Calenture

I'm not even sure this album was in the 1001 top albums of 1987.

why is this 80s wannabe record-store-shitstack album on the list

What a load of shite. It's like they were 6th form students asked to do an impression of an 80s Christian rock band at Eurovision. I started finding it funny though due to how bad it was, like they can't have been serious. I suppose I can't give it 1 star, because I did take some enjoyment from it, but absolutely not in the way they intended.

I totally get why everyone seems to hate this but I was IN THE POCKET for it the whole time. I loved this! Heck yeah. Triffidshead 4 life. Reminded me a lot of the underappreciated Irish Band "A House", so maybe that's why I dug it.

Was there a typo that resulted in this album getting on the list? I fail to see any aspect of this one that merits it being in a list of 1001 albums I must hear. The whole thing feels over thought and way over produced. Given the pay counts (or lack thereof) on Spotify, I get the feeling that I'm not the only one this hasn't connected with. I wonder how many of those plays are purely generated from this site recommending the album. The worst part was that track had so much reverb and chorus on it that I was effectively forced to listen to every song multiple times at once. It was like each track was actually multiple instances of the song being played; each instance's timing slightly offset from the next. I could only get through track 6 (Open for You) before I had to call it.

This is clearly a band built around the singer, David McComb. He has has an interesting voice, a bit like Lloyd Cole on the mellower songs and like fellow-Aussie Nick Cave when he gets wound up. The melodies do grow on you, but overall, the song-writing isn't that strong and the arrangements are pretty straight forward.

Calenture is a misleading album. It opens with a pillowy, power pop ballad that belongs more in the opening montage of a Disney movie about some orphaned animal adopted into an interspecial family than it does the opener of a post-punk Australian outfit's LP. However, as the album progresses, cracks appear in the facade of this simple, straightforward, sickeningly sweet pop. “Kelly’s Blues” is peppered with indecipherable lyrics that sound like the scrawlings of a maniac in love with his hostage; “A Trick of the Light” reinforces this image of mania by recounting the story of a man who sees some lost love, perhaps, but it also hints at something much darker (with lyrics like “I was beating on her Iike an anvil…With that same old panic caught on her face”); “Unmade Love” seems to narrate scorned love gone wrong; and on and on. Suddenly, “Bury Me Deep in Love” sounds more like a warning covered over by its pillowy instrumentals. It isn’t just the story being narrated by the band that chips away at the album’s first impression. The sudden shift to the dark, uneasy instrumentation in “Unmade Love”; the strings that linger off-kilter in the background of “Blinder By the Hour” are almost anxious-making; the pulsing percussion of “Vagabond Holes” paired with the McComb’s vocal performance produces a song that feels desperate (although I wish both the vocals and the instrumentals in the chorus were less polished, rougher like they are in the verses of the song); the title track is an incredible punctuation of the album. My biggest complaint is the closer. The album overstays its welcome with “Save What You Can”. Not that it is a bad song (although I don’t think it is a particularly good song), but it ruins what would have been an amazing closer with the title track. The album can also drag in some places. I find my attention begins to wander when I listen to songs like “Hometown Farewell Kiss”, “Open For You”, and “Holy Water”. I also think “Jerdacuttup Man” lasts a beat longer than I wish it did (although I really love most of the song). I would give it a 7/10. It would almost certainly be a higher rating if the album ended with Calenture, but it probably wouldn’t be too much higher of a rating.

Excrement. I'm embarrassed it's in my Spotify history.

Huh…I didn’t know the church band from The Righteous Gemstones had put out any albums.

💩

i hate it so much it's hard to continue listening. It's like christian rock, but somehow cheesier. It sounds like it should be on a kids show, like Romper Room or Barney, with kids sitting around singing about being nice to each other.

I’m a huge 80s music fan. But I have no use for this album.

Is this not just super generic? Why is this here?

what? who? why? WTF is this? If anyone recommends the Tiffids to you, tell them to fuck off.

Never heard of these guys. Interesting story behind the band and David McComb. I liked the album so much I listened to another one. I'm not sure how to characterize it. Maybe alternative pop with a side of melancholy?

We can breathe easy, Simon: this was a happy playthrough, and I will go round a few more times when I’m not having the sort of day I’m having now. It’s all very romantic, isn’t it? Sings its intentions straight of the gate, grand gestures set-off with cute, clever little fluorishes, music that has you listening carefully one moment, singing along full gas the next. Blinder by the Hour swept me around the ballroom before I was pulled into the disconcerting outro, strings off and ominous: you’ve had your fantasy, now hear love going wrong. The macabre content and singing of Jerdacuttup Man brought a too-easy comparison to Nick Cave; the conceit appealed to me, my ambivalence to Cave notwithstanding.

I'll admit upfront: I *love* The Triffids. However, I've always thought this album a bit over-produced and over-long. I didn't even transfer my CD copy to MP3 back in the day, but a few years ago I had a cheeky listen on Spotify and discovered, to my shame, most of these songs were *great*. You just have to accept that e.g. "Holy Water" is simultaneously fabulous and cheesy as hell. If you prefer it dialed back a bit, "In The Pines" has some stripped-down demos/early versions, but they all gained something from the kitchen-sink approach here. I guess McComb et al. were chasing the big hit, but didn't quite make it. No disgrace, they were on "Neighbours" after all - indelible and eternal. Reading the reviews here - eat shit, monkeys: go sit in the corner, listen to Kid A and think about what you've said. If it's not on here already, I'm adding "Born Sandy Devotional" to the list when I'm finished to show you fuckers.

This is the type of music they'd play in a DreamWorks movie as an animated horse looks longingly at the moon.

Fears for tears Simpler minds Depeish mode Uncultured club Old order Frankie doesn’t go to Hollywood Oh, they’re Australian? Nick cave and the worse seeds Men slacking off INXEEDINGLYSMALLQUANTITY Empty house Bleh. This sucks

Shit was ass

Bored to tears

Perhaps their ultimate statement, Calenture sees The Triffids rhapsodizing about varying obsessions, be it they love, hallucinations and spirituality. A sprawling collection that looks to satisfy whatever corners of humanity it reaches, Calenture is one of many hidden gems from the Eighties. Do not be put off by the amount of songs accumulated here, there's plenty to tickle the ears. Favorites: Bury Me Deep in Love, Kelly's Blues, A Trick of the Light, Hometown Farewell Kiss, Unmade Love, Holy Water, Vagabond Holes, Save What You Can, Baby Can I Walk You Home, Bad News Reminds Me of You, Everything You Touch Turns to Time.

Just boring. Nothing was overly terrible but there's not much else to say about it.

If god is real why did he make me listen to this? Come back, Electric Prunes, all is forgiven

This is a hard one as I am always conflicted about the needless tragedy of David McComb's death (and life). This album is one of hopeful hopelessness, of loss and longing. Backroom ballads for the disaffected. All the while having pop friendly polished edges that let the Triffids skirt the edges of the Mainstream

Man, this is good. Shades of Nick Cave and even The The. Lush, theatrical chamber-pop with real scale and depth of imagination.

Vocals reminiscent of another good Aussie band The Go-Betweens and occasionally Tim Booth of James, fairly accessible indie pop. Very listenable and enjoyable. Another 80s Australian delight redeeming this list’s overindulgence of Nick Cave.

Not a bad album, easy listening

Struggled through this one.

Uninspired, boring. A chore to listen to.

Zzzzzzzzzzzzzzz

5/5. A strong and powerful love album, a lost or distant love. There is passion in the voice and although everything is over the top, I feel the emotions coming from a man who has been hurt and damaged. It is essentially pop but they feel like old tales of love on the sea. The title of the album is about a hallucinatory sickness that sailors got from being out on the sea for long periods of time. The music evokes that feeling so well, it's hard to not see the pain and sorrow from the lyrics. I don't even remember most of the album but I remember feeling enraptured, like a siren on the sea, so it gets a 5.

A wonderful album that wraps sad and sarcastic text into lovable music. Imagine The Smiths being a bit more playful and you have this classical album of The Triffids.

I loved this album. Not the most innovative but the songs were all a ton of fun to listen to myself. Had to stop working to get up and dance for a few of them! This is a really impressive album musically, too, I think. I added every single song to my liked playlist.

A really beautiful complex accomplished album - for me it captures something essential about growing up in Australia in the '80s. I'm surprised at the harshness of the reviews here - it doesn't translate?

I thought about giving this four stars and then thought 'I'm only not giving it five BECAUSE of Bury Me Deep In Love' which is really punishing them for Neighbours. So, for the songs, the playing, the vocals. 5 stars. A high-water mark of eighties Australian music.

Discovered this album a few years after it was released and it was the first Triffids album for me. Not sure if that is why I like it the most (the other Triffids albums are also great) but apart from the so-so production, this is a 5* album in every other aspect, introspective guitar rock that sounds very Australian, David McComb was one of the best singer-songwriters ever.

I'd never heard of the Triffids. Turns out, I love the Triffids.

80s cheese to me, not bad but def. not my thing.

Not sure why this must be heard before I die. It’s pretty straightforward, and somewhat bland, rock with some folky leanings and some dramatic flair. Nothing stands out to me here as innovative, notable, or even interesting. It’s just there and essentially had no impact on me. At first I thought it was just boring, but eventually it got frustratingly boring.

Wow what a great album. I fucking love every arrangement, and sound, and lyrics in every song. Never would I have thought such praise for a work titled "Calenture by The Triffids"

Alternative and inoffensive, but there are songs worth coming back to!

It reminds me of Edward scissor hands especially the song jerdacuttup man. I really liked the album especially the sounds on it. Didn’t love all of the love songs as they were a bit cheesy. Overall it was a win and grew on me as I listened. Low 4

I’m intrigued by this album. It combines 80s elements of power pop, folk music, country music, and new wave. It is more conventional than most new wave artists and can be quite symphonic.

4/5 - I had never heard of this guy, but good for him, he's fun.

Amazing home town music.

***to be read in the voice of Harry Redknapp*** The triffic Triffids. They do seem to have sparked some controversy in the Spackers judging panel, do the Triffids. Harry Redknapp also caused controversy by successfully swerving tax evasion charges by claiming he had secret bank accounts in his dog's name because he couldn't read. So there you go.

Generously speaking, there are probably 300 albums you must hear before you die. Whether you like them or not, they are vital, and you probably should learn to appreciate them if you don't. (That's category one.) Next, I'd venture that there are about 450 albums that you don't HAVE to hear, but you might like some of them based on your taste. They're fine. Some are better than fine. (That's category two.) Then there are about 250 albums that you absolutely don't have to hear before you die, and it's offensive that they've been added to this list. Almost all the electronica goes here BTW. (That's category three.) That leaves one album. And while I can't remember the name of the band, it's the noisy one where Nazis are screaming at you. (That's category four.) I'm pleased to report that this is category TWO, not three, and fortunately not four. It is not offensive or harmful. It follows the principle “first, do no harm.” You may not be inspired but you’ll be ok.

This is a pleasant surprise. Don't listen to the haters. We have a fine piece of new romantic music here. The musicians hip and vocals are all of good quality and the writing and production make it soar.

This may be a prime example of ‘you had to be there’. None of these songs reached our shores but there are so many elements that 1987 me would have loved. I kept being distracted by how similar they sounded to other Australasian bands that were more well-known- Crowded House, Midnight Oil, Men at Work. At times I could hear a more global peppering of J Geils band and Deacon Blue and Cherry Ghost. But nothing that made them unique or stand out on their own. Maybe that’s why they didn’t find a British audience at the time. The songs are easy to listen to, oftimes pleasant and sweet even. There were interesting themes but the madness and delirium never quite made it into the music. The Jerdacuttup man gave an interesting perspective but the whole thing smacks of powerlessness. A symbol of the whole album - it could have delivered on a much more dynamic, punchy level but reached only the heights of ‘nice’.

Plus qu'une vingtaine d'albums, l'esprit commence à s'allèger, la joie de vivre revient petit à petit dans ma vie. Bientôt la fin de ce calvaire.

surprised they filled two discs. I was not familiar with their work. OK, but nothing stands out for me.

Quite Irish. I listened but it didn’t hold my attention. I guess it would be ok if you’re looking for classic rock background music.

This was surprisingly not bad was a very long album but might have to check out some others later on.

This is amazingly of its time, right down to the terrible electronic drums on the first few tracks. He could go back and record those properly and they might be ok. After a few songs they decide to have a decent drum sound and it's all a bit less ridiculous. Oh wait, no back to hitting a wet tea cloth Summary. There's something here desperate to break out but it's just very uneven.

The singer reminded me a bit of Bryan Ferry crossed with Dave Vanian from the Damned. But in a good way. I can see how they got their popularity. The singer's charisma really came across in the songs. Obvious post-punk influence there. I'm surprised I hadn't heard of this band before. Nothing from the songs stood out for me, though. All I can muster was an "it was okay." I wasn't blown away by it.

This was an okay album, not a bad listen, but also not super memorable. It starts a little slow, but improves as the album progresses. Fave Songs: Open for You, Unmade Love, Hometown Farewell Kiss, Blinder by the Hour, Calenture

I liked Kelly's Blues and the driving beat of Unmade Love. There are other songs that are somewhat catchy, but the lyrics don't really flow well... Vagabond HOLES? really? Hoodoo Gurus are more entertaining from this era and style.

Shades of Echo and the Bunnymen, The Waterboys, and INXS in here, but nothing truly noteworthy. No idea why this is on the list.

Not unlistenable but pretty dull throughout, I'm afraid.

I don''t feel my life has been greatly enriched by hearing this album 😐

Unexciting. Lots of chaff for not much wheat.

Album 903 of 1089 The Triffids - Calenture (1987) Rating : 2 / 5 My first reaction is to wonder what exactly was so special about this one that it made the list. I can think of hundreds of “better” albums that might deserve the spot more — unless there’s some hidden importance about this record that isn’t obvious on a casual listen. What I heard was some easy-going rock that wasn’t insulting to the ear, but nothing that really stood out either. Pleasant enough in the background, but no track ever reached out and grabbed me. Not terrible by any means, but also not an album I’d call memorable.

This was my first time listening to this album. It seems to have had a lot of positive reviews when it was released, but to me it felt very run-of-the-mill 80s rock. Nothing really jumped out to me as being new and experimental in any way. Maybe in the context of its time it would grab me more, but it really didn't do a lot for me. Not something I'm likely to return to. 2/5

Bland, long, boring

Just not very good and SO LONG!

This is pretty obscure. Never heard of it or the band. I guess there's a reason... it's not all that good. I mean, it's earnest, but I found it overproduced and a bit full of itself. Very derivative, like they are channeling other bands.

Forgetting it as I listened to it.

This gives me Waterboys vibes…except not as good. It appears 1,001 albums leaves a lot of room for mediocrity.

I was not previously familiar with the artist or the album. This sounds like kind of generic, bland 80s pop. While there isn't necessarily anything particularly objectionable, I don't care for it and would not listen again.

Music for people who make AI generated 80s nostalgia slop

Why pick this instead of Born Sandy Devotional? It's like going through the faeces instead of eating the meal.

Honestly this was boringly inoffensive. I could sit through half of the album before I decided I had better things to do with my time.

Warm & wonderful & enveloping...for half the album, then it loses all distinctiveness

Becoming increasingly irritated with the repetitive 80s bs albums on this list. There is nothing unique about this album, really just more of the same.

Mediocre record - I think I’m getting the hang of this - albums like this are here to contrast actually good ones - so that one can appreciate quality when one hears it. This? Definitely not one of them.

Just incredibly dull. Giving this a 2 as the singing is pretty good, just a shame the lyrics are such dross

I usually love new wave music but this album just felt boring. Didn't stand out from other artists and didn't really capture my attention

This was truly awful, a crime against music. The only purpose I can see for this album is to identify people I won't get on with, as anyone who rated this a four or a five is lost to me I'm afraid. Yeah, you heard it here, you have awful taste in music if you like this. It's like someone took all of the pretentious awfulness of the 80s and managed to make a whole album of this distilled down with not even a single catchy song to break the dullness. One star.

Remember when the gang from Saved by The Bell made a band? This albums makes them sound like GG Allin

This feels like it's come out of a machine which dispenses generic factory-made soft-rock albums from the mid-80s. It's very, very boring, so unremarkable in every way that I can't really give more of an opinion than this, although one song that stood out was baby Can I Walk You Home, which was bordering on hysterical. Did no-one involved in its production say, "Hey, man, this is a little much, and the central theme is too weak to support it?"

There are way too many middling albums like this on this list. A little tired of the alcoholic and heroin abusing idiots on this list. It doesn't make you a deeper emotional person and better artist, it just makes you a rube. Unlike a significant portion of the listeners on here I have no problem with, nor do not I recognize, such a thing as over-production. The production quality was the one thing that I enjoyed here. There just weren't enough song arrangement and style ideas to make those songs interesting from an all time perspective. I feel The Triffids should have listened to the producer who wanted to try a a reggae/calypso version of "Trick of the Light". It might have made a boring same old song (with exception of the bridge) a bit more interesting. Again, why is this on the list? Almost any other Pop album from the 1980s was more enjoyable than this. As a fan of 80s music and knowing which 80s album that were not included in order to keep stuff like this on this list is deeply disappointing.

Listening to this made me actively irritable and angry.

I believe the appropriate response after the first 10 seconds of every song is, “ugh”.

Calenture Never heard of The Triffids, and I’m not entirely sure I’ve been missing out. It starts off with a very pleasant 80s country and Irish folk twinged pop-rock track, and while there’s but after a few songs that overall sense pleasantness descends into a limp and anodyne insipidness that I actually found a bit aggravating. Combined with the vague whiff of Christian-rock and the 80s production it became a bit of a slog to get through, despite the on the surface ‘nice-ness’. Bury Me Deep in Love, Trick of the Light and Holy Water are obviously the strongest songs, the melodies and arrangements are good and there is a sense of quality and interest that is missing from much of the other tracks. While some of them pass by inconsequentially well enough, if, as I say, rather limply, like Hometown Farewell Kiss, Open For You, Blinder By The Hour or Jerdacuttup Man, a few are actually actively quite bad, especially when they attempt a harder, rockie edge on Kelly’s Blues, Unmade Love and Vagabond Holes. The pleasant songs are ok, if rather mundane and unremarkable and the bad songs are bad in a particularly banal way, adding up to a rather annoying listen. There’s no reason to ever come back to it, and that irritating nature I think rather harshly puts this as a 1, albeit, and as if it matters, as a high 1. 🌱 Playlist submission: Trick of the Light

Jesus. No. This is not something you need to listen to before you die. It's so inoffensive that it becomes offensive. I normally just listen to whatever version is on Spotify but this time I looked up the original track list because I could not take 2 hours of this.

This...is...just...plain...terrible. If you want Mid-80's-New Romantic music, listen to ABC or Orchestral Manoeuvres in the Dark. If you want underground Australian music, listen to Smudge or The Church. If you want a horrible, unfulfilling experience, listen to "Calenture" by The Triffids. Can I give negative stars? I feel as though I am owed something because I endured this album. Mr. Dimery, I will accept PayPal, Venmo, Zelle, CashApp, or FB Messenger for immediate payment of no less than $30.

This 2004 album (latest so far!) is by a band that I had never heard of, which was exciting. Calenture by the Triffids. Let me tell you this thing was a complete non-starter for me. This whole album sounds like 80's worship and hold music in a bad way. See if I was on hold and I heard this stuff, I wouldn't mind, in fact it be maybe a little pleasantly surprised. But you don't go to an album to listen to hold music. If you do, listen to this, but I imagine you don't. The mixing is so obnoxious in pretty much every song and the lyrics are super melodramatic. You will not catch me listening to this. The greatest tragedy of this is that the Triffids is a dope band name.

Why is this album so long? I didn’t even make it halfway through and thought it was over…. but no it kept going. And for what? This is music that’s played in public spaces to get people to LEAVE. I hope to erase this from my memory immediately.

Bury this album deep in the ground. I'd rather listen to that free U2 album.

The worst of the 27 I've had. Wow. This is music as if cobbled together by an AI (I've heard some), trained on later 80ies pop rock and whatever they're singing in their camps at World Youth Day. It's all quite creepy, really. Made it to "Holy Water", and barely so, but only for the auditory equivalent of watching a train wreck. Absolutely dreadful. Ew. I am honestly feeling sorry for the so far two albums in the 1 star suite, as I'm sending in their new roommate. They didn't deserve this 😞

Is this album meant to be on here

This is just really bad poetry over really uninspired musicianship. There's no reason to listen to this in the first place. This has no place being on this list. There's literally an Australian album that was released in 1987 that is so much more important: Midnight Oil's Diesel and Dust.

I don't really understand why I hate this so much, but I do. Unlistenable for me.

1987 saw INXS’s “Kick,” Love and Rockets’ “Earth, Sun, Moon,” & the Cure’s “Kiss Me, Kiss Me, Kiss Me.” None of these albums made the list yet this godawful tripe from 1987 that sounds like a parody Christian rock band made it.

To the person that got paid off to add this album to the list: You're an asshole. I hope have have an itchy butthole and short arms.

Not even worth the time to write a clever scathing review, couldn't even finish this. It just has no place on a list like this.

This is an asbolutely perfect example of the awful, boring, slow, bland pop that was popular in the 80s and 90s. It should be on the "1001 Albums That Must Die" list.

I am so tired of this inoffensive generic Brit music making the list. Not to shit on the album cuz it wasn’t horrible but there is literally no reason you need to listen to this before you die.

So at first it just seemed like a kinda boring, cheesy 80s album. But then as I kept going, it felt like it was just getting worse. By Vagabond Holes and Jerdacuttup Man, the lyrics were becoming nonsensical random stuff, the music got staler, and from then on I was just annoyed listening to this. How did this even make it onto this list?