A Night At The Opera

There's a quote from fabled film director Howard Hawks about what makes a great movie: "Three great scenes, no bad scenes." That same rule applies to one's definition of a great album. But it has to check both boxes. Queen surely meets the "3 great songs" criteria here (You're My Best Friend, Bohemian Rhapsody and Death On Two Legs qualify, as does 39 on a good day). But imagine you're the drummer for Queen, and your band's frontman is Freddie Freaking Mercury. You decide to bring in a song you wrote for your band's make or break album, and it's titled "I'm In Love With My Car". You're so fond of this song that you insist it can only be sung by you. The drummer. Who can sell the song in a way the iconic Freddie Mercury just wouldn't understand. Your belief in this song is such that you go so far as to lock yourself inside a cabinet unless it not only makes the album, but it also has to be the B Side of the Bohemian Rhapsody single. As one does. There are 3 songs of which Mercury takes a back seat (although in the interest of full disclosure, I don't mind guitarist Brian May's vocals on the aforementioned "39"). But it's the bad songs that keep this album from the fabled 5 rating. Listen to this with a great set of headphones to really appreciate the finer moments. Even the auto enthusiasts can feel free to skip Roger Taylor's car song.

A surprising amount of fluff surrounding the eternal hits makes for a night at the opera that’s less memorable than you might hope.

Amazing. A work of art. But not the car song

I lost my virginity to my best friend Puma while listening to this album. Sex was one star. Album is a 5.

Scaramouche

I really wanna like the album more than I can honestly admit. I think it’s a 5 in terms of cultural impact but for my listening pleasure a lot of the songs are just on. Bohemian Rhapsody is a 5/5 and the production is very good but, I wish the rest of the album was as catchy and bombastic as that.

Almost unbearable

To have you’re my best friend, love of my life, and Bohemian Rhapsody on the same album, is one of the greatest accomplishments in modern-day history. I know this is only the first album that we are listening to, but it’s going to be hard to beat this collection of songs.

Yeah, I mean, this hits all my sweet spots. It rocks. It's huge. It's dumb. It's weird. I love it. If you also love this and you've never heard The Kleptones A Night at the Hip-Hopera, I suggest you do so. This is all good.

Absolutely a fantastic album. I’d never listened to all of this and it was such a delight to listen to some Queen deep cuts. There’s a reason why they’re held in such regard. This album blows me away.

No other band can jump from heavy metal to cabaret to prog rock with the effortless grace of Queen, and this album displays that with a beautiful smattering of song variety.

Fantastic album, a beautiful voice with a beautiful band. I particularly liked The Prophet's Song

Brilliant

Another one I don’t even have to try on.

Dogshite overrated.

Now that's a fine album, REAL fine album, you can get a first class listening experience there

I never owned this one but this was one of those albums you didn't have to buy since it was played so much at all the parties. Side 1 doesn't have THE song, but it is still a strong side. The Side 1 songs I remember most from the parties where this LP was spun are "You're my best Friend" and "I'm in Love with my Car". You're My Best Friend still sounds great. Death on Two Legs is also musically good and lyrically full of piss and vinegar to say the least. Wiki just taught me that this song was with respect to their management that they fired at the time over financial and contractual issues. I recall the Bohemian Rhapsody movie made it seem like the old label was fired because they wouldn't agree to make THE Song a single because it was too long for radio. I guess this was a better storyline for the movie than the legal one. It also allowed the brilliantly casted scene where Dana Carvey plays the record company exec who gives a diatribe about how bad Bohemian Rhapsody was. I can't watch that scene without thinking of Dana and Mike Myers bobbing their heads in the car while they lip sync THE Song. There is a lot of genre hopping in this LP: On Seaside Rendezvous I keep waiting for the tap dancing solo, lol, 39 is a cool folk song, Good Company is a funky Ragtime song, The Prophet's Song has a 2 1/2 minute capella segment, and THE Song brings us opera. One could argue whether or not the music itself brings this to a 5 but, imo, Queen's ability to record good songs in so many off the beaten path genres gets it there.

I could go the rest of my life without hearing Bo Rhap again and die a happy man. Yet, in terms of being the cherry on top of this overblown, bombastic confection, it's hard to argue with its aptness. Anyway, this also has 'Death on Two Legs', 'Love of My Life' and an eccentric love letter from Roger Taylor to his favourite motor. Oh, plus 'You're My Best Friend', the best thing Queen ever did. Eclectic, stuffed to the gills and, ultimately, glorious. Where's this ambition these days?

Just fantastic, varied and fun, front to back awesome

Queen's problem is that their good songs are overplayed and their deep cuts are an embarrassment to music.

You suck my blood like a leech You break the law and you breach Screw my brain ‘til it hurts You’ve taken all my money and you want more - death on two legs (dedicated to … )

Adrenaline rush from start to finish. Tracks keep jumping without a moment's breath. Really puts the prog in prog rock by taking inspiration from all sorts of classical genres, from the namesake opera ("Bohemian Rhapsody") to ragtime ("Good Company"). There are the really poppy songs. The true-to-form hard rock songs ("I'm in Love with my car"), which gets even heavier, metal-like with "Sweet Lady." The beginning of the folk '39 sounds like it could have come out today, especially with that beat. The songs are catchy and fun to sing to. Production sounds amazing. Weaknesses? I'm not sure this is a weakness, but I felt the diversity in genres could be a double-edged sword. On one hand, it grabs your attention the entire album, interested to discover not just what the next song will be, but what the very song you're listening to will sound like in a minute. On the other hand, they don't share much in common beyond the high energy, and it can be kinda exhausting with the sound constantly changing with each passing second. I think a better example of genre-blending is LDIV, but I don't think this deters from a perfect score. The songs can stand on their own. Each song is interesting to listen to from start to finish. There's really not much to dislike about anything about this album.

Love queen

An album I should have listened to a long time ago. I picked it up on vinyl years ago. An incredible listening experience, as per usual with Queen.

I hated school. Hated it. Queen got me through year 10, year 11 and helped me get through - by actually getting to see them live with Freddie at the Sydney Entertainment Centre - year 12.* The sixth best Queen album. Still a ripper. The neat production tricks. Good Company with its 20s English trad jazz band built from guitar feed back, then the tape being cut and the pitches being all arranged into order. Yet tell me that’s not a clarinet. I’m over Bohemian Rhapsody - heard it way too much and there’s nothing in it for me to discover anymore. But it’s still an incredible track. Somewhat underrated I think. That piano riff is a six chord. Used all the time in Italian music. But also used in rock and roll. The Beatles often ended on a six. Possibly the most bitter rock song and a great great opener - Death On Two Legs. Young Mr Bulsara was not known for his subtlety. (He could be subtle but he wasn’t known for it.) Prophets Song - just brilliant. Actually Brian May starts to hit the heights of songwriting. He still had great stuff in him but Prophets song, 39, Good Company and even Sweet Lady are bangers. And the performance of God Save the Queen is the cherry on the top. John Deacon writes and plays piano on You’re My Best Friend. A top ten hit. A portend of things to come.** Freddie slushes and gushes on Love of my Life. I prefer Queen II, Sheer Heart Attack, Day at the Races and Queen. But this is still 5 stars. In fact 20000000 stars. *My dad gave me the tickets on his birthday. I caught the XPT train from Dubbo. Stayed at my uncle's at Burwood. He drove me in. Was in the very back row seven seats from the back wall on stage right. I can still remember a lot of it. Life changing for me. Was the show that made me want to be a musician. Also the first international act I saw. Still the standard I use to judge whether a show was any good. Seen them three times with Adam Lambert who is great. **It’s not generally recognised that Queen’s biggest selling single was ‘Another One Bites the Dust’ written by John Deacon.

Queen were straining at the boundaries of hard rock and heavy metal on Sheer Heart Attack, but they broke down all the barricades on A Night at the Opera, a self-consciously ridiculous and overblown hard rock masterpiece. Using the multi-layered guitars of its predecessor as a foundation, A Night at the Opera encompasses metal, pop, campy British music hall, and mystical prog rock, eventually bringing it all together on the pseudo-operatic "Bohemian Rhapsody." In short, it's a lot like Queen's own version of Led Zeppelin IV, but where Zep find dark menace in bombast, Queen celebrate their own pomposity. No one in the band takes anything too seriously, otherwise the arrangements wouldn't be as ludicrously exaggerated as they are. But the appeal -- and the influence -- of A Night at the Opera is in its detailed, meticulous productions. It's prog rock with a sense of humor as well as dynamics, and Queen never bettered their approach anywhere else. [Source: https://www.allmusic.com/album/a-night-at-the-opera-mw0000391519]

Classic. Random weirdness and gold standard all-time greats.

Queen albums are always entertaining. This is the big one - featuring everyone's favorite song, at least for one moment in their life. Varies a bit in quality throughout, but you gotta give respect to Freddie and the gang's most accomplished effort to bring ballet to the masses.

Amazing range and variety. Not all songs stick in the mind though.

When I was about 13, my mate Peter D. played me The Prophet's Song on his walkman during a school excursion to the Sydney Opera House (we were there for an afternoon at the opera, a matinee performance of Puccini's Manon Lescaut) I didn't think much of the Puccini, but Queen blew my mind. Peter subsequently made me a cassette of Night at the Opera backed with Queen's Greatest Hits. I had been familiar with Bohemian Rhapsody and some of their singles prior to that, but Night at the Opera was the first Queen studio album that I really delved into and played obsessively. I find it hard to approach this record objectively because of my nostalgic love of the record. Does it have a lot of songs that delve into pastiche and novelty? Yes. Is it almost bombastically over-produced? Well, yes. Is it full of cracking tunes and rocking rock? Well, hell yeah! Let's play it again, and louder! I love this review from Pitchfork (https://pitchfork.com/reviews/albums/15221-reissues/), which encapsulates my feelings about the band: "Fucking Queen. For all their reported bombast, pomp, and tendency to overshoot and double-slaughter any semblances of good taste, everything you've heard about them is still true. They're one of the few phenomena who deliver on the hype, regardless of how you approach them. Hate or love proggy album suites? Doesn't matter, Queen will make you feel good about your choice. Can't stand operatic drama, or can't get enough unitard-clad frontmen? Love to hate prime 1970s hard rock with arena sheen? Welcome to the greatest/most horrible band of the 20th century. They did and wanted it all. Yet, so much of Queen's music is still under-recognized even by people who know and love the hits." Bohemian Rhapsody is the jewel in the crown here, and one of the most unlikely of iconic rock songs. Is it Freddie Quicksilver bringing ballet to the masses (according to the possibly apocryphal encounter between Freddie and Sid Vicious), or a barely disguised metaphor for Freddie coming out ("mama, I just killed a man", except maybe not "killed"?) Doesn't matter! We're all singing along and banging our heads! I was recently at a grungy bar on a Saturday night, when the manager climbed up on the bar to lead a very raucous sing-along of Bohemian Rhapsody. You better believe everyone knew all the words. And The Prophet's Song still blows my mind. It's a crazy, over-top-top, bombastic, proggy, weird, rockin', idiosyncratic, occasionally silly, wondrous feast. Fifty bazillion stars.

4/7/22 The easiest 5 I’ve given yet! Such a fun album with the perfect blend of theatrics and talent. Excellent guitar as well! Really enjoyed every song in the album and the ending was amazing! Favorite song: Bohemian Rhapsody Favorite new song: ‘39

Okay, so this is great. I don’t really know why I haven’t been more into Queen before. This album has a sort of cinematic sound. I loved the quirkiness of the second song. They are so varied! Like, they have so much versatility in their style, and I think it’s fantastic.

This album is brilliant, silly, fun. My ex girlfriend used to love it and it reminded me of the good times with her. So much fun

YAS QUEEN! i've been expecting this here

Notes before listening: - I do know queen and know this album, I have heard to Bohemian Rhapsody a few times. Although I like the gimmicks of the song, I think the song is a bit overhyped and gets a lot more praise than it deserves. However, maybe in the context of the album the song will jump out as something out of this world. During listening: Was strange hearing someone else besides Freddy sing a Queen song on "Im in love with my car". So far the album really reminds me of Electric Light Orchestra. During "39" another song not sung by Freddy. Is this Brian May? Great voice! Works well with the Queens aesthetic. Favorite song thusfar, very uplifting, like an irish pub song. Brian May really carrying the band in Sweet Lady. Love of my life - another song besides Bohemian Rhapsody Ive heard before, how could I have forgotten this song. Great album overall, knows how to keep your attention, especially during the acapella part . I think the hype and fanbase around Bohemian rhapsody really ruined the song for me, which is too bad because if it wasn't this overplayed Id have loved it in context of the album. 4/5

Gives a whole other level of appreciation for Bohemian Rhapsody

Lazing on a Sunday Afternoon into I'm In Love With my Car is the rock n roll one-two punch you never knew you needed.

This is a top-tier 3/5 album, always fun, the preponderance of oddball song-shapes almost incidental to the record’s pleasures, the vocal and guitar fireworking, the pointed daftness, and the hugeness of the production. This contains maybe two and a half very good songs (and one and a half are BR), but I’m not sure that matters.

I’ve always been a tounge in cheek Aueen hater, but this album didn’t do much to change that. The 2 famous songs are great, BH might be one of the best songs ever, but I don’t really love the rest of it, which is a common theme for a lot of Queen I’ve found. Controversial 2

As much as I like some of their songs individually, I’ve never been that much of a Queen guy, and I tend to find their albums pretty grating. This is no exception.

terrible

Pretentious crap

I tried but had to bail before the end. Overblown and frankly a mess - 39 doesn't sound like it should be on any album, never mind this one. Too much guitar, too little melody.

Awful.Awful.Awful.

Was listening to this whilst painting our bedroom so listened about 5 times on repeat ... and by the end I was really enjoying it. Three absolute (and obvious) classics - Boho Rap, Youre my Best Friend and Love of My Life mean that it will always score highly. Question was how much the filler would drag it down. Have to admit that by the 5th rotation I was even enjoying I'm in Love with my car even though its lyrically ridiculous. Seaside/ lazy on Sunday/ Good Company afternoon still shit tho -remind me off bad Mccartney pastiche and were rather grating. On balance should prob be a 4 if i'm being consistent but will give it a 5 because of Bohemian Rhapsody.

One of Queen's best. Not much else to say

Top of the heap

Not much that can be said. Brilliant.

Love this album, this is exactly what I was hoping for in this project— I really only knew the hits. I know this is one my dad probably wore the vinyl out of when he was in high school

Good album. I know so many of the queen songs on it but have never listened to the full album.

Heh, you'll have a hard time finding a Queen album for which I will *not* give 5 stars. This is NOT that album. 5 stars.

Echt een aantal pareltjes op dit album.

A great album with a contender for best song ever almost at the end.

Woot. Queens good.

I was blown away by the scope of this album. It's probably best known for its two epics, but that summary ignores the depth and breadth of the rest of its offerings. What other rock project contains a hate song for a former manager, a Bowie-esque space folk song, and a combination Dixieland/ukulele number? All of the experiments work. I have a tendency to reduce Bohemian Rhapsody to a product of Wayne's World fame, and I'm definitely guilty of taking it for granted due to its overexposure. A fresh listen reaffirms its status as a masterpiece, and the thing of it is, it's not out of place on the album. The whole thing is a work of art. Best track: Bohemian Rhapsody

great start!

Great first listen! Its takes you on journey

I read somewhere that Queen is better remembered for the singles rather than the albums. I tend to agree. They’re a deeply goofy band with obvious comedy and musical theatre influences. As an album I do enjoy this even if there’s only two or three great songs. Everything else fits the tone they’re looking for but aren’t exactly something you’re hoping pops up on the radio or a playlist. 4/5

Maybe a bit overplayed and there are some meh tracks but this remains a solid listen after all these years. I still think Queen are more of a singles band but I'd still recommend them to any hard rock fan that has prog leanings.

More like Night at the Variety Show. This album's got show tunes, operettas, folk rock, piano ballads, and, of course, hard rock bangers. And they end it like proper Englishmen, by playing "God Save the Queen". Yep, definitely a variety show. (btw fyi, this is the album with "Bohemian Rhapsody", and in the context of this album, it's not a standalone track but is the natural consequence of the whole wonderful program that ran before it)

I very much enjoyed my night at the opera. Although, I don't feel like I was dressed appropriately

So I bought my first records when I was 12 in the mid-70’s, and “A Night At The Opera” & “A Day At The Races” were early additions to the collections, and have always been a fan of Queen… This is a spectacular album, and really enjoyed the diversity of music throughout the tracks – and it was produced with exceptional audio quality, which always scores points in my book… So many great tracks – especially on Side 1, and the best IMO were – “Death On Two Legs” – 6-stars out of 7… Great revenge track about their former Trident Studios manager… “Lazing On A Sunday Afternoon” – 4-stars out of 7… Fun little ditty with a lot packed into this 1:08 track… “I’m In Love With My Car” – 5-stars out of 7… Enjoyed the power and guitar work on this one… “You’re My Best Friend” – 7-stars out of 7… Staple on the soundtrack of the 70’s – absolute classic… “39” – 5-stars out of 7… Always one of my deep cut favs, and finally got to see it performed live in 2022 when we did a spur of the moment weekend trip to Minneapolis to see Queen & Adam Lambert perform – highly recommend by the way… “Love Of My Life” – 4-stars out of 7… This version is a bit over-produced, as I prefer the stripped-down version they used to play live – but a really unique, and well-written track… “Bohemian Rhapsody” – 7-stars out of 7… Loved this one from the first listen, and one of the foundational tracks in the rock canon… Only compliant was the dead spot at the end of Side 1, and beginning of Side 2, as everything from “Sweet Lady” though to “The Prophet’s Song”, are nowhere near as good as everything that preceded it on this album… Also – “Lazing On A Sunday Afternoon” was a perfect alternative track, and they really didn’t need to add 2 more shanty’s (i.e. “Seaside” & “Good Company”) as that was really a bit much… Would probably give this a 4.50 if I could, as there is so much goodness here, but the dead spot in the middle, and a few too many “shanty” tunes – keeps it from registering as a 5 for me… Awesome album, from one of the true originals – highly recommend!

I truly believe that Queen isn’t really a band with particularly great albums but Bohemian Rhapsody is obviously a masterpiece.

There are very few things I dislike more than the marriage of rock music and cabaret/music hall. …and I say that as a Kinks fan. This record is excellently produced, which distracts from A Night at the Opera’s haughty cabaret-rock. Musically, however, Queen has never really been for me.

“Mamaaaaa, uwu” - Freddie Mercury

A Night at the Opera While You’re My Best Friend and of course Bohemian Rhapsody are excellent if a bit overplayed, after a few listens this added to my feeling that Queen aren’t really for me. Although I think I liked it more than Sheer Heart Attack I still have the same issues of struggling to connect with it and finding Freddie’s vocals, May’s guitar and their overall melodic style hard work. Death on Two Legs is better than the more overtly show tune/cabaret/vaudeville/music hall songs like Lazing on a Sunday Afternoon, Seaside Rendezvous and Good Company but on repeat listens it felt like the vocal histrionics and guitar sounds were all there was to it, the melody is kind of unsatisfying. I actually quite liked I’m in Love With My Car, Roger’s earnest daftness is quite appealing, and I thought ‘39 was good in a folk sea shanty singalong way. Sweet Lady is probably the most successful rocker along with Prophet Song, although again I started to find them less enjoyable the more I listened to them. I know Love of My Life is considered one of their best songs, but I struggle with it, again I just find it hard to enjoy the vocals and the harmonic and melodic style. Perhaps my preconceptions and biases have got the better of me, but I found this harder to like the more I listened, it was probably somewhere in the 3s at first but after repeat listens I started to like it less and less, and despite the excellence of You’re My Best Friend and some other decent tracks, I can’t really see myself listening again. Maybe 4, but ultimately for me its a 3, Bohemian Rhapsody and You’re My Best Friend are of course excellent, and I liked Death on Two Legs, I’m in Love with My Car and ‘39 but there are at least 3 awful songs in Lazing on Sunday Afternoon, Seaside Rendezvous and Good Company with the rest a bit too fillery for me. Unlikely to listen again, but 2 feels too low for the quality, so I’ll say 3. 👫👫 Playlist submission: You’re My Best Friend

The most annoying person you knows' favourite album. Best Song: Bohemian Rhapsody Worst Song: God Save the Queen

i’m not sure what’s supposed to be good about this

Always really disliked this band so hard to be objective. Dislike the dampness the genre hopping, the harmonies, even May's guitar tone....and I really hate B. Rhapsody. Yuk. Can't give it 3.

I don't like Queen

Bombastic, theatrical, dramatic. Queen is just not for me.

Not a fan - queen suck

Trash album from a trash band. Facile, pompous, pretentious, dull twee, insincere and self absorbed. Unpopular opinion - Roger Taylor is the best singer in Queen! Two stars because I ‘You’re My Best Friend’ is pretty nice.

Pure camp. I hated it.

Yay, another Queen album. While “Queen II” had some redeeming qualities, mainly that the first half of the record was decent rock music, this record has really nothing going for it aside from Bohemian Rhapsody. The problem for me is that the only redeeming song on the album is so wildly overplayed that I could go the rest of my life without hearing it again, and I’d die perfectly content. I just don’t feel like the world has ever needed rock operas, and this is a very good example of why. I dislike almost everything about Freddie Mercury’s vocal style. I understand that he’s technically gifted, and has an impressive vocal range, something about the way he sings just really rubs me the wrong way. I really hope I don’t have to listen to anymore Queen after this. 1*

shite

No idea how they have managed to get the success they did with rubbish like that

I'm not a Queen fan.

Pretty bad

I really hate Queen.

Awful

Refused to listen. Christ, Hate EVERYTHING by these bell ends.

Magnificent as Queen can be, this album is a must, so diverse and grandiose, in a very good sense, in its best sense.

Iconic, big and fabulous! Gay rock at its finest!

A superb album. I grew up listening to this record front-to-back on repeat, so I'm probably a bit biased. But I was very curious to re-listen to this one, since it had been a long while since I listened to it, and I wanted to give it a critical listen. It was better than I remembered. Mercury has such a powerful and expressive voice he breathes life into all the tracks he's on. May is a ridiculously good guitarist, his solos here are amazing and he also plays the occasional odd instrument like the harp, which gives the compositions a lot of extra width and character. Taylor also serves the songs really well with his drumming, loved some of the fills ("The Prophet's Song"). Song-wise, it's just back-to-back bangers. The only song I feel is inferior in quality is "Sweet Lady", which feels a bit average and cuts the momentum a bit. But aside from that it's all just very high quality. "Death On Two Legs" is a great track, super emotional and powerful, a great opener. I love "I'm In Love With My Car", it's a great hard rock song, it's super heavy and Taylor is outstanding here. "The Prophet's Song" is a huge epic, they sound great and it's a super interesting journey. "'39" is a beautiful little folk ballad that's super catchy and nice. So far the album is stacked with great songs, and that's without mentioning the 3 biggest hits. Not much new can be said about them, but they remain as great as ever. "Bohemian Rhapsody" is a prog rock classic, one of the best songs ever. Even if it's been overplayed like hell, it remains a masterpiece.

5 stars just based on Bohemian Rhapsody alone. Easily one of the greatest songs ever written.

Sounds like a blast!

This is quite a personal album for me. I remember when I was little and my family and I were in vacations, my dad used to put my sister to sleep with this album as the background. Well, I know I wasn't the one to be put to sleep, but I was in the same room as her, so I can assure you that I was also snoozing with this, so it counts! I liked some of the songs so much that I even download them into my PSP. I'm telling you, 'Seaside Rendezvous' maybe the most child-friendly of the whole album thanks to the goofy sounds. I did also like 'The Prophet's Song' and the atmospheric feeling it had, specially the second part of the song, where they use a lot of layers and choruses. To think that my love for ambient music goes as far as when I was about 6 years old is rather fascinating. There was also a time in my teenage years when I added my fathers CD to my Itunes library, and this was one of the albums. But I don't get as nostalgic about this period as I do for the one when I was a child. Now, as a 23 years old guy with a much formed opinion in music, this album returns to me. It still is my streaming platforms library, but it has been a very long time since I listened to this project as a whole... and it stills fantastic. The production is incredible and the performances are insanely good. Even in the weaker tracks, (I'm looking at you, 'I'm in Love With My Car'), the execution is so incredible, that I can get a lot of enjoyment out of it. At the moment of giving it a score, I took a lot of time, and I finally came to the conclusion that, if I don't give it a 5 stars, I would be lying to myself about how much this album impacted me. Even though I don't think it is perfect, it is personal enough to give it 5 stars.

Bohemian Rhapsody is definitely the highlight. Also liked love of my life. There’re lots of registration changes. He is very good at head voice and mix belting, and he makes it sound effortless. But can also be a bit too theatrical sometimes. It’s still a five! Liking the album doesn’t make you gay!

Me and my friends once said Queen was more of a singles band. We were so extremely wrong.

Iconic. Need I say more? Queen is one of the most influential artists of all time and this is them at their best. Bohemian Rhapsody is still relevant to this day is has been for 50(!) years. We also get Brian May's best song at lead vocals in '39. There's a little bit of everything here for everyone, but the whole album still flows so well song to song. Favorites: - Lazing on a Sunday Afternoon - You're My Best Friend - '39 - Love of My Life - Bohemian Rhapsody

1. Bohemian Rhapsody 2. I'm In Love With My Car 3. Love Of My Life

Freddie is the man

One of the best rock/pop albums of all time!

For Nick

Look, I'm not a contrarian, but Bohemian Rhapsody is not the best song on this album.

I went into this having heard "Bohemian Rhapsody" (as I've lived on the Earth for 22 years and it's hard not to), but not much else from this album. That song would probably get a 3.5/5 from me, and I do think it would get grating if it were the whole album. However, it's not, and what they chose to do outside of it is almost all good in my opinion. "I'm In Love With My Car" is a 70s rock song in every sense of the word, but one that's perfectly suited to my cheese tolerance. "'39" came out of absolutely nowhere and is very likely my favorite song on the whole thing, as something about it is just so pretty to my ears. The only thing I'd really call a miss would be "The Prophet's Song," which just overstays its welcome. The a cappella part in the middle sort of goes on repeating the same three words for two minutes, and it feels like an intrusion on what was a fine enough song before and after it. Overall, this whole album surprised me in the best way I could've hoped. Is this partly because I listened to it with a friend who's been Queen-obsessed for a few months and who fed me all the little fun facts? Probably. But even disregarding him, there's a reason this has stuck around for 50 years come November.

It was a bold choice to release this as a rock album, so bold they made a movie about it. Things worked out pretty well for these fellas...except for Freddie. He died of the aids.

The question of England, In All Its Englishness, was the subject of so much late-Sixties, early- to mid-Seventies British rock music - from the Kinks to Pink Floyd to Paul McCartney's post-Beatles work - that it's sort of odd to realize that Queen, known to most as the foot-stomp stadium-shout lads, were working in that same tradition. It's even odder to realize they might have done it better than any of the others, McCartney very much included. I know you're not supposed to try and remake Sgt. Pepper but they may have pulled it off here; witness the time changes on "Sweet Lady" (shades of Pepper's "Good Morning Good Morning"), Brian May's McCartneyesque vocals on "'39," the George Harrison-influenced guitar solos throughout the album. And "Bohemian Rhapsody," of course, a reminder that the Beatles were themselves trying to create pocket symphonies - and never made one quite as symphonic as this.

The first Queen album I’ve really enjoyed from start to finish. Absolutely brilliant. Top Track - Obviously Bohemian Rhapsody speaks for itself but I really enjoyed The Prophet’s Song