Wild Is The Wind

*Gordon Ramsay voice* finally some good fucking music. Seriouly, this album could come out today and nobody would blink an eye. It's completely outstanding not just among 60s music, but 20th century music in general.

Ok, so this is a five star for me. It's hard to believe that this album was constructed over tracks left over from recording sessions across the previous few years. The material is understandably eclectic, but held together by Ms Simone's authoritative voice and piano playing. There are standards, ballads, folk songs and one (astounding) original, mixing love songs with the political. She is completely in control of the dynamics and presentation of the material, and it comes out with a consistent, coherent and definitive voice. Four Women is a powerful song of racial inequity and discrimination (banned on many radio stations at the time, with the still common conservative tactic of claiming that material calling out racism is, itself, racist.) Subsequently sampled by Jay-Z on The Story of O.J., picking up on the themes of racial discrimination (although there are elements of his message I find a little baffling. Art speculation as a cure for racial inequity?) Her version of Lilac Wine is definitive and was clearly massively influential on Jeff Buckley, who lifted her arrangement intact for his album 'Grace'. David Bowie was also a massive fan, covering Wild is the Wind on 'Station to Station' in explicit tribute to Nina Simone. And it obviously stayed close to him; he released it as a single in 1981, opened his 2000 Glastonbury set with it, and performed it at his final ever live show in 2006. I have listened to this album straight through three times in a row, and I hear more from her performances every time. She is so in control of her performance, even when she goes slightly out of control, such as her screamed "my name is Peaches!" at the end of Four Women. This album is a masterclass in how deeply a musician can understand and project a song. She is at the height of her formidable powers on this record. A five star classic, perfect and massively influential. My hidden gem on the album: If I Should Lose You. It's beautiful and heartbreaking. A moment of reflection on the 1001 albums list; why does Paul Simon (the alphabetically adjacent artist on this list) rate six album inclusions, and Nina Simone only one? More evidence of the white-boy rock critic bias of this list. I cannot understand why an artist of Ms Simone's stature and breadth of material only rates a single album.

LOVE. I want to swing in a hammock strung from her vocal cords.

Tough to put to words, but when you feel something powerful through a work of music, it has achieved its purpose.

i wrote such a good review but then this bitch ass deleted it 🙄 here’s what i can remember: IM ROCKIN WITH NINA four women is where it’s at (fight me) part of lilac wine is used in a beyoncé documentary and i fully got whiplash when i heard it break down and let it all out is a fucking BANGER THIS SHIT SLAPS she sings so intimately, like it’s a conversation i love her voice 0 skips

This was honestly gorgeous. A surprising new discovery even though I had heard of Nina Simone. Every song on the record captivated me.

Apparently this is an album made up of left over bits from other recording sessions, and it sounds like it. Generally it's quite nice, but a bit lacking in cohesion and some of the tracks sound a bit unfinished. I'm also not overly keen on her voice. Sure its objectively great, just not to my taste.

A powerful, profound, and gripping album by an indisputable icon. While I was already familiar with Ms. Simone's enormous and versatile talent, I was not familiar with her story, which I read in the linked Wikipedia article. Wow. What a strong, brave, and visionary person. I hope more people get the chance to learn her story. And of course, listen to her wide-ranging, massive, and incredible body of work.

This album blew me out of the water. Nina Simone's voice and delivery demands attention. It is textured, deep (contralto), and arresting. Everything about this album is striking down to the socially conscious lyrics. This is one of those albums that make me understand the simple power the human voice can have.

Only a couple of songs are strong to me. The lyrics are very romantic, the voice of Nina Simone is amazing, but that's it. The album have a lot of weaknesses, really far from her best work as an album, maybe because it's made of leftovers from other sessions and compiled into this.

Genre: Vocal Jazz 5/5 A titan of her time, Nina Simone is one of the greatest voices in the history of modern music. Wild Is the Wind is her opus, a collection of songs that truly showcase her range, and not just vocally. Nina Simone does not just sing, she performs. The power of a song like Four Women isn't just in its dark, brooding soundscape or its biting, socially critical lyrics, but Nina's raw power and genuine emotion, which is felt with every note. Every song on here, especially the aforementioned Four Women and the album's title track, are perfect examples of the genre, but even better examples of how talented Nina was, and how good she sounded on anything you gave her. From the upbeat, near doo-wop style of I Love Your Lovin' Ways, to her classic heartfelt tearjerkers like Either Way I Lose, she just simply floats on top of the track. An essential listen, and a perfect foray into what we now know as Vocal Jazz, a genre rife with wonderful artists with some really wonderful records.

Nina Simone is a pleasure to listen to even if you only know her through being sampled all over the place. She makes you feel the struggles and torment of black Americans through this album. She didn’t have a bad track; her vocal performance was outstanding and very track felt new. The Soul, Jazz vibe was so fun and it's clear why artists use her work, the most famous being Jay-Z using the beat and vocals from ‘Four Woman’. The album didn’t stop on this great track it also had soulful powerful vocals on ‘Break Down and Let It All Out’. Overall this album was amazing, I will defiantly come back in the future.

Singers like Mariah Carey should take note: having a powerful voice is about more than just singing scales. You can feel Simone’s pain, heartache, outrage, and strength pouring out of even my tinny phone speaker. Amazing!

Dramatic, passionate, soulful. Real, unfiltered music sung by an intense artist with something to say. Fuck off Lorde.

Absolutely wonderful album. A beautiful but authentic mix of genres that just feel good. Nina's songwriting is both challenging and comforting and she has the voice of an angel. Really surprised and pleased with this one.

The energy and emotion she puts in her lyrics, especially in her song, "Four Women" sends absolute chills and amazement. Would Give It: 5/5

Astonishingly beautiful. An amazing album and experience.

Vocal competence, well arranged music, but not for me. I prefer both Billie Holiday and Eartha Kitt. As usual for the genre and time, the songs are not written by the performer, with the exception of Four Women, which in contradiction to the statement on the album cover, is highly forgettable. Overall OK, but nothing exceptional.

I want to give this queen five stars because of her legacy and impact on the music industry. But I found most of this album somewhat difficult to listen to. Maybe it's just not my style? I feel some kind of way that I like the white-man-covers of two of these songs better than her originals.

Her voice is the instrument on display here, and it shines, but there's some incredible songwriting on display as well. Lots of politically charged lyrics. But of course -- this list disappoints me, again.. this is the **only** Nina Simone album on this list. She's a woman of color, so her discography and 20+ year career barely gets a mention.. I should probably be surprised she's even on the list. Sure, this might be her most popular (arguably) album, but there is SO much left off the table. Her album "Pastel Blues" has her iconic and haunting cover of "Strange Fruit" and famous protest song, "Sinnerman", for instance. I recall enjoying her first album, "Little Girl Blue", long ago. To be crystal clear, I'm not complaining on this album, however, as "Four Women" (wow, this one is charged up!!), "Wild is the Wind", "Black is the Color..",."Either Way I Lose", & "If I Should Lose You" (that crescendo at the end is so good off of her sustained and pained voice...) are legends. But, why JUST this one record?? Normally, this would be a high '4' from me (a very high 4), as it's not everyday listening, but in protest of the lack of breadth of this list (how much electronica/dance do we **really** need to hear before we die?) this gets a (5/5) in the hopes that future lists will include more of this (and the god-damned SUPREMES!!), rather than some more lanky, disshelved English dudes who want to bang on a guitar or a synth for an afternoon...

Nina Simone is one of those names that looms large. She is a name I have often heard but have never spent much time with listening to her music. Once again I’m in need of some schoolin’. Her’s is one of those legacy voices that truthfully you need to experience yourself. Well her command and presence came through my ear buds as masterful as anything this list has offered so far this morning. I've been thinking about this album all day. There is such life in these vocals. She refuses to sand down the rough textures that appear. This woman has capital “P” - Power in her voice. The opening track “I Love Your Lovin’ Ways” is a bluesy rocking start to the album. The good times are early and short though because after that there much heartbreak to ponder on this album. “Four Women” knocked me on my ass. “Lilac Wine”, “Breakdown and Let it All Out”, “Wild is the Wind”. She’s singing about harder shit than any metal band out there and complaining less. There is an abundance of heartbreak to ponder on this one but it refuses to fall into mopey-ness. It’s vulnerable and defiant. What a shame this is the only entry we get from Nina Simone.

Literally WTF. why haven't I heard some of these songs before - they are spellbinding. I have of course enjoyed Nina Simone songs before, but some of these are masterpieces. I'm in love with 'If I should lose you' and 'what more can I say'.. the piano playing, the lyrics, the chord progressions. 6/5

I think this is an incredible work, and it is truly so unique and beautiful. Her voice is so iconic, and the piano is really amazing too.

A major talent who led a fierce life.

Pure soul. So much passion and power. Nina was, and will always be, one of the all time greats. Not much more to say.

What an amazing vocal range. Evocative and beautiful.

Pretty interesting, especially Four Women. Not sure I’d listen again but what a voice. After hearing her big singles and now this I’d definitely try another album

Call this blasphemy or whatever you want, but I HATE her voice. It like a cross dressing man trying to sing as a woman. It’s super unsettling and I found myself waiting in agony for it to be over.

I'd been vaguely aware of Nina Simone, but never exposed to the point that I'd sat down to listen to a full album. Boy, was I missing out. The range, the depth, the POWER of her voice is simply intoxicating, and paired with some of the most lovely and understated jazz piano arrangements that I imagine 1966 had to offer, this album was an emotional rollercoaster of epic proportions. Standout tracks were "Four Women," the titele track "Wild is the Wind," and perhaps my personal favorite, "Black is the Color of My True Love's Hair," brought tears to the eyes, but every track here had more than enough to keep me on the edge of myseat. Easiest blind 5/5 that I'm likely to have on this list.

She is amazing.

Revolutionary in the truest sense

Great album

YEAH LETS GO

Solid, got some bangers

A beautiful an essential record.

This is my 356th (one year) album! Happy Anniversary to me. Also, Nina Simone is fantastic. Her voice is compelling, the content is poignant and relevant even today, and the music is very strong. It is a little too old for my taste, but at the same time, the quality is undeniable. I'm stuck at 4.5 or 5, but just on vocal presence, I am leaning high!

This is one of the most spectacular albums to unexpectedly grace my ears.

listened to once at work, then on my walk again, and third time before bedtime while laying and cuddling with my gf on the sofa. perfect.

Tremendous voice. Gives you chills!

Her voice and work is so timeless.

Feel like having your heart broken? Have an afternoon to kill? Go ahead and spend some time with this one, but give it the time it's due. Bonus points if it's raining outside.

Amazing and beautiful ❤️

Passion that nobody can ignore and strength that nobody can deny.

I am ashamed to admit I hadn’t really listened to Nina Simone before. I was blown away by her voice, her lyrics, the piano, everything. If this album doesn’t make you feel something, then you are soulless.

Haunting, beguiling, soulful, intelligent and extraordinarily beautiful. Once Nina Simone has drawn your attention, be it from a tv documentary, video clip or radio program, that’s it - there really is no escape - ever. She was utterly magnetic in concert by the look of videos.

I like stouts, and a while back I drank one with a uniquely Mexican take, flavors of chocolate and cinnamon, and then the bite of some jalapeno heat. It’s one of the best stouts I’ve ever had. Likewise, on 'Wild Is The Wind,' Nina Simone brings the rich smoothness of chocolate, the spice of cinnamon, and definitely the passionate pepper heat to create her own intoxicating brew; and, it’s heady stuff. I was emotionally worn out by the end of the fourth song, ‘Lilac Wine,’ a particularly soulful rendering, sung with incredible heart, and an ending I can best describe as true. Ms. Simone’s powerful vibrato heralds her passion, her vocals at times sheer power, but also showing great restraint when the mood is required. The way she relaxes into each word, often patiently drawing out syllables, allows time for the listener to really let the lyrics settle in. The total length of the LP is under 40 minutes. It felt longer, and in a good, satisfying way. The variety on Wild Is The Wind is pretty amazing. I counted no less than seven genres of music, including R&B/Soul, rock n’ roll, blues, jazz, pop (the first four songs), folk, and believe it or not, to close the LP, doo-wop! Shoot, Nina could probably take on country and make it her bitch, too, if she wanted. Apparently, she desired only minimal accompaniment, and it works, revealing a very intimate and honest look into the emotions of her heart and mind. That said, the musicians who do accompany her from the tasteful stand up jazz bass on ‘That’s All I Ask’ to the controlled gallop of the drummer on ‘Break Down and Let It All Out,’ are all terrific. Including, of course, Nina’s own heartfelt piano playing. Her accompaniment on ‘If I Should Lose You’ is simply lovely. 'Wild Is The Wind' definitely brings the feel of 1966. The overall sound’ll take you right back there before the opener, ‘I Love Your Lovin’ Ways,’ finishes it’s first verse. As for Nina Simone and her piano? Well, that’s a little harder to pin down to any one time or place, much like a wild wind itself.

Love. Listened to at dusk in my mountain home. Sun setting on the opposite side of the house. The valley growing dark. Cloud rising. Hinze Dam shimmering in the fading light. Perfection

The opener is slight compared to its follow-up, which I recognize thanks to its legacy as sample. In not too much longer, that song unfolds, with subtle drama and plenty of good nature. For forty minutes, it's the Nina's Voice Show; With minimal accompaniment, one still gets the distinct sense of traveling through many corners of American music. Comparisons are inevitable because of the mentioned samples and the Buckley cover served to me two months ago by this very site. The songs here have powerful forward momentum, but the lateral movements are quite delicate. That makes me think of Wild as an album not quite arresting enough to fall in love with, and then I hear the blatant parallel with Mitski's Nobody (which I was absolutely arrested by). Desaturation by familiarity: That's something decently new to yours truly. But in the interests of ending speculation about things I know nothing about: One hundred percent beautiful, fascinating as a document of singers'-songwriter's songs. I can't wait to digest it again and hear a more focused project. I can tell she's capable of a better run of songs and yet this one is better than so many others...

Variety: 3 Adequacy: 5 Listenability: 5 Uniqueness: 4 Emotionality: 5 = 4.4 rounded down to 4 "So I'm gonna break down and let it all out/ Break down and let it all out" Despite being familiar with Nina Simone, I've never heard this one all the way through before. One of the all time great original voices, so I'm expecting some solid stuff. Also a period where a TON of people were putting out their best stuff, so here's hoping... THE TRACKS "I Love Your Lovin' Ways" - Right away, it bears repeating how iconic Simone's voice is. No one sounds like her, and she can take even middle of the road material, polish it up and make it something special. This is no different. "Four Women" - A piano some rudimentary percussion and some flute. Basic as it can get, and yet this one runs deeper than most in the storytelling. Wow. After listening back, this might be my favorite instrumental-wise. What an arrangement. Really wish we could have gotten some more Simone originals on this. "What More Can I Say" - Material that would come across as sappy and overblown by another hand gets the classy treatment here. "Lilac Wine" - A bit dark and creepy to start. Seems like a number from a theatrical production ( looked this up and BAM! - was a broadway tune) with kind of nonstandard, very sparse arrangement. Simone kills it. "That's All I Ask" - We're transported into a smoky, jazz club for a sultry torch song, and Simone does not fail to deliver. I can imagine this might have been a popular wedding dance song at one point. "Break Down and Let It All Out" - The vibrato comes out in full force here, and Simone goes full Grace Slick. I much prefer Simone in the subdued, jazzy numbers though. "Why Keep On Breaking My Heart" - A slight little Latin-infused little number brings to mind some latter day Roy Orbison stuff. Simone elevates the material once again. "Wild Is the Wind" - I have heard this many times before, but I still am WAY more familiar with the David Bowie version. And pretty sure I've never heard the Johnny Mathis original. This is some god-level stuff here. While not as sad and melancholy as something like Billie Holiday's ( or her own interpretation of) "Strange Fruit", it plays in the same territory musically. One's a tragic and despairing protest song and the other a romantic love ballad, but then why does the latter feel so sad? Beautiful and worth the price of admission. I can even forgive the Liberace classical piano stylings which I normally don't care for. "Black Is the Color of My True Love's Hair" - Damn. Two in a row. Mournful and as emotive as the ocean is deep. Maybe it's her delivery ( it's definitely her delivery) but I read this as the inner monologue of a woman waiting to die and join her lover, as opposed to just missing them. I really wish there was a whole album of Simone reinterpreting old English murder ballads and such now. **shivers** "If I Should Lose You" - A solid closer. The piano dances on the edge of being out of control with all the classical flourishes, but it stays just on the side of enjoyable even when it swells at the end. Besides, Simone once again fully delivers and overcomes any instrumental deficiencies. "Either Way I Lose" - Doo-wop and jazz blend together with a bit of western instrumentation for a very strange, yet compelling mix. In some alternate universe where James Bond was also a cowboy, this would have made a fine opening credits song. HIGHLIGHTS - "I Love Your Lovin' Ways" - "Four Women" - "Lilac Wine" - "That's All I Ask" - "Wild Is the Wind" - "Black Is the Color of My True Love's Hair" - "If I Should Lose You" - "Either Way I Lose" MIDLIGHTS - "What More Can I Say" - "Break Down and Let It All Out" - "Why Keep On Breaking My Heart" LOWLIGHTS - FINAL THOUGHTS Glad I finally got to hear this whole thing. While I think Simone is great, she's definitely more of an acquired taste as far as the great vocalists go. She's also not someone whose stuff I would just randomly decide to throw on. Her sad stuff is her best stuff to me, and she'll always be a rainy day, feeling sorry for myself kind of pick. If there's anything to knock this album for it's that the material doesn't always keep up with Simone. That piano was a bit much at times. Simone is up there with the best idiosyncratic crooners and balladeers of the period like Scott Walker as far as being iconic voices, and of the big three women of the era in my mind ( Nina, Aretha, Etta) - she has my favorite voice, but not always my favorite material. To make a wholly uncalled for basketball analogy, Aretha is Jordan ( the forceful 5-tool star who can do no wrong), Etta is Pippen (versatile and underrated), and Nina is Rodman ( an elite, bold innovator, but kind of weird and full of surprises). PLAYLIST ALTERATIONS - Even the middle of the road stuff is interesting enough to keep around FURTHER LISTENING - First Take by Roberta Flack - Lady in Satin by Billie Holiday - Here's to Life by Shirley Horn - Soft and Beautiful by Aretha Franklin

Cooking in the morning on a sunny day was the perfect vibe for this.

Nina Simone's voice is very commanding and demands the listeners attention. The instrumentation is grand and the swells add to the emotion of the singing and lyrics well. Some parts are a bit hokey, e.g. "my name is Peaches." Probably not very fair considering this was released in 1966 but it doesn't flow very well as an album, and some songs just abruptly stop which is quite jarring Highlights: I Love Your Lovin' Ways

I adore Nina Simone. This album has some knockouts, but because it is a compilation of sorts it has some uneven moments to me that perhaps wouldn’t be there or noticed as much were this a regular studio album.

The lyrics are just so beautiful and her voice has so much gravity. The music is lilting. My mood is lifting

Going to keep it simple: Nina Simone was an amazing, highly talented individual. The music is great. Very little to complain about here.

Always incredible. *What More Can I Say? *Why Keep On Breaking My Heart?

Soulful and deep. A uniquely classic album that shines on its elegance and simplicity. Four Women is a beautiful and moving song. Overall enjoyed more than I expected. 7.7/10

I have a pretty great 2 disc Nina Simone anthology that I listened to alot for awhile but I've never really listened to one of her albums in it's entirety. It's hard to choose with such a long and prolific career (and I'd say she was pretty consistently great through it all). This album has some great tracks for sure. It's fairly spare in it's arrangements on most tracks and she has an amazing ability to use space/silence to build drama. Powerful voice, incredible piano playing. I can't even imagine seeing this live. It would be so intense. I had to check and see if spotify had changed to a new album when I heard the last track "Either way I lose" come on.

I knew Wild Is The Wind from Bowie's Station to Station, never realised it was a cover. The song Four Women is an emotional gut punch, very powerful.

Starts strong but gets boring

Love her. Not my favourite album, tho.

The album was surprisingly emotional, but no song grabbed me. The lyrics were dark and introspective whilst the music was light, smooth, and jazzy - the contrast was interesting!

Not bad. Not really my thing.

Not bad

it was ok. prefer other stuff from her and only about 5 things. was still good to experience but won't be happening again.

Hard to argue with the fact that Nina is one of the most iconic voices of the 20th century. I thought this album lacked some more upbeat material, favourites were Lilac Wine and the live cut of Black Is The Colour Of My True Love's Hair. 6/10.

I wish there was more Nina Simone on this list, and I’m honestly shocked that there isn’t. There’s moments on Wild is The Wind that are no less than transcendent; the run from “Four Women” to “That’s All I Ask” is truly untouchable. Simone had such a unique, singular voice, literally and figuratively, and the stark, sparse songs that let that voice shine with just her and a piano showcase why Nina Simone is still so goddamn powerful. But there’s other parts of this record that just feel….like fluff? The more trad-r&b songs, like “I Love Your Lovin' Ways” and “Either Way I Lose,” feel really cheap standing next to some of the most powerful social commentary in music history. And then there’s songs like the title track or “Black Is the Color of My True Love's Hair,” which are complex and noteworthy, but also dense, and are very hard to digest. For the majority of Side B, I honestly find Simone’s deeper register more distracting than engaging, which doesn’t help me fully fall in love with this record overall. To me, Wild is The Wind is a 50/50 split. What’s annoying is that I *know* I like other Simone records. I know I like I Put a Spell on You and …Sings the Blues and would consider both stronger listens front-to-back, and that’s excluding at least 3 other records in her back catalog that are equally revered. I’m not saying I need 6 Nina Simone albums on this list, but given her influence, it feels strange to only acknowledge her once with what may be her spottiest record. The highs are mountain tops, but the lows are either deserts that do her style a disservice, or canyons that take years to descend. Truthfully, it wouldn’t be my pick for this list, and I feel like it’s a weak representation of her talent, despite its best moments.

Barely feels like an album with how frequently it changes modes (perhaps that turned me off a touch a few months back), but that grew on me immensely this time around. Beautiful work start to finish.

Cant not love her voice but doesnt compare to my enjoyment of her "sings the blues" album

This isn’t a album you listen to. It’s one you feel. Love, hate, passion all central to the themes of what Nina wants you to feel.

 Regarded by many as Simone's greatest artistic triumph, Wild is the Wind his a collection of very different songs that work together on multiple levels. They work as social commentary, the singer voicing her frustration with the limited opportunities of African American women in a ways both overt and subtle. They also work as a showcase for the artist's versatility, as she tackles everything from sexy soul to soothing pop, from traditional folk to angry blues. Simone was not just capable of playing in these varied mediums; she could turn each into mesmerizing performance art, powerful self-expression composed of elegance and drama simultaneously.

Some interesting lyrics (a tad rambly), glimpses of life as a black woman in the US '60. Good musical variety. "I love your loving ways" stands out. "Four women" is trying to tell a story, but the "my name's" shtick makes it kinda forced.

I feel bad, I just don't like it.

Objectively good but not my style. She has a strange voice, but is very good on the piano.

Compilation of dropped songs.

I can respect it, but it’s not my thing really

First album in here that I just didn't enjoy. Nina Simone has a great voice and plenty of songs that are known all around the World. I approached this album (for the first time ever), hoping that I could like it. It is now a big part of the history of musi, after all. First song, I Love your Lovin' Ways, was very promising. The groove was there, I could easily blend into the atmosphere and enjoy it. Next song, the famous Four Women, was a bit of a turn in the mood, that actually stayed that way until the end of an album. Light, jazzy bit, deeply in the background and Nina Simone pushing all emotions out. I do think this album might be enjoyable in a different moment in life, or with a different mood when listening. But at the time, I could not take any pleasure from the compositions. Especially the titular song, Wild is the Wind was a very hard one to even sit through. On teh first listen I had to stop halfway, and start again after some time. Strong voice of Nina plus a simple, jazzy structure didn't make my day better, in fact I was constantly throwing glances at the length of songs, to see how much is there until the end. I love some songs made by Nina, but unfortunately, this album has basically zero of those.

Not for me

Not for me.

Hated everything about this.

I just couldn’t connect with this one at all

I would like to be objective with this, but I can’t. She is certainly talented. But it still sounds like nails on a chalkboard to me.

I didn't like this much.

I do like Nina Simone, but I like greatest hits Nina Simone. I don't like an album that is so bereft of joy. This was hard work.

Glad to listen to it, but not my jam. In general: 4/10 My rating: 2/10

It’s amazing how much feeling and emotion Nina can bring out of a simple melody. Vocal power. Unbelievable.

Geweldig album. Soul en emotie, veel themas uit die tijd. 6 uit 5 sterren

This album is an exceptional! "Black is the color of my true Love's Hair" is just a chef-d’oeuvre!!

great albums with some great songs. Nina Simone will always have a special place in my heart, such a unique and lovely voice and lyrics.

absolutely amazing album. classic. my favourite tracks are wild is the wind, either way i lose, that’s all i ask, lilac wine, four women, and i love your loving ways. (so half the album but i’m sorry i couldn’t pick!) in my opinion, wild is the wind is the best track on here and maybe in the world. my mom used to sing it to me. i’m sure as i continue to listen to this album my favourites will change but one thing i know for sure is that it’ll always be on my roster.

Loved the range of sound and emotion in this album! Favourite track: Lilac Wine

words could never do justice to my grande dame…

Absolutely fantastic record. Lyrically, this perhaps does get a bit stale as it goes on with most of the songs here being about love or heartbreak (with one very notable exception), but that's literally the only complaint I have about this honestly. Instrumentally, this is quite sparse but that's by design as it allows for more focus on Nina and her incredible voice. There are few vocalists who I find to be as commanding of a presence as Nina and she provides some absolutely incredible performances all across this album but especially on tracks like Four Women and Wild Is The Wind. It crazy to think that this is as good as it is when it's mostly just made up of random leftovers from previous recording sessions. If that's not an indicator of just how immensely talented Nina Simone was then I don't know what is. This is an incredible album and now I can't wait to check out more of Nina's music. Favs: Wild Is The Wind, Four Women, What More Can I Say?, That's All I Ask Least Fav: If I Should Lose You (still a great song) 9.6/10

OMG! This album is phenomenal. Coming into it I wasn’t excited, and the first track was very ok but not engaging enough to me. But then “Four Women” started playing and it almost felt like a different album. The mood changed, the production was simple but evoked a lot of emotions and the writing and Nina’s performance is nothing short of perfect. Let’s just say I was touched by this song. THE rest of the album is just as good. The piano! How can I forget it? This tracklist is filled with some of the most gorgeous piano playing I’ve ever heard. The production is simple but you can’t help not getting invested. Nina’s voice is the cherry on top. It’s magical, she can literally sing about anything and I would still get emotional. I cried from pretty much every song here. What a beautiful album.

Gorgeous is the word that comes to mind. This is an album to make love to. An album to cry to. An album to reflect to. An album to feel alive to! It's hard to believe this album was compiled from several recordings that were left over from sessions for previous albums. It sounds so thought out and unified.

Four women is a smooth but heavy song, i love it!

Very social album. Nina has been a blues goddess but this takes the cake for some of her best work. Aside from Nina Simone Sings the Blues, this might be her best work.

Krásne...

Epic voice. Very emotional. Great variety of jazz.

So, I first discovered Nina Simone at the end of Before Sunset, with Celine dancing in her apartment, telling Jesse he was going to miss his plane. Anyway, I dove into her catalog from there, but had never heard this particular album. Love it.

Muy buen son Melodías y voz Algunas me recordaron en in the mood for love.