Rhythm Nation 1814
Janet Jackson
1989
Album Summary
Janet Jackson's Rhythm Nation 1814 is the fourth studio album by American singer-songwriter Janet Jackson, released on September 19, 1989, by A&M Records. Although label executives wanted material similar to her previous album, Control (1986), Jackson insisted on creating a concept album addressing social issues. Collaborating with songwriters and record producers Jimmy Jam and Terry Lewis, she drew inspiration from various tragedies reported through news media, exploring racism, poverty, and substance abuse, in addition to themes of romance. Although its primary concept of a sociopolitical utopia was met with mixed reactions, its composition received critical acclaim. Jackson came to be considered a role model for youth because of her socially conscious lyrics. As with Control, recording for Rhythm Nation 1814 took place at Lewis and Jam's Flyte Tyme Studios in Minneapolis, Minnesota where they worked in seclusion with Jackson to complete the album. Noted for its use of sampling and utilizing heavily swung synthesized percussion throughout its production, the record encompasses a variety of musical styles, such as new jack swing, hard rock, pop, dance and industrial music. Songs range from mechanized dance rhythms to soft balladry, giving it appeal across multiple radio formats. It is the only album in the history of the US Billboard Hot 100 singles chart to have seven commercial singles peak within the top five positions. It is also the first album to produce number one hits on the chart in three separate calendar years, beginning with "Miss You Much" in 1989, "Escapade" and "Black Cat" in 1990, and culminating with "Love Will Never Do (Without You)" in 1991. Rhythm Nation 1814 became Jackson's second consecutive album to top the Billboard 200 and was certified 6× Platinum by the Recording Industry Association of America (RIAA). It became the best-selling album of 1990 in the United States and has sold an estimated 12 million copies worldwide. Due to its innovative production and lyrical exploration, critics have come to regard it as the pinnacle of Jackson's artistic achievement. Music scholars note the record garnered her a level of cross-cultural appeal unmatched by industry peers. Considered a "landmark" album, it has also been cited as an influence in the works of numerous music artists, setting stylistic trends in the years following its release. Visuals in music videos and live performances further elevated Jackson's superstardom. The 30-minute Rhythm Nation 1814 film, a film depicting two aspiring musicians whose lives are disrupted by substance abuse, aired on MTV to promote the album. Jackson's Rhythm Nation World Tour 1990 became the most successful debut concert tour by a recording artist at the time. She was regarded as a fashion icon, with various attire the album's promotional tour and music videos being emulated by youth. Jackson received nine Grammy Award nominations, becoming the first woman to be nominated for Producer of the Year and winning Best Long Form Music Video for Rhythm Nation 1814. Jackson received the MTV Video Vanguard Award and a star on the Hollywood Walk of Fame for her significant contributions to popular culture. Her handwritten lyrics to the album's title track "Rhythm Nation" as well as her militaristic uniform for its music video have been preserved by the Rock and Roll Hall of Fame. In 2021, the Library of Congress announced it selected the album for preservation in the National Recording Registry as part of the class of 2020, deeming it "culturally, historically, or artistically significant."
WikipediaWow! So good. Thoughtful, powerful, well-produced. Loved listening to the whole thing.
I don't think this is a bad album. Honestly, it's a pretty good one. But I didn't like it too much. The weird over production on an album that's sort of trying to display the hardships of the world. Just this whole, over the top rich celebrity singing about the woes of poor people. Just feels so fake and I sorta hate it for that. It's not bad. Just seems dated and out of touch even though it's supposed to be in touch. She can sing pretty damn well though.
Really enjoyed this! The interludes in between practically every song was something I hadn’t seen before, but I thought it fit the flow of the album. Really enjoyable!
Rating: 7/10 Best songs: Rhythm nation, State of the world, Love will never do, Escapade
I don’t really like this style of overproduced studio showcase, but it is so well done for what it is. Wavering between a 3 and a 4. I’ll go with the 4 because… my god did she ever get the short end of the stick after the Superb Owl.
I like it when major artists figures their shit out in public, especially when they rationalise it with--like the title says--rhythm. Also, when they show the decency to just *feel* something about it ('Livin' In A World'). I don't expect Janet had much to add around homelessness or literacy, but if every time we opened our mouths we had to drop something groundbreaking, we'd all be fucked. Also, for an hour run time, it flies by.
Ei uppoa tämä genre, eikä tämä Janetin levy ollut mitenkään poikkeus. Miksiköhän tässä oli niin paljon noita interludeja joka välissä? Tuli mieleen Missy Elliotin levy, jossa kanssa oli paljon välihöpinöitä. Kai se on joku mustien naisten juttu, että kun on kerran päässyt studioon niin on kiva purkittaa omaa ääntään. Levyn biisit olivat sellaista Jackson-kamaa, että hyvin pystyin kuvittelemaan siihen laulajan tanssiesityksen mukaan. Ei ihan pahinta kuraa, mutta en minä tätä enää jatkossa tule kuuntelemaan.
Do I really need Janet Jackson lecturing me for an hour about all that's wrong with the world? No. Having said that, did I enjoy listening to this? Also no, not really. No disrespect to Miss Janet, but this is just not my thing. 2 stars.
An hour of Janet Jackson, are you serious? uggghhh. This is like pop music on steroids, which I guess is kinda cool? But it does get old. If it only went for half an hour it'd be a 3, but here we are. 2/5.
What's not to like when a giant pop star gains a conscience and then decides to tell you all about it? Everything. It sounds like a hot mess. Parts of it are like people have got the button on their sampler stuck. Best Tracks: Rhythm Nation; Miss You Much; Escapade
Me gustó mucho el disco. Nunca escucho Janet Jackson. Es uno de esos artistas que tenes abajo del todo en la lista de "gente que algun dia voy a escuchar". Es muy notorio la influencia de este disco en artistas de pop-comercial que existen hoy en dia. Como una Madonna negra. El apartado tecnico es bastante elaborado para ser un disco de pop de finales de los 80's cuando los artistas descubrieron que todo se podia hacer "apretando unos botoncitos de mierda" y sacar un exito del otro lado. No le quita credito siendo que no todos saben QUE botones y CUANDO apretarlos. Salta a la vista enseguida con el primer tema que no querian hacer algo parecido a MJ pero lo suficientemente distanciado como para que se pueda parar por si mismo... Excepto en Rythm Nation que parece sacado de Dangerous. Lo voy a poner en rotation en mis playlist porque es un buen departure del overly-produced pop que se escucha hoy en dia.
A little overproduced in some areas, but Janet has an amazing voice and some poignant lyrics that make this a catchy and enjoyable listen.
This is a really good album. Not really my thing but the songs are catchy and danceable all while providing a social commentary (although sometimes a little corny). That was probably the whole point so mission accomplished. Unlikely that I'll listen to it again though.
I admittedly didn’t ACTIVELY listen to this album but it made decent “feel good” background music. Overall I’d say it was a neutral to positive experience but nothing really stood out to me
It's a good record, I think if it was half as long I would have given it 5 without blinking.
This one really brings me back in a good way to when I was starting to become more aware of music outside of my parent's collection. I remember alot of these songs quite well. Makes sense as there were so many singles from it. They are really having fun with the new capabilities of the sampler all over this record. I think it was really brave of her to go for a concept album that doesn't avert it's eyes from some harsh realities immediately after her first breakout success. And the fact that this became even more successful makes it all the sweeter. I love when artists are rewarded for brave choices and it proves pop audiences don't always want formulaic pap.
Finally something more comfortable after a series of weird stuff. Music-wise it's pretty catchy and rhythmic, full of energy. And of course... who can reject dancing beats! Love Will Never Do -- a yay Livin' in a World -- even better Come Back to Me -- a big yay
A near perfect example of the r and b genre, Rhythm Nation 1814 spawned hit after hit and solidified Jam and Lewis’ reputation for producing high quality, radio friendly tracks. And Janet Jackson is such a powerful presence - bold vocals and charisma to spare . Although the social consciousness of her album is over stated, at least there is an attempt at something to say. An album that spawned many imitators and flipped urban music to the mainstream. Really massive record.
I don’t think I’d ever listened to Janet Jackson before this but it was a pleasant surprise. Most of the songs were catchy but it got verrrry preachy in parts
My second listen in the last few years after scoring this album at a Yankee Swap. Has inspired me to check out a few others from this era: Control (1986) and Janet (1993).
Guilty pleasure and some great tracks (always liked "Miss you much"), albeit a tad overproduced. Hadn't ever listened all the way through.
Good fun, positive vibes. Makes really nice Cities: Skylines background music if anyone was curious
Har lyssnat om några gånger nu och jag tycker att detta är bra. Lagom mix av pop och synth. Blev förvånad, då jag egentligen inte haft några tankar kring Janet alls.
Knew a couple of the singles but this is immense. Seriously impressive pop, the production is next level (give or take a few of those late 80s synth sounds). Can I become a Janet Jackson fan at my age?
I was actually fearing this one for being 80’s and 1 hour long, but I was already 12 songs into it when I realized all those fears were quite uncalled for. Good record.
Fantastic album. If you weren't there when this came out in 1989, it was such a huge deal. People lost their minds over this music, it was so fresh and powerful. It's not as fun as Control, but I think that's intentional. The album has its share of bubbly love songs, but Janet also wants to make a statement here. And she is in perfect voice. As a concept album, it's a bit of a fail, with less than half the songs addressing social issues, the only connecting thread being that series of vague interludes. I don't know if this album is specifically to blame for the trend of putting interludes on albums, but I suspect it. I'll give Janet a pass because it's kind of wrapped up in her style, but the interludes don't add a thing to this album, with the exception of the final one ("Livin'...In Complete Darkness" - minor quibble as well, it's not an interlude if nothing comes after it). Thankfully, she kept them brief. I feel like the album would have been tighter and more effective if they had limited the number of ballads, but it's a small complaint. I really enjoyed listening to this. Fave Songs: Alright, Rhythm Nation, The Knowledge, Lonely, State of the World
Never listened to the album all the way through. The singles from it were monster hits and were everywhere, so I knew coming into this album that it would be good. Layering the concept on top bumped it up a few notches for me. 4/5.
Everything up to Miss You Much is five stars, funky and powerful and just brilliant. Everything after that is good - kind of Prince on a budget good. For shame, I'd never taken Janet Jackson seriously - on the strength of this album, I do now!
Rhythm Nation 1814 manages, somehow, to be a satisfying and frustrating listen at the same time. I swear it's all down to the sequencing. The top of the album is loaded with squelchy bass-heavy stompers; the tail consists of twinkly dream-pop, its influence palpable in acts like We Are King. Somehow, the two dullest songs - 'Love Will Never Do' and 'Livin' in a World' - find themselves sandwiched back-to-back. Somewhere amidst all this is 'Black Cat', one of my favourite songs by any of the Jackson clan. Despite some individual clunkers, RN1814 is not boring as a listening experience. It's lopsided for sure but this gives it a mildly eccentric character. And hey, it contains some excellent pop.
The music is very much of its era, and the political lyrics are a little on the nose, but this has aged surprisingly well for all that.
i genuinely don’t understand why this has such low reviews?? this is an album that deals with huge issues so beautifully. janet did so well with this album, it is perfect. highlights: rhythm nation, state of the world, love will never do (without you), black cat
I know she's supposed to be the proto-Beyonce or whatever, but...meh. Best track: Miss You Much
Album contains a couple of Janet Jackson's top hits. The album contains many songs but many are forgettable. That being said many songs are linked to the previous song.
Interesting and very socially aware for a pop album, but that also makes songs like "Escapade" stand out as off-key. Not bad but a weird one overall.
another snapshot of its time. i'm not sure i really liked it, or that i ever really cared for janet - but boy, did her producers work hard on this one! overall, not for me, but her talent is easy to spot.
"Not to say that I'm in love with you But who's to say that I'm not" (Miss you much) "The people we learn from Forge the ideas we become" (Livin' in a wolrd) Me ha resultado muy interesante 1. cómo está montado todo el disco como un continuo 2. que sea un disco tan reivindicativo desde el primer segundo. La verdad es que no conocía mucho de la música de Janet Jackson y ahora me da pena.
It was a nice enough R&B album without ever really having a wow moment. Its way too long too like a lot of albums from Genre. 3/5
I've not listened to Janet that much. It sounded a bit like Michael, but she added her own flair. Good album and good sound. Not quite my cup of tea but I could listen to it occasionally.
Love an album with a bit of social commentary. A lot of the themes in this are still very relevant today. The album definitely has a very distinct 80s sound but I liked it. As with a lot of these albums it was just too long for me not to start losing interest.
Its another Michael Jackson Álbum. It shouldn't be in this list. Uniform and nice fade between Songs.
Pretty nostalgic to listen to the album. Never was much of a fan, but was kind of fun to re-live some of the 90s
It just makes me want to live in the 80s and drink Pepsi. I wish there was more of a sense of humor or irony to it. It's just very straightforward.
dated, naive, but pretty brave for its time and some catchy tunes. i won't go back but enjoyed. 3
Favs: Love Will Never Do (Without You), Escapade, Rhythm Nation Mehs: All the Interludes Janet Jackson sounds happy on this album, and that makes me happy. Fun tween bop pop. I'm not sure I'd have it on this list, but I did enjoy listening to it again.
Surprisingly enjoyable listen with good songs and infectious rhythms. Her singing is frankly nondescript for me and given this genre perhaps below par but the songs are what's important to me. 3.5 🌟
Souns a lot like Michals music Intresting use of interludes Cretiv beats and drumsounds
First half of the album had some good beats and interesting layering - New Jack Swing apparently. The second half was all ballad all the time, which I can do without.
People of the world today Are we looking for some gated drums We are a part of the rhythm nation People of the world unite Brisk electro-beat, we can get it right One time We are a part of the rhythm nation
Great album, I've enjoyed it less as I've got older, but in the early 90s I listened to this over and over. Rhythm Nation and Miss You Much are still top songs.
When Janet says bass bass bass then hits you in the feels with a tin pan full of treble you know it is a brink of the 90s release. (I did a few dance moves when I saw this selection. Stomp slide, stomp slide... 😂) Let JJ take you on an escapade. Like a moth to the flame, I actually settled in and enjoyed the second half of the album.
I paused my project for a bit because I was tired of listening to pompous guitar dudes every day, so it was nice to reactivate and come back to this. Good production and overall sound; it really does feel like an ‘album’ rather than a collection of hit singles. Not sure it belongs on this list but whatever, I had fun.
Definitely going for the Michael Jackson sound. Percussion is pretty fun, liking the general LinnDrum sounds here. I appreciate the conscious themes as well, although I don't feel like the commentary goes far enough. Lyrically it just sounds like mentioning problems, but not pointing to the issues that cause it. Some may prefer this approach, but I feel like institutions and people need to be called out, otherwise it feels like feel-good-activism, like by just acknowledging the issues of things is enough. It is a good sounding album for sure, though. Great pop, but generally not my vibe. Although those orchestral hits with the LinnDrum definitely do something for me.
Not really my thing, but didn't find it an ordeal to listen to. The synth and drum machines sound very dated but, tbf, they're used well. Fave track - "Rhythm Nation" still slaps.
Decent beats but other than the hits, nothing too memorable on this album. Very similar sounds on all of the songs.
Prettyyyyyyyyy, Pretttyyyyyyyyyyyyyyyyyyyyyyyyy, Prettttttttttttttttttttttttttttttyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy good
Conpetently made funky 80s pop. Enjoyable, but not too much else. Also very dated, although that didn’t bother me
Interesting to listen to such a prominent album which I'd not listened to previously - OK but it didn't grab me. Production is very of its time.
This isn't an album I'd listen to all the way through, but there are multiple tracks I like a lot. My favorites are Rhythm Nation, Escapade, and Black Cat, with an honorable mention to Miss You Much.
I'm genuine surprised by how much I enjoyed this album. Velvet Rope has sort of smothered the genuine ...well not charm, more like excitement, of 1814. It might be that the mechanised aspect of the lead video and production lumped it, mentally, with the proto-techno of the time (this demands unpacking – another time, another time...). Anyway.
Super-tight 80s pop but never reaches the high of Rhythm Nation, which is a shame as it's the second track on an album over an hour long. A couple of tracks attempt to be topical/meaningful, but like many 80s/90s "we gotta do something" songs, they fall flat and are not redeemed musically either. Janet is at her best with uptempo pop, and this has some great examples
Fresh and funky pop, politically powered. Bit too earnest for my liking but of the age and danceable
A lot of well known songs and the whole album has an 80s feel to it. It was a good listen. I probably would not choose this album to listen to again but I would listen if it was chosen.
"Rhythm Nation 1814" is the sound of Janet Jackson reigning supreme at the close of the 80s, harnessing her momentum to become unimpeachable for the next five years. Load a follow-up to your commercial breakthrough with emergent hip-hop and industrial influences to make a smash-hit? Why not! Throw in an arena-ready hard-rock number and release it as a single? Let's go for it. Go full-on social commentary, and solve all the world's problems by singing about them? Sure, we can at least try. I'd never heard this album in full until now, but it's undoubtedly a blockbuster. Framed by a tolling bell and spoken word pledges on the state of humanity, it's also interspersed with 5-10 second transitions from the sound of a TV switching channels (Roger Waters eat your heart out) to pointed commentary ("Get the point? Good, let's dance"). "Rhythm Nation" itself is a killer opening, giving rise to new-jack swing and driven by seismic, steely industrial beats and slapped bass. It also signified a new dance phenomenon for the MTV generation, immortalised in its imperial music video. All that aside, it's simply a great track: powerful beats, towering confidence from Jackson, and an addictive, rapid hook answered by a unison of voices declaring their part in the Rhythm Nation. None of the rest of it scales the same heights, but the singles "Miss You Much" and "Escapade" play well as affectionate tributes to Prince in his mid-80s prime: Jackson pulls them off with every bit as much pomp, grace and accessibility. "Love Will Never Do (Without You)" hangs itself on an atomic mid-tempo beat before breaking into an amazing second-half, where layers of vocals expressing the title as a chant, a melodic plea, an affirmation. And "Black Cat" is a total surprise that completely works, with the smooth reverb-filled distorted riffs found in arenas the world over in the late 1980s. Where many hair-metal bands would hinge their career on recreating the same sound again and again, for Jackson it's just one more string to her bow. There are quite a few comments on this page- and made by critics at the time- that "Rhythm Nation 1814" lacked subtlety, that the preachy messages were misguided and out-of-touch from a celebrity who had been rich all her life. Jackson herself laudably acknowledged this years later, in her 2015 album "Unbreakable". In truth, "State of the World" and "Livin' In A World (They Didn't Make)" may not be the most eye-popping songs on the record, and could have been made more eloquent. Many of the lyrics aren't exactly ground-breaking ("The Knowledge" is the most throwaway, with its break of "Prejudice: No. Ignorance: No. Bigotry: No."). But, at least Jackson stood up to her label by insisting on including songs which addressed universal matters of prejudice and poverty. She chose to use her platform to discuss more than her millionaire lifestyle, and who knows how many philanthropists and world-changers she might have inspired in doing so? For me, it's actually the move away from the industrial beats and high-energy that sinks the Rhythm Nation torpedo in its final act. Instead, the last three numbers see it move in a warmer, silkier direction. Perhaps it was an intentional sequencing move, or maybe the record was just front-loaded with the strongest hits. For me the closing three ballads just aren't as bold as the songs earlier in the record (bar some gorgeous nu-soul harmonies in "Come Back To Me"). "Lonely" and "Someday Is Tonight" are just a little too long and aimless, however well produced and sung they are. They don't quite have the same edge I enjoyed in the rest of the album, at least on the first couple of listens. As with so many of the other albums I've marked down on this site, "Rhythm Nation 1814"'s main fault for me is its length. It's easy to see how it could have improved if a couple of tracks were shaved off here, a couple of choruses removed there. But in its prime, running through that middle stretch of tracks, it's unstoppable, and one can only surrender to the Rhythm Nation.
Objectively a great album, but not for me. Attention tailed off every time. Rhythm Nation was great, but then I just slowly lost interest and started doing other things. Don’t think it’s the albums fault though. Dancy poppy.
(Sigh!) I always had a troubled relationship with the Jacksons, all of them. I acknowledge their talent and that they have made quite some great music over the decades, at the same time, I don't exactly know what it is, but there is something about their celebrity status that bugs me profoundly. But let's discuss this album. ... (Crickets) ... I played it several times. The first time I was really impressed from the start. Then Social concerns. Check. Dancefloor. Check. Heartbreak. Check. Romance. Check. Did I forget something? Ah yes! Empowerment through sexuality. Check. Remember when Latoya was believed to be Michael in disguise? A ball? Does anybody have a ball here? I need to practice against a wall. Oh thanks, Mate. Boing... Boing... Boing... What is this, why do I feel so restless suddenly? For fuck's sake, I thought I took my meds this morning! Oh yes, I did, the bottle of pills is empty. Should I worry? Got a cig? Hold on there. Do you think I should worry? I think I should. Lighter, yes, thanks. But... Worry about what? Ah yes, that's what I wanted to say! I got distracted while listening to this album. Several times even. OK. I am becoming increasingly lazy at doing this. Impatient as well. Whatever. Geez! How long IS this one?
Interesting sound (although definitely “of the time”), somewhat of a concept album that’s connected by a bunch of interludes. Overall it’s an interesting cohesive listen, but the amount and frequency of interludes weakens it’s appeal for relistens.
The interludes were an interesting addition. I enjoyed her voice and the dance vibe of the songs. The lyrics were kinda meh and every song could have been about a minute shorter. The last few songs were less enjoyable, I felt the didn't match the vibe.
Istodobno zastarjelo i futuristički. Debelo predugo traje za ovako intenzivan zvuk baziran samo na ritmu. Black cat joj je jedna od najboljih stvari
I associate this sound with most late 80s pop and yet I think maybe all of that sound was in this album. Maybe a little bit in 'Control'. But anyway, there is some filler here, for sure, but for an album that was intentionally going for socially conscious subject matter, this is pretty strong. Rhythm Nation, Miss You Much, Escapade, and Black Cat all work for me. Come Back to Me has some sort of comforting '89 dentist office feel to it. I don't know - mostly this works.
Janet aura beau tenté de copier son frère, la prestation n'en demeure pas moins lamentable. On se met à regretter tout l'album de ne pas avoir le vrai Jackson en chair et en os, en lieu et place de cette pâle imitation familiale.
Cet album a conclu de manière positive une très belle sortie à vélo au cœur d'une région située à quelques pas seulement du domicile d'eltrapeze, mon ennemi juré et rival de toujours.
I mean, it is just one song. That goes on too long. And very saccharine ballads on side 2.
Meh. Not my bag. Some of it is well written. Some not so much. I'm not much of an R&B fan, especially, slow R&B ('cept Barry). Just doesn't speak to me.
Really not my thing, though I'm not sure I'm in the best headspace for listening to new music today. None of this album was memorable for me, sorry Janet.
Overproduced non sense of the 80's is not missed on this one. The hits are the only ones I enjoyed for nostalgic purposes.
Well produced but for the most part generic sounding pop. Black cat is a stand out though.
I cannot ever see myself listening to this album again. If someone puts it on or has a few songs on their playlist, I wouldn't complain, but this album doesn't really bring anything new to the table in terms of eighties music I like. Some of the songs kind of have the vibe of "I just did acid for the first time" which is definitely tired and done by the eighties. Also listener beware: the gated compression drums are on every track, and that only gets more apparent and tiresome over the 64 minute runtime. Conceptually, I think the album is kinda reaching a dystopia kind of feeling/vibe, but I think it falls short with how dated the instrumentation sounds. Funnily enough, I think "Sex Packets" by The Digital Underground has more to say about societal issues and dystopian themes than "Rhythm Nation 1814" does. Another issue I have is that there are a ton of interludes on the record, but none of them are really long enough to say or add anything to the album experience. Highlights: 2, and 14.
Kovasti on samantyyppistä äänimaailmaa kuin veljensä tuotannossa. Liekö harkittua vai tahatonta. Ei tämä kuitenkaan ihan kauhean kovaa itseeni iskenyt. Slovarit toimii hyvin, mutta vähänkään räväkämmät biisit ovat vaan yksinkertaisen tylsiä. Kakkosen ja kolmosen välimaastossa taas kerran keikutaan. Tällä kertaa tuomio menee alaspäin.
Some toe tappers, maybe a song or two I might dance to if I was drunk at a wedding or something. Otherwise... not my thing
I just wasn't into this at the time and really haven't time for it now. It's just not me although I guess she's trying to make a social commentary which is commendable but the music is so cliched and dated now. It's not that it's THAT bad, it's just a bit naff 30-odd years later.
I wish the lyrics were just as dated as the production, but unfortunately that's not the case. There's still something charming about the sound, I just don't care to hear a whole album of it.
Started fairly strong but really dropped off toward the end. Early tracks were decent dance jams, but the last three or so were slow ballads. I found it hard to get through the whole thing.
C'est vraiment le genre d'album qui me donne mal à la tête d'écouter avec ce drum machine qui n'arrête pas de tout le long. Plus de 60 minutes de ''tube'', l'album a un concept mais c'est tellement diluer dans la grosse rythmique pop et électronique que c'est trop. Elle s'est chanter, ca c'est certain, mais son concept de nous parler de la misère du monde avec un album qui ressemble sonne comme un arc-en-ciel.... je trouve pas que ca fit et en plus, considérant qu'elle vient d'une famille royale de la pop... on repassera... Apres 10 chansons, j'ai l'impression d'en être encore à la première. Je comprend qu'il y a des hits, si on écoute séparément une chanson de tout l'album c'est bon. Mais un album concept aussi saturé, c'est over produit... Quand même ce n'est pas mauvais... 2.75.
False and artificial-sounding from the first note. Yes, there are some likable (even infectious) grooves (e.g., “Rhythm Nation,” “Alright”) and some sweetness here and there (“Love Will Never Do,” “Livin in a World,” “Someday is Tonight”). But the heavy-handed (to put it mildly) production and canned beats mostly overwhelm the musicality such that there’s a distinct lack of soul that makes this feel utterly disposable and mostly forgettable.
Una pérdida de tiempo. Una copia del sonido de su hermano con cosas penosas como estrofas en español en el tema Lovely. Totalmente prescindible para mi gusto.
I really don't like this 90's pop stuff; it all felt really samey. All the slow songs were extremely similar. In addition, all the fast songs were the same just with different tempos. The drum beat was exactly the same, and it got really annoying listening to it.
Inte så bra! Texterna är samhällskommenterande, vilket så klart uppskattas, även om det blir lite väl övertydligt ibland. Som denna del i "The Knowledge": "One, two, three, four Prejudice: no Ignorance: no Bigotry: no Illiteracy: no" Andra låtar har mer konventionellt kärleks- och danstema. Stora trummor och dansvänliga R&B-beats som tyvärr låter vääääääldigt daterade. Inte ett sound som har åldrats väl. Mycket låter som något teaterensemblen i en 90s-high school-film skulle sätta upp. Livin' in a World (They Didn't Make) är en lugnare låt som har en fin refräng, även om texten även här är jobbigt övertydlig. Den följande låten, Alright, är helt ok, och Janets sång låter ibland som Robyn (???). Låtarna är även för repetitiva och för långa, de flesta runt 5 minuter. Ville under lyssningen helst bara att albumet skulle ta slut. Bästa låt: Alright.
I guess this is pretty good if you like Janet Jackson. The first track was surprisingly not as bad as I was expecting, but it was downhill after that. The overly used drum machine sound became tedious and annoying in the end.
One of the worst (and funniest) albums I've ever had to sit through. Half poor attempts at cliched Madonnaesque pop, half awful awful awfulllllllllllll """"""social commentary""""""" written by someone who has been stupid rich from the age of about 4 and maybe heard What's Going On on the radio once a few years back. Dreadful, terrible, awful but sometimes hilarious.
The same drum, and keyboard, sound on every track? Check. The same vocals, and melody, on every track? Check. Typical 80's over-production? Check. The "Jackson" coattails to give this album the overhype that it received at the time. Check. But give credit where credit is due: this was an original sound when it came out. Unfortunately, it is largely responsible for a whole lot of crap that has been trying to ride this album's wave for the last few decades.
Not a JJ fan at all. Banned from my spotify in 2020 and zero desire to unlock or revisit.