Word Gets Around

Stereophonics is a nice Welsh rock band and this is a nice rock album. But it is not outstanding. Maybe this is not fair as your competion from Wales in the 1990s-2010s is Manic Street Preachers. And in 1997 the competion of UK based rock bands was Urban Hymns - The Verve, OK Computer - Radiohead, Blur - Blur, Ladies & Gentlemen We Are Floating in Space - Spiritualized, In It for the Money - Supergrass, to name just a few. All in all it's a nice listen, but not something I have a special urge to give another spin.

Sterophonics are much better than I remember them being. The voice, the song subjects, the tunes. Very much enjoyed.

Not the hits I know them for, but this is good music!

This really grew on me through the course of the album. 4 stars.

I enjoyed the bombastic and fun music from Wales! Good stuff!

Rating: 8/10 Best songs: A thousand trees, More life in a tramps vest, Local boy in the photograph, Check my eyelids for holes, Too many sandwiches

Man these Welsh bands can get it. Just from memory: The Alarm, Super Furry Animals, Manic Street Preachers, and now finally Stereophonics who I somehow have mostly missed out on over the years. Giving strongest melodies of prime Manics but maybe a bit more accessible (not necessarily better...Everything Must Go is an all-time top 20 album for me). Hints of the Bends with elements of Oasis (but far better-sounding). I don't know if I'll go out of my way to call this revolutionary and there are a few points where the vocals get a little irritating (e.g. "Check My Eyelids for Holes") but this is a really good rock album. With The Bends getting all the press it did this should have gotten as much - especially being their debut. 8/10 4 stars. IMO: Belonged in the book? Yes.

It's very Oasis-like. Very. And just as good. I think I even like them slightly better. This album could have been in the book, but it doesn't need to be. While it's good, it's not unique enough and not very influential.

Rock, indie rock, Britpop. Ni fu ni fa.

I do like Stereophonics but apart from performance and cocktails I think there albums are a bit average. Feel like a thousand trees carries this album, but still was a pleasant listen and happy to have it on this user list.

Bloody Welsh

'Hearty Welsh Rock' is a great description from Apple Music

Amiable rock and roll of its era (maybe a decade behind the curve really) - lyrically very entrenched in nostalgia. Nasty Rock-n-Roll lifestyle ending for the original drummer, I've said it before but when it comes to outright killing you in a single episode of acute abuse, alcohol still tops the charts.

The roots of British "landfill indie" during the noughts? Since I wouldn't say that about the Manic Street Preachers albums released in the same time period -- a band sometimes aped by Stereophonics for this debut of theirs -- maybe that would be unfair from me to describe *Word Gets Around* under that light. To be clear, I don't think the Manics released absolutely stellar albums either during the second half of the nineties, as successful as they were in the British charts back then. But at least, they could display a gravitas and elegance that's crucially lacking for me in the more streamlined Britpop of *Word Gets Around*. I lived in Britain for a year, not long after this Stereophonics debut was released. I remember hearing it everywhere back then. Funny how some rock trends can retrospectively be looked upon decades later, making you wonder how some rather pedestrian stuff got to hit the charts in the first place. Heck, when it comes to Welsh bands, I just can't help noticing that the LPs released by Super Furry Animals in the late nineties were far more fun and more dynamic overall that this meat-and-potatoes record. I only knew SFA by name at the time. Yet in my eyes, that's the Welsh band I should have been hearing everywhere during the late nineties. "More Life In A Tramp's Vest" is still a cool song -- lively, bouncy and catchy. I quickly get bored when I listen to everything else, though, as "decent" as the whole thing is. The music is too linear for me, not challenging enough harmonically and tonally speaking, and -- most importantly -- rather mundane and predictable for the genre. In 1997, Radiohead, Blur or Grandaddy were completely renewing the "indie-rock" vernacular. That's how those acts left a legacy that's still looked upon with awe today, and that's what I think about when I think about the term "essential albums you must absolutely listen to". In comparison, Stereophonics just played by the numbers. Word got around for sure. But it doesn't get around anymore. 2/5 for the purposes of this list dedicated to essential albums. 7/10 for more general purposes (5 + 3.5) ---- Number of albums from the original list I find relevant enough to be mandatory listens: 465 Albums from the original list I *might* include in mine later on: 288 Albums from the original list I won't include in mine: 336 ---- Number of albums from the users list I find relevant enough to be mandatory listens: 79 Albums from the users list I *might* select for mine later on: 100 Albums from the users list I won't select for mine: 204 (including this one) ---- Émile, tu trouveras ma dernière réponse sous le *Inside* de Bo Burnham

Meh. And I mean that with all due respect. But this screams of a nostalgia submission. I’ve never heard this album or really much from this band. Maybe it’s my ignorant yank ears (probably) but every song was practically the same length, subject, tuning, and tempo. It was inoffensive non-memorable. I hate writing that about someone’s submission as they clearly like it enough to submit it. But this just did not resonate with me at all.