Not awful, but I’m glad it ended when it did. Made me think of magic the gathering conventions, and that’s both a good and bad thing.

Listening to this made me actively irritable and angry.

I don’t feel experienced enough with jazz music to say where this falls on the scale of good-to-masterpiece. But I like it. Energetic, clean, background enough while still being engaging.

Not awful, but I’m glad it ended when it did. Made me think of magic the gathering conventions, and that’s both a good and bad thing.

It barely even sounds like a live album? It’s like a worse version of not good songs to begin with.

I can’t think of a song better deserving of being called an “anthem” more than time to pretend. What an opener. Despite loving the singles, I never have really listened to the album. And weirdly, it didn’t do much for me. It’s almost like the three singles latched onto me when they were released and I’ve enjoyed them for the last 15ish years, but my tastes aren’t the same anymore so anything new kind of bounces off me. Weird!

Some beautiful songs although the album felt disjointed at times. Black Is The Color is an all time favorite.

The album name and title are so intriguing, mysterious, then the opener is this weird, peppy, background vanilla jazz. I should have been primed to love this, but couldn’t wait for it to end. My least favorite style of big band-ish layered saxophones and whiney trombones. It almost made me wonder if Spotify had the wrong album linked.

Repetitive, stupid lyrics. Thin instrumentation. I guess it’s good at evoking a certain period of time. If you’ve heard one beach boys song you’ve heard them all. At least the harmonies are nice. Help me Rhonda was the best of the bunch. Can’t see myself listening to this again unless I’m cosplaying the golden girls.

Easy listening, enjoyable guitar licks and solos, definitive southern blues-rock vocals. Like it!!

As familiar as I am with REM, I don’t think I’ve ever listened to an album. They’ve always been down the fairway for me — a band people said they liked in high school because it was cool to say so. REM does fine for me with more straightforward rock songs with slower vocals (Finest Worksong). But as soon as we get into attempts to be clever, uptempo, major chord voicing stuff (McCarthy) I find it extremely grating. And End of the World has always been a hated song to me. Sometimes fine, sometimes annoying, sometimes different. Seems like a pretty solid 3 to me.

Sounds like someone wanted to imitate flight of the concords, but took themselves too seriously. Unlistenable in parts, unless i imagined Brett doing that whisper singing to be funny.

Fun life hack. If you include this with the instructions of “ 1001 Albums You Must Hear Before You Die ” you can extend your life a decent about thanks to the egregious length of some of these songs. I was fine having some of this on in the background as pleasant enough standard blues-ish jamming. And then some solos got way too obnoxious to be background music. Listening to live albums is like listening to your friend tell you what they dreamed about last night.

The less I can hear the vocalist the better. Pablo Picasso is a big miss. Roadrunner is a lot of fun. I don’t mind the pre-punk driving guitar, bass, drums.

Kind of liked having it on in the background.

Pretty incredible how many timeless songs are on the same album.

When the songs hit, they REALLY hit. The open spaces are as tight as the horn hits are. Beats and grooves are great. But then some songs are total misses and feel stuck in time (Reasons). Surprise hit was Africano, loved it.

Listening to this made me actively irritable and angry.

Turned it off halfway through birdland. Aggressive DNF. Then I thought - hey, you’re better than that. Then I got to the end yowling of “break it up” and I wanted to throw my speakers out of my window.

This is bad singing done right, I guess. His voice is awful, but the song structures (and a pleasant surprise of a saxophone) and general upbeat-ness help a bit. I listened twice. Not good but not bad.

So this one is pretty interesting to get on the backs of a week with TERRIBLE vocals and lots of discordant punk sounds. Because Gorillaz has a good bit of that too — but I really like it. So it’s interesting to think what’s different for me: - I know this album, so connects with my high school / college years. - lots more experimental beats, hip hop, rather than generic driving punk style guitar/bass - Clint Eastwood is an all-timer - del It’s not without some droning that gets a little old (slow country) but this is a fun album.

Some hasn’t aged well (money money money sounds like it’s got a parody of Halloween instruments behind it, with a super cheesy key chance). Dancing queen still hits, despite hearing it all of the time. But no other song really stands out to me. Overall, a totally fine album that I was ready to end when it did.

Huh. Who knew AI was generating music 20+ years ago. Pedestrian and forgettable. In some alternate universe, Ben Folds lost all his talent, managed a Hollister, and wrote this album while never visiting California.

So I was totally prepared to hate this as soon as I heard the opening wails. I couldn’t listen while I worked — too distracting — and when I put in headphones late at night, there was a lot to like here. I particularly enjoyed the driving guitar and bass, when uptempo, to match her voice. I had a harder time when her vocals featured a bit more, although I applaud the raw effort and varying range. Never heard of her before and now I’m glad I did.

It’s really hard to review albums of people who are SO familiar. It’s Elton John. It’s Tiny Dancer. It almost becomes a question of, “do you like elton john or not.” And I think he’s just okay. He is a little over the top, but he’s supposed to be. His songs all sound mostly the same to me, but that’s not a terrible thing. Everything goes on for like 2 more minutes of drama/chorus club kumbaya than I’d like.

I was in from the opening kick.

The whole package. The subtlety and restraint of the guitar and vocals. The sense of place this album communicates. A thousand years from now whatever AI has eaten our brains will keep this album around. Timeless.

Like weird al got together with sufjan and tried to imitate the worst parts of the Beatles.

I was excited for this one (given that superstition) but was surprised to find the slower jams a bit schmaltzy and overly long. I enjoyed finding Maybe Your Baby, which was a new song for me, that I really liked. Much of the rest was sadly forgettable, given the talent he’s got.

The funk grooves are excellent, while the more Motown feel gets a little same-y toward the end of the album. Enjoyable start to finish.

Dope.

Van’s wailing is tolerable on recorded tracks but grating live. Who keeps adding live albums to this list? I can’t think of a single song here I’d rather listen to live than recorded.

An album that I feel got the singles totally right. Sunday Bloody Sunday still hits hard, as New Year’s Day. My favorite was the album closer (40) which I listened to on repeat a few times. I’m not a U2 person so I don’t think I have ever really heard it.

A lot of fun, all the way through. Instrumentation was great.

At their best with heavy hitters with the right amount of unexpected indie elements (power out, wake up). At their worst with whiny ballads that seem like playing indie band BINGO. they’re only missing a whiny pathetic trumpet player. Crown of Love is embarrassingly bad especially when it leads to a song as monumental as wake up. Still it’s arcade fire. When I think arena indie rock they are THE band.

I feel like I’m in a Tennessee themed part of an amusement park … and I don’t hate it. She literally sings “here comes the train oooooo oooo ooo” like I’m a 5 year old.

Not offensive enough to 1-star, but what did I just listen to???

Still felt modern, some killer bass lines. Could be convinced to drop it to four stars for a couple songs that didn't land for me (One Love, Lately, and Hymn of the Big Wheel) ... but I listened start to finish multiple times. Five Man Army is a favorite.

Intro + VCR is legendary. The rest is totally fine. Love the understated nature of the album but they always felt like a lesser Sylvan Esso to me.

While sometimes a little screamy, her voice matches the electric guitars and driving beats so well. This sounds exactly like the 90s.

Only enjoyable if you imagine Roy Kent rapping this. Awful. Whiny. Terrible flow. One of the worst things I’ve heard.