That was really hard work. The voice hurts my ears, my brain, and my sense of decency. It's awful! Musically the album isn't horrible, but damn that voice is all over the place, off-key, out of tune, trying to be all unique, and just ending up as a big pile of nastiness. Someone should be locked up for making me listen to this!

This really isn't my kind of thing, I was dreading listening to it. However, this album is beautiful from start to finish. Like work of art type beautiful. It's so relaxing, it makes me feel a little stoned. It's unassuming, uplifting, and probably good for the soul. I feel as though it's cleansed me, flushing away the bad music that came before. I'm a fan.

I can sort of understand why people might like this, it's really not for me though. It doesn't really do anything, or go anywhere. There's no passion in here, it's like they're going through the motions in an effort to sound cool and they're falling way short. Not for me.

I imagine Hendrix sounded amazing when he arrived on the scene, unlike anything else. Now though, so many people have done so much better. He's obviously a legend and all, can't dispute that, but I struggle to listen to him for too long without finding it annoying. A couple of tracks here are fine, a whole album is too much for me.

The first time I heard this I was surprised I liked it at all. Despite her being an annoyingly constant press presence at the time, there is no denying Amy had a hell of a voice. I'm not usually one for female voices, but hers is beautiful, and so strong. Some of these songs are perfect pop pieces. Everything came together wonderfully on this album.

In a list of bands I wouldn't have expected to find on the list, Haircut 100 might be right at the top. How are they here? It's actually a quite pleasant album, airy and light, full of smiles and nostalgia. Not a terrible listen, nice background noise, but really, how are they here?

This really isn't my kind of thing, I was dreading listening to it. However, this album is beautiful from start to finish. Like work of art type beautiful. It's so relaxing, it makes me feel a little stoned. It's unassuming, uplifting, and probably good for the soul. I feel as though it's cleansed me, flushing away the bad music that came before. I'm a fan.

I like a lot of CCR stuff, none of it seemed to be on this album. This seemed just too much CCR, it was overrun with high levels of CCR-ness. Someone turned up the CCR to 11. It's an overbaked cake, a hat on a hat, CCR squared. Even the voice was too much for me. Too CCR, too American, too much.

This is so 80s I felt myself growing a full perm and shoulder pads as I listened. It's beautifully produced classic pop, containing some of the most recogisaable songs from that decade. As an unapologetic lover of most things 80s, even though I'm not a big Turner fan, this tickles all the right nostalgia places. A fun listen and a fun singalong.

Pantera played some of the best gigs I ever went to. As much as Anselmo is a total asshole, these guys rock so hard I can ignore that a while. Love the band, love the album, it makes me want to get up and get aggressive, or dance manically, or both. One of my favourite albums from my favourite time period for music.

It sounds like muzak. I felt I was standing in a lift, waiting to reach my floor. I can find no redeeming features in this album. It is very bland.

One of my favourite albums from one of my favourite people on the planet that I am more than a little obsessed with. I am totally biased. This album is beautiful, full of wonder, peaceful and just lovely. This album and I are friends.

I can sort of understand why people might like this, it's really not for me though. It doesn't really do anything, or go anywhere. There's no passion in here, it's like they're going through the motions in an effort to sound cool and they're falling way short. Not for me.

This turned out better than I expected it to be. There is a lot of quite interesting stuff going on musically. It rocks more than I thought the band were capable. I am big on voices though, if a voice isn't right then I find it difficult to enjoy the music at all. This guy's voice is really quite irritating. A shame, it could have been so much better.

I never liked female voices, and my 90s were all about grunge stuff mostly. However, I loved this album, hugely! It's fantastic. It's so out of my usual likes it always surprises anyone I confess to. You Oughta Know is one of the all time greatest pop songs, without question. I still love the album now, I haven't heard it in a while, this was a welcome reunion.

I'm sure this album would score at least 1 spot higher if I still had a DJ set up to play it on. Pearl's Girl always sounded great in the clubs, but listening at home alone just doesn't have the same effect. Having said that, it still has me dancing around the place. It's impossible to keep your feet still to some of this.

People who love the music I love adore Harvey, and think I should also. I do not love Harvey. It's another case of the voice grating on me, I'm afraid. I'm so influenced by that when enjoying music, and her voice really turns me off. It's a shame really because musically this could be pretty great.

I couldn't really get a handle on this, it's all a bit disjointed and difficult to connect with. There are moments that I enjoyed but this album struggled to hold my attention. It's strange, it's very nearly good but there's just something, some indescribable ingredient, that is noticeably missing.

I imagine Hendrix sounded amazing when he arrived on the scene, unlike anything else. Now though, so many people have done so much better. He's obviously a legend and all, can't dispute that, but I struggle to listen to him for too long without finding it annoying. A couple of tracks here are fine, a whole album is too much for me.

This was very relaxing, so much so that I kept falling aslep while listening. I don't really know what else there is to be said about it, it relaxes. It doesn't do anything too dramatic that would cause one to unrelax, it just floats along.

The Cardigans were always a little too nice for me. I prefer music to be slightly nasty, music you wouldn't strike up convo with in a pub. These guys would be among your best friends after one friendly chat. It's not bad, there are a ocuple of wonderful tracks, it just doesn't really stir any depth of feeling beyond the pleasant smile on the surface.

I'm not really sure about this album, I#m not sure what it's doing or how it's making me feel. It is quite interesting but interestingness alone does not make for good enjoyable music. It appears to take itself a little too seriously.

That was really hard work. The voice hurts my ears, my brain, and my sense of decency. It's awful! Musically the album isn't horrible, but damn that voice is all over the place, off-key, out of tune, trying to be all unique, and just ending up as a big pile of nastiness. Someone should be locked up for making me listen to this!

I thought I didn't like it, I wasn't enjoying it, in fact I was barely listening to it at all. But then, slowly, persistently, it crept in, soothing the senses. When it was finished I found myself missing its presence. It's difficult to explain but I don't really think of this as music. It's a mood, an atmosphere that settles in and gets comfy without you noticing.

Not nearly as over the top as I remember it being. It's actually quite melodic in places. It's still too much for me really, but I can appreciate it's a very well made album and at the forefront of 90s thrash metal. It does its thing very well, its thing isn't for me though.