1001 Albums Summary

8/10 Best songs: Ready to Start, Empty Room, Half Light II (No Celebration), Month of May, We Used to Wait The album propels the listener forward with forceful bass and drums. The album is largely medium tempo, and feels a little long. The highs are very high.

Best songs: Building Steam with a Grain of Salt, The Number Song, Stem/Long Stem - Melody, Midnight in a Perfect World Somewhere between instrumental hip hop and trip hop. Very subversive album - I'm not sure what to think of it because it doesn't sound like one thing or another. This is why I started this project. A good album to listen to in the morning.

3/10 Best songs: Wearin' That Loved On Look, Power of My Love, Kentucky Rain Late-era Elvis. A little too down-tempo for me - the ballads are almost universally dull. Honestly outstays its welcome.

6.5/10 Best songs: Heresy, I Do Not Want This, Piggy, Mr. Self Destruct The kind of album you'd want from this project - so clearly experimental and creative that it transcends time. That being said, it isn't as good as some of Reznor's later albums, and it's lyrically a bit dull/obvious (at least by modern ears). Starts great but fades in strength by the end. It's very much an album for a very specific type of person, and at some points I find that I am that person. On that note, the lyric "I wanna know everything I wanna be everywhere I wanna fuck everyone in the world I wanna do something that matters" speaks to me (sigh). And, for the record, the original version of Hurt is superior to Johnny Cash's version. Sorry.

8.5/10 Best songs: Big Exit, A Place Called Home, This Mess We're In, This Is Love The first album I actually own/have listened to before. Some of the songs are absolute must-listens (This Mess We're In and This Is Love are both still on my playlists today). A couple of the songs drag a bit (Horses in My Dreams). Overall a really, really solid album.

6/10 Best songs: Human Behaviour, Crying, Violently Happy, Play Dead Another album I listened to before! It's such a breath of fresh air, both compared to contemporary albums and music released today. That being said, I don't think I actually like it that much - the slower songs drag and although Bjork treats her voice like an instrument no different from a drum or a guitar, sometimes it just doesn't work.

6/10 Best songs: Help Yourself, Join the Boys, Like Fire I'd literally never heard of Joan Armatrading before getting this album today. The album is like if Tracy Chapman met Ani DiFranco - very Lilith Fair, singer/songwriter-with-a-guitar type music. Interestingly, it doesn't feel THAT dated, with the exception of some slightly groovy bass lines and beats. Overall a strong album, just not my kind of album.

7/10 Best songs: Allergies, Train in the Distance, Think Too Much (b), The Late Great Johnny Ace (Demo) This album honestly wasn't what I was expecting, but it was pretty good. There were some flashes of brilliance, namely in the occasional brilliant line or harmony, but they were hobbled by some questionable choices (Cars and Cars????). I think that the album never quite took off - it felt a little one-note, lacking any truly climactic songs, although Train in the Distance may be the best song I've heard while doing this project.

6/10 Best songs: Take on Me, Hunting High and Low, Here I Stand and Face the Rain This album has a very healthy sense of drama - so many songs are about the yearning, desperate kind of love that can only be expressed through judicious use of falsetto. Some songs are absolute bangers, while others sort of fail to take off. Perhaps a little short/shallow for what it's trying to accomplish?

6/10 A perfectly fine 60s Christmas album.

4/10 Best songs: Panama, I'll Wait Exactly what I expected from an '80s rock album: lots of sex, huge numbers of guitar riffs, and overly long tracks. Not my type of music. How would I fix it? Shorten each song, drop a guitar riff or two, and be more interesting.

8.5/10 Best songs: Little Earthquakes, Precious Things, Happy Phantom, Crucify, Leather, Silent All These Years What a coincidence that one of my all-time most-listened-to albums should pop up. Tori was my teenage obsession and I still have a soft-spot for her 25 years later. This is a terrific album and an excellent debut. My only complaint with it is that it loses steam towards the second half (and then the final track, the titular Little Earthquakes, rocks out and proceeds to be one of my top 5 Tori songs...). A great album but not a perfect album.

5/10 Best songs: Girl, Scarecrow, Go It Alone, Farewell Ride A slow- to medium-tempo album the whole way through that relies heavily on (admittedly interesting) beats and less on lyrics or singing. Though the second half is pretty good, I find the album conceptually interesting but just not very appealing. I've never really gotten into Beck, and I think this album is emblematic as to why.

3/10 Best songs: Bring on the Night, The Bed's Too Big Without You, Contact What's with the Jamaican accent in several of the tracks? Why does On Any Other Day have homophobic lyrics (don't give me that "it's representative of contemporary suburbia BS")? Why is this album so boring? I feel like this album could be really good, but instead it's really one-dimensional.

8/10 Best songs: Green, Vicky's Box, Rabbits Dying Difficult album to find - the full original album is available on YouTube under the title "Throwing Muses First Album 1986 Full." A very rock precursor to woman-led/riot grrl bands of the '90s - I could easily see Sleater-Kinney, Bikini Kill, or Le Tigre finding inspiration in this album. Personally, it's right up my alley. It has that ultra-indie rock-band sound to it; experimental yet derivative (although that may be my own 2025 bias), with some extreme bursts of genius peaking out from behind the chaff. I will definitely be looking into other albums by Throwing Muses, which is exactly what I wanted from this project.

6/10 Best songs: Something So Clear, Broken Hands, Who You Drivin' Now?, Check-Out Time I feel like I've heard of this band, but I know nothing about them and have never listened to them before. This album has a grunge-y rock vibe. I do enjoy it - the guitars are quite brilliant - but the droning singing gets a bit old.

6/10 Best songs: Sex on Fire, Closer, Use Somebody To my knowledge I'd only ever heard Sex on Fire and Use Somebody before listening to this album. What's interesting is that I knew next to nothing about the band before starting the album, and almost instantly wondered if they were a Christian band (ugh). They aren't, as it turns out; but they are heavily influenced by their pentecostal upbringing (but not in the rah-rah-god kind of way). It's kind of interesting that that influence is so apparent. That being said... Outside of the singles, the album is kind of dull. I like the production and I appreciate that the band was (is?) doing rock music during a period when rock really isn't that popular, but it's just not my thing.

7/10 Best songs: Suite: Judy Blue Eyes, You Don't Have to Cry, 49 Bye-Byes I actually really like a lot about this album - the harmonies are excellent and each song has its own identity. However, it does get a bit dull after a while; I'd be interested in seeing what the band would do with a slightly faster tempo. Good stuff though - I'll look into more music by them later.

7/10 Best songs: Eleanor Rigby, Got to Get You into My Life, Tomorrow Never Knows Such an interesting album, yet not a particularly good album, if that makes sense? Every song is very different from one another which messes with its cohesiveness, and often makes me feel confused about where it's going (and what it's doing). Although there are a few clunkers, there are some classic tracks here, and Eleanor Rigby is instantly one of my all-time favorite songs. It's funny that people deride TikTok songs for being so short when the Beatles were doing the same thing back in the 60s - so many of these songs are so short that I barely get an impression of them before we're off to the next one. One thing I do really appreciate is the sheer breadth of musical instruments used - someone in this band was very, very interested in trying new sounds, which I can never fault.

4/10 Best songs: El Harba Wire, Derwiche Tourneur My first non-English album during this project! My thoughts? Uh, it's fine. It gets very samey at some points (most points), and a lot of the songs drag a little too long for my liking. The cover of Imagine was a choice. I appreciate the mixture of traditional and western instrumentation and styles.

9/10 Best songs: Freedom, A Day at the Races, Remember His Name, What's Golden, Thin Line Great storytelling, voices complement each other very nicely. Enthralling. One of the best albums I've listened to during this project. Chali 2na's bass voice is probably the standout for me - it stands out and has this almost businessman-does-rap vibe to it? Idk. The mid-album stretch from A Day st the Races ro Thin Line is just perfection. Homophobic lyrics are not cute, but I guess it's accurate to the sociocultural context of this group, so sure, whatever.

7.5/10 Best songs: (Well) Dusted, Wolfy, Satellite Although I've never heard of this band before (unusual since I'm fairly well-versed in music from this genre and time), apparently they later turned into Calexico, who I AM familiar with. The album has a very toned-down, nearly but not quite acoustic vibe, with heavy country/folk influence. Music and lyrics alike are quite understated. I understand how people could find this album dull - it lacks very many peaks and valleys and overstays its welcome, but I quite like it.

10/10 Best songs: Sure 'Nuff 'n' Yes, I Do, Zig Zag Wanderer, I'm Glad, Abba Zaba What a fascinating album. It's somewhere between rock, blues, and avant-garde/psychedelica, pushing the boundaries between music and sound at some points (Dropout Boogie, Electricity). Every song is radically different, showing a real grasp of music and an interest in experimentation. This really can't be considered an "easy" album, but in terms of art, it's really, really good. Based on the surprisingly low rating on this site, I'd guess that most listeners aren't very interested in experimental or "weird" music. If you have an open mind, then this album is definitely for you. Personally? I love it.

5/10 Best songs: Gasoline Alley, Cut Across Shorty Some songs are catchy, but I don't think I really like his voice, and I feel like he never pushes the boundaries very much. Like, if he really rocked tf out at the climax of some of the songs, I could see this album being outstanding. As is stands, it's just okay.

8.5/10 Best songs: The Perfect Kiss, This Time of Night, Sunrise, Elegia Kind of like a less-depressing and more synth-heavy Depeche Mode. I am VERY into the music - but man, the singer's voice is... not the best. I think the first half of the album (through Elegia) is genius, more than deserving of 5 stars, but I was thinking the last few songs are a bit weak. Overall a great discovery and a band I'll revisit in the future, but not a perfect album.

5/10 Best songs: Wild Flower, Outlaw A perfectly fine album. Very '80s rock vibes: heavy bass, lots of drums, yelling/forceful singing. There really aren't any standout songs. It's just kind of... average, honestly.

5/10 Best songs: Panic in Detroit, Cracked Actor Creative, experimental, but like, not really my style of music. I think I like later David Bowie a lot better.

5/10 Best songs: Welcome to the Terrordome I always enjoy political rap/hiphop so I'm happy to hear this album. This album is very loud: deep bass, loud drums, shrill whistles, forceful vocals, samples and lyrics that very clearly scream "this album is about the Black experience." It becomes overwhelming, which is honestly the entire point: one can argue that much of the Black experience is tied to anger and fury, and this album makes that very clear. That being said, a little bit goes a long way, and this level of anger for over an hour is waaay too much for me. I also don't really like some of the gender views expressed, but y'know, time and place matters, I guess. I understand the significance of the album, but I think a little tightening (particularly in the second half) would have made it stronger. Overall it's not for me.

7/10 Best songs: I Should've Known, Stupid Thing, Say Anything, Jacob Marley's Chains, I Could Hurt You Now A singer-songwriter from slightly before Lilith Fair who I've heard of before but never listened to. Located somewhere between folk, country, and alt rock, but done well - not just guitar, but a great backup band. That being said, the album kind of sounds like every other album from this period, albeit a bit stronger and with some really great moments here and there (harmonies & guitar solo in Say Anything, etc). I wonder if Mann is attributed to be a founding member of this type of music? Hmm. Anyways, I do think this is a very solid debut.

8/10 Best songs: ??? Not the "heavy metal" I was expecting, but I am pleased with what I got. The music is far and away the strongest part of the album. The vocals aren't very good, and the lyrics are honestly really lame, but the musicality of the album (almost?) makes up for it. Interestingly, I've kind of had difficulty identifying a "best song" - not sure why. The songs are all pretty strong, none are offensive to the ear, so why can't I pick out one or two that stand out?

8/10 Best songs: I Had Too Much to Dream (Last Night), Bangles, Train for Tomorrow, Sold to the Highest Bidder, Get Me to the World on Time, Try Me on for Size Mid-60s early psychedelic rock/electric rock - very garage band vibes, but like, a couple generations earlier than the garage bands I grew up with. As one might expect from 60s music, each song is quite short, but the tone and lyrics are unexpectedly dark (melancholic? I'm not sure of the right word). Somewhere in the final third of the album the music shifts from being experimental/psychedelic to almost story-telling/folk, and then back again. It's a weird tonal shift that doesn't seem to fit the rest of the (imo) very strong album. I do really like this album overall and I'm really happy with its place on this list.

8/10 Best songs: Sweet Life, Super Rich Kids, Crack Rock, Pyramids, Lost A rather melancholic album about youth and the Black experience - or, at least, a very specific portion of it. In general I find the album quite strong (the Crack Rock-Pyramids-Lost stretch is great) but most of the songs are a little too slow for me - feeling kind of like background music.

6/10 Best songs: Now's the Only Time I Know, I'm Not Done You know, considering how into indie music I was in the late 2000s, I'm kind of shocked that Fever Ray never came onto my radar - especially considering that singer Karin Dreijer was once part of The Knife (!). That being said, I'm not really sure I understand why this album is on this list. Don't get me wrong: it's not bad by any means, and I enjoy it, but like... What is it doing that The Knife didn't already do? Or Bjork (who very clearly influenced Dreijer's style of singing, which I only realized just now and I'm shocked I didn't notice years ago)? My big criticism of the album is that it's a little too down-tempo for my liking, with a sparse, almost cold musical landscape. Few of the songs ever push the envelope or move out of that same zone, which makes it a bit one-note. That being said, the songs that do are pretty great. I feel like this is a case of an album that critics hyped tf up because of the insane popularity of The Knife and not for its own merits.

6/10 Best songs: Yellow, Everything's Not Lost My opinion about this album is the same as my opinion about every Coldplay song I've ever heard: well-done music, but waaay too slow and one-note for me. It shouldn't be a surprise that I find songs like Yellow, where harmonies add some interest, to be the strongest on the album.

7/10 Best songs: Do It Again, Dirty Work, Kings It's funny that I first discovered this group through a Tori Amos cover of Do It Again. I was obsessed with that cover so I gave the original version a listen... and was summarily disappointed. 20 years later, I actually really enjoy that song, as well as most of this album. The storytelling lyrical style and the diversity of songs (particularly in the first half) make this quite successful. A great use of harmonies and unusually good instrumental solos (for the time) really strengthen this album. I do think it could use a bit of tonal variation - more downbeat songs for example - and the album sort of peters out in the second half (this was very clearly an album where the A Side was head and shoulders above the B Side), but overall it's pretty good.

8/10 Best songs: Ponta Da Lança Africana, Meus Filhos, Meu Tesouro, Taj Mahal '70s Brazilian samba meets African beats. As someone who doesn't really listen to any of this (and has little prior experience with it), I'm surprised by how much I like it. It's a good album.

8/10 Best songs: The Battle of Evermore, Stairway to Heaven, When the Levee Breaks You know, this album does something that I really wish more albums in general do, particularly those from the early 70s: it has peaks and valleys, sometimes in the same song. Instead of stagnating with the same sound, the album goes from screaming, brash, and loud to low-key story songs. I really like that approach because I don't end up bored by the end. Stairway to Heaven is a good example of this encompassed in one song: calm story with almost sn acoustic vibe to the band kicking in to the vocals fading away and heavy metal taking hold to the earlier screaming vocals. Compare that to Four Sticks (also on this album) - one heavy bass line and screaming the whole way through; no variation makes for a very tedious experience. All of that being said, this album annoys me because its highs are extremely high and its lows are in the basement. Not sure how to rate this one. And one last note: man, they really gave anyone a microphone in the 70s, didn't they?

3/10 Best songs: Shakin' All Over Live albums should never be on an "essentials" list - they are inherently on a different playing field than studio albums, which makes it pointless to compare. I listened only to the 6 original tracks on this album: later versions were expanded to 2x longer than the original. Typical 70s rock music; lots of drums, bass, and guitar, not great vocals. The solos are just excessively long and get quite dull (My Generation, I'm looking at you). I just don't see the point in this album on this list.

8/10 Best songs: You're My Best Friend, The Prophet's Song, Bohemian Rhapsody A boundary-pushing, extraordinarily creative album. In some ways I don't quite understand how Bohemian Rhapsody came from this album, in some ways I do (it's even more out there than the rest of the album). I really appreciate all the peaks and valleys - this album never gets mired in the same sound. There are a couple reasons the album misses out on a perfect score. First, the songs leading up to Bohemian Rhapsody are either reheating its nachos (Love of My Life) or just really dull (Good Company). Second, something just doesn't quite click... There's a lack of emotion, maybe? I'm not sure. The album is an almost-but-not-quite kind of situation.

8/10 Best songs: On a Rope, Ball Lightning An album by a group I've literally never heard of before. It's kind of a mix of rock, punk, and metal, but I saw some definite influences by other genres in there (Used has '60s girl group vibes, of all things). One of my big critiques of the album is that on occasion it feels like the lyrics and vocals are ignored with all the emphasis put on the outstanding music (including harmonies and outstanding guitar/bass/drums). Like, sorry, but "would you like some cheese with your wine?" was just as dumb of a lyric in the 90s as it is today. (Doesn't stop me from loving that song though!) The album also goes a bit too long, with the second half being a bit of a drag. What I find particularly interesting is that the album has a very clear garage rock sound to much of it, which is sort of characteristic of this kind of heavy rock from the 90s - even in music that was not by any means garage rock. Overall it's a really, really good, enjoyable album.