A Night At The Opera

There's a quote from fabled film director Howard Hawks about what makes a great movie: "Three great scenes, no bad scenes." That same rule applies to one's definition of a great album. But it has to check both boxes. Queen surely meets the "3 great songs" criteria here (You're My Best Friend, Bohemian Rhapsody and Death On Two Legs qualify, as does 39 on a good day). But imagine you're the drummer for Queen, and your band's frontman is Freddie Freaking Mercury. You decide to bring in a song you wrote for your band's make or break album, and it's titled "I'm In Love With My Car". You're so fond of this song that you insist it can only be sung by you. The drummer. Who can sell the song in a way the iconic Freddie Mercury just wouldn't understand. Your belief in this song is such that you go so far as to lock yourself inside a cabinet unless it not only makes the album, but it also has to be the B Side of the Bohemian Rhapsody single. As one does. There are 3 songs of which Mercury takes a back seat (although in the interest of full disclosure, I don't mind guitarist Brian May's vocals on the aforementioned "39"). But it's the bad songs that keep this album from the fabled 5 rating. Listen to this with a great set of headphones to really appreciate the finer moments. Even the auto enthusiasts can feel free to skip Roger Taylor's car song.

Amazing. A work of art. But not the car song

A surprising amount of fluff surrounding the eternal hits makes for a night at the opera that’s less memorable than you might hope.

Scaramouche

I lost my virginity to my best friend Puma while listening to this album. Sex was one star. Album is a 5.

I really wanna like the album more than I can honestly admit. I think it’s a 5 in terms of cultural impact but for my listening pleasure a lot of the songs are just on. Bohemian Rhapsody is a 5/5 and the production is very good but, I wish the rest of the album was as catchy and bombastic as that.

Absolutely a fantastic album. I’d never listened to all of this and it was such a delight to listen to some Queen deep cuts. There’s a reason why they’re held in such regard. This album blows me away.

To have you’re my best friend, love of my life, and Bohemian Rhapsody on the same album, is one of the greatest accomplishments in modern-day history. I know this is only the first album that we are listening to, but it’s going to be hard to beat this collection of songs.

Almost unbearable

Yeah, I mean, this hits all my sweet spots. It rocks. It's huge. It's dumb. It's weird. I love it. If you also love this and you've never heard The Kleptones A Night at the Hip-Hopera, I suggest you do so. This is all good.

Fantastic album, a beautiful voice with a beautiful band. I particularly liked The Prophet's Song

No other band can jump from heavy metal to cabaret to prog rock with the effortless grace of Queen, and this album displays that with a beautiful smattering of song variety.

Brilliant

Another one I don’t even have to try on.

Now that's a fine album, REAL fine album, you can get a first class listening experience there

I never owned this one but this was one of those albums you didn't have to buy since it was played so much at all the parties. Side 1 doesn't have THE song, but it is still a strong side. The Side 1 songs I remember most from the parties where this LP was spun are "You're my best Friend" and "I'm in Love with my Car". You're My Best Friend still sounds great. Death on Two Legs is also musically good and lyrically full of piss and vinegar to say the least. Wiki just taught me that this song was with respect to their management that they fired at the time over financial and contractual issues. I recall the Bohemian Rhapsody movie made it seem like the old label was fired because they wouldn't agree to make THE Song a single because it was too long for radio. I guess this was a better storyline for the movie than the legal one. It also allowed the brilliantly casted scene where Dana Carvey plays the record company exec who gives a diatribe about how bad Bohemian Rhapsody was. I can't watch that scene without thinking of Dana and Mike Myers bobbing their heads in the car while they lip sync THE Song. There is a lot of genre hopping in this LP: On Seaside Rendezvous I keep waiting for the tap dancing solo, lol, 39 is a cool folk song, Good Company is a funky Ragtime song, The Prophet's Song has a 2 1/2 minute capella segment, and THE Song brings us opera. One could argue whether or not the music itself brings this to a 5 but, imo, Queen's ability to record good songs in so many off the beaten path genres gets it there.

I could go the rest of my life without hearing Bo Rhap again and die a happy man. Yet, in terms of being the cherry on top of this overblown, bombastic confection, it's hard to argue with its aptness. Anyway, this also has 'Death on Two Legs', 'Love of My Life' and an eccentric love letter from Roger Taylor to his favourite motor. Oh, plus 'You're My Best Friend', the best thing Queen ever did. Eclectic, stuffed to the gills and, ultimately, glorious. Where's this ambition these days?

Just fantastic, varied and fun, front to back awesome

Dogshite overrated.

You suck my blood like a leech You break the law and you breach Screw my brain ‘til it hurts You’ve taken all my money and you want more - death on two legs (dedicated to … )

Adrenaline rush from start to finish. Tracks keep jumping without a moment's breath. Really puts the prog in prog rock by taking inspiration from all sorts of classical genres, from the namesake opera ("Bohemian Rhapsody") to ragtime ("Good Company"). There are the really poppy songs. The true-to-form hard rock songs ("I'm in Love with my car"), which gets even heavier, metal-like with "Sweet Lady." The beginning of the folk '39 sounds like it could have come out today, especially with that beat. The songs are catchy and fun to sing to. Production sounds amazing. Weaknesses? I'm not sure this is a weakness, but I felt the diversity in genres could be a double-edged sword. On one hand, it grabs your attention the entire album, interested to discover not just what the next song will be, but what the very song you're listening to will sound like in a minute. On the other hand, they don't share much in common beyond the high energy, and it can be kinda exhausting with the sound constantly changing with each passing second. I think a better example of genre-blending is LDIV, but I don't think this deters from a perfect score. The songs can stand on their own. Each song is interesting to listen to from start to finish. There's really not much to dislike about anything about this album.

Love queen

An album I should have listened to a long time ago. I picked it up on vinyl years ago. An incredible listening experience, as per usual with Queen.

Queen's problem is that their good songs are overplayed and their deep cuts are an embarrassment to music.

I hated school. Hated it. Queen got me through year 10, year 11 and helped me get through - by actually getting to see them live with Freddie at the Sydney Entertainment Centre - year 12.* The sixth best Queen album. Still a ripper. The neat production tricks. Good Company with its 20s English trad jazz band built from guitar feed back, then the tape being cut and the pitches being all arranged into order. Yet tell me that’s not a clarinet. I’m over Bohemian Rhapsody - heard it way too much and there’s nothing in it for me to discover anymore. But it’s still an incredible track. Somewhat underrated I think. That piano riff is a six chord. Used all the time in Italian music. But also used in rock and roll. The Beatles often ended on a six. Possibly the most bitter rock song and a great great opener - Death On Two Legs. Young Mr Bulsara was not known for his subtlety. (He could be subtle but he wasn’t known for it.) Prophets Song - just brilliant. Actually Brian May starts to hit the heights of songwriting. He still had great stuff in him but Prophets song, 39, Good Company and even Sweet Lady are bangers. And the performance of God Save the Queen is the cherry on the top. John Deacon writes and plays piano on You’re My Best Friend. A top ten hit. A portend of things to come.** Freddie slushes and gushes on Love of my Life. I prefer Queen II, Sheer Heart Attack, Day at the Races and Queen. But this is still 5 stars. In fact 20000000 stars. *My dad gave me the tickets on his birthday. I caught the XPT train from Dubbo. Stayed at my uncle's at Burwood. He drove me in. Was in the very back row seven seats from the back wall on stage right. I can still remember a lot of it. Life changing for me. Was the show that made me want to be a musician. Also the first international act I saw. Still the standard I use to judge whether a show was any good. Seen them three times with Adam Lambert who is great. **It’s not generally recognised that Queen’s biggest selling single was ‘Another One Bites the Dust’ written by John Deacon.

Queen were straining at the boundaries of hard rock and heavy metal on Sheer Heart Attack, but they broke down all the barricades on A Night at the Opera, a self-consciously ridiculous and overblown hard rock masterpiece. Using the multi-layered guitars of its predecessor as a foundation, A Night at the Opera encompasses metal, pop, campy British music hall, and mystical prog rock, eventually bringing it all together on the pseudo-operatic "Bohemian Rhapsody." In short, it's a lot like Queen's own version of Led Zeppelin IV, but where Zep find dark menace in bombast, Queen celebrate their own pomposity. No one in the band takes anything too seriously, otherwise the arrangements wouldn't be as ludicrously exaggerated as they are. But the appeal -- and the influence -- of A Night at the Opera is in its detailed, meticulous productions. It's prog rock with a sense of humor as well as dynamics, and Queen never bettered their approach anywhere else. [Source: https://www.allmusic.com/album/a-night-at-the-opera-mw0000391519]

Classic. Random weirdness and gold standard all-time greats.

When I was about 13, my mate Peter D. played me The Prophet's Song on his walkman during a school excursion to the Sydney Opera House (we were there for an afternoon at the opera, a matinee performance of Puccini's Manon Lescaut) I didn't think much of the Puccini, but Queen blew my mind. Peter subsequently made me a cassette of Night at the Opera backed with Queen's Greatest Hits. I had been familiar with Bohemian Rhapsody and some of their singles prior to that, but Night at the Opera was the first Queen studio album that I really delved into and played obsessively. I find it hard to approach this record objectively because of my nostalgic love of the record. Does it have a lot of songs that delve into pastiche and novelty? Yes. Is it almost bombastically over-produced? Well, yes. Is it full of cracking tunes and rocking rock? Well, hell yeah! Let's play it again, and louder! I love this review from Pitchfork (https://pitchfork.com/reviews/albums/15221-reissues/), which encapsulates my feelings about the band: "Fucking Queen. For all their reported bombast, pomp, and tendency to overshoot and double-slaughter any semblances of good taste, everything you've heard about them is still true. They're one of the few phenomena who deliver on the hype, regardless of how you approach them. Hate or love proggy album suites? Doesn't matter, Queen will make you feel good about your choice. Can't stand operatic drama, or can't get enough unitard-clad frontmen? Love to hate prime 1970s hard rock with arena sheen? Welcome to the greatest/most horrible band of the 20th century. They did and wanted it all. Yet, so much of Queen's music is still under-recognized even by people who know and love the hits." Bohemian Rhapsody is the jewel in the crown here, and one of the most unlikely of iconic rock songs. Is it Freddie Quicksilver bringing ballet to the masses (according to the possibly apocryphal encounter between Freddie and Sid Vicious), or a barely disguised metaphor for Freddie coming out ("mama, I just killed a man", except maybe not "killed"?) Doesn't matter! We're all singing along and banging our heads! I was recently at a grungy bar on a Saturday night, when the manager climbed up on the bar to lead a very raucous sing-along of Bohemian Rhapsody. You better believe everyone knew all the words. And The Prophet's Song still blows my mind. It's a crazy, over-top-top, bombastic, proggy, weird, rockin', idiosyncratic, occasionally silly, wondrous feast. Fifty bazillion stars.

4/7/22 The easiest 5 I’ve given yet! Such a fun album with the perfect blend of theatrics and talent. Excellent guitar as well! Really enjoyed every song in the album and the ending was amazing! Favorite song: Bohemian Rhapsody Favorite new song: ‘39

Okay, so this is great. I don’t really know why I haven’t been more into Queen before. This album has a sort of cinematic sound. I loved the quirkiness of the second song. They are so varied! Like, they have so much versatility in their style, and I think it’s fantastic.

This album is brilliant, silly, fun. My ex girlfriend used to love it and it reminded me of the good times with her. So much fun

YAS QUEEN! i've been expecting this here

Queen albums are always entertaining. This is the big one - featuring everyone's favorite song, at least for one moment in their life. Varies a bit in quality throughout, but you gotta give respect to Freddie and the gang's most accomplished effort to bring ballet to the masses.

Gives a whole other level of appreciation for Bohemian Rhapsody

Amazing range and variety. Not all songs stick in the mind though.

Lazing on a Sunday Afternoon into I'm In Love With my Car is the rock n roll one-two punch you never knew you needed.

This is a top-tier 3/5 album, always fun, the preponderance of oddball song-shapes almost incidental to the record’s pleasures, the vocal and guitar fireworking, the pointed daftness, and the hugeness of the production. This contains maybe two and a half very good songs (and one and a half are BR), but I’m not sure that matters.

I’ve always been a tounge in cheek Aueen hater, but this album didn’t do much to change that. The 2 famous songs are great, BH might be one of the best songs ever, but I don’t really love the rest of it, which is a common theme for a lot of Queen I’ve found. Controversial 2

As much as I like some of their songs individually, I’ve never been that much of a Queen guy, and I tend to find their albums pretty grating. This is no exception.

terrible

Pretentious crap

I tried but had to bail before the end. Overblown and frankly a mess - 39 doesn't sound like it should be on any album, never mind this one. Too much guitar, too little melody.

Awful.Awful.Awful.

One of Queen's best. Not much else to say

Top of the heap

Not much that can be said. Brilliant.

Love this album, this is exactly what I was hoping for in this project— I really only knew the hits. I know this is one my dad probably wore the vinyl out of when he was in high school

Good album. I know so many of the queen songs on it but have never listened to the full album.

Heh, you'll have a hard time finding a Queen album for which I will *not* give 5 stars. This is NOT that album. 5 stars.

Echt een aantal pareltjes op dit album.

A great album with a contender for best song ever almost at the end.

Woot. Queens good.

I was blown away by the scope of this album. It's probably best known for its two epics, but that summary ignores the depth and breadth of the rest of its offerings. What other rock project contains a hate song for a former manager, a Bowie-esque space folk song, and a combination Dixieland/ukulele number? All of the experiments work. I have a tendency to reduce Bohemian Rhapsody to a product of Wayne's World fame, and I'm definitely guilty of taking it for granted due to its overexposure. A fresh listen reaffirms its status as a masterpiece, and the thing of it is, it's not out of place on the album. The whole thing is a work of art. Best track: Bohemian Rhapsody

great start!

Great first listen! Its takes you on journey

Notes before listening: - I do know queen and know this album, I have heard to Bohemian Rhapsody a few times. Although I like the gimmicks of the song, I think the song is a bit overhyped and gets a lot more praise than it deserves. However, maybe in the context of the album the song will jump out as something out of this world. During listening: Was strange hearing someone else besides Freddy sing a Queen song on "Im in love with my car". So far the album really reminds me of Electric Light Orchestra. During "39" another song not sung by Freddy. Is this Brian May? Great voice! Works well with the Queens aesthetic. Favorite song thusfar, very uplifting, like an irish pub song. Brian May really carrying the band in Sweet Lady. Love of my life - another song besides Bohemian Rhapsody Ive heard before, how could I have forgotten this song. Great album overall, knows how to keep your attention, especially during the acapella part . I think the hype and fanbase around Bohemian rhapsody really ruined the song for me, which is too bad because if it wasn't this overplayed Id have loved it in context of the album. 4/5

So I bought my first records when I was 12 in the mid-70’s, and “A Night At The Opera” & “A Day At The Races” were early additions to the collections, and have always been a fan of Queen… This is a spectacular album, and really enjoyed the diversity of music throughout the tracks – and it was produced with exceptional audio quality, which always scores points in my book… So many great tracks – especially on Side 1, and the best IMO were – “Death On Two Legs” – 6-stars out of 7… Great revenge track about their former Trident Studios manager… “Lazing On A Sunday Afternoon” – 4-stars out of 7… Fun little ditty with a lot packed into this 1:08 track… “I’m In Love With My Car” – 5-stars out of 7… Enjoyed the power and guitar work on this one… “You’re My Best Friend” – 7-stars out of 7… Staple on the soundtrack of the 70’s – absolute classic… “39” – 5-stars out of 7… Always one of my deep cut favs, and finally got to see it performed live in 2022 when we did a spur of the moment weekend trip to Minneapolis to see Queen & Adam Lambert perform – highly recommend by the way… “Love Of My Life” – 4-stars out of 7… This version is a bit over-produced, as I prefer the stripped-down version they used to play live – but a really unique, and well-written track… “Bohemian Rhapsody” – 7-stars out of 7… Loved this one from the first listen, and one of the foundational tracks in the rock canon… Only compliant was the dead spot at the end of Side 1, and beginning of Side 2, as everything from “Sweet Lady” though to “The Prophet’s Song”, are nowhere near as good as everything that preceded it on this album… Also – “Lazing On A Sunday Afternoon” was a perfect alternative track, and they really didn’t need to add 2 more shanty’s (i.e. “Seaside” & “Good Company”) as that was really a bit much… Would probably give this a 4.50 if I could, as there is so much goodness here, but the dead spot in the middle, and a few too many “shanty” tunes – keeps it from registering as a 5 for me… Awesome album, from one of the true originals – highly recommend!

There are very few things I dislike more than the marriage of rock music and cabaret/music hall. …and I say that as a Kinks fan. This record is excellently produced, which distracts from A Night at the Opera’s haughty cabaret-rock. Musically, however, Queen has never really been for me.

“Mamaaaaa, uwu” - Freddie Mercury

The most annoying person you knows' favourite album. Best Song: Bohemian Rhapsody Worst Song: God Save the Queen

i’m not sure what’s supposed to be good about this

Always really disliked this band so hard to be objective. Dislike the dampness the genre hopping, the harmonies, even May's guitar tone....and I really hate B. Rhapsody. Yuk. Can't give it 3.

I don't like Queen

Bombastic, theatrical, dramatic. Queen is just not for me.

Not a fan - queen suck

Trash album from a trash band. Facile, pompous, pretentious, dull twee, insincere and self absorbed. Unpopular opinion - Roger Taylor is the best singer in Queen! Two stars because I ‘You’re My Best Friend’ is pretty nice.

Pure camp. I hated it.

Yay, another Queen album. While “Queen II” had some redeeming qualities, mainly that the first half of the record was decent rock music, this record has really nothing going for it aside from Bohemian Rhapsody. The problem for me is that the only redeeming song on the album is so wildly overplayed that I could go the rest of my life without hearing it again, and I’d die perfectly content. I just don’t feel like the world has ever needed rock operas, and this is a very good example of why. I dislike almost everything about Freddie Mercury’s vocal style. I understand that he’s technically gifted, and has an impressive vocal range, something about the way he sings just really rubs me the wrong way. I really hope I don’t have to listen to anymore Queen after this. 1*

shite

No idea how they have managed to get the success they did with rubbish like that

I'm not a Queen fan.

Pretty bad

I really hate Queen.

Awful

Refused to listen. Christ, Hate EVERYTHING by these bell ends.

Super entertaining from start to finish with great instrumentation !

Yee

You know what, fuck it, I’m giving this five stars. It’s the anti- “hotel California.” Where that song acted as a negative force dragging down the rest of the album into 1-star territory, “Bohemian Rhapsody” is good enough to round up this album to 5, even if it has some really dorky segments. Overall it’s just pure Queen! I will purchase a copy of this. Must-listen #119.

тор

oh mamma Mia

Fav

Si no fuera por Bohemian Rhapsody podría estar entre los 1000 discos a escuchar antes de morir? Ya con la apertura de Detah on two legs (Metallica bien que escucharon el tema) se responde por sí misma la cuestión. La portada contribuye a esclarecerla. El resto, canciones al más puero estilo Queen, con toques pintorescos pero muy compactas y potentes. Death on a Sunday afternoon o la psicodélica (hablamos de Queen) I´m in love with my car. You´re my best friend es un clásico. ´39 podría estar en un disco de John Denver (no es un piropo), por suerte Sweet Lady recobra el pulso. Seaside Rendezvouz es otro número de cabaret tan del gusto de Mercury, que no desentona como tampoco Good Company. The prophets´s song, el tema más largo del disco, sigue el camino de Bohemian con cambios de estilo y ritmo, es otra de sus mejores canciones. la voz de mercury es otro instrumento más, y no uno cualquiera. Love of my lifre baja el ambiente unos cuanto grados, en un delicado tema, uno de sus primeros himnos. con una voz e intrumentación sensacionales. Y por supuesto la canción eterna. Como final meten el himno, esta vez real, God save the Queen. No se puede pedir más. Aquí más es más. Sí, clásico entre los clásicos, por todo.

Love this album

Difficult to put down at the start, and then finishes with one of the best songs ever written.

Great album!

Amazing album. Pretty much bonkers, but the musicianship is incredible, it has enough massive hits too balance the firsts into weird genres. Just brilliant.

Flamboyant, entertaining, nostalgic, breathtaking... Queen at the start of their absolute peak. How can you fault this? (I can, and I will: the fucking song about the car) 4.7

Queens music of often too Broadway for me, but I have to go with a 5 here. The production and effort on The bands part was absolutely top notch. The playing and dynamism were both on fire through the album (even in a song as stupid as “I’m in love with my car”) which reminded me of Abbey Road in that it had a first half which included some silly songs and a sweeping medley in the second half. Ending with God Save the Queen was a nice touch too.

Obviously the hits are great, but Death On Two Legs and '39 are some great album cuts!

this is another album i obviously knew songs from but didn’t know in full. how did i forget how good queen is. this is so awesome

5 baby! Hot 5!

A trip. Bombastic, overblown, theatrical, technically stunning and innovative. Prophets Song is absolutely amazing - the Freddie solo is jaw dropping. Bohemian Rhapsody nuff said

Rock star

a little bombastic rock n roll and one of the best voices in music? All this AND Bohemian Rhapsody? Yes, please!

I mean it's A Night At The Opera by Queen idk what you want me to say

Masterpiece, as expected. 5/5

Lots of fine albums came out in 1975 (best year in Rock after '66?) & this one is near the top (Physical Graffiti being at the very top) in that magical year of living prog rock as Punk lurked about prepping for a takeover of the status quo that would fizzle out with a dull thump much as the summer of love had done a decade earlier.

What a banger, especially for someone who usually isn’t too keen on the rock from back in the day. Of course I sang along to the entirety of Bohemian Rhapsody… I mean Wayne’s World kind of instilled it in me to also bang my head to the song at just the right moment. lol

The way I see things, there are three great groups of western pop music which have that special Midas Touch where everything they touch is instantly transmuted into something valuable. The third place goes to ABBA and first place to the Beatles, leaving the second place for, of course, Queen. So 'valuable' should be taken very broadly here. All three bands have some certified stinkers - hell, even this very album has I'm in Love With My Car on it - but that's not what I'm talking about. Instead, think of it this way: if some fun could be had out of this song during a karaoke night after approximately 2-4 drinks or on a roadtrip where the bumping of the car has lulled you to a state of semi-delirious half-slumber, then it's valuable. If a song manages to leave an emotional footprint of any kind other than total tedium, it's valuable. Of course the vehicle-coveting song is stupid, but when asked about it in five years, you will surely remember it being there, or the time you and your sleep-drunk friends bellowed along to it on that aforementioned roadtrip. At their peak, Queen just couldn't create an unimpressive, forgettable song if they wanted to, regardless of the quality. I guess what I'm saying is, this album is of course imperfect. But boy, does pretty much every single one of its (many) musical ideas fill my stomach with pure joy. Every time they hit one of those four-part aaaah harmonies, I smile. Every time Freddie starts a Music Hall-esque piano rag, I smile. Every time Brian May does that high nyouuung thing on the guitar, I smile. Some music is made for pondering, chin-stroking, catharsis, bewilderment etc. etc., but this music is made for making you feel like a balloon filled with childlike excitement; and it's second to none in that regard.

Top tier album. This is a 10 of 10 album to me.