Myths Of The Near Future

Never heard of this. Predictions: - UK (name is a giveaway tbh) - indie rock - unremarkable - goes for an hour Ok, got the length wrong (by thanks of a 15min silent secret track that's unavailable on Spotify lol) but otherwise nailed it. Nameless mid-00s indie rock from the UK. Nothing critically bad, but consistently low-level boring. Had "indie with disco beats and mellotron" vibes in some songs. Another result of Dimery's obsession with showcasing the UK at any cost. 3/5.

We’re fragments of fiction!!! This was really up my alley. I hadn’t heard any of this and will revisit. I love that the songs all sound different and add to the overall listening experience. I want to say that it’s “proggy” but I don’t really know what that means. The musicians are talented. Thank you.

Meh. More brit-pop techno-disco-electro shit. Nothing special and not on the level of anything anyone would say you must hear before you die. 2/5

What a great album! This is the first time that I've heard of this band and I'm absolutely devastated it took me this long. Not only the music and vocal are great, but also the album makes references to some of my favourite books! I love the atmosphere of the record, putting some postmodernistic twist in their sound, appropriate to the books quoted on the tracks. I'm only after the first listening, so my emotions are really fresh, but for sure my next weeks will be spent trying to listen Klaxons to the ground. Great start of the week!

This is a crazy album in the best way. It’s nonstop energy.

Reminds me of Bloc Party, but at a lower level.

This rocks 4 Welp 5

This sounds like something produced by ChatGPT after I ask it to make an album combining the sounds of the 20 most popular post-2005 indie rock bands. And that’s a good thing.

2.4 - Noisy, headache-inducing electro-pop vomit reminiscent of Franz Ferdinand but without a single solid hook. In fact, I'd say every hook attempt fails miserably. To name just a few: the "come with me, we'll travel to infinity" line on "Gravity's Rainbow", the "light the bridges with the lantern..." line on "Forgotten Works", and the "do what you will" line on "Magick."

Oohh boy was I excited to see this pop up, what an absolute fucking cracker of a throwback to Year 8. There's also a certain apprehension present as it's been at least 15 or 16 years since I straightened my fringe and put this on. But yes mate it's lived up to the hype very well, break out the GHD. I remember never having heard anything like Golden Skans before, one of the first times I felt physically transported to another dimension by vehicle of song alone. I think it was the Henry's that bought me the CD for my birthday that year (they were also responsible for Avril Lavigne's SK8er Boy single, both of which are still proudly on display in the cd collection. My (very brief) year 8 girlfriend Addy Whiton needs a shout out here too. Before we dated she got wind of me liking the Klaxons (probably from the "Listening Now" section on MSN Messenger). A few days later she had a friend deliver me a mix cd of Klaxons, Looks, Arctic Monkeys, The Hives etc along with a bright pink Klaxons poster that she had written a little note on the back of. I remember her waving to me as her bus went past Mater Hill. Still have the mix cd but regrettably I binned the poster in a misguided fit of emotional cleansing after we broke up a few weeks later. Alright enough of that, now I'm at It's Not Over Yet (best track outside of Golden Skans and Gravitys Rainbow) and the album has most definitely held up far far better than I expected. It's actually to the point of it being better than I remember. Also interesting that I (kind of) understand the Pynchon reference now as well (at least the 25 pages I've managed to get through so far). Also had never got to the secret track on the end of Four Horsemen of 2012 before which was a nice treat to round out what has been my favourite album (and review) that's come up within at least the last couple of months.

This album is perfect for psyching myself up to go back to school and out myself back into student debt. I’ll be straight up. I loved it, and I thought it was magick. Each song brought a fascinating element to the table, and I absolutely LOVE when bands just shoot for the moon and throw everything at it. My fav on the album, Gravity’s Rainbow, makes me want to both dance for 100 hours straight while climbing Mt Everest. Oh but this review isn’t over yet. If these are the myths of the near future, I can’t wait to see what the myths of the distant future are. Now the review is over.

Rating: 10/10

Enjoyed most of this. Will definitely re-visit in the near future.

It's a good album and the band probably would have been fun to see live. But is there really anything exceptional or groundbreaking about it? I've heard loads of bands doing very similar things and frankly, these guys seemed a little late the dance-punk party. I'd pick The Rapture's Echoes over this one personally. That doesn't mean it's a bad album. Not at all. I enjoyed it all the way through for what it is. I just don't know that it's interesting enough to be on this list.

Ok

Is this what was once called "landfill indie"? If so, it was well-named (and I say that as a mild fan of some *terrible* early 2000's bands - hi, Hard-Fi!) Occasional hints of a tune, buried under some appalling production. Rating below puts this on par with "Pet Sounds", appropriately enough

Oh look, Of Montreal and MGMT have a less interesting cousin over in the UK. If you liked how weird this was, go checkout Of Montreal's Hissing Fauna, Are You the Destroyer which released in the same year. That was Of Montreal's 8th album. No matter how much the Klaxon want to rewrite history on their band blurbs, they're a derivative act from a time just before the internet made it so obvious.

In my rating system, 1 means "shouldn't be on the list." This is an emphatic 1!! Get this off, asap!! 1001 slots for "albums you should listen to," I am realizing, is a precious resource that must be rationed. We can't afford to have this on there. Unite against this pick! Every choice they made musically is the opposite choice I wanted them to make. Musically, like George Kostanza in that one Seinfeld episode, who could have succeeded simply by doing the opposite. Somehow wacky but not in an endearing way at ALL. I really dislike every choice they made. I'm getting the sense that they are trying to write anthemic, show-stopping mid-2000's hit singles on every song. It's just that they fall flat on their face every song. Embarrassing to listen to honestly! Bummer about the album cover. A genuinely cool cover that caused me to give this a closer look than it deserved! 1/5

The most late 2000’s shit I’ve ever heard. This sounds like what would play after a transformers movie. Or perhaps during a video of somebody building a Lego Star Wars prequel set. Maybe in a PowerPoint made by a couple high school nerds who love Halo 3 and Modern Warfare on xbox 360. I wish I’d been that kinda guy in that period of time. Damn.

Being drawn to sci-fi postmodernist literature at the time this one came out, *Myths Of The Near Future* was bound to tick a lot of boxes for me. With a track named "Gravity's Rainbow", how could I *not* spot that debut album? It's a great and lively track by the way, whose lyrics are only vaguely indebted to Thomas Pynchon's magnum opus, thematically speaking. Yet the song would provide great opening titles if a director or a showrunner was bold enough to adapt this crazy mammoth of a novel for a TV series (or for a *dozen* theatrical films, lol). Apart from that track, many other dance-punk songs slap on this LP: "Two Receivers", "Golden Skans", "As Above So Below", "Magick", "It's Not Over Yet"... I was surprised to find out that the latter was actually a cover version of an older dance track after all these years (those liner notes on my own copy of the album are too messy, which probably explains why I couldn't read them properly). Listening to the original was a decidedly *weird* experience, ha ha. Sometimes dated and cheesy arrangements can hide great songs, I guess... Speaking of "dated arrangements", *Myths Of The Near Future* is admittedly very much of its time as well. Yet Klaxons' music was eccentric and original enough to set them apart from the other dance-rock / landfill indie bands of the late naughts. It all boils down to the melodic earworms the band keeps piling up through their elated pop vocals, along with their bizarre synth hooks, rumbling distorted basslines and drilling, noisy guitars. And there are all the literary references sprinkled throughout the album, too. Such literate eccentricity is a plus that makes this record far more relatable than other forays into that overall dance-punk genre. Too bad a lot of people are unable to feel that in the reviews here. To put it in a nutshell, *Myths Of The near Future* is one of the best releases of 2007 (a year where a lot of bland stuff was singled out by the music press, unfortunately). My overall grade for it is 4.5/5, but given how criminally low their score currently is, I'm gonna round that grade up to a perfect 5. Next, please. Number of albums left to review: 563 Number of albums from the list I find relevant enough to be mandatory listens: 212 (including this one) Albums from the list I *might* include in mine later on: 102 Albums from the list I will certainly *not* include in mine (many others are more essential to me): 127

Almost offensively British. Sound of the 00s in its purest form. All over the place … and I just dig it. I had all but forgotten “Golden Skans”. What a tune!

I had never heard of these guys. Enjoyed this album from start to finish.

My first listen I was unimpressed but this one grew on me. They have kind of an unusual sound but it comes together into some pretty decent songs that sort of mix punk with a bit of Gorillaz and maybe some avant-garde or something. Competent musicianship all around and creative songwriting. A low point is definitely Isle of Her, which I find to be kind of boring and a bit too heavy on the weird factor. The other dud is Four Horsemen which I find is just a bit too intense that it loses out on the intricate sound the other tracks have. Also it doesn't have a melody since they just sort of yell the lyrics, and the song misses that. These two low points are easily outweighed by the good work on the rest of the album however. My highlight is probably the intro to Atlantis to Interzone, where that vocalization noise in your left ear and the siren in your right ear sounda chaotic but quickly resolve into the beat of the song. Really nice stuff.

I was expecting to hate this, but I did not.

Not bad. I knew a couple of tracks. I gotta feeling they’re underrated but hey.

Klaxons were not shy in splashing some of Gen X’s favourite literary references into their titles - along with other weirdoes of the vintage, my tail wags at Burroughs and Ballard - and their pick ’n’ mix post-punk is similarly modish, with the thick, overly busy production of the period leaving no space to savour. Made out one song in the mix, then realised it was a cover. They were pipped to first place in the UK album charts by Norah Jones. I don’t know Simon, it’s no Pet Sounds.

Not sure why it’s here, but I love it.

A really great upbeat trippin’ good time

a collage of every garish, beautiful melody someone could think of, glued together and put on the road. for my money, the closest possible thing a new rave record has come to the deranged eclecticism of Fantasy Black Channel. when i first heard it, i thought i wouldn't be thinking about the songs past first exposure. upon revisiting, it becomes apparent that every single song was just waiting to be rediscovered, each bassline or siren a loud, brash sound dispelling the ideas of it being any sort of relic. barring "isle of her" (which, like. cmon) i don't even think i could tell you what track is my favorite. it's gonna become (or has become, if you consider Brat Summer to have been an extension of bloghouse chic) cool to like this type of music again very soon. im more prepared than all of you.

I do like this band and there are a couple of great tracks on this album but let's face it they are another in the long line of medium-good British bands that anger the American users who can't get over the fact our music is better ;-) For that reason it's a solid ***** from me Matthew..

How have I not found this before?? Pure chaos and I love it

Really digging this! Stand outs: Two Receivers, Golden Skans - seriously all solid songs.

Really enjoyed this one. Great riffs, interesting lyrics. 5/5!

Love it

For some reason, I completely forgot about this album! I listened to it on repeat when it first came out and it perfectly encapsulates the style and vibe of that period.

Das ging rein in meine Ohren. Ich kannte die Gruppe und das Album bisher nicht. Wie konnte das geschehen? Tolles Album.

This album was great. I listened to it twice and was vibing the whole time. It’s energetic, interesting and such a cool sound.

So cool, I loved this sound! Amazing to hear something so distinctive and enjoyable after nearly a thousand daily albums.

Wow this was a catchy load of fun! Really terrific!

Great discovery!

Wow I really enjoyed this one, plus the album art is so cool

Coined as a "science-fiction concept album about the future" and I'm here for it. I had a feeling that I'd heard these guys before and as soon as Golden Skans kicked in it all came rushing back. So first run through was getting familiar with the concept again and second listen was enjoying the energy. Faves: Golden Skans, Isle Of Her, Gravity's Rainbow, Forgotten Works, and It's Not Over Yet.

Damn, I must have had these folks mixed up with someone else in my head, (The Zutons maybe? 🥴) because this was not what I was expecting! Pretty crazy I haven't listened to them before, as they seem to be extremely my thing - just looking at the song titles there's references to alchemy, Pynchon and Burroughs! "Magick" is clearly referencing Crowley from the lyrics, too. Went back for a third listen as soon as I finished the second. Cracking stuff! Fave tracks - "Atlantis to Interzone" love a good AWOOOGA to kick off a tune. "Gravity's Rainbow". though perhaps I'm influenced by my love of the book. Their cover of "It's not Over Yet" is fun too.

Интересно, как раз моё.

idk what I expected but that wayy exceeded it that was such a fun album, definitely revisiting

Big fan of brit rock and this album did not disappoint.

Ook de nummers die geen singles waren hebben me kunnen bekoren. Heel toffe plaat

This was a great surprise! Hadn’t heard of them before so I was very happy about the quality of this album

Loved this. Perfect album to listen to on a road trip to Mars. Favourite song - Golden Skans (obviously)

Brilliant debut from the short lived Klaxons

It’s been at least 10 years since I’ve heard this one properly. I still occasionally hear Golden Skans on the radio, but Klaxxons I think are a largely forgotten band (seems they’ve been inactive since 2014). Before today, I don’t know if I would have thought to put this on a list of my top albums of the 2000s. Now I’m pretty sure I would have in the top 3 maybe.

Gloriously barmy. I love every second of this nutty LP.

There's a couple songs I've known from this album for a while but never checked out the whole thing. What a mistake that was. This album is so much fun, it's over in a flash and pretty much every song bombards you with catchy hooks or riffs. Listened to it 3 times during the day and I intend to listen to it some more. Perfectly represent a certain time for indie rock in the UK in the 2000s along with the first Arctic Monkeys record where rock music was fun and exciting.

How could I have never heard of this band before. Because damn I've missed out. This album is a pure gem, I'm definitely going to listen to this album on a regular base. Love the sound of it. So far no specific favourites, because all of them sound great

Love the energy, very Arctic Monkeys-esque

Good shit, man. Klaxons is one I certainly knew of but not particularly well. I remember Golden Skans and It's Not Over Yet being radio staples in 2007-2010; they were definitely a British indie staple amongst the likes of Arctic Monkeys, The Wombats, etc. Either way, this is an album that still slaps today. It has that element of distortion and danceability that keeps my attention throughout. Even the big one of this album, Golden Skans, is a total bop again now, even if it got a ridiculous amount of airtime back when it was released. Also, massive nostalgia for those Yamaha PSR "DJ" samples - Surely that keyboard voice was the bane of any music teacher in the 90's and 00's. I'd not really heard Atlantis to Interzone before but it slaps. Didn't realise how hard this album could get. Additionally, is it bad that it was only fairly recently that I found out It's Not Over Yet is a cover? Favourite: Golden Skans

The first three songs really catch your attention. I especially like the way they change up the styles and production – going all clubby-with-sirens-samples-guitars-and-screams on Atlantis to Interzone followed by the infectious pop of Golden Skans, which apparently has been many times covered and used in TV commercials, not surprisingly. The lesser-known tracks that follow are maybe not as hit-worthy but are still catchy, innovative and well-produced: they get the most out of three vocalists (Isle of Her and Forgotten Works are good examples). I put a lot of weight on The Mercury Prize, especially from that era. We could do worse than listening to MP winners and runners up for the rest of our lives. The fact that this beat out “Back in Black” is saying something. The LP apparently got mixed reviews from the critics, mostly due to the fact that they weren’t rave enough to be labelled New Rave. That’s okay by me.

I'm a sucker for anything that's obviously influenced by and holds reverence for good speculative fiction. I was worried that the music itself wouldn't match those high expectations, but it absolutely did. I'll be checking out the rest of their catalog. Best track: Magick

Sunny weather driving music. Not too hot on the late 2000’s indie explosion but this one is an exception.

Non-stop energy! Super cool listen. Screw it… 5 stars.

One of my favourite albums, favourite songs are 'Two Receivers,' 'Atlantis to Interzone,' 'Golden Skans,' 'As Above So Below,' 'It's Not Over Yet' and 'Magick'

Accompaniment of mental decay...

This. This is what I came here for. To discover new, great music. "Myths of the Near Future" comes out swinging and never lets up. The energy is contagious, the songs are hooky, and the production is top-notch. It was an immediate repeat play for me. Just great. Can't believe I'd never heard of Klaxons before. They're certainly on my radar now.

What a nice surprise that was. Some say that rock is dead, certainly it doesn't dominate, but bands like Klaxon take rock into this century with aplomb. It's noticeable that they take us on a journey from obvious rock to stuff which is a little more electronic, a bit more dance oriented. Yet I think the last few songs, which feature some killer bass work, actually rock harder while bringing on the funk.

Even though the last couple songs don’t live up to the rest of the album, the album as a whole kicks ass. It’s just one of the purest forms of 2000s alt rock short of the arctic monkeys I’ve heard in a while. The run of songs from golden skans to forgotten works is just excellent.

Niceee

Pretty interesting and fun to listen to.

Fun, high energy brit pop

I like this. A dance/club vibe with a 90's feel.

There were several bands around this period that combined new rave and dance punk with a post-punk undertone (see Late of the Pier) and this album is one of the most consistently solid outputs from this specific time. I like how the songs don’t overstay their welcome. They’re quick and dirty, there and gone again, as any band with a punk aesthetic should be. 3.7/5

What was that ending

I heard the hit off of this album, but never listened to the whole thing. It was surprisingly great.

## In-Depth Review of *Myths of the Near Future* by Klaxons *Myths of the Near Future*, the debut album by British band Klaxons, released in January 2007, is often heralded as a significant entry in the "new rave" genre. This album melds elements of indie rock, electronic music, and punk, creating a sound that is both energetic and eclectic. The following review delves into various aspects of the album, including its lyrics, music, production quality, themes, and overall influence on the music scene. ### Lyrics The lyrics of *Myths of the Near Future* are characterized by a blend of surrealism, mythology, and cultural references. Klaxons' songwriting often explores themes of escapism and existentialism, drawing on literary and mythological influences. - **Surreal Imagery**: Songs like "Atlantis to Interzone" feature vivid imagery that evokes a sense of adventure and otherworldliness. The title itself suggests a journey from a mythical place to a more contemporary setting, reflecting a desire to escape reality. - **Cultural References**: Tracks such as "Totem on the Timeline" contain lines that juxtapose historical figures with modern contexts, creating a playful yet thought-provoking narrative. The lyric "At Club 18-30 I met Julius Caesar, Lady Diana and Mother Theresa" exemplifies this blending of past and present. - **Existential Themes**: The song "As Above So Below" encapsulates philosophical musings on fate and existence, with its chorus resonating with listeners who appreciate deeper meaning in pop music. Overall, the lyrics contribute to an atmosphere that is both whimsical and introspective, allowing listeners to interpret them in various ways. ### Music Musically, *Myths of the Near Future* is a dynamic fusion of genres that defies easy categorization. - **Genre Fusion**: The album incorporates elements from rock, electronic dance music (EDM), and punk. Tracks like "Gravity's Rainbow" feature driving guitar riffs paired with electronic beats that create an infectious energy. - **Instrumentation**: The use of synthesizers alongside traditional rock instrumentation gives the album a unique sound. The interplay between guitars and synths is particularly notable in songs like "Golden Skans," where melodic hooks are complemented by rhythmic electronic layers. - **Production Techniques**: Produced by James Ford (known for his work with Arctic Monkeys), the album showcases polished production while retaining an underground feel. The layering of sounds creates depth in tracks like "Magick," where various sonic elements collide to produce a rich auditory experience. ### Themes Thematically, *Myths of the Near Future* navigates through concepts of modernity versus mythology, escapism, and cultural critique. - **Modernity vs. Mythology**: The juxtaposition of ancient myths with contemporary life reflects a longing for meaning in an increasingly chaotic world. This theme resonates throughout tracks like "Isle of Her," which draws inspiration from Greek mythology. - **Escapism**: Many songs express a desire to escape mundane realities. The euphoric nature of tracks like "It's Not Over Yet" embodies this yearning for liberation through music and dance. - **Cultural Critique**: The album also critiques societal norms and expectations. By referencing pop culture icons alongside historical figures, Klaxons invite listeners to question the value placed on fame and legacy. ### Influence Upon its release, *Myths of the Near Future* garnered significant attention within the music industry and among fans alike. - **Cultural Impact**: The album was pivotal in popularizing the "new rave" movement, which sought to revive elements of 90s rave culture within a contemporary context. Although this label has been debated regarding its validity, it undeniably positioned Klaxons at the forefront of a musical resurgence. - **Legacy**: Tracks such as "Golden Skans" and "Gravity's Rainbow" have endured as anthems within indie rock circles. Their catchy hooks and innovative sound have influenced subsequent artists exploring similar fusions of genres. - **Critical Reception**: While initially receiving mixed reviews—some critics dismissed it as merely hype-driven—retrospective evaluations have recognized its artistic merit. It is now viewed as an essential part of early 2000s British music history. ### Pros and Cons #### Pros - **Innovative Sound**: The blending of rock with electronic elements creates a fresh listening experience that stands out from contemporaries. - **Catchy Melodies**: Many tracks feature memorable hooks that contribute to their appeal as pop songs. - **Lyrical Depth**: The incorporation of surrealism and cultural references adds layers to the listening experience, inviting deeper analysis. #### Cons - **Hype vs. Reality**: The initial marketing as part of the "new rave" movement led to inflated expectations that some listeners felt were not met. - **Vocal Limitations**: Some critics noted that while ambitious in scope, the vocal delivery sometimes struggled to match the intensity required by certain tracks. - **Inconsistency**: While many songs shine brightly, others may feel less cohesive or impactful compared to standout tracks. ### Conclusion *Myths of the Near Future* by Klaxons remains a compelling debut that captures the spirit of its time while pushing musical boundaries. Its combination of innovative sounds, thought-provoking lyrics, and cultural commentary ensures its place in music history as both a product and critique of early 2000s youth culture. Despite some criticisms regarding hype and vocal execution, its influence persists in shaping contemporary indie rock and electronic music landscapes. As listeners continue to revisit this album years after its release, it serves as a testament to Klaxons' unique vision in an ever-evolving musical landscape.

Another pleasant surprise of an album that was very enjoyable

This definitely deserves a second listen

I liked this. Weird, but great energy. Honestly I was a bit fearful in that this is one of those records that apparently had only a very short stint on the 1001, and they are a UK band. Usually this means the record isn't all that good... but this is the exception that proves the rule, I guess.

I have fond memories of this album and then memories of their subsequent stuff being surprisingly bad. On listening for the first time in years, the album does not hold up as well as I remember. The singles are very enjoyable still, but the rest of the album falls a bit flat - and indicates that the follow up albums being poor shouldn't have been as much of a surprise as it was. Still giving it four stars, possibly a little nostalgia tinted, but I do really like the singles from this album, so it's kind of deserved too.

Better than I thought it would be after all this time. Despite the stench of madeleines as it was a sound track to a drunken trip to Finland c2007

Forgot klaxons existed. Very mid 2000s uni times indie sounding so it drew me in. Quite a few filler tracks but enough good tracks to keep me entertained. Nowt special but enjoyed it. 3.5 territory

Liked the fun, peppy, energy of this one overall.

Expected to be boring but fair bit of nostalgia

What a throwback!! Atlantis To Interzone - took me straight back to year 7 music class where we'd spam the exact same dj button and the woman's voice Golden Skans and It's Not Over Yet are absolute tunes!!! Big songs during my younger years that I still listen to now I enjoyed the rest of the album, but it wasn't quite as good as the singles 4 ⭐️

Me gusta

Enjoyed this alot more than i feared going into it.

Again another album / band first time hearing. I don’t hate it. Don’t love it either. It’s got a sound that was at the time new and interesting. And one of the band members married Keira Knightley. One of the reasons most guys get into music is to get girls and this guy aced it. I might add an extra Star for that. I did.

I pride myself on keeping a really open mind when it comes to music, and I try to just appreciate what I’m hearing without getting hung up on whether it’s culturally significant or derivative. But I’m starting to think this 1001 list is going to beat that out of me when it comes to indie brit pop/rock bands from the early 2000’s. It was an era comprised mostly of enjoyable-enough tunes to have in your headphones while you went about your day…not albums I need to hear before I die. These albums served their purpose…20 years ago. Am I really supposed to pretend there’s some staying power here? That said, enjoyable-enough album. Not even moderately interesting, but enjoyable. 4/5 Highlights: Gravity’s Rainbow Forgotten Works

Good listen

I'd never heard of this band before. It sounds like what I wish most of the new wave bands on this list sounded like. Not really sure I'd listen again, but I had a good time while I was here.

All over the fucking shop. They tend to be better when they're a bit more melodic (to my ears, anyway), and that's saying something because I gave Teenage Fanclub a 1/5 for being to sugary-sweet melodic. The album is a wild ride, but I wanted to listen to it again after an hour of listening to something else. So... That's a good thing, I guess.

Never heard of them but enjoyed the album and found it interesting!

Pretty cool, sort of electro-punk rock. A solid listen overall.

I was about to call this another "flash in the pan indie band album I should hear before I die" (which I guess is correct), but this one was actually pretty good. I remember this band used to be really hyped, and the album does deliver more than expected. Versatile and very consistent. Whatever happened to these guys. 3.5/5

A fantastic 3-song-run to start with but just loses momentum toward the end. A rounded-up 4

Saw the music video for Magick when I was a young teen (MTV I think?) and it fucking haunted me. For whatever reason it just grossed me out and was very disturbing. It's stuck with me throughout the years. Watched it now as an adult when this appeared on my list and it still just disturbs me and twists my stomach up. The rest if the album is quiet pleasant and enjoyable to listen to. Magick itself is an ok song, definitely weaker compared to the rest of the album though

Never heard of them but dang that was pretty good. Always good hearing a band where the bassist and the drummer aren't background players. Really felt high speed in your face but really precise with it

A non-stop energy ride that simultaneously sounds like so much of what was happening at the time and nothing like it at all. This album seemed to be full of "tracks you remember really liking but completely forgot existed." Does that speak to anything? I don't know, it's early.

Though these myths now sound more like the recent past, each track contains a melody, lick, or line worthy of space in the crowded mid-aughts canon of UK indie rock.

I hated Golden Skans and the sort of people who liked the Klaxons in 2007, which is a shame, because the front end of this album is absolutely mint. It drops off in the back end, but I'm there for it.

Pretty generic but the hits carry it

Best Song: Gravity's Rainbow. Quick hit little ditty with a catchy chorus. Worst Song: Forgotten Works. More like "forgettable works", am I right? Overall: I like it. Punchy, punctate tracks with an upbeat and dance-y rhythm. Noisy in a nice way. The whole album is fun and feels like a party.