This album is incredibly impactful. While I don’t focus on race, it’s hard to ignore the significance of a group of white rappers from New York making such a mark in the 90s, especially when gangsta rap dominated the scene. The respect they've earned and their continued relevance today is truly impressive. I was pleasantly surprised by how much I enjoyed this album. The tracks are unique, blending hip-hop, rock, and boom-bap in a way that feels fresh. The Q-Tip feature is a standout, adding an extra layer to the sound. The run of "Root Down," "Sabotage," and "Get It Together" is absolutely amazing, and including "Sabrosa," the instrumental track, makes it even better. The production throughout is top-notch, and while the second half of the album might not hit quite as hard, it’s still a solid 4/5 overall.

Song from the High Chair" offers a nostalgic journey through a familiar sonic landscape. With its blend of New Wave melodies and Progressive Pop rhythms, the album taps into a sound that was prevalent during its time. While not groundbreaking, it's a comfortable listen, reminiscent of the era's musical charm. Even though is not groundbreaking, it does not mean that it does not have more than one classic new wave song in its track list. The album's strength lies in its first half, where each track exudes a captivating energy, drawing listeners in with infectious hooks and memorable refrains. However, as the album progresses, there's a noticeable dip in momentum. The latter tracks lack the same spark and cohesion found in the earlier ones, leaving the listener yearning for the vibrancy that characterized the beginning of the journey. Overall, "Song from the High Chair" serves as a pleasant reminder of a bygone musical era, offering moments of delight and familiarity, particularly in its strong opening tracks. While the latter half may not shine as brightly, the album still manages to leave a lasting impression with its nostalgic charm. At its peak it presents it self as the pinnacle of New Age, but at its lows it comes out like any other New Age album relevant in that time period. 8/10

"Strangeways, Here We Come" by The Smiths falls short of expectations, especially for newcomers like me. Because this is the first time I am listening to a whole Smiths album and its a very rough introduction. It lacks the innovation and depth that their peers had in that time period. While some tracks hint at their potential, the album overall feels bland and uninspired. I can see why a lot of people like them, but this is just not for me.

One of the calssic hip-hop albums,

Ok, i guess a lot of people hear never listened to real heavy metal and death metal before. This is a classic heavy metal album and deserves its spot in the metal hall of fame. It set the grounds for death metal. I know this isn't for everybody (not my favourite metal genre also),but...Just because you don't understand the music you don't have to sh*t on it :)

This is beautiful African music. But for me it gets a bit boring because its mostly acapella. Nothing bad with that, but I like African music that has rhythm, not having the fantastic african instruments that "breathe" rhythm (djembe,maracas) in any song is a sin.

Good but nit the best nina simone album by a long shot.

Okay, wow, this was really bland. I don’t feel like this live performance holds up at all. I understand that maybe it was big back in the day, especially with it being filmed in Japan, but I just don’t find anything special about it. It’s extremely boring, and I’d call it microwaved hard rock.

My friend, who’s a huge Lana fan, warned me that this album would be mediocre or bad to prepare me for my first listen—and she wasn’t wrong. I’ve heard some of her other albums, and they were okay (not really my cup of tea), but this one is just boring, depressed teen music. I’m sorry, Lana fans, but this album doesn’t offer anything special..

Three good songs can’t hold up a mediocre album, and I just don’t understand why this one gets so much praise. Sure, I get that the three big tracks were massive, but come on—the rest of the album is boring and repetitive. Nothing special, to keep it simple.

I love them i cant say nothing else

This is far from my first time listening to this album, so I can’t offer a fresh first impression—but I enjoyed it just as much as always.

While I do find the album a bit repetitive at times, it’s undeniably a staple in the punk world and deserves respect for what it represents. Despite its flaws, I genuinely enjoyed listening to it.

First of all, WHAT? I get that this is industrial, artistic music, and I know it’s not for everyone (if it’s for anyone at all), but I just don’t find any intrinsic enjoyment or value in this album. It feels like an abstract artistic piece that has to be accepted as such, but as pure music, it’s almost impossible to listen to. It’s like a total destruction of music itself, and I feel like that was probably the point. Honestly, it sounds like if Aphex Twin were deaf, handicapped, and had no sense of music whatsoever. As art, you could rank it higher, but as music, this is pure malakia.

Somebody’s probably going to hang me for this, but I found the whole album boring. I just don’t get the point of it. I’ve heard some of her newer songs, and they were good, but this debut didn’t do it for me. After doing some research, I saw that even her fan base isn’t too fond of this album and ranks it at the bottom of their tier lists. I’m definitely expecting more from her other albums and will be sure to listen to more, because this can’t be the Björk everyone’s hyping her up to be.

Mediocre album at best. The 2 songs that are worth something in this album are not enough to help it push out of mediocracy.

I absolutely love this album—I've listened to it before, and it’s just so good. I’ve been on the hunt for it on vinyl for what feels like ages now.

This was my first time listening to a whole album from Oasis, and I have to say, GOD DAMN, IT'S LONG (pause). But honestly, it’s a bit too long. I really enjoyed a lot of the tracks—they’re iconic in British rock and you still hear them everywhere. However, I think if the third CD wasn't part of the album, this would have been a solid 5/5.

I loved The White Stripes a lot when I was younger, but his solo album, for me, was pretty meh. It just didn’t hit the same way.

While I like the band, I do think they have better albums than this one. It feels a bit bland and doesn’t really stand out as something special.

One of the most impactful groups of early hip-hop, no doubt. While I feel their songs don’t hold up quite as well as those by other legends like Eric B. & Rakim, Big Daddy Kane, or De La Soul, this album is undeniably a classic. That said, it comes off a bit bland and repetitive for my taste.

I’ve loved Lorde since her very first album, and I found Melodrama to be an excellent follow-up. Even as someone who isn’t a huge fan of pop music, I can’t deny how fantastic her work is. This album is no exception—it’s another brilliant display of her unique take on pop.

Liked it but i think their later work was a bit better, and its a live album so thats a plus from my side

Without realizing it, I already knew many of the songs on this album—and for good reason. I think it’s their best work, packed with hits from start to finish. Hats off to them for delivering such an iconic record on just their second album. Overall, it’s an incredibly enjoyable listen and a true staple of the alt-rock genre.

I’m already familiar with their discography, so I know many of their hit songs and albums, but I find this one to be their most uninspired work. It feels like it runs a bit too long. Don’t get me wrong—it’s a fun album, and its cultural impact on Latino rap was massive. Still, it just doesn’t resonate with me as much as their later projects.

A very enjoyable and solid country rock album. This was my first time listening, and I have to say, while a few tracks could be stronger, the majority of the album is great.

The album has its moments, but it feels a bit bloated. A few tracks truly stand out, like "Breakdown," "My All," and "Butterfly," which are undeniable highlights. If the tracklist were trimmed down, the album could have been exceptional. As it stands, it’s just okay. Also, "The Roof" feels like a missed opportunity; it features an incredible Mobb Deep sample, but the instrumental doesn’t quite live up to its potential.

4/5 This was my first time listening to Willie Nelson, and the album had a warm, mellow vibe that perfectly matched the December mood. The length felt just right, and it was a soothing, enjoyable listen overall. The subtle jazz influence was a standout for me, especially as someone who loves jazz. That said, a bit more variation in tone or tempo could have elevated it to perfection while maintaining its cozy atmosphere.

This is one of those albums I grew up listening to. I still remember my parents playing it in their old car, and it became such a big part of my childhood. Even though I’ve known all the hits from the album for years, I hadn’t actually sat down and listened to the whole thing in about 20 years—until now. Revisiting it like this was a bit nostalgic and emotional for me. While I still love it and it holds a special place in my heart, I did notice that some tracks start to feel a bit repetitive toward the end of the album. That said, there’s so much quality here, and I can understand why it may not have been for everyone at the time. For me, though, it’s still a classic that I’ll always cherish. I’d give it a very, very light 4 out of 5.

I realized something after having high hopes for this album, especially since I gave 2/5 to Björk’s self-titled first studio album—I don’t actually like her music. I don’t get the hype. I usually enjoy experimental electronic music with a weird twist, but this just doesn’t do it for me. Maybe it’s my inability to connect with her songs or find any meaning or beauty in them, but everything just feels so flat to me.

Finally, we’ve arrived at the McDonald’s of hard rock. Every rock fan knows their most famous songs, but I was surprised to discover that nearly half of these hits come from just one album. While this album is packed with timeless rock classics, I found it to be somewhat repetitive and lacking in excitement. At times, I jokingly wondered if the songs had switched over, as it felt like I was listening to the same track for 15 minutes straight. Outside of the hits, the rest of the album didn’t leave much of an impression; everything seemed to blend together. As someone who has never been a Bon Jovi fan, this was my first experience with a full-length album of theirs, and I can confidently say that my opinion hasn’t changed.

Here take my five, I am done with being depressed for today. Thank Radiohead

Well i always had a love-hate relationship with this band. I liked their singles and hated the albums. While te singles alone show they are a good band capable of producing great music, when it comes time to form them Into an album everything falls apart. This is the same with this album, the singles are amazing and the other half of the album is bland and boring. And sorry, What the hell is up with 17?

You have to take this album at face value for what it is, punk music for skating aimed at teenagers/young adults in the 90s. And judging it in that way, its not that bad. Nothing groundbraking but not awful.

This album is incredibly impactful. While I don’t focus on race, it’s hard to ignore the significance of a group of white rappers from New York making such a mark in the 90s, especially when gangsta rap dominated the scene. The respect they've earned and their continued relevance today is truly impressive. I was pleasantly surprised by how much I enjoyed this album. The tracks are unique, blending hip-hop, rock, and boom-bap in a way that feels fresh. The Q-Tip feature is a standout, adding an extra layer to the sound. The run of "Root Down," "Sabotage," and "Get It Together" is absolutely amazing, and including "Sabrosa," the instrumental track, makes it even better. The production throughout is top-notch, and while the second half of the album might not hit quite as hard, it’s still a solid 4/5 overall.

I've always had a special place in my heart for Bob Marley and his music. I first fell in love with it as a teenager, especially while smoking and just vibing to his rhythms. Now, as a young adult, I still find his music just as captivating and powerful. There’s something timeless about it—the production, the instrumentation, and especially the incredible work of The Wailers. His lyrics are always meaningful and thought-provoking, filled with messages of love, unity, and resistance, and they continue to feel so fresh and relevant even today. It’s amazing to think that, despite being one of the most famous artists in the world, his music still resonates deeply, and I think his place in history is more than deserved. While reggae music existed long before him, it was Bob Marley who really brought it into the global spotlight, shaping it into what it is today. His impact on the genre is undeniable, and he has inspired countless artists worldwide. His music has an incredible way of transcending time and place. Every album from him feels like it’s crafted with love and care, and I honestly don’t think there’s a single album that’s bad or even mediocre. They all carry a certain energy and depth that’s hard to match. When I think about albums like Exodus, Catch a Fire, and Uprising, I’m reminded of just how powerful and essential his work is. These albums, in particular, are nothing short of masterpieces—timeless records that have shaped not only reggae but the wider landscape of music. They’re all 5/5 in my eyes, with each track telling a story and creating an atmosphere that’s unmatched. Bob Marley’s music is more than just songs; it’s a feeling, a movement, a legacy that continues to influence generations.

I never had a special opinion on R.E.M., and while I always knew their singles were good, I never delved deeply into their discography. Since this is their fifth studio album, I didn’t know what to expect. I already knew a few songs from the album, but I was thoroughly surprised to find that the deeper cuts were also really good. The themes felt very political and relevant to the times in which they were written. The One I Love is my favorite song from the album. There’s still that distinct 'R.E.M.' sound in every song, but it doesn't feel boring, and it doesn't get stale no matter how many times you listen to it. They're one of the very few bands that created a successful formula of having a standout sound in each song — you know it's R.E.M. as soon as you hear it, and I really like that.

This is a dark, majestic album, and I was surprised when I saw the release date — it sounds very ahead of its time. The album was a nice listen overall, and I can say that the dark melodies were fitting throughout. The composition and singing were beautiful. However, I felt like the mixing was subpar. It felt like I was listening to the whole album through a tube, and not all the sounds were very clear. There was almost a 'grainy' quality to the songs that I didn’t like. The drums and hi-hats sounded so stale at times that I found myself thinking, 'Why did they do that? It would sound so good if it was mixed and mastered with more attention.' Maybe it was their choice for artistic purposes to keep the album sounding this way, but for me, it just leaves me wondering what an amazing album this could have been if it had been done better. 3/5

Ah, the Queen of Soul. I don't think I've ever heard a bad song from Aretha, and this album just amplifies that thought. It's truly great. Her voice, the compositions, and the overall sound are all perfect

This was my first time listening to Garbage, and I can say that this album was good to listen to. I really liked how the vocals of the singer were altered, and the overall sound of the album is great. Since this is their debut album, the feel and vibe of it were really impressive, and I was surprised by how much I liked it. I need to listen to it again, but based on my first listen, it's very good. I also want to check out their other music.

"I knew that the Bee Gees had more of a soft rock sound before they went the disco route, and a lot of the songs I heard from that era were good. But this album is very boring and absolutely too long. I know it's a concept album, and I can understand why the critics at the time weren't too favorable toward it. It's just so monotone and lacks substance in terms of the concept's subject, which is a port in Ukraine; Not the best subject for an album is it?

Okay, first of all, let's address the elephant in the room: the amount of unwarranted hatred the Beatles get from people who haven't heard any of their albums is just ridiculous. This album is great, and this was my first time listening to a Beatles album. I can now see why people hold them in such high regard. The music is beautiful, and the composition is spot on. I can tell this was very early rock and roll, and they had such a big influence on the artists who came after them. I’m amazed, and I will definitely listen to them more often from now on.

As a punk lover, post-punk was never my cup of tea, but I found this album quite enjoyable. I give it a 3 because it's nothing special. I will listen to it again for sure, but I just found it quite mediocre, which is not bad, but there are better post-punk albums than this

A typical Christmas album. Nothing extra to say

British Pop-Rock with punk elements innit. Quite enjoyable acitually.