Private Dancer

An interesting and cool album. I’m not sure how much Tina Turner you’re supposed to consume at one time, but by the end of it I was feeling overwhelmed. Very aggressive. I can’t stand the rain is phenomenal.

"WHO RUNS BARTERTOWN!?" TINA FUCKIN' TURNER, that's who! –– | –– I was dreading this album when I saw it come in last night. The '80s have a special place in my trashcan. I was relieved, however that the saxophone didn't make an entrance until track five—'Private Dancer' which I immediately hated. However, I think that if you can remove that wretched instrument from this song, you can find the beauty in the juxtaposition of Tina's strong, survive-at-all-costs voice singing those lyrics. A quick note on the saxophone. Byrd, Coletrane and James Bond– theyr're all great ... In the late '90's and early 2000's there was this belief that any crappy movie could be made better if only Sean Connery was in it. Studios figured this out and it worked for a bit until audiences eventually realized that Sean Connery equals suckfest, making him redundant and leaving us with movies like LXG. In the '80's the same thing happened with the saxophone. Anyway, Tina - an empirical 'YES!' The music backing up Tina... that's a harder sell. The flat drum machines, the stiff-lo-tech-robot percussion and errant guitar strum sprinkled through tracks is pure Connery. Is it possible to remix this without all that 80's baggage? If so, I'm on board. Just do me one favor and keep 'I Can't Stand the Rain.' Somehow, in ways I can't explain, this song just works as-is.

The musical instruments on this album are meaningless background noise. Tina’s voice is the main instrument and oh man is it powerful. Unfortunately the album is more than just her voice.

Okay, Aunty Entity. Aunty Entity, okay. This record is painfully 80s. It's so 80s, it goes to work with a Lisa Frank trapper keeper tucked under its arm. It's a plastic imitation of real music with a rough coat of paint slapped over top to give it the impression of edginess. Not good.

Thanks a lot, Ike Turner. I blame this on you. And don’t take my word for it, either. YouTube the Ike and Tina Turner Revue’s performance of just two songs: ‘Nutbush City Limits’ and ‘Proud Mary.’ Then, listen to 'Private Dancer,' and on the mega hit ‘What’s Love Got to Do with It’ when Tina sings, ‘Who needs a heart when a heart can be broken,’ that’s my heart she’s breaking with this awful, awful LP. Sure, it contains two other smash hits- ‘Better Be Good to Me,’ and ‘I Can’t Stand the Rain,’ as well as, I believe, a minor hit with the final title track. Sure, it was her big comeback following some lean years after her breakup with Ike. Sure it features one song written by David Bowie and another by Mark Knopfler, not to mention two guitar solos by Jeff Beck. Sure, it was selected by the Library of Congress for preservation in the National Recording Registry. But they’re all wrong. They’ve all made a terrible mistake. Bowie’s song, ‘1984,’ no doubt works when Bowie does it. At least I hope so, because Tina’s version was painful to listen to. Knopfler’s song, ‘Private Dancer,’ was more tolerable. At last until the interruption of a horrendously bizarre guitar solo, squealing like a cat with his tail pinched under a rocking chair; likewise on the song before, ‘Steel Claw.’ Two of the worst guitar solos I’ve ever heard. And then to discover they were played by Jeff Beck!!! Ohhh, who needs a heart when a heart can be broken? In spite of the fact that I do enjoy some of the 1980’s bands and their LPs, for the most part I hate with a burning hatred one general thing about 80s music: the drum sound. Following an upbringing in and adoration for the full, rich sound of acoustic drumming in the 60s and 70s (John Bonham is a great example) I simply cannot tolerate that tinny, trebly, crashing sound of the electronic drums of the 80s. Like the drums on 'Private Dancer.' I don’t really have much more to add, except for my own theory that the wounds she incurred from Ike seem to run like an underground current on the the entire first side! You listen and tell me if I’m wrong. On second thought, reverse my suggestion at the beginning of this review, and listen to 'Private Dancer' first. Relive whatever good memories you have from the year 1984. Then, YouTube the Ike and Tina Turner Revue and lament over what was and what could have been. '1001 LPs' personnel- you ‘better be good to me’ when you send me the next recording to review. My heart just can’t take another experience like this. ‘Rollin’, rollin’, rollin’ on a river. Do do do do dup do do do…’ (sigh)

An incredilbe voice with identity and power... cruelly unwind by that horrible 80's production... the title song sucks and that guitar on steel claw sounds like a chihuahua in distress.

It’s fine. Private Dancer and What’s Love Got To Do With It are the best songs. Tina’s voice is amazing, but the sound/music doesn’t really seem to age well.

This album may be the 80s-ist album to ever 80s. At first, I thought I Might Have Been Queen was possibly the most 80s song I had ever heard, but then Show Some Respect came on to challenge it. Then I Can't Stand the Rain came on, and then Private Dancer...who will win the 80s crown? If you're a fan of every 80s music cliche, then YOU are the winner. Then again, with those covers of Help! and 1984 we all lose. The only saving grace is that at least Tina Turner has a great voice (but even she managed to sound bad on Help!).

Love Anna Mae Bullock. Feisty, exciting, unique voice. Such energy and passion. Reminded me of the days when I could really dance the night away! Only wish I had had the chance to see her live back then. Her version of Help very evocative what it feels like to be getting older. Nice bit of sax too.

I've heard the big hits, but never sit down and listened to Tina Turner. Not sure what to expect at all. Holy cow, this is good. Her voice is great and the songs allow her to showcase a full range of emotional power. The music is brashly 1980s with schmaltzy sax and synth. But it works really well, and the whole album rocks out, with little touches of funk, soul, R&B, etc. Even the cover songs (Beatles, Al Green, David Bowie) cohere with the album as a whole. 5/5, glad I gave this a chance!

Great album overall. Some songs seem to blend together, but the standouts are great songs with so much replay value. The pop and rock genre are perfectly molded with Turner's vocals, creating a fresh and sweet sound that is sonically pleasing. The change of sound from her past songs is welcomed and at some points in the album, invited. Her raspy vocals still provide a strong and seamless album that is enjoyable to listen to.

A great voice, but other than the hits, the rest is sort of forgettable. Tina is a fantastic singer, but I was kind of bored, especially with the bland music. Normally a 2 star from me, but her talent carries it to a 3.5/5.

Tina Turner lived her life so that the music biopic machine could run… and run… and run. Perverse as it feels to say so, her story is the perfect blueprint: an unsustainable rise to fame alongside her abusive husband, years of brutal and harrowing exploitation, a high-profile and high-cost divorce, endurance through the wilderness of obscurity, wildly successful solo comeback with “Private Dancer”, and “legend” status that would follow for the rest of her life. It’s almost impossible not to project all of this onto the opener of “Private Dancer”, “I Might Have Been Queen” (I listened to the international edition of the album, which has a slightly altered track list). It was written as an autobiographical track for Turner, and finds her wistful, snarling, passionate: it’s a winning performance, instantly bringing the listener on side and compelling them to hear her story. The same passion follows across the rest of the album, which is a hitmaking tour de force (seven of its ten songs were at some point released as singles). In amongst the inescapable hits are some more left-field choices: a Beatles reworking? A deep-cut Bowie cover from “Diamond Dogs”? Jeff Beck on guitar? Sure, throw them all in: it’s just a shame that, in all honesty, not many of them pay off. While Turner’s vocals are flawless throughout, they’re swamped in stylistic boo-boos, like overbearing 80’s production (in fairness, hardly her fault) or irritating onomatopoeic guitar (Jeff Beck might be a god, but he should have really read the room and understood “Steel Claw” wasn’t calling for a tortured coyote solo). Case in point: the covers of The Beatles’ classic “Help!” and Al Green’s gorgeous “Let’s Stay Together” are both hot messes. Take the latter: all the subtlety and tenderness of the original is stripped away by a poor mix and a bludgeon of a drum machine. The final track, “1984”, is even worse: choked out with synths, drums, over-compression and a truly jarring key change, it ends the album on a real sour note. But there are enough highs to make the album a decent listen overall. I’ve never been keen on the biggest hits, “What’s Love Got To Do With It” and “Private Dancer”, but in amongst the rest of the album they do work, standing out as runaway successes. As well as the rousing “I Might Have Been Queen”, the track to surprise me the most here was “Better Be Good To Me”, one I hadn’t heard before: it boasts a groovy bassline, a simple and heartwarming hook, and a lovely percussive breakdown. Turner’s ad-libbed vocals during the break- and the call-and-response that follows- is the perfect icing on the cake.

I love Tina Turner. Love her. I own many Tina Turner records. But it's the r'n'b and funk output of the 60s and 70s that really do it for me. I do not in any way begrudge her the massive success she found in the 80s as a solo artist. She wanted to make it as big as Bowie and the Stones, and she did. Because she is awesome. She really wrote the book on female rock performance, and is is one of the rock and roll greats of any gender. Full stop. And this is the album that really did it for her, pushing her into success in a way she never had before. But... what is required for mainstream success buffs off many of the edges that made her a really compelling force of nature. Many reviews refer to the slick production (Which it sure is, and terribly 80s, and not all of it has dated well) and her raspy voice. But I am familiar with her earlier material, and the rasp is downplayed quite a lot. She never really tears it up (although she gets closer on some of the b-sides). Seven hit singles from one album is a pretty amazing strike-rate, and she makes some otherwise middle-of-the-road material compelling. I love you, Tina, and I play your records all the time. Just not this one. (As a side note, I am getting a bit tired of 1001 albums throwing out albums because they are the commercial breakthrough, or big selling (particularly in the UK), but not necessarily the albums that was influential, ground-breaking or representative of what that artist really had to offer. This is a good case in point.)

This album is a little too commercial for my liking. 1984 was prime time for Prince, The Smiths, Talking Heads, The Police, Eurythmics and others so there were lots of quality influences for someone looking to make a crossover. I'm glad that she was able to make some money at an age when breakthroughs aren't typical and I guess making a formula album was the ticket. If you don’t write your own music you need to take direction from whoever steps up to manage and fund the LP. She certainly knows how to sing. I'm impressed with her vocals on Let's Stay Together. Given how amazing Al Green sings the original very few will be brave enough to try to cover it. She pulls it off no problem. The vocals on Private Dancer start flat but come around by the end. The cover of Help is an interesting take and the sax solo is a neat touch. Aside from the fact Private Dancer was released in 1984, I can’t understand why she covered Bowie's song 1984. It’s not a good take and she didn't add anything interesting to it. I guess this was around the time she recorded her duet with him on Tonight. Her vocals on Tonight were quite good although they were mixed into the background in his studio album. Check out the version on Tina Live which is true co-lead vocals with HIM. The Beatles and Al Green cover are good but otherwise the album is lame probably because the programmed percussion and synths are kinda cheesy.

I didn’t love it. The covers felt a bit uninspired and the whole album just didn’t feel like it was pushing any boundaries. Tina turner does have a great voice though. Maybe it’s just the instrumentation that felt a bit dated

Never thought twice about Tina Turner. This album is a masterpiece.

For me, this album is like Thriller - I'd never heard the album as a whole before, but I'd heard almost all the tracks as singles. It's fire! This is how you make a comeback. Tina mixes up new tracks that capture her newfound cougar status with well-picked covers. As well, the music is on trend with 80s synthpop but also lets her completely rock out. So many good tracks and such a solid album!

Tina Turner - Private Dancer Tina's solo breakthrough. It has the hits on here but for me it falls victim of the 80s machine in regards to production. I get the love for this album, but it's not something I'll revisit. 4/5

I think it's mostly good. That cover of Help brought out something ugly in me though.

Private Dancer is 100% a big "fuck you" to Tina Turner's abusive ex-husband. These songs hold so much empowerment; I feel her strength forty years later. Despite Private Dancer being Turner's fifth solo album, she is reclaiming herself and her music. I'm just beside myself--because it's so clear her songs were created with such purpose. I mean, she has songs entitled "Show Some Respect" and "Better Be Good To Me"! Turner's "What's Love Got To Do With It" was released when she was 45, yet it revived her career. A Black woman in her mid-forties singing about physical attraction and pondering if love is even worth it? Ob-sessed. Also, the music video is iconic. ✨ Turner had such a voice! You can hear her charisma through every note. She's mesmerizing. Her cover of "Help!" is so emotive and tender; I've never heard that song covered that way. And the way she wails? Oh, there is and was never anyone like her. Speaking of "Help!", I love what Turner did with the covers. She gave each of them the 80s synth treatment, and they sound so unique from the originals. The sax on "Help!" is a stellar choice, and so is that gospel choir backing her up in the chorus. "Let's Stay Together" still has Al Green's soul but she puts this disco-pop spin on it!

Was ready to give this a 4 until 1984 hit. Listening to that song is worse that living in an actual Orwellian nightmare.

I’ve never sought Tina Turner out so this is the first body of work I’ve listened in full. It was okay - didn’t hate it but didn’t love it. There’s of course the classics “what’s love..” and “private dancer” and one or two others I thought were pretty alright. But I saw another review here call the cover songs “uninspiring” and that’s how to summarise those covers for me. Would I go back as a whole? No. Have I saved any songs since listening? No. But you could throw it on in the car and find it pleasant enough to listen to on any journey. Probably more a 2.5, but let’s round it to 3.

The album is a mix of pop rock and typical 80's synth. Tina Turner's voice is excellent but I think many of the songs fell flat. I'm surprised on how many songs are covers. Some individual songs like "What's Love Got to Do with It" and "Private Dancer" are 5/5 but others like the cover song of 1984 originally by David Bowie pales by comparison. The album as a whole is not that great.

Out of the slot, down and dirty with a little kink in the gravel vocals that pop way higher than the drum machine or the syncopation of the brassy guitar. I mean when this dropped in '84, I was 8. So some of this is seminal, emotional music that still hits me so deep. When I hear her voice, I am right back there on the edge of my seat watching Mad Max or waiting for Mom's aerobics class to end. These early tracks are etched deep into the silicon of my motherboard. Her cover of Al Green is one that put me of two minds. The drum machine is not enough for this song. The synth falters. But her voice. It does carry. The Beatles cover on Help is sort of awful. Ball of confusion earns its name and hmm there are a bunch of songs in the middle that aren't good at all. I feel that all the way through the most of the end. This is one I want to fall in love with again, but just can't.

This album is fraught with the bloat of 80’s production, bad arrangements and songwriting. Not all of the songs are bad, “I Might Have Been Queen” and “What’s Love Got to Do With It” in particular are favorites, I don’t mind the 80’s sound here. They kept it clean and simple. The extended version of “Private Dancer” was long winded for no reason, and this version of “Let’s Stay Together” seems like a weird ‘about face’ to the attitude of “I Might Have Been Queen”. Tina is a specific voice, a strong voice, but not a large voice like an Aretha (who had their own issues production wise at this time as well). Tina’s biggest strength is in live performance, this should have been a live album with all the greats, and far better originals and cover arrangements, and it would have been killer.

I loved Nuts Crush Titty Remit or whatever it was called. Reminds me of a great holiday in Newquay Cornwall when that song was in the charts. So a great song and part of my musical formitive years. As regards other Tina Turner stuff well it’s a big turn off for me. Cannot deny that she has one of the strongest, best and recognisable voices ever and deserves all the plaudits for that. But her musical output does not do anything for me at all. Know most of the songs on this album partly because you cannot avoid hearing them. If not on the radio but when at wedding evening do’s or Christmas party’s. But her records are nowhere near my collection apart from that song about a little old town in Tennessee. The nice little kitty on the cover is the best thing for me about this album. 2/5 3/10/24

So annoying. She’s got a powerful voice but I don’t enjoy this music in the slightest.

Hope the strip club closes down

I love her raw raspy voice and I'm curious how she would sound singing other genres or more contemporary music. I like her version of Al Greene's "Let's Stay Together" - such a great song; I could still do without the cheesy synthesizer sounds. It's hard to get past some of these 80's synthesizer and keyboard sounds - they make me start dancing really weird and jerky, and I feel cheesiness. However, I do love some 80's songs, like by The Cure or The Smiths, so sometimes I like those sounds. Maybe it's nostalgic? I didn't know that Missy Elliot had sampled her song, "I can't stand the rain" - that's such a good line/tune. Ooh we got some elevator music now. And "1984" sounds like it's from a musical and it's kinda chaotic - nope, don't like it.

I always miss my Dad when I hear this album. The transformative power of music.

Great classic album

Greath

A fantastic pop album that stands to this day with career defining songs from her well known comeback.

Good ol Tina Turner stuff to get the body moving

LOVED IT back in the day and today. < > Not the best running music though ;-)

Repetido

9/10. A couple of really good songs, and some other pretty good ones. My one complaint is that I really would have like "I Can't Stand the Rain" way more were it not for the weird sounds that reminded me of the Ghostbusters theme and really killed the mood.

Classic Janet

Numerous great songs and even the ones I didn't love were still good! No bad songs.

Wasn’t in the mood, still great though

Every one of these songs are incredible!

An incredible album by an incredible woman! A perfect first challenge choice!

Mama’s favorietje

She's incredible. Awesome songs, great Marvin cover!

I forgot how much I like Tina’s voice. I wouldn’t skip any song on this album with the exception of 1984, which just made me laugh with how 80s it was (so maybe I wouldn’t skip that one either).

Cat

proper boss mix of disco, soul, funk and rock. top album

This album is pure energy in your ears for an all too short 50 minutes. Turner brings everything to a series of upbeat jams that are absolutely electric. Powerhouse ballad after powerhouse ballad. Her cover of Bowie's 1984 might... even... be better than Bowie's? That might be sacrilege but that's what I'm feeling right now. Days like this are when I am SO happy I found this website, and SO happy I have discovered so many all time great works of art.

Yes.

Goddamn.

Pop-infused R&B with the likes of record powerhouse 'What's Love Got to Do with It', 'Private Dancer' (album) is soulful, profound, and tasteful. Tina Turner's commendable vocals is full-bodied and flavorful, geared for many genres - the uptempo rock records are upheld by Turner's stamina, while the smooth jazz and ballads retain her radiance. Casual listening promises an extremely effortless and gratifying listen; critical listening reveals a guaranteed above-average production and delivery.

It's always amazing to hear Tina sing. What a legend. It's also always shocking to hear how much 'What's Love Got To Do With It' is an abuse song. 1984 really hits home about how not much has changed for being black in America. Sigh. Not sure if you all listened to the remastered version, but it includes a version of the Beatles 'Help' and a duet with David Bowie that are just beautiful.

Proud Mary will come some day

Good ol' Tina Turner :)

Great 80’s pop production

Fun album

Wow. Full of hits on this and the sound was sometimes SO 1984 that it was wild. I loved this album and the covers were all great.

In late 1984 on a long school trip I forgot to pack any extra cassettes for my Walkman knock-off. At a truck stop I perused the limited selection and saw a single copy of this album. On impulse I bought PRIVATE DANCER despite knowing very little about Tina Turner. This was not something I would have ever imagined adding my my collection. By the end of side one, the universe had assigned me my diva and I had met the musical love of my life. PRIVATE DANCER overflows with fire and passion. Every song on this album is a monster. The cover songs feel like completely new tracks as Tina works them into her style. The polished 80s production serves to highlight Tina’s raw, primal energy that still makes me stop what I’m doing to listen. PRIVATE DANCER is my musical cornerstone and likely the greatest album I will ever hear.

A spectacular album that hits me right in the nostalgia bone.

Simply the best! Oh wait, that’s a different album. But still…

This is a masterpiece. Tina Turner reigns supreme. I am in awe.

That was a pleasant surprise. Even the singles sounded better, not as produced. That cover of 1984 was excellent, paying homage to Bowie's version by going a little further than he did.

sexy & styley

Вышка

Даёт жизни

Such an amazing album. Theres all kinds of history and reasons why this is an incredibly empowering album and a triumph for an artist as well, but the short version is that its just a fantastic album. 5/5

Not many examples of rock and soul being fused so seamlessly, and the special sauce of course is Turner's truly one of a kind vocals. Pop masterpiece.

My apologies Tina, I was not familiar with your game. I’m a slag for a poorly produced 80s Disco album. Best song: Let’s stay together Worst song: 1984

Tina Turner is a great artist with such unique voice!

Fuck it. Five stars. Masterpiece. Powerhouse.

Tina!! Una artista de lujo, excelente album

I was really surprised. Expected this to be cheesy 80s schlock and it wasn’t. Don’t get me wrong. It was 80s sounds, but not total cheese. I’m the right setting this is a really good listen.

This album really grew on my with every listen. First 6 songs are all bangers and the others songs are quite good as well. Really liked Show some respect and I can't stand the rain. Funny to hear the Dire Straits influences on Private Dancer as well!

Amazing - I'd forgotten how good this album is.

It's one o already have. It is really good. The original songs are by and large all classics - 20 years into her career, she decided that somewhere between Prince and The Human League was a cool move. Could you imagine Oasis pivoting to post punk and PC music in 2010? It's a baller move, and it mostly works - only time and advances in electronic music have aged it a little. And all 4 covers are great choices. Help stripped back to become an accusation to those who did nothing to help her, Ann Peebles jazzed up with bleeps, and not the most obvious Bowie track. Should be a four because of the over quantised production, but my enjoyment of it gets it top marks!

I've never heard this album in full, but I've heard the hits... hory shet what a lesson in 80s pop/rock. It's big, loud, confident, well produced and what a great performance. This is an easy 4, maybe even a 5.

ROAR!

Another one of these perfect 80s albums that only got better over time. I like everything about it: TT's vocals, the strong song writing, the slick production, it is all simply perfect. Standout song is of course Better Be Good To Me. Best song of the 80s? It has these Miami Vice vibes - it is even better placed on that first classic MV soundtrack album (as with every song on that soundtrack).

The goddess

The production on these songs is so 80's, and I mean that in the best possible sense.

Är väl nästan oförskämt om jag inte ger den här en femma. Vilken hitparad.

Super 80's Vibes. Stellar voice.

Hadn't heard before

Never realized 1984 was a Bowie track written in the 70s for a George Orwell-themed musical. I'm surprised to say I think it's the weakest track on an excellent album.

5/5 for tina’s vocals throughout. good songs mostly especially the singles. I recalled just how good What’s love got to do with it is. great sound on that track. Private dancer also great song.

I love it but what’s live got to do with it?

Great album

Very good, never listened to more than one song

Great album.Not too long,almost every track is great and really shows off Tina tuners amazing vocals.The only track that felt a bit dated was 1984.

Amazing powerhouse of an album from Tina Turner.

YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES

Never before have I intentionally listened to Tina Turner, she just happen to sing the background music of my youth. No wonder she is sampled by countless artists, no wonder this album is in the Library of Congress. This album contains elation, pride, hurt.... though she may not sing with the warmth of Whitney Houston, she sings with an emotion that is palpable and clearly inspired generations.

Fuckin sick

Really solid album. A lot of great songs that I had totally forgotten about, but knew them as soon as the first notes played. Probably a 92-93, but I’ll give it a 5. 1984 is the only song that seems out of place. It isn’t very good. But it’s the last song.

Amazing! Loved all of it.

An electrifying come back album with great accompiament.

I'm a private dancer now.

I don’t know anything about Tina Turner but I think I love her now — 10/10

Very 80s. I would put "What's Love Got To Do With It" at the top of the list of "most 80s songs ever". Lots of people might think that is a pejorative but I thought it was amazing. Tina's voice shines, but everything was fun, even when the songs were sad. Didn't much care for the "Help!" cover, but it was original and inventive.