Zach Bryan is the fourth studio album by American singer-songwriter Zach Bryan. It was released on August 25, 2023, through Belting Bronco and Warner. Entirely self-produced (except for the song "Oklahoman Son" produced by Eddie Spear), it features guest appearances by the War and Treaty, Sierra Ferrell, Kacey Musgraves, and the Lumineers. At the 66th Annual Grammy Awards the project received three nominations, including for Best Country Album, winning his first Grammy for Best Country Duo/Group Performance for the lead collaboration "I Remember Everything" with Musgraves.
Commercially the album debuted atop the US Billboard 200 with the biggest streaming week for a rock album, while its only single "I Remember Everything" became the first song to debut at number one on the US Billboard Hot 100, Hot Country Songs, and Hot Rock & Alternative Songs charts simultaneously.
In support of the album, Bryan embarked on the Quittin Time Tour '24 throughout 2024. It began on March 6 at the United Center in Chicago, Illinois, and ended on December 19 at the Barclays Center in Brooklyn, New York. This tour was the first one he went on after releasing the album six months prior. The Quittin Time tour had a gross profit of almost $200 million. He sold out 81 venues in total netting over 1.8 million tickets sold. The tours success was largely due to the success of the Zach Bryan Album, especially hit song "I Remember Everything". Staying strictly within the U.S. for this tour but seeing success with the album in other countries prompted him to perform in the U.K. in 2025.
Zach Bryan is a modern country album. Normally I don't like modern country as the production is much too smooth and it all sound commercial and uninteresting. This album is an exception. From the start a feeling of integrity is all around. The songs are solid and the performance is to the point. "I Remember Everything", "Hey Driver", "Overtime", "Spotless" and "East Side of Sorrow" are good songs. The guest contributions are spot on. This album also has its flaws as the lyrics are often not that great and there should be a law against such poor album cover design.
Really very good. Maybe a third in I was feeling like I was going to get sick of the vocal style, but he opens this up and takes things in interesting directions. A lot going on lyrically both in content and form. Sounds like he might be kind of a dick but oh well, I don't have to hang out with him.
Im pretty familiar with this album- I’ve listened to it a good amount of times and have it downloaded. It’s incredibly difficult for me to separate the music from the artist, but I think that this is truly a great album.
I enjoy listening to Zach Bryan, but not so much a whole album. His albums are certainly cohesive and have a solid through line, but my god, get some range. Do something different. All the songs are good, but he’ll never be great unless he can hit a different emotion than melancholy. Still great stuff. One of the only poets I don’t mind. 4/5
I listen to a lot alt-country bands like Wilco, Son Volt, Uncle Tupelo (yes I know what I did there), etc. I would put this on the other side I’d call this country-alt. Much more rooted in country with the alt influence as opposed to rooted in alt with the country influence. It was my first time consciously hearing his stuff. I enjoyed it. Well crafted record with well crafted songs and a great ambiance throughout.
A new one for me. I wouldn't describe this as country, despite what Wiki tries to tell you. It's more in the tradition of Steve Earle. It's the kind of music Alabama 3 might be making if they came from, erm, Alabama and not Brixton. I could have done without the talky talky bits. Otherwise a very classy alt Americana album.
I almost actively-dislike modern country music. And I know the name Zach Bryan without (I don't think) having heard him; so yes: I pull this today and in conjunction with the lame cover I was petulantly ready to pre-judge it.
But .... well. This isn't at all what I'd expected, whatever that was. Much more in the line of heartland / mellower Bruce Springsteen vibe.
(I also almost reflexively reject guest vocals / features etc but I do love Kacey Musgraves)
Broke a lot of stereotypes for me here - nothing seems overproduced, instrumentation is carefully arranged, dynamics used creatively.
Not sure how much I will ever voluntarily play this again but I have to push against my biases and admit this was a pretty good album. Too long; would have been a bigger impact as a ~10 song set but props and this is a good example (for me) of giving everything a chance.
Cover still sucks, though.
7/10 4 stars
IMO: Belonged in the book? fk. I never think something new should be in there but probably Yes based on his impact.
I am mixed on this. I love some of the collabs on this but overall it is less than the sum of its parts and the song writing just isn't that great.
Also the album cover is just... bad.
Always enjoy more American country music here but this doesn't do it for me.
My personal rating: 3/5
My rating relative to the list: 3/5
Should this have been included on the original list? No.
This is very pleasant but it never feels especially... idk.. special?
I like country a lot, and I like this a lot more than the highly polished MAGA country of the 2010s, but still, I have a hard time imagining that this is someone's favorite album or artist.
Zach Bryan has all the talent to be a popular country artist. His strongest ability is his lyricism where he can create stories in his songs. His biggest drawback is he creates so much music so often and no matter what it is you can point to it and say that’s a Zach Bryan song. He is good at what he does but he struggles to do a lot. This is probably his best album and the strongest parts of it are the features to bring in some variance to his structured sound. A good album all together but he does get a bit repetitive after a while. 7.4/10
This was good, I enjoyed it for the most part, it was just sort of repetitive. I did like the songwriting, it just seemed every song was the same tempo, style, and subject. 3.5/5, but rounding down because I'll probably not listen to this album again, but I'll give Zach Bryan another shot on a different album.
I will admit that his vocal approach to the formulaic modern country format is novel, but I don't think his story telling is very evocative. Summertime's Close is fine but not my thing. Fear and Friday's is a good tune. That's about all.
Yee-fucking-haw.
Only less exciting, actually.
"Overtime" and "Each Side Of Sorrow" are gems. A couple of other songs probably reach those heights within this album. Too bad the later is pestered by too many cuts sounding all the same. There's a melancholy and simplicity I can appreciate in Zach Bryan's artistry, and in that modern country landscape plagued by so much overproduced dross, that's got to count for something.
I only wish the music didn't sound so self-indulgent or devoid of true dynamics at times. On paper, you can play barebones country-folk songs giving you genuine thrills and a feeling of completion, if you take my meaning. But in this eponymous album, at least, too many songs come off as drafts of better things to come. A bit frustrating.
3/5 for the purposes of this list dedicated to essential albums.
8/10 for more general purposes
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Number of albums from the original list I find relevant enough to be mandatory listens: 465
Albums from the original list I *might* include in mine later on: 288
Albums from the original list I won't include in mine: 336
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Number of albums from the users list I find relevant enough to be mandatory listens: 84
Albums from the users list I *might* select for mine later on: 106
Albums from the users list I won't select for mine: 218 (including this one)
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Émile, j'ai vu ta dernière réponse. J'essaie de trouver le temps de te laisser la mienne dans les jours qui viennent. Désolé, ça fait longtemps que je te dis ça, mais la situation est un peu compliquée par chez moi en ce moment... Rien de grave, mais je trouve pas beaucoup de temps pour moi. Porte-toi bien
This rating is more on me than Zach, had my fill of country already growing up in a rural town. I will say the production here is nice and crisp, and some of the instrumentals did surprise me. Bryan does infuse his tracks with more heart and genuineness than those who are in the genre just for the money, I just can't really get myself enthused about modern country music in general.
I found Zach Bryan pretty dull and not at all the sort of country I enjoy, it was too stripped back, too samey track to track, and largely underwhelming for something apparently so popular. 2.
A self-produced country album that starts with a track with "(poem)" and a superfluous apostrophe in the title.
One of the least appealing album covers from the whole lot.
I'm an sure that I'm going to utterly detest this.
The second track starts with a steel geeetar plucking out the Star Spangled Banner with an actual "Yeehaw" in the background.
Fuck this for a game of soldiers.