Safe As Milk

Ok, this is pretty damn brilliant and wild fun. Absurd, but rooted in the familiarity of blues and r&b, so much of the sound is a real romp. I’ll need to give it another listen or two in order to process more of the lyrics. After a second listen, I’m really blown away. Favorite tracks are Sure ‘Nuff Yes I Do, Electricity, Yellow Brick Road, Abba Zaba, and Plastic Factory. Beefheart has an intense, rumbling voice with great charisma. The music is played brilliantly, whether it is a rootsy blues, or a lurching and leaping number with changes in time, tempo, and attitude. Gonna need to spend more time with this band.

Delightfully weird.

The only Beefheart album I knew before this was Trout Mask Replica, so I wasn't expecting something so... accessible? But still, some pretty experimentally fun stuff here!

So eclectic, at some points made me feel like I was in one of those dreams where you can't tell if it's a nightmare or not. Like any minute something will go wrong but it never quite does.

I don’t know if “Safe as Milk” means that you’re safe or unsafe

incomprehensibly pretentious just the way I like it - 10/10

Da beef man

6/2 be fart

An hour and a half of agony

I hate Captain Beefheart.

amazing and inventive

I bought this album a few weeks ago. It's funny because for years, I avoided Captain Beefheart like the plague, just because of the hoax/scam/swindle that Trout Mask Replica is (at least to my ears). I think I'm an open-minded person, but there's a limit to the sort of musical nonsense one should be exposed to. And affecting some sort of conceptual pretension to justify the barrage of sheer crap that this other record is is NOT an acceptable solution for me. I'd rather plug my ears with toilet paper, thank you. In other words, Thelonious Monk, my ass (to refer to a stupid comparison I've often read to describe Beefheart's hoax here). Trout Mask Replica is just an interesting footnote in the pages of music history, not an essential album you must absolutely listen to. I'll fight tooth and nail anyone who says the contrary. Even a genius like David Lynch (who once said he loves this record). The thing is, it was a stupid mistake on my part to start my exploration of Beefheart's repertoire with this particular album. As it turns out, I really like what Beefheart and his "magic band" did before TMR (*Safe As Milk*) and after it (*The Spotlight Kid*). The grassroots yet twisted tunes of *Safe As Milk*, especially, have something quite addictive to them. Beefheart's growl on this collection of blues songs serves them right--as in opener "Sure 'Nuff 'N Yes I Do"--just as said growl nicely contrasts with the stellar musicianship of the band (including a young Ry Cooder, or so I hear). I also enjoy the stylistic asides this record go through, especially the more psychedelic cuts or that mock doo wop soul ballad that "I'm Glad" is. And my oh my! "Electricity". What an incredible track! Here is the sort of experimentation that can be both haunting and mesmerizing. I know David Lynch has been listening to this song as well (there's a literal quote of Von Vliet's delivery of the song's chorus in the Twin Peaks movie, for instance). And here I certainly won't contend with man's genius. This song and its incredible instrumentation is the cherry on the cake here. And its inclusion in *Safe As Milk* finally reconciled me with anything Beefheart. Except Trout Mask Replica, of course. Maybe with more *real* groove and a theremin, as in "Electricity", I would have liked that other album. Too bad Von Vliet never thought of that. Number of albums left to review or just listen to: less than 700, I've temporarily lost count here Number of albums from the list I find relevant enough to be mandatory listens:  approximately a half so far (including this one) Albums from the list I *might* include in mine later on: a quarter Albums from the list I will certainly *not* include in mine (many others are more important): the last quarter

Got into this a good decade or so ago, needs a couple of listens to appreciate how great it is, while also being pretty accessible straight away. I love the fact that Dropout Boogie is followed immediately by I'm Glad, two songs that couldn't be more different to eachother. The listener settles back and relaxes into the silky soul. And then wham! Electricity wallops them in the face. So many bangers. Fucking magical album.

First album of Captain Beefheart might be his best. Combination of blues and psychedelic rock: very accessible but still far from being straightforward. Favourite track: Electricity.

Oh Captain my Captain! The thing that really annoys me about Trout Mask is that is completely overshadows the rest of his his exceptional output. Lennon loved this record and for two good reasons: great song writing and a great performance by the band. He sets the template for so much pop music to come, he's got a fine ear for melody does Don, but he also know how to create the right feel through the performance. We often think about the context in which these 60's records appear, and this must have sounded amazing to 1967 ears. So much of what he's doing with each and every genre on this record has now become part of the modern soundscape, but back then, oy vey! Ry Cooder is Al Kooper's music doppelganger, whenever he pops up, he does to great effect. I don't think he's ever been on a bad record, what a player. And who has been listening to this record in their sheds eh? I'd count young Tommy Waits and those two kids from Akron Ohio known as the Black Keys as dedicated fans of this album amongst many others. And I wonder if Georgie Harrison started thinking about doing his thing on the slide after listening to this (might be why he asked Delaney to show him how to do it). Each song is splendid, a truly great record.

Now this is the kinda music ppl in the 70s did drugs to. Captain Beefheart's Wikipedia page is an interesting read, he was an eccentric guy and a musical innovator. You can hear the early beginnings of punk rock mixed in with blues/jazz. It's such a cool and unique sound, I think this opened the door for a lot of experimental stuff coming in the years after. I'm Glad ❤️❤️❤️ Electricity💜💜 Zigzag Wanderer 💜💜

Quite the introduction to Captain Beefheart. Definitely need to hear more of him. This shit is cool.

About as good as it gets. First track 'Sure 'Nuff 'n Yes I Do' has one of the greatest opening lines in rock music. The run of 'Electricity', 'Yellow Brick Road', Abba Zabba' and 'Plastic Factory' is remarkable, packing in more than many bands do in their careers. 'Abba Zabba' is one of my favourite songs of all time - there's one point where Ry Cooder's guitar simply glides. Beefheart sounds utterly demented, utterly in control. There was no need for any blues rock after 'Plastic Factory', it's all there, right there.

Pretty good, but I sure they'll never make a dime. 4 stars.

good album, I can understand its importance

Absolutely fantastic album. Five stars. Gets a pretty regular rotation from me.

Till now, the only Beefheart album I'd ever listened to was "Trout Mask Replica", and like most, I always found it intriguing but inaccessible and impenetrable, no matter how many times I subjected myself to it. This album, though, is solid. Actual tunes, great bluesy vocals with a hefty dose of soul, and some excellent guitar riffs. I'll becoming back to this one.

Didn't expect it to like it this much. Sounded raw and heavy and at other times like soul. Good stuff.

Incredibly fun to listen to. It’s like a virtuoso Gremlin got really into delta blues and psychedelic rock and threw an album together.

A great Blues Rock record. I like the energetic first half of the record more but the rest is still fantastic!

Spot on

Safe As Milk is probably the most accessible Captain Beefheart I’ve listened to but that doesn’t mean it lacks weird. I’ve always enjoyed this album, bluesy, Jammy, quirky. Beefheart even slows it down and gets romantic on I’m so Glad. This is a 5 star

Safe as Milk.

I debated whether to listen to the stereo or mono releases of this album and then decided to try both. I was surprised at the difference - the stereo presentation opens up the songs and I the difference was a lot more than I expected. This is one of those bands I kept hearing of over the years but I didn’t have any sense of what their music was like. The blues are strong here and I liked that part, but the more rock guitars and other interesting bits (like a theremin!) really hooked me. I didn’t think this was my style of music but Captain Beefheart may have made that thought obsolete. I guess I like my blues with a hit of acid. I listened to this four times in a row and each time liked this more and more. Fantastic!

A masterpiece. Just such a fun and unique album.

i love this album. Captain Beef is severely underrated in my opinion.

goofy. dinky. fun music. thank you beefheart

I kind of loved this one. The name of Beefheart was familiar through collaborations with Frank Zappa, but I had never heard his music before. It's sort of a wild mix based on blues rock but also with touches of what would later be known as sludge, southern americana, grunge even. At times, this albums also sounds something of a predecessor to the kind of southern-influenced-mash-up indie rock that is still popular today (think Counting Crows and Black Keys). In any case, this was vastly ahead of it's time, and fantastic throughout in terms of musicianship.

this is built for more than background music and I might have to come back to it. but even tired, this is interesting and fun to listen to :)

Didn’t know what to expect, loved this.

excellent!

Great

I've heard of Captain Beefheart a lot but had not ever listened and expected something much weirder. This is a charming, fairly unweird, blues-rock album and I liked it very much.

Epic

Discazo. Nunca lo había escuchado, ni sabía de su existencia, y me pareció una barbaridad. No me imagino lo que fue esto en los sesenta.

Always wanted to listen to Captain Beefheart so this is a fantastic opportunity! This is wonderful blues rock with an artsy bend to it that clearly influenced a lot of following acts, including his contemporary Frank Zappa. Long live Beefheart!

Might revisit

For a second was scared it was Trout Mask Replica - then realised this is the record I like - it’s stellar start to finish. Love this album.

Having heard Trout Mask Replica before this album, this one seems almost genteel with something resembling conventional form for a lot of the album. You can see the demon horns of experimentation start to peek its way in right from the beginning, but hasn't gone off the deep end until Frank Zappa's guidance with Trout Mask Replica. Heavily blues influenced, with some R&B variation thrown in. Some of it feels like it could be Psychedelic but it lacks the reverb-spacey sound for the guitar. Among my faves: I'm Glad sounds almost doo-wop/50's soul.... Yellow Brick Road sounds kind of like CCR... Autumn Child sounds the most like a psychedelic song... The 3 instrumentals: On Tomorrow, Big Black Baby Shoes, and Dirty Blue Gene, as well as Trust Us, all start showing that going off the deep end that was greatly explored in the next album.

Trip friendly. 70s before 70s. Very weird panning but very cool and great all around.

Oh man, I really tarred this with the "Trout Mask Replica" brush and have barely listened to it, on the assumption it's avant-garde AF. It's actually really accessible and I'm digging it a lot! Will definitely be revisiting. Fave tracks - "Sure 'Nuff 'n Yes I Do" and "Zig Zag Wanderer" are great openers. "Electricity" and "Abba Zabba" are the true highlights though.

What a blast this album is. Putting this on high rotation for sure. Fave track is easily Electricity. Zig Zag Wanderer, and Abba Zaba are highlights too. I can see why people seem to be into I'm Glad and I'm sure it'll grow on me.

What. A. Ride. Did not expect what came through my headphones when I put this on. I’m a sucker for a steel slide guitar and a gravelly blues voice. Loved how the songs seemed to grow organically, like they all sat down and someone came up with a riff or had a little fragment they were fiddling with and suddenly there’s a full blown jam session. 5/5 magic beefhearts

Catchy, anarchic blues.

I was introduced to Capt Beefheart in college through Trout Mask Replica, which I anticipate seeing in this list. Weird, challenging album. Entirely unique and honestly haven't heard it in ages. I was introduced to Safe as Milk about a year afterwards (2005 or so). I was shell shocked by how much more accessible the album was and truthfully genius. You can clearly here where the band is going and where their influences came from. A wonderful blues album that gets slightly more acid laced psychedelic as it goes on. The CD reissue tracks are clearly unfinished but if you wrap the album up after the Autumns Child you have a wonderful and cohesive 12 song run. The Grown So Ugly cover also inspired me to listen to the Black Keys, which is definitely a positive for the early Black Keys work. Top Tracks, Zig Zag Wanderer, Where there's woman, Grown so ugly

This album stands the test of time! Straight ahead blues rock Crank it up and ENJOY the Captain!!!

On the surface, it can seem like this album is solid blues inspired rock. A closer listen will reveal experimental rhythms, chromaticism, and avant garde lyrics. This album feels like a joyous fever dream and is very much a product of its time. Having said that, I think this album is brilliant. Its grooves pull you in and its, melodies and rhythms keep you there. I'm not sure what to make out of much of the lyrics, but I suppose that's the fun of avant garde music.

This is the only Captain Beefheart album I thoroughly enjoy. Stuff like Trout Mask Replica is too experimental for me. I like him more when his weirdness is tethered to traditional form. Here he’s still strange and unique and unpredictable, but he’s matched with songs that are catchy and flat out rock. This is one of my favorites of the Nuggets psychedelic garage rock era.

Amazing album I never knew existed. Reminds me of Ty Segall or KGLW

Beatles-lite. Great jams.

"Zig Zag Wanderer" - a bop, "I'm Glad" - a sad banger. Cpt. Beefheart & His (indeed) Magic Band had absolute range with this album. Loved loved it!

I only knew "so glad" which is a song I really liked, but the rest of the album was great too! Seems like quite a progressive sound for 1967, I can see how it has gone on to be very influential.

A very pleasant mix of the Doors, Animals, and Ben E. King. Got completed for playing it and will definitely listen again. 4.75

Blues rocks master work, one of the best

This is one of my favourites, I had already heard this plenty of times, but it's so delightfully off-kilter, him being best mates with Frank Zappa means Beefheart is more than a bit out there in his musical approach. This is classic 60s avant-garde rock, but don't take that to mean it's hard to enjoy, the music is fantastic all the way through.

Its a great album, altough it can be a little hard to listen if the person are not used to prog/jazz/experimental. But for me its amazing.

COOLIO DADDY

I'm familiar with trout mask replica, so I feared the worse, but this wasn't half bad, I quite enjoyed it. Definitely worth a second listen.

Me levou para outra época. Gostei.

If John Lennon thinks your milk is safe enough to be placed on his fridge doors, then it's good enough for the rest of us. Safe as Milk provides a plentiful introduction into the madness that occupied the brain of one Don Van Vliet; a madness that would coagulate into creating one of the most infamous albums ever recorded. But that had yet to be seen as this album fits into neat pockets of R&B musings and fledgling psychedelic rock, showcasing that the Magic Band can remain in the game while being simultaneously out of it. This milk is safe enough for me. Favorites: Sure 'Nuff 'n' Yes, I Do, Zig Zag Wanderer, Call on Me, I'm Glad, Abba Zaba, Where There's Woman, Grown So Ugly, Autumn Child, Safe as Milk - Take 5, On Tomorrow, Trust Us - Take 9.

Utterly bonkers

A "comfortable listening" example of it's genre

4.25

That was a fun, bluesy ride. That's definitely a nice surprise from a band with a really dumb name. "Yellow Brick Road" had a nice plot twist in the middle. I will definitely give this album another listen.

I realize it’s not ground breaking now. But imagine being on a ton of acid at some club and this band comes on and just blows your top off. That’s be fun…..

Possibly my fav of his.

I kind of loved this

nooniin vihdoinkin 60 luvun albumia joka nappaa... vähän originaalimpaa soittamista kun viimeset viisi vittu 60 luvun amerikka liibalaaba max 2min biisit hey everybody beatles kopio paskaa. vaihtelee laatu kyllä tässäkin aika paljon albumin pyöriessä konsanaan mutta paskimmatkin on parempia kun nEV ITU alkaa vituttaa.... maito se turvaa on on on.. juokaa että luut kasvaa hoh hoh hoh.... parap biisi autumn's child

Good album, good tracks that keep the interest. I feel is loses it's way a little near the end but the first half is solid R&B

This was dope! Solid bluesy classic rock with some wacky elements and a wicked howl on vox. Other beefheart stuff is a lil too chaotic jazz rock for me to have enjoyed it. Side bar, there was a bit on the Mark Maron show (I think that was a thing?) where he was like I needed a project so thought I'd try to get into Captain Beefheart, but I was so nervous buying it at the record store cuz I'm not cool enough and everyones laughing at me. But he buys this album (I'd guess it was this one, don't remember) and then hes at a taqueria afterwards and the cashier is like "Oh I love Captain Beefheart, Safe As Milk is a great starter album". Haha kind of how I feel.

Bluesy and bizarre, shows how Captain Beefheart could have been the greatest rock and roll band ever but couldn't resist the lure of wild experiment.

Not as great as the unavailable Trout Mask Replica, but still a great introduction to the acid blues of Captain Beefheart. Some of the tracks are more straightforward blues than others, definitely a lot of drug fueled experimentation, but it never feels overdone. There are some tracks that border on radio friendly. Also surprisingly fresh given its age. Sort of sounds like if someone made nails on a chalkboard pleasing to the ears. Ry Cooder’s guitars playing is phenomenal, as are Van Vliet’s vocals.

Pretty awesome blues/rock album that feels very 60s.

Okay, there is quite a difference between this album and "Trout Mask Replica". Essentially, when Captain Beefheart is not trying to be the most unique person in the room (or the whole world), his music is really good. Perfect combination of blues, psych rock, traditional rock, with a big dose of weird Captains vocal. I'm still not used to it, but when the music is more comprehensive and not as exaggerated, it doesn't bother anyone that much. After the lowest note for TMR, it is time for some redemption. Now that I know more of their music and their history, aI can say that maybe it wasn't the most appropriate note. To balance it out, I'll give a good 4/5 for Safe As Milk, even though it really deserves a note like this without this background.

When they made normal music

A fantastic album. As a big Tom Waits fan, I was put onto this album a few years ago and really enjoyed it. Interesting sound throughout and well worth the listen.

Just a little weird. Some of the bluesier songs are fantastic. Some of it gets a bit experimental and drags for someone who's not very into that style. I hear this is the less weird of some of his albums, so I don't think I'm likely to go seek those out, but there are a few songs on here that I wouldn't mind popping up on a playlist here and there in the future.

"This is the first album of Captain Beefheart, one he did before getting signed on Bizzare records of Zappa and being given complete creative control." Mislim da je sve rečeno s tim. Ovaj bend da ne pišem cijeli naziv je jako poznat po "Trout Mask Replica", pogotovo u glazbenoj grupi u kojoj sam, već sigurno 5-6 godina se zna spominjati taj album, ma i više, u posljednje vrijeme ne, ajde. Ali odatle znam za njih. Ovaj album sam ove godine dao poslušati, i svidio mi se. Normalniji je album, to je sigurno, blues je jako prisutan i taj stari, analogni zvuk, ne znam kako bi opisao - mi se jako sviđa. Abba Zaba mi je favoritna sa albuma, ima još ponekih, ali se uvijek ove sjetim pa ću ju napisati evo sada upravo. '67 godina is fucking stacked with classics!

This was great, eccentric Blues. I even listened to the additional 7 bonus tracks I was so intrigued. Ultimately an artist I had been meaning to check out long term and glad to finally get the opportunity.

Quite a special record. Glad has been a stable on my playlists for a long time. 4

Really good rockabilly album Love the voice in certain song

I was expecting much more weirdness as it is Captain Beefheart but this was relatively normal and accessible. This wasn't at all similar to much of the work he's done with Frank Zappa even though some of it is more "normal". I will probably go back and listen to this again.

I think that this is the truest acid music. The fact that he and Zappa would compete shows through already in this album. Good stuff, maybe a hair too disjointed for a 5.

4.5/5. I love this album. It comes from my favorite era of music, and is in my favorite style. While it is kind of out there, I still find it great.

Only knew the weird, brilliant Trout Mask Replica of Beefheart, was surprised by this more traditional debut album. Was pleasant surprise. The last bonus track Korn Ring Finger is addictive, had to play it over and over

I enjoyed the somewhat weird blues here.

Some very cool stuff in here. Not something I would listen to regularly, but some very important ideas.

Plus one for the variety. Beef heart, you do have a magic band.

I'll be honest, I couldn't always tell what they were signing, but somehow liked it anyway.

Realizing that only knowing this band from Trout Mask Replica was a very limited impression. This is some great 60s electric blues (with some theremin & such thrown in) and I’m here for it. HL: Zig Zag…, I’m Glad,

Blues-inspired whimsey. Good.

What can I say, Captain Beedheart it's an absolute legend

Bra skiva! Svår att få lust att sätta på p.g.a. 70 min längd men så fort man börjar lyssna går tiden snabbt

Not quite as gonzo as Trout Mask Replica, which makes it more listenable. I will probably come back to this one more than I will TMR.

Electricity was a stinky full diaper but I liked every thing else. Where There’s Woman is my favorite.