Liege And Lief

Simply, the apogee of British folk rock. Possibly the genre's greatest ever album. Opener aside, everything else comes from the archives of Cecil House but Fairport Convention play the material as if it was their own. Sandy Denny is at her peak here - variously gentle, imperious, confiding and raucous. Listen to the way she inhabits each character as if an actor on both 'Matty Groves' and the most remarkable of all, 'Tam Lin'. I grew up on this stuff.

You know this list has done a number on you when you’re looking forward to British folk records from the late 60’s and early 70’s. How beaten down am I that I wake up on a Sunday, check in to this website and think, “Fairport Convention…sweet, this should be good”? Seriously, though. The British folk on this list has been the most consistently enjoyable genre that I was previously unfamiliar with. It’s surprising because I typically don’t have the time of day for American folk music. The British folk I’ve been exposed to because of this list tends to be less tied down by tradition and more willing to experiment than their American counterparts. Fairport manages to strike a great balance between tradition and modern, with atmospherics and progressive song structures weaved into these traditional songs. The amazing guitar work of Richard Thompson and Sandy Denny’s exceptional vocals are standouts, but, really, the entire group is firing on all cylinders. Leige and Lief is an engaging and exciting folk rock record; highly enjoyable on a grey spring morning.

The band slaps hard and Sandy Denny's voice, both beautiful and otherworldly carries the melodies superbly. There's a ton of subtext and depth to the songs and arrangements, leant an extra level of emotion due to the personal tragedy and upheaval the group went through around (or just before) the time they met to record the album. Blending the ancient with the supernatural and turning it into something distinctly modern yet timeless this is the ultimate folk-rock record.

I am generally pretty wary of folk music but I think that mostly applies to American folk music with it's tendency towards an often forced twang. This, however, works for me. I don't know if it's just being that much closer to the source or if it is that it actually rocks pretty damn hard when it wants to. I think alot weighs on the power of Sandy Denny's voice and Richard Thompson's guitar playing.

A beautiful album that made my hairs stand on end, even on the 3rd or 4th listen. Highlights include Reynardine and Matty Groves. The arrangements are brilliant and the vocals are gorgeous. An album that took me completely by surprise and one that I will revisit often.

yay! more folk rock

I didn't expect to enjoy this, but it's a really solid record, with interesting lyrics and beautiful singing.

I've listened to several Fairport Convention albums and this is the one. Fantastic energy. The vocals are top notch. I don't know why I never put her and the Battle of Evermore song together. This is an excellent listen on a Sunday morning. I was supposed to be at Bonnaroo today but it got rained out. So it's the backyard and coffee with this masterpiece. Tam Lin kicks ass.

This is seriously an awesome album. I'd never heard of these guys, but definitely getting early Jefferson Airplane vibes in songs like Tam Lin as well as the lead singer's voice. There are also really cool folk elements throughout. This is definitely a complete album, and something I'll put on my list of stuff to go back to. That rare 5/5 that I'd never heard or even heard of.

I've never heard of Fairport Convention before but really liking this celtic kind of rock from the 60s. Matty Groves was really a great song, Tam Lin was also very good too, and Sir Patrick Spens. I like the vocalist, she sounds sort of like Grace Slick. I think I'll be revisiting their albums again and I think it's a 5 star for me. I learned a little bit about the singer, Sandy Denny too and didn't realize she sang with Led Zeppelin on Battle of Evermore, one of my favorite songs.

I was only ever going to give this five stars

Fantastic Proto Bardcore. Makes me want to go to Ren faire

So I really like this! I think I would consider buying this whole album, actually.

Only on 'Reynardine', but I'm really feeling this. Sandy Denny has a gorgeous voice. I'm leaning 5 stars on this one, I'm such a big fan of this electrified yet traditional folk vibe.

Actually quite enjoyed this style. Would love to explore more of this British folk rock.

N'étant pas un grand fan de techno, cet album m'a tout de même donné envie d'avaler trois cachets d'ecstasy et de passer une nuit entière en rave party au milieu d'autres personnes baignées dans leur sueur.

4.7 - They have really solidified as music greats in my eyes.

Cool mix of folk style with more modern/electric instruments

Loved it. What a great way to communicate folk music. There's clearly a tradition here I haven't come close to tapping. That is, I liked playing folk forms at one point and am intrigued by some contemporary avant-garde approaches to old tunes, but felt like the pop-folk approaches were mostly cheap. I was wrong.

Fun. Never heard of them before.

Really enjoyable album and fresh sounding despite being over 50 years old, Reynardine in particular wouldn’t sound out of place on the BBC Introducing stage. Very good!

This was good. The distinction between American and British folk is a thick enough line to render them completely different genres. This is so well done. Equal parts bard-like rumination and highland excitement, it could pass for a soundtrack for a very good film. Really enjoyed this all around.

I think this is the first time I have heard British folk. At least to my memory/knowledge. I found this really enjoyable. I didn't dig in to find out if any of these are traditional songs but they sounded like they could be. Beautiful singing and beautiful backing instrumentation. Look forward to listening to this again.

Wanted to hate it but I couldn’t!

Wow, a folk album with actual melodies, interesting instrumentation, and someone how can actually sing. The Byrds wish they could write something as interesting as this album. Despite all that, I am not blown away by this album. It is fine, but for a folk album it is on the higher end of the scale. high 3.

Traditional folk played like it was classic rock. For some reason, it was trendy in the pop-rock world for a few years. For even less obvious reasons, it's been highly regarded ever since

Nicht meins, wobei Tam Lin (für mich) in die richtige Richtung weist. Und sofort Assoziationen von Jefferson Airplane/Grace Slick auslöst.

This shit belongs in the background in a Wes Anderson movie

Don't really have any interest in this hey nonny nonny folk stuff, though I imagine it's very representative of the 60s flower power thing. One song in isolation is quite nice enough, decent vocals, but a whole album is painful. Could have cried when the last song came round and it was 10 minutes long. I'm probably an cynical uncultured prick but this sort of folk feels so performative, like appearing to be a hippie is the most important thing, when I think this whole movement was meant to be against materialism and pretension. Don't know what I'm on about really but this album isn't very good.

Reynardine is a hell of a way to scare the listener off. Get past that and enjoy the folk impurism on offer. Thompson's guitar and Denny's drugged-out voice are too rock for chastity lullabies and keep the spectre of let's-go-back-to-purer-times idealism-cum-conservatism at bay.

Far too much folk and country music in this. "Most Influential Folk Album of All Time"? I'll take your word for it. I'll give it an extra star for that. 4/10

horribile, too much doodleydoo

My teenage big sister loved this at the height of me hating my big sister. I grew to love her, but not Fairport Convention. Fiddly diddly dee dee medieval knights and tragic love oh-I nonny no. Flutes, gong and tambor play-ed in time, Sentence like Yoda for to scan the rhyme.

This is a real stinker. Easy-listening folk rock with not much going on. 2/10

Wow this was really good. Like really really good. Like tickling my balls good. I think I’ve heard of this album before in just my general awareness of solid folk albums but never had I listened to it before. Really just a masterful album, you can hear the influence of it in plenty of artists to come after and the styles and influences it borrowed from to craft this record. Old timey medieval folk music just hits different.

Matty Groves is, of course, a huge bop and there are some other great songs here. Enjoyed this.

Wow I loved this so much. Props to my boy Lief Erickson.

1969. London. Sandy Denny – vocals. British folk rock.

This is a highly regarded album in English Folk circles and regarded as one of the best folk rock albums ever. Don’t feel qualified enough to agree or dispute this but it is an album I really like and have in my collection. Wasn’t always the case as Fairport Convention were not to my taste in my younger days. It is only becoming older that I have become to appreciate them so probably an indication as to the age group they appeal to. No I’m not elderly bearded chap who drinks real ale and cups his hand to his ear when singing. As regards Fairport it was more a case of becoming aware of Sandy Denny and what a brilliant singer she was. Two lovely songs highlighting her talents are on this album Reynardine and Quiet Joys Of Brotherhood (Ok I know this wasn’t on initial realease but its on my reissue, so good enough for me) I could and did today keep listening to these two tracks on a loop such is their beauty and calming effect they have upon me. Matty Groves always raises a smile when I listen and makes me wonder as a traditional song if it is actually based on a true story. Reading the songs history is very interesting. Jigs and reels are not everyone’s cup of tea and a reason why some may give the album a wide berth. Must admit myself I need to be a right mood to listen at home but in a folk club environment they come alive and i would defy anyone not to at least tap their toes in that setting. But as I say it is Sandy Denny that really makes it a favourite album of mine. Any album featuring her beguiling voice is a winner in my book but this one is exceptionally good. 5/5 6/5/25

This should be interesting.....very good just not my cup of sage

That golden mystical sound

Weee!

9/10 Traditional British folk is an odd genre - I listened to this on my way to a beer festival in the West Country (UK), and I couldn't think of anything more fitting! I love it because the band, and the guitar especially, lifts above the trad folk. And Sandy Denny's vocals are genre defining. Thoroughly enjoyable, much better than I expected

This album defined the British folk rock movement. With guitar from Richard Thompson - one of the finest guitarists anywhere - and vocals by the incomparable Sandy Denny, this album is the shit.

This album is utterly ridiculous, but I can't help but love it. Renaissance Faire tunes that sound like the soft parts of Zeppelin songs with some beautiful singing from Sandy Denny about...i don't know, elves and jousting or some shit in the forest? Then it gets crazy and there are these metal-esque breakdowns but with the same instruments, which kind of broke my brain. Seriously, this shit gets really rocking in parts. Then back to elves and goblins or whatever. Drugs are an amazing creative tool sometimes.

Surprised myself by absolutely loving this.

Not familiar with a lot of Brit folk, this caught me by surprise with how much I enjoyed it. I am an overall folk fan and I like that this album stayed true to folksy roots as much as possible while using modern rock instruments and modernized arrangements. The vocals stand out as versatile and dynamic. The string arrangements in general were fantastic and the fiddling in particular was beautiful. Matty Groves and Medley stood out to me as favourites, probably in large part because of the fiddle. Yes Matty Groves was 8 minutes but every minute was worth the listen. Definitely an album that will stay in my library.

Following “Unhalfbricking”, this is another stellar 5 star album.

Chill folk

I think every moment of this album is perfect, jigs included. I also think of all the casualties of the era Sandy Denny is one of the saddest because I think during her time the UK music industry didn't really know what to make of her. If she'd been born a little later into the punk era her creativity might have had a better chance of taking centre stage and she could have presented herself more often on her own terms

As another reviewer said, I was only ever going to give this five stars. I’ve loved this album for years and it includes two of my favourite tracks of all time in any genre (Matty Groves and Crazy Man Michael, the former being the anthem of the late lamented Oxford Arthurian Society). If my entire music collection were wiped out this is one of the first things I’d replace together with Pentangle’s Basket of Light, which had better be in the remaining 800 albums or else.

Top marks for an album that could have been made just yesterday, while keeping traditional British music alive. And it's going in my Tidal library.

Great album - the transition of folk into a more folk-rock hybrid genre is clear from this record. You can see the progression to modern artists like Frank Turner. In Matty Groves we have a cracking 8 minutes long folk song with a rocking guitar solo! What's not to like The vocals are amazing too - Sandy Denny has a captivating voice. I wasn't aware she'd died so young until today. The fiddle on the medley just makes me want to jig, so fun Can see why not everyone would love this but it definitely appeals to my taste

British folk rock was at its peak in 1968-1969 and Liege And Lief is one of the finest albums in the genre. The layers and depth of the music is just incredible. Sandy Denny had the best female British folk rock voice ever. I'm fortunate enough to have a copy of an early UK pressing and it sounds just amazing - produced by Joe Boyd on the Island label (it seems everything Boyd touched those years turned to gold). Perfection.

There was something undoubtedly authentic and grounded about Fairport Convention's 'Unhalfbricking' that I appreciated—almost like it was unabashedly human in nature while simultaneously showcasing this near-alien visage. There's a reason they're considered the best British folk rock band of the late '60s - their sound was so dense and each instrument held so much weight in these finely curated mixes. My feelings towards this record are nearly identical to that one. I'd say the song 'Matty Groves' off this album even trumps any other Faiport song I've heard. This record, in general, played up the band's pre-existent psychedelic tendencies - but the minstrel nature of this epic cover of the classic ballad was easily the most hypnotic thing here - boasting lead vocalist Sandy Denny's best falsetto. And she does have such an angelic voice that shines through on this album more than their last - perfectly hovering over these complex Celtic and medievalist grooves. 'Farewell, Farewell' was another highlight here, despite it containing the album's most conventional rock instrumentation, it still very much showcases Sandy's knack for writing these very heartwarming, yet somber lead melodies. I also feel similarly about the closer 'Crazy Man Michael'. On the lyrical front, I'm not ashamed to admit that it mostly went over my head. It's very allusion-heavy and follows that twisted story-driven style that many Dylan tracks from the '60s did. I'll save my lyrical diving for a second listen, I was just enjoying this experience at face value on this first one. And it was quite the experience, filled with unique genre fusions, evocative imagery, and above all else, the human soul. When I think of the genre "folk music", I mainly associate it with a particular singer-songwriter style. Though if there ever was a band that highlighted that "folk" bit of the genre tag, it'd be Fairport Convention. Because listening to their music feels like stumbling upon something important - even if you're not entirely sure why.

This album is awesome. Sandy Denny and Richard Thompson are British Folk/Folk-Rock legends for a reason. My Celtic Folk band used to perform Matty Groves. It's great to hear a more rock-oriented version (with a guitar solo!) that uses the darker version of the lyrics. The rockin' Irish fiddle tune set in the middle of the album is fantastic. 5 stars.

forward thinking hobbit music

One of the greats - innovative and brilliantly played, the start of folk-rock. The mix I am listening to has the drums too far forward in 'Come All Ye' and it makes the song seem rather repetitive unless you listen to the soaring, almost jazz-like, instrumentation. Sandy Denny is just coming in to her own in this album and the vocals fly; what a shame she died so young. Ok it may not be everyone's taste (I am no great lover of long traditional ballads either) but the arrangements keep you engaged and the lyrics are so beautifully sung and clear that they allow you to follow the story. This is a real break for Fairport from their previous 2 albums and Dave Swarbircks fiddle must be a central instigator; it really does come to the fore here and, along with Thompsons guitar and Dennys vocals makes a real statement. Almost prog rock in places - listen to the last track! All-in-all, brilliant.

Ren faire folk music and I love it

REALLY solid. What I imagine fairy folk rock to be

I don't really know why I liked this as much as I did. I figured it was either a high 4 or a 5 star album, even though it doesn't feel "perfect". I went and listened to some other Fairport Convention albums, and this does indeed seem to be the sweet spot between their American-tinged folk, and the pop-folk they ended up playing. I'm going with a slightly confounded 5 stars.

Amazing all around.

Just beautiful

na ez!!! ❤️ különösen imádom a medleyt a közepén.

Fantastic folk album. Loved every bit of it.

I really enjoyed this, although upon seeing the album art I could have sworn I had reviewed this one before (must have recently discovered it on my own somehow). Loved the traditional sounds, while also incorporating the sounds of the 60s in a more accessible manner. Soothing, sad, funny, this had it all. Beautiful smooth vocals, laid back melodies.. just great! 4.5/5

British folk rock. Venga, un 5.

9/10. A bit of a slower start than the last one but fantastic all around. Great story telling, great jams. Loved it.

The electric music blends perfectly into the old folk songs.

That voice is mesmerising, who knew I quite like folk.

After discovering this album, one thing that I really enjoyed about it, is that’s it’s really softened my heart to folk music. This is an album I’ll definitely be coming back to in the future.

Love this album. It's so weird but really drew me in. I tried looking for other stuff with a similar vibe (including other work by Fairport Convention) but nothing really hit the spot. Feel like they caught lightning in a bottle on this one

Me sorprendió gratamente porque no lo conocía. Qué buen disco, lo volveré a escuchar.

Honestly very fun. What a voice!

Wow what a masterful showing of talent. The breakdowns, solos, hell just the playing all over this album are incredible. Sounds like a description for somw prog or metal but this album sounds completely folk the whole way through. Amazing

I loved this entire album. It was a vibe, and now I’m listening to everything on the deluxe version.

Funny, I just listened to this two days ago and wondered if it was on the list. Glad it is. This album is fantastic, and I'm not even into this genre. These guys manage to do a lot with a little, as these songs tend to be very simple (often centering around one chord), and they also tend to be pretty long. And yet they find ways to keep things interesting: subtle changes in dynamics and intensity, sympathetic performances from the band, and of course Sandy Denny's understated and plaintive performances. Plus, the stories are great. Tam Lin is a favorite. My only complaint is that I wish the mix was a bit brighter and a touch more open, as these songs feel like they were recorded in a closet. So, 4.5 stars, rounded up.

Deep, dark, weird tales of crows and foxes and death and vengeance, intensely performed.

This album was incredible. Despite it being clearly folksy in nature, there's something about this album, and I can't quite put my finger on it, but it sounds really ahead of its time and quite modern. Really dig this one.

Nearly a whole album of my favourite Fairport Convention tracks. Crazy Man Michael the only dud for me.

I don't know what it is about Fairport Convention, but their music just hits the spot. Combination of beautiful vocals, great melodies, some guitar solos, a bit of melancholy in the music, it just creates a perfect blend, just like the previous record by Fairport on this list. Great music, easily 5/5. Looking for some vinyls straight away.

Folk rock perfection on this one.. Matty Groves is just outstanding.. Sandy voices and Thompson's solo at the end. Then there is Tam Lin.. Wow..

Been a fan of Richard Thompson for many years and Sandy Denny has such a great voice that can swing from folk to psychedelic rock. This record is a a great listen.

A magnificent meeting of Celtic and British traditional music and electricity. Utterly timeless with accomplished playing to boot. And, of course, Sandy.

A beautiful album right up my alley. It’s hard to overstate the significance this album had on the traditional music scene back in the day. It was met with scorn and derision by many and yet turned an entire generation of Romantics on to the literature of their tradition and culture. The musicianship here is too rate with Richard Thompson’s guitar and Sandy Senny’s string, controlled voice being backed by Dave Swarbeck’s fiddle. It’s a perfect marriage of traditional aesthetic and electric 1960s sound. You can hear the band trying to figure out how to work with this music behind the lyric. Thompson was the gift that made this all work. His little guitar fills and harmonic designs made the bridge possible and the band made the journey complete.

This here is a beautiful record. Sandy Denny's voice makes the fog lift. The view is perfect. The land is majestic and full of life. Listening to these songs is like witnessing the reconciliation of time, and this is what good folk music does. Honouring the tradition that brought us here while encapsulating contemporary emotions and atmosphere. The playing here is gorgeous, keeps us attached to the world and to community, while whatever Sandy Denny does brings out the magic, the heart, and the sense of something that is there without being seen. She sings the river that runs below the river and gives a voice to the ghosts. Beauty.

One thing I’ve really enjoyed about this music generator is that it has softened my heart to folk music, and "Liege and Lief" by Fairport Convention is another great album that I’ll definitely be coming back to in the future.

I absolutely loved this album. Sandy Denny's voice is incredible. Her voice, with the violins and mandolin playing in accompaniment, was just ethereal - and yet fierce. I am not a folk rock listener, but I will look for this album

Yes. OK maybe not the production but everything else about this album is perfect - Sandy Denny's singing, the playing of each of her five bandmates, and the compositions. Crazy Man Michael and Farewell Farewell are two of the finest songs ever created, and never performed better than here.

Drone-y occult folk

Love it

A stunning, genre pioneering album by the mighty Fairport. As someone who has seen them live many times, it was refreshing to hear all their well-known tracks as they were originally recorded with the unforgettable Sandy Denny.

That was really fun! I started this one completely blind, then looked up some background as I listened. I thought it was cool that most of the tracks were traditional Celtic or English folk songs.

Stoned at the Renaissance Fair. feel like i’m off that west-farthing leaf in a tavern or some shit. woodstock in the shire. want on vinyl pissed spotify took off two of the best songs - the fiddle medley and the deserter. but all the songs on this record are good ones i’ll just rip those mp4s

This is such a great record! I love sandy Denny’s voice and the arrangements here. I could listen to it again and again and again.

Sandy Denny had such a beautiful voice, I can still remember how shocked I was to read of her death. Such a loss. Great album, easy to listen to at any time of the day or night.

Te transporta a mood especial. Canciones con estilo celta y también a lo Daisy Jones. Un sonido muy natural.

Loved this! Very fun

Jag var rädd hela dagen för albumet från 1969 eftersom 1969 har det där distinkta överanvända ljudet. Ljudet... soundi... lehtinen suomessa.. laitto aluks unobjektinen review.. Sound of silver.. Huh sana jo kahdella kielellä ja yhdellä anglismilla tässä paragraafissa. Tuo ruotsin kieli pitää sieluni kaukana review boksista.. monta tuntia saa päivässä kerätä voimaa..

This is exactly what the late 60s and early 70s was supposed to sound like. Powerful music, then and now. If you're under 50, spend more time with Fairport Convention.