Bollocks. And it doesn't get much more bollocks than this disjointed, discordant jam session. Someone likes a bass guitar...
My teeth were already on edge when I saw how the band name was written; such pretentious wankery cannot go unpunished by these hands - automatic 1-star deduction (Pvris, Chvrches, k.d. lang - I'm coming for you too).
The best thing I can say for this album is it's mercifully short, about 31 minutes. One star. Less the mandatory deduction, should give zero, but alas I have to give it one. You jammy gets.
The Cars
3/5
Morrissey
1/5
You know what's going to happen here. I'm going to call Morrissey a twat, likely more than once, because no more appropriate label applies. Then I'm going to find the tunes half-decent, which they are. Then I'm going to dock the album two starts for the Morrissey Twat Factor. Which will leave a one-star rating.
So...
The tunes are quite decent as it goes. It's not the same without Johnny Marr of course, what would be? The man is a legend and a saint for putting up with him for so long.
The singer has a good voice, he always has, but he is, and let's not beat around the bush here, a twat. For so, so, SO many reasons.
Three stars for the songs, minus the Morrissey Twat Factor, which we've established is a minimum two stars. Which leaves... yes, one star.
Morrissey, you're a twat. You always have been and you always will be. If I ever met you, I'd make sure to have a burger in my hand.
Morrissey. Putting the You Arse into Your Arsenal.
#MorrisseyIsATwat
Amy Winehouse
3/5
Lovely stuff. Oh, Amy...
Kings of Leon
4/5
Possibly the best KOL album, this rocks along like a good 'un. Plenty of highlights to choose from (Slow Night, So Long, Taper Jean Girl, Pistol of Fire, The Bucket, Four Kicks, and Velvet Snow, to name but six - and that's practically half the album right there), Great stuff.
Nitty Gritty Dirt Band
3/5
Booker T. & The MG's
3/5
A reluctant three here. It starts with the well-known and most excellent title track, but then there's a mix of originals and covers which will have you hankering for the originals of those, and wondering just how much Hammond organ a person can stand.
Julian Cope
3/5