Blood And Chocolate

I hate Elvis Costello. I pray to everything holy I never get another one of his albums.

After 900 and 80 something albums I finally figured it out. This list was designed so we would have to listen to every Elvis Costello album. All of which were the same. You won this round Elvis!

My favorite part of this album was when Spotify played a Replacements song in the queue after it was over and I didn't notice it was a different artist for 30 seconds. || Nothing was awful about this album, but nothing felt special. I spent more time digging into lyrics and story behind it, and still didn't spark excitement. Meh.

I’m so sick of Elvis fucking Costello

There were a couple of songs that I thought were fine but this one failed to hold my attention. I see lots of folks complaining about his monotonous voice and I can’t disagree

Well that worked out well, I was probably going to listen to this today anyway. Y’all one star wankers need to grow up.

Does Elvis Costello get paid by the word? He crams a lot of words into these songs and I’m not sure most of them are needed. In that spirit, a quick and to-the-point track by track review: Uncomplicated - No. I Hope Your Happy Now - Solid power pop, this would’ve made a better opener than Uncomplicated. Tokyo Storm Warning- Six minutes is way too long for this. Home is Anywhere You Hang Your Head - That got awfully pretty towards the end. I Want You - This is basically a Summerteeth-era Wilco track, no? Never really made the connection between Jeff Tweedy/Wilco and Elvis Costello, but holy shit, this had to be an influence on his vocals. Honey Are You Straight or Are You Blind? - Thank god this was only two minutes. What an obnoxious riff. Blue Chair - I can not unhear the similarities in the vocal stylings of Costello and Jeff Tweedy now. Battered Old Bird - “he’s a battered old bird and he’s alivadupalellwerlllll.” This song sucks. Crimes of Paris - This is what I was expecting from an Elvis Costello record. Relatively straight forward power pop. Poor Napoleon- “She called you her magic fingers”. This is what happens when you get paid by the word. You come up with terrible metaphors…ones that should still haunt their author 36 years after being forced upon the world. Next Time Around - another pretty standard power pop number, REM’s “Stand” bears a striking resemblance to the chorus of this song.

Please don’t recommend this band to me anymore

I have been simultaneously waiting for and dreading my first Elvis Costello album. He is absolutely one of my favorite artists, but I feel like it’s impossible to talk about him without sounding like a bit of an idiot. I haven’t really given this album as much time over the years as I have for other EC albums, which was an incredible mistake on my part. This album is fantastic. I want to go off and spend a week with it and then listen to it all the time for the rest of my life. This the last of that first (best) series of albums Costello made with the Attractions in the 80s. Elvis Costello has done so much interesting work over the years, but musically, it never got better than when he was with the Attractions. It’s the end of an era, and a pretty damn good send-off. This is Costello & the Attractions at their best - smart, punchy, witty, seething. There are some really melodic, gorgeously arranged songs, offset by pointed, frequently dark songwriting. Lyrically Costello is clever as ever, with a flair for vivid imagery. It’s a very specific, bitter pill brand of pop that not everyone likes, and no one in the world can do like Elvis Costello. I also don’t know if the Attractions ever sounded better than this. What a pleasure to listen to. And Nick Lowe producing again? *Chef’s Kiss* This album was way too smart for the likes of 1986 (or 2022, for that matter). Maybe it could be a song or two shorter, but who cares? More Elvis Costello is not a bad thing. Fave Songs (All songs, from most to least favorite): I Want You, Tokyo Storm Warning, Battered Old Bird, Crimes of Paris, Next Time Round, Home is Anywhere You Hang Your Head, Uncomplicated, I Hope You're Happy, Poor Napoleon, Blue Chair, Honey Are You Straight or Are You Blind

This immediately grabbed me with unexpected cacophony and whallop: That’s how you begin an album, nerds! Drums sound great, making my head do a Wilko Johnson dance. The Boss brought to mind, another midlife discovery with a gift for narrative, anthem and soaring. Surprised by how much I like Costello’s voice. The garage band guitar sometimes verges on no wave chaos, which is magnificent, as if the songs are barely able to hold together. The record is well paced, rockers, laments, introspective bits all feel like they’re in the right place on this first lesson. Yeah, I’ll get this. I think this is a record I’ll find more to like on further goes.

I had no clue this album existed. So jangly and grungy. Love Elvis Costello.

I seem to prefer Elvis Costello in small chunks, the albums never hold my full attention. His voice is far more idiosyncratic than Dylan's ever was, and the songs can be a bit unimaginative. Nonetheless, there are a good few bangers on here; a stingy 3*

* Didn't listen to whole album* Bored

I always forget how great this album is. Probably his best sounding album after Imperial Bedroom. Certainly the loudest. Also the last great album of The Attractions era. “I Want You” is such a great song, definitely one of his best.

I had a girlfriend in about 1990 who owned only a handful of records, including Blood & Chocolate, so she played it a lot. It was a recent-ish album, even if not his most recent release. (Her other records included Changes Bowie, the first Jesus Jones record, Jesus & Mary Chain's Barbed Wire Kisses, Hair Broadway cast recording, and Them Dirty Blues, which was a box set of raunchy blues songs from the 1920s and 30s). It was also a favourite at a share house I moved into about that time, so I listened to this record quite a lot. I love Elvis Costello when he is just rockin' out. The band were barely talking to each other, but were a well-honed live unit. They got into the studio and recorded quickly, loudly, and with verve. The album is concerned with sexual obsession and betrayal, which reflects the band's vibe. The reality comes across. Muscular, immediate, honest and loud. Are they classic tunes? Maybe not. I don't really think anyone believes this is EC's best record. But they are like old familiar friends to me, and I really enjoyed revisiting this record. Love it.

I own this record at home, and obviously, its main selling point is the song *I Want You*, one of the best tunes Elvis Costello has ever written: it's raw but melodic, it's disturbingly blunt and disarmingly honest... yet it's also catchy, simple, and frankly endearing--and this, as painful and even *ugly* as the feelings expressed in the song are. It's quite refreshing that Costello, always mired in all sorts of sophisticated, borderline-"literary" posturing, could find it in him to pen something so direct instead in 1986. In the album reissue's liner notes, Costello claims that the melody in the verse of the song was inspired by a Japanese folk tune, which is kind of hard to believe. But whatever the case may be, there is something truly universal in this tale about jealousy and unrequited love. Which is why it hits the intended mark. About the rest of the album, I'm not gonna lie, it's pretty good. A bit rough around the edges, a bit messy--but that's actually an asset after the stifling dynamics and hackneyed production values of the records that preceded it. Not to mention the annoying verbose mannerisms of *Imperial Bedroom*--where you simply want Costello to buckle up after the third song. Costello fans would probably cry foul play after reading my words, but most people and their mothers outside that circle of fans know that including *This Year's Model* and *Armed Forces* in such a list is more than enough to give Elvis Costello the place he deserves there. Robert Dimery thought very differently, unfortunately--how many Elvis Costello albums are in his damn list? 6? 7? Honestly, I've lost count... Now does that mean there's no room for *Blood And Chocolate* in my *own* list? Well, the jury's still out on this one... On the "Pros" section, there's Nick Lowe's "loud" and very "live" production, which honestly aged better than the one on the albums before, as I said earlier. Hiring Lowe, the man responsible for the aesthetics of *This Year's Model* and *Armed Forces*, was all that the Attractions needed to sound good again. And there are still some interesting studio tidbits sprinkled here and there (some reversed tapes, some *subtle* echoes, some quick off-kilter effects adding to those already "noisy" sessions). Yet as off-kilter as those tidbits are, they never ruin the overall dynamics. Even better, those details even give a sixties near-psychedelic subtext to those tracks. Which is good. Especially for a record released in 1986. Another thing for the "Pros" section is the sheer quaity of most of the songs. Opener "Uncomplicated" is exactly what its title suggests, "I Hope You're Happy Now" is textbook Costello (in a good way), but the album really hits its stride with the long postmodern epic "Tokyo Storm Warning", near-Dylanesque in both its musical and lyrical flourishes. Closing side A, there's "I Want You", but I don't need to say more about it than what I have already stated at the start of this tentative review. And closing side B (along with the album), you have four great cuts that go in interesting, less forceful directions: there is the strange-yet-fascinating "Old Battered Bird", quite hard to describe, but very ominous and evocative, as when Costello lets out those chill-inducing yelps over a rather atmospheric bakckground. You also have the sardonic-yet-subdued "ballad" "Crimes Of Paris", the more textured "Poor Napoleon", and the merseybeat-inspired last track and catchy earworm "Next Time Round". In the "Cons" section, however, all the tracks I haven't quoted are more akin to the "automatic mode" version of Elvis Costello and the Attractions after the release of *Armed Forces*, with a lot of words sung by the man, and a lot of chords played as well. And consequently, those other songs don't have much in them that could make them memorable. Costello, as often, is too damn *chatty* on those cuts. Truth be told, he's chatty in the good songs as well, but if the music doesn't have the right hooks to make that aspect bearable, it becomes a bit of a chore to go through those other tunes. Reading what I've just written, I reallize my "Pros" section is bigger that the one for my "Cons". This record is also the last one of the "classic" tenure of Costello's collaboration with The Attractions (in 1986, his relationship with the band had soured to the point that it was better for everyone involved to go their own way for a while). So in a sense, *Blood And Chocolate* is also a "historical" album. Giving it the benefit of the doubt, then. 3.5 for the purposes of this list gathering "essential" LPs (rounded up to 4). Which translates to a 8.5/10 grade for more general purposes (5 + 3.5). A quick note about my ranking of Elvis Costello's albums in Dimery's list. To this day, the man is still far from being my favourite artist of all time, but since I've started this project, I've warmed up to his music somehow. My grades (and reviews) for *This Year's Model* and *Armed Forces* were quite harsh, I know it now. Today, I would rate both those albums with a 4/5 grade. Which, coincidentally or not, is the grade I will also give to this later album. Won't change my 1/5 "protest" grade for debut *My Aim Is True", though, *That* record was dull, no question, and you can bet your boots that if Costello had not had the career he had afterwards, everyone would have forgotten about it... Number of albums left to review: 278 Number of albums from the list I find relevant enough to be mandatory listens: 319 Albums from the list I *might* include in mine later on: 176 (including this one) Albums from the list I won't include in mine (many other records are more important to me): 232

7/10. The singing started out more annoying than usual, but seemed fine later on.

Same as most of the other Elvis Costello albums really, you listen to it and think 'this isn't bad', but you can never really name a song from it more than about an hour after listening. I am surprised to hear that we've had three other albums of his, because I really can't remember them. 2/5, hopefully coming to the end of a pretty poor run.

My blood, it boils, this chocolate’s too bitter; Elvis Costello, I don’t like you much, mister.

Great EC album from his classic period. Check out his list of "500 Must-Have Albums" on Vanity Fair.

I want you I want to hear he pleases you more than I do

Saved Prior: None Cutting Edge: 11. Home Is Anywhere You Hang Your Head Off Rip: 10. Poor Napoleon 9. Crimes of Paris 8. Battered Old Bird 7. Uncomplicated 6. Tokyo Storm Warning 5. Honey, Are You Straight or Are You Blind? 4. Next Time Round 3. Blue Chair 2. I Hope You're Happy Now 1. I Want You Off Rip: Uncomplicated, I Hope You're Happy Now, Tokyo Storm Warning, I Want You, Blue Chair, Battered Old Bird, Crimes of Paris, Cutting Edge: Overall Notes: I've been skeptical of Mr. Elvis Costello for a while. I've liked some of his songs (chiefly Alison, Veronica, and Pump It Up), but his status as one of the greatest songwriters ever seemed kind of silly. I get it now. I didn't adore all of these songs, but his voice shines through every single one of these tracks. They're all simultaneously catchy yet resentful. The album jumps between genres but not so forcefully that he loses his voice in the process. I like the somewhat simple production of the album as well. Low 5.

Always on … Raw … live feeling … dark and darkly funny … desperate in places … I want you … (which is amazing -when I’ve seen it played live) Blue Chair … the pop songs are great with more dark bits …Crimes of Paris … Massive fan of his writing … and WHAT A BAND … Steve and Pete and Bruce are tremendous

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Can't really go wrong with Elvis Costello, can you? This is pretty great. A little bit grittier than some of his other stuff. I really like this album.

I want you gave me goosebumps. This album has a Beatleslike feel but there’s some tracks in there that are just amazing. I’m gonna listen to this again

sadly changing the 114 to 0 on the "days without an elvis costello album" sign

I do not know how Elvis Costello convinced anyone he was good. This is my second album from this list, and do not look forward to any others. His voice is obnoxious and none of this is good.

no.

got it

Kinda funky and deep

I already know I like this cause of Tokyo Storm Warning

p544. 1986. 5 stars. A stark reminder of just what he was capable of, and how far he as fallen in recent years. Stiletto sharp lyrics and cracking tunes. Essential Costello listening.

Greatly exceeded what I expected if it, fun and a cool rock album

damn that's good

A raw and bloody steak thrown at your face and then expecting you to say "thank you" afterwards. Costello's divorce album is every bit as angry, bitter, love lorn, sleazy and harrowing as you'd expect it to be. It's a work of genius as the instruments and vocals are as in your face as an ex lover in a slanging match. Plenty of blood and as cloying as chocolate. I could pick any track of this album as the best. Not an ounce of fat. Best Tracks: Uncomplicated; I Hope You're Happy Now; I Want You

I've always thought My Aim Is True was my favorite Costello record, but damn, maybe it's this one? The guitar tones are incendiary, and Elvis' lyrics and hooks are as strong as ever. 5/5

Album 653 of 1001 Elvis Costello & The Attractions - Blood And Chocolate (1986) Rating : 4.25 / 5 I think I've said this before but it is the same now. I always like what I hear from Elvis Costello but, for some reason, never just search him out for a listen. Don't really come across a song of his that is just bad.

Loved it!

Great Album!

Not his best, but still bloody brilliant!!!!

I've lived decades thinking Elvis Costello was either overrated or I was missing something. I was missing something. His first two albums (My Aim & This Year's Model): energetic, fun, rocking new wave. His third album (Armed Forces): Stylistic change, not so excited about it. Don't know about the lay of the land from there to here, but this 1986 album has the same energy as those first albums. It's different; he's expanded his lyrical scope, the songs are longer. Kind of like a garage band that's had a very, very long time to practice and develop their craft. These are songs I want to return to. Reminds me of an album like Dylan's Blood on the Tracks, but more direct, more rock/garage and (for me) more musically arresting. Or a collection of songs like you'd get from The White Stripes, but less blues. I get it, some people are still feeling Elvis Costello is overrated. I just encourage you to consider that maybe, just maybe, you're missing something. This is great stuff.

i like this album 5/5

I love this album. I don't think there's a weak moment on it and I love the swampy live in the studio sound despite how much the bass player moans about it. Side one encapsulates so well the self pitying horror of the spurned man. Side two is a great collection of stories that crept up on me over time.

¡Qué belleza la voz de Elvis Costello! No conocía este disco, pero me encantó, así como otras obras de este músico.

i know embarrassingly little ab elvis costello but being thrown into the thick of someones later career is deffo one of the more fun parts of this little project. idk what brought him to this point, how typical this is for him ect, but i was enamored with this almost immediately. its great, full-blooded rock music with a strange embryonic quality...like he shattered the whole genre into pieces and glued them back together partly in an attempt to rebuild from memory but also inject his own instincts into the very dna of musical history. the attractions kick an unbelievable amount of ass and the songs are hypnotic and offputting and very cozy to me honestly. rly excited for anything else i roll from him

Everyone hates the overrepresentation of Costello on this list but I don't mind it too much as a big fan of him and the albums on this list from him This is one of my favourites from him: emotionally and lyrically powerful, the Attractions really rock out and there's a good amount of variety so each song has it's own unique character to it

"Blood and Chocolate" is the 11th studio album by English singer-songwriter Elvis Costello and his band the Attractions. The recording of this album was troubled as the relationship between Costello and the Attractions had deteriorated during the recording of the previous album "King of America" to the point that Costello used another band. The album was recorded mainly live with monitors not headphones and with minimal takes and overdubs. It was to be Costello's last album with the Attractions for eight years. The tone of the songs was a response to the poor sales of "King of America and to the "growing indifference" of his record label, Columbia, to him as an artist. Commercially, the album hit #16 in the UK and #84 in the US. "Uncomplicated" opens with hard guitar slashes, tribal pounding drums and a guttural Costello voice screaming "Blood and Chocolate!" A swirling organ and spiraling, pyschedelic guitar. A song about love and/or lack of lobe in a relationship? Thumping drums and a wobbly organ bring in "Tokyo Storm Warning." Once again, Costello very upfront and assertive in the lyrics and vocals. This is a straight-up rocker. Costello described it as a thug's psychotic travelogue. Bad things happen as he travels from London to Paris to Buenos Aires. Costello's starts "I Want You" a capella. A creepy guitar and creepy vocals and lyrics as the narrator is in an obsessive and tormented relationship. The music mood gets more cheery in "Blue Chair." A piano-driven melody in this mostly pop song leftover over from the recordings of "King of America." Two guys are infatuated with the same woman as they learn the truth sitting in the blue chair. The album closes with another song from "King of America" in "Next Time Round." Costello singing a capella in the intro again as the bass-led band kicks in. A nice pop-rock guitar bridge. A guy's lover is dead (drugs?) and their roles will be reversed next time round. This album is one of Costello and the Attractions most rockin' especially excluding the songs from "King of America." Songs are guitar and organ driven. Costello's lyrics and vocals are assertive and aggressive as he explores bad, obsessive and end of relationships and death. Some might not put this album atop of the Costello best of list but I would put this atop my favorite Costello list. A strong recommended listen.

One of EC’s best. Always one of the first I will go to on any given day.

This might be controversial, but I think this is a a crown jewel in Costello's discography, even better than King of America, which came out the same year and is generally regarded as a masterpiece. It's every bit as good as his first three albums, but where those were brash, angry, and taut, this is brutal and anguished. It's the sound of a man who has aged and grown, both as a person and as a musician, but who still harbors a lot of uncomfortable feelings. Really fantastic.

I love Elvis Costello. I’ve been a fan since I saw him open for Bob Dylan at my university, where he played an incredible set featuring just a guitar and himself. It was awesome. Over time I’ve listened to much of his output, but I’ve never listened to this album. What a miss! After three spins it may be my favorite album of his, and his consistency through the late seventies and eighties is pretty remarkable. REM was around by this one, and I wonder if there is some influence from Murmer and other early REM on this one. It’s a strong record from beginning to end, no filler whatsoever. My favorite tracks are Home is Anywhere You Hang Your Head, Blue Chair (unbelievably good song - fantastic buildup in the chorus), Poor Napoleon, and Next Time Round (particularly REMish). As good as the record is, my favorite thing I learned while listening to this record is that Elvis Costello coined an alter-ego name of “Napoleon Dynamite,” and that the filmmaker denied that he got it from him. That was a super fun fact to my older-millennial mind.

I'm kind of baffled by the hate for EC on this website. I bet the people who don't like him listen to a lot of Drake.

I had only recognized one song on this; it’s a good find and I thought I knew all the Elvis albums

Brilliant - Elvis is a genius

Currently the average rating for this album is 2.97. So I enjoy this WAAAAY more than the average. I think this is the perfect rock record. It has great songs and doesn’t overstay its welcome. There are different kinds of tunes so there’s a good flow to the whole thing. I’m a fan of Elvis Costello generally. I’d never listened to this before but so glad I did as I’ve just found a new favourite. 5/5

Glorious. 5 stars.

I love Elvis Costello because he sings crooner songs, but is not a crooner. I'll never not love Elvis!

New one to me, really enjoyed it

cool

Great record by one of my favourite songwriters! Such a cohesive album that shows many of his strengths. It’s an album I’ve listened countless times yet still discover new tidbits, that’s what I love about music. These songs got you humming along in no time! 9 out of 10

Never listened to Costello before, but this was damn fine

The last album in the 11 albums in 10 years run Elvis put together during the late 70s/80s with the Attractions. This one sounds a little less dated than some of the albums in that span. I also followed his catalogue chronologically, so one of the last I dove into from that period (alright I never dove in Goodbye Cruel World). There are some outstanding tracks on this one - the first 5 songs or so are some of his best and the back half is also very strong. This one is almost a culmination as well of all the genre hopping Elvis did during the period. A classic among many classics in his catalogue.

The last great Elvis Costello album. It's his only 80s album that I think holds up with the energy of his late 70s output. "I Want You" is stunning.

BL: Elvis Costello's solo work I am familiar with but not with his work with the Attractions. Will see how it turns out AL: Liked this a lot. Very well orchestrated and composed. a mixture of simple and more complex tracks all playing into one of the best heartbreak albums of all time in my eyes FT: "I Hope You're Happy Now" "Home is Anywhere you Hang you're Head" "Battered Old Bird" "Crimes of Paris" 5/5

Costello's best album.

5/5 I know EC's albums through King of America but missed this one the first time around. I was surprised by how gritty and aggressive it was - a lot like This Years Model but with even better vocals. Great songwriting as always.

Blood and chocolate is my favourite meal. I eat it every Thursday afternoon after I just fucked your mum in the ass.

I'm pro-Elvis but didn't know this record or any of its songs. Happy and slightly surprises that it's an absolute treat. Someone used the word infectious, whicj is a great description. Best song, I Hope You're happy now.

a perfect alloy of lyrical inventiveness and pop skills

not as good as Imperial Bedroom imo but still pretty fuckin great 9/10

PREFS : TOUT MOINS PREF : RIEN

Totally awesome

Another incredible EC record.

Almost felt like a template for the modern rock album. Surprised I hadn't heard before. Really enjoyed I Want You.

classic Elvis, great melodic songwriting seems to mark the end of his pre-Spike era, with albums like Oliver’s Army, etc

LOVE it

A 5.

One of my fav albums of the mid-80s.

This is probably my favorite Elvis Costello album I've listened to yet. I often feel like the songs are overwhelmed by his weirdly aggressive vocal delivery.

This is a guided tour through the Stages of Grief, led by a chain-smoking poet with a vendetta. And I'm here for it. There’s Denial in “Home Is Anywhere You Hang Your Head,” Rage in the gloriously bitter “I Hope You’re Happy Now,” and Depression in the slow, suffocating spiral of “I Want You.” “Next Time Round” moves toward Acceptance, but not before we crawl through the wreckage of Bargaining in “Crimes of Paris." This is no "Veronica" if that's what you were expecting... which I kind of was, so excuse me while I go call my therapist.

drei bis vier

I was immediately skeptical at the first track but it ended up being great

Love the raw production. There's an immediacy to this record, not found elsewhere in his catalog. Best songs "Home is Anywhere You Hang Your Head", "Poor Napoleon", "Next Time Round", and "I Hope you're Happy Now". It's not consistently great all the way through, but it's a worthwhile record for any collection.

Idk I know people complain about Costello on this list but I guess I just enjoyed the lyrics and the choruses and the melody lines and the voice and the grooves. Call me simple I guess. But that’s just me

Costello is the most productive songwriter I've ever seen

Grew on my after a few songs, I think there are some really well constructed pop-rock songs on this record but with a raw punky energy. His vocals are a bit hit and miss for me but overall I think it's a great record.

finally listened to a full album through. I'm not an Elvis Costello fan at all but this was a good album. except for I Want You. came across creepy.

Schon wieder Costello? Trotzdem angehört. Ich finde, „Blood & Chocolate“ gehört zu den besseren Werken.

i dunno if this site will ever make a real fan out of me, but this was the most enjoyable of the three costello records i've heard

I liked this much better than most EC albums.

4.5

(8.4) ★★★★

I've always gone back and forth between this and My Aim is True as my favorite Elvis album, and I think this probably narrowly edges out that album. There's a lot of strong songs on this and it sounds great, which are two things you couldn't say about Punch the Clock and Goodbye Cruel World. Highlights for me are "Uncomplicated", "I Hope You're Happy Now", "Next Time Round" and especially "I Want You", which is probably the greatest thing Elvis ever wrote. 4.5 stars.

Never listened to Elvis Costello before (and maybe I should brace myself, sounds like he has a lot on this list), but this was pretty good to me. A lot like Dylan in his song structures with a large emphasis on lyrics and word play, but the music does rock pretty nicely. Also like Dylan, his singing kinda sucks. I guess that makes it distinctive, but also distracting at times. Tokyo Storm Warning is fun, but damn does it sound like Memphis, Tennessee. I Want You is pretty good as well. It's haunting and obsessive and has some cool musical twists. Interested in hearing more.

I do enjoy Elvis.

I have never quite been a Costello fan, though he had many great singles I couldn't quite get into any of his albums. I know I either had this or listened to it a lot at the time and I think it has, again, some of his best songs. Tokyo Storm Warning & I Want You in particular. I have so much more context about what is good and bad and average in the albums to listen to that I'm confident now to say that this is a good album.

Guy has some really interesting melodies and chord progressions. Its irresistable (and markedly difficult) to whistle along

Really good stuff. Just kept getting better the more I listened to it. Would go extra hard during the summer.

This is probably one of my least listened albums from Elvis Costello and I’m not sure why because it’s really rather good. This is very much a back to basics album after the experiments with Americana on the previous album. The opening track sets out a theme - this is literally uncomplicated rock, focussing on a raw sound and straightforward lyrics. Tokyo Storm Warning channels Bob Dylan circa 1965 with vivid scenes on each verse and similarly I Want You channels the Beatles She’s So Heavy with a repeated lyric that builds a claustrophobic atmosphere of an obsessive relationship.

Ye decent, might have to check out more of this Elvis fella