Bill’s playing is sublime as always. What’s with all the crowd noise/dialogue during the performances? It almost sounds like they turned it up
Wish i could do 3.5. Liked it more than i was expecting, great vocals and more melodic than i thought. Sounds like the only grunge band who would admit they listen to Queen and Metallica.
Strong debut from a band that would kind of perfect their thing over the years. Michael Stipe at his most mumble-y….I love the jangly guitar sound and “Talk About the Passion” probably one of my favorite REM songs. Also particularly Mike Mills’ bass playing this time around
Wow, wasn’t expecting to like this as much as I did. Never could get into Leonard Cohen’s folk-y stuff, since I’m usually a music over lyrics guy, but I really enjoyed this album. He mixes melancholy and humor delicately, and it’s almost more like spoken word. Sounds like Tom Waits (with less creepy circus vibes) and/or music that you would expect to hear over a montage during The Sopranos
Good tunes…three chords and the truth. I like “outlaw country” and enjoyed this, but I’m also not sure what made the editor of this list pick this particular album. I found the exaggerated Beatles-level panning of the stereo mix really distracting…it made the individual instruments louder, but in a ham-handed way that I think was disorienting and took away from the experience. Nothing like checking your right AirPod is broken because a harmonica solo blasted into your left out of nowhere
Oof, this one was just not my thing…I know it’s a matter of taste and I guess I’m too cynical but the whole album sounds like it’s 1996 and I’m in the Air France lounge, listening on a Walkman on my flight back to London, looking at a Benetton ad and imagining what the world could be if everyone would just DANCE. I don’t really like 90s London sunshine/psychedelic rave, adidas track suit, buzz cut with an earring music to begin with, and the singer sounds like Diana Ross if she was from Manchester and not allowed to see the sun. Refrains like “People get free…”, “in this world of ups and downs”, ”nothing can stop us now”, “let’s kiss and make up”….meh I’ll pass
It had some moments but i won’t be going back any time soon…I like the energy and the songs that are actual songs, but not the noisy bits…”Mirage” has traces of proto-Nirvana. This feels like one of those albums that’s “important” or influential but people don’t actually enjoy listening to it, and it feels like it influenced people to play out of tune Jazzmasters. The “Helter Skelter” cover was bad. Probably would have liked it more or found it interesting when it came out but now it’s been copied to death, not Siouxsie’s fault.
I don’t know what to do with Nick Cave. Every time I’ve listened to him, i enjoy the music, like the energy of the band, appreciate the density of the lyrics, am intrigued by his persona, etc….and then never remember the songs or come back to them. I like “The Lyre of Orpheus” song, but this is essentially two short albums combined. There’s something about it that just doesn’t grab me, even though I know it’s good and similar to a lot of other music I like. TBH, an 85 minute run time probably doesn’t help make it feel more accessible. Idk how the band remembers these songs, or how his fans can discern their favorites. If “undefined” were a rating, that’s what I’d give it, but after about an hour, i was pretty solidly bored. Wish i could go 2.5.
Perfect for a Sunday train ride…hypnotic, relaxing, melodic, and beautiful guitar tones from two masters. Will definitely be playing around with some of these tunes when i get home. Sometimes i wonder if there’s something freeing about not speaking the language the lyrics are in, you can just enjoy the music.
Fun stuff…influential and captures the essence of a certain time and place, maybe feels a little gimmicky/dated at times in 2025, but mostly light-hearted interpretations of great songs.
Sounds like a strange mix of Patti Smith/Television/CBGB scene but updated with the smooth/suburban production aesthetic of the early 2000s….Somehow it kind of works?? She’s got a great voice. I’m not as crazy about the acoustic/whsiper-y songs and get a little bored with ‘love letter to New York’ type songs. Pleasant surprise to hear Thom Yorke on there. Overall, mostly enjoyed.
The Doors in their prime….little blues, little psychedelia, little poetry, little experimental…if you like that, you like this. In my opinion, they catch too much flack because of the legions of Jim Morrison copycats and boomer classic rock iconography, but still a solid band. Some songs don’t hold my attention but I like the vibe. One note is that this is another one where I listened to and found the mix to be a little tinny and cramped, but I do like the music. Especially great playing from Robby Krieger.
Any album that is 15 songs and 34 minutes is great in my book. Willie’s one of one: simple songs but a great voice because of its emotion and simplicity, and one of the best writer of simple songs that has ever lived. That voice and an acoustic guitar is all you need (but I’ll take some faint didgeridoo in the background). Really enjoyed it and will probably come back to this one. Title track is a highlight
The ultimate “a little goes a long way” band for me. Good riffs, good energy, good music to be a fat guy pumping your fist to when your relief pitcher comes in and you’re feeling hype, good to play the music in Guitar Center when you’re testing out a Gibson SG, but not especially memorable or interesting after 40 minutes. At its best, sounds like Zeppelin, at its worst sounds like Guns n Roses…”Shake a Leg” is fun. I can enjoy it for what it is but wouldn’t seek it out.
Good songs, good harmonies….kind of sounds like what I’d imagine The Beach Boys would sound like if they didn’t have Brian Wilson and had to rely on Bruce Johnston and Al Jardine for their musical direction; a little corny and dated but still strong harmonies and musicianship. Definitely some interesting covers on here, and I always loved “California Dreamin’ “. I’d like to spend more time with this one and let it grow on me… “Hey Girl” is a low point, a wet noodle of a song with dorky energy.
Sabremetrics must have come to music, because this is a perfectly “replacement level” rock band. I actually saw them in concert and felt the same way after they played for 100 minutes. From the songs themselves to the guitar tones to the vibe, it’s just so perfectly average. Would have given a 3 stars but some of the vocals were reaaaaally grating and it felt like the type of guy who would say he’s singing ragged and out of tune because of “emotion” when in reality he’s just trying to do something he shouldn’t.
Liked it more than I expected to, given how I usually feel about hippie music. “Somebody to Love” is a hit for a reason…I enjoy Jorma Kaukonen and Paul Kantner’s guitar playing, good harmonies. Some songs have that goofy flowery singing or flute/fairy vibe that sounds dated, but overall the songs are good and I enjoyed it, wish I could do 3.5 stars. Crazy how much Marty Balin sounds like 1966 Paul Simon
Liked Sonic Youth a lot when I was 17, so it has a sentimental feel/vibe. It’s occasionally abrasive music but they did create a sort of influential noisy, DIY sound. I like the “commercial” songs a lot more than the artsy/noisy stuff, and I think they are more creative musicians than they pretend to be, but I would get why someone wouldn’t like it. Every one of their albums has like 3 songs i really like, 5 that are fine, 2-3 that are just kind of bad, and every song is like 2-3 minutes too long. Kim Gordon’s vocals where she sings like she’s sentimental can be especially tough….but there are still bands - many of whom are highly acclaimed - imitating this sound today, so what do we do with that?
Great indie, lo-fi, west-coast hip-hop…nice and chill, perfect for smoking weed and driving around with palm trees in the horizon. Idk which member is which but i like the guy with the deep voice, kind of reminds me of Scarface. Probably giving this a higher rating than I would have if the last two weeks hadn’t been albums of out of tune noise, but I like it and thought it was easy to vibe and listen to. Why is only the edited version on Apple Music? That’s annoying.
The songs are meh, feels like she is kind of a monotonous singer and the hooks aren’t memorable, tries to squeeze a lot of density into each song but it then just feels disorienting. Whatever 1993 moment this arrived in, i guess you had to be there. Mostly indifferent more than hate, also i didn’t finish it so I’ll give a 2 because i liked some of the guitar tones.
This is a classic…it grew on me as I got through the album, but I feel a little guilty about how it doesn’t always totally hold my attention. Very unique vibe/beats, creative songs, but maybe some primitive production and the vocals are mixed quite low relative to other hip hop. Love “Eye Know” “Tread Water”, and “Potholes in my Lawn”, and of course “Me Myself and I” is a classic…great recognizable samples from Led Zeppelin, Funkadelic, Steely Dan, James Brown, etc. I appreciate the way this album perfectly captures a young, and sort of light, late 80s/early 90s NY hip-hop, and builds on music that came before it while maintaining its own identity. Also feel like it might be like 3-4 songs too long and (as with most hip-hop albums) i could do without some of the skits.
Yeah, I’m biased caus I’m a Beatles fanatic who grew up on them with my whole family, etc. so will probably be giving most of their albums 5 stars. Nonetheless, I think this album is a turning point for them, as it captures a time where Lennon and McCartney were really maturing as individual songwriters but also still collaborating, working, living together; there are no token covers or filler material like some of the early albums - this was an LP made up entirely of strong, original material, which was just not typical in 1965 (especially for rock bands). Even the weaker songs like (in my opinion) “Think For Yourself”, they enhance by trying new sounds in the studio and adding sounds like the fuzz on the guitar that hold you attention and curiosity…Paul’s bass playing also seems to take a leap here, particularly on “Nowhere Man” and “The Word”. Even if you don’t like it, it’s 40 minutes of melodies at 3 minutes a piece, which is more than we can say for a lot of other “important” albums on the list
I didn’t appreciate these guys enough when they were biggest, and have come to really like them. The opener is a banger, great bass line driving the song. Always thought of the Killers of like a millennial take on U2 (but better?), or the Smiths (one of my favorites) but also maintain their own sound. Brandon Flowers has the front man charisma/aura. Good tunes, good mix of sounds, good singles. Knocking a star off because I hate “Mr Brightside” and have heard it too much, but would go 4.5 if i could. Great album
This is a top tier album for me. “Walk on By” is a perfect opener and one of my favorite recordings, also made for a great Biggie sample. What a unique voice Isaac Hayes had….the narration on the closer is so epic. Glad this was today’s choice because it’s something i wanted to listen to anyway. Great interpretations of very stylistically different songs, walking a tight line between intimate arrangements and anlso also letting the backing band (The Bar-Kay’s?) stretch out. Funky, soulful, unique….Love this one
Interesting, innovative, and decent music to put in the background. But definitely a little dated, little repetitive, and very cold, austere European, trance-y communist synth vibes. That aspect kind of scares me. You can hear all the ways this influenced other artists from Bowie to Radiohead (and Afrika Bambaata) and it’s pretty easy on the ears. I appreciate it more than i like it but i like it enough
Not as good or anthemic as “Back in Black”, and I don’t love AC/DC to begin with. I don’t really get how they are so - not only popular - but also historically significant in the eyes of music critics. This is cookie cutter rock and roll, and i think it sounded cookie cutter in 1978 too. I can enjoy a moment or two, Angus Young is a fun guitarist, but it’s pretty damn monotonous…all the songs are in the same key, deal with the same subject (in the same goofy way), same instrumentation, same tempo, same guitar tones/style. I think I’m good on that song. “Walk All Over You” sound like Spinal Tap.
The two singles are the two best tracks. This feels like a transition album for the Stones, as they are growing out of copying the Beatles and growing into the raunchy, macho, 70s version of themselves that people love them for. Plus a little country….Solid album, I think good energy and performances (particularly from Mick and Bill Wyman) paper over some meh songs, but the highs are high. Would go 3.5
This is one of my favorite bands of the last 20 years, so I’m biased (they started in Philly to boot). Some songs can be a little long, and while they sound similar I feel like it’s more thematic than repetitive. What I love about the War on Drugs is the hypnotic sound of their songs - the production, the arrangements, the tones, the vibe, the synths, etc even if I remember those more than specific songs. A little lap steel here, a little bari sax there, a little Leslie speaker here…keeps it interesting and well rounded. Adam Granduciel has a unique voice that still sounds a little bit like a lot of different people (Dylan? Bruce? Tom Petty? Ryan Adams? Win Butler?). I think the perfectionist feel and melodicism is what sets them apart from other similar indie bands. Great lyrics too if you can actually discern (or read) them. I’m a fan
Another top tier/favorite album for me…Steve Winwood and Dave Mason cooking; that’s really all you need to know. Great mix of soul, psychedelica, and 60s rock but doesn’t really sound dated. I love the guitar turnaround on “Am I What Was or Am I What I Am”, the groove on “Who Knows What Tomorrow May Bring?”, the breakdown on “Medicated Goo”, etc. So many great moments. Could pretty much listen to Steve Winwood sing anything.
The opening title track “Silence Kid” has the same melody as Buddy Holly “Every Day” - is that intentional? Pavement is decent indie rock, used to be more of a fan but sometimes it still borders on too noisy and out there. They made a sound that a lot of people continue to copy, even if they never caught on big time Love “Cut Your Hair”, sounds like a theme song to a Nickelodeon show.
Another band i dismissed in their day…but Linkin Park fucks. They are a good band. Is it a little repetitive and/or corny at times? Sure, but also they were huge for a reason and perfected the nu metal/rap rock vibe. Way better sounds/songs/musicianship than peers like Limp Bizkit…A perfect crossroads of music to listen to you before your lacrosse game and music to listen to when you think about how much you hate the kids on the lacrosse team. I listened at the gym and enjoyed every minute in that environment.
Pleasant, but somewhat unmemorable songs…the singer sounds like a more limited version of Marshall Crenshaw (who i like better), and “Quiet Heart” sounds like a U2 song. The use of the oboe is certainly different. I’m fine with it but don’t know why i needed to hear it before i die. “Streets of Your Town” is a good catchy song…would go 2.5
I can’t totally put my finger on why this band annoys me so much, but they really do. I used to think they were just kinda sleepy, and i was being a contrarian hater, whatever. But listening to the songs and thinking about how huge they are, this album became actively irritating to me…they know four chords, one drumbeat, and the singer has a 6 note range, so they make the same dirge of a song over and over again. But hey, you can always cover it up with some strings, uninteresting horn parts, major 7ths on a piano, and a bunch of reverb/delay pedals, and it will be hailed as “yearning genius” among people who wear wool hats that don’t cover their ears. The fake poetic lyrics are even worse - “Stuck in New York and the rains coming down”….how original. “We’ll play nuns versus priests until somebody cries”….deep. “I don’t have the drugs to sort it out”. What are these songs about? Where is any sense of melody, story, excitement, or even just fun? This is just mumble lo-if for people who lived in Williamsburg in 2011 and take Polaroids at their parties. Annoying.
Queen at their best….you have to live in their world to get into it.
Not much to say here, just a great album by a great band. Something about this music feels perfect for this fall time of year too. Want to go 4.5 but I’ll round down to save the 5 for when we get Big Pink
Remember really enjoying this album when it came out, especially the song “Mad” with Lil Wayne. Songs are good/catchy neo-soul, her voice is pleasant, and it’s not overly long or stuffed with filler. Having said that, some of the spoken interludes feel a little forced at this point and even dated (i know it’s 2016) but overall I enjoy this album. 3.5 stars with a round-up because Q-Tip is involved.
This is the kind of thing i was hoping for when i started the album journey…not something i know well (other than the title track) but something that is influential (the influence of Annie Lennox on Lady Gaga and St Vincent is especially present imo), has good tunes, and is interesting to listen to. I want to go 3.5, but I rounded down because of the long repetitive nature of the dance songs on side 2. Still good stuff tho
Never heard of this band. Out of the gate, sounds like a mix of Squeeze, Echo and the Bunnymen, and maybe even some David Bowie. It’s a pretty solid mix of those different sounds and that era. I dig it…some songs were goofy and it was way too long, but makes sense that it’s a compilation.
Thin Lizzy is badass…for me, “Jailbreak” is a perfect song, and a perfect album opener. They manage to mix and balance a lot of things - hard rock without being self-indulgent, Irish attitude/influence without it being a novelty, glam rock aesthetics without sacrificing any of the music, and as a live band, they’re smoking. It’s kind of the same song over and over, but you know what? I like that song so screw you….Great rock, great energy, great album.
So Radiohead is one of my favorite bands, and this is the album that started me on that journey, particularly seeing the music video for “There There” from this album. Weirdly, it seems the members aren’t as proud of it as other albums they’ve made, and it’s not their BEST album, but I (mostly) love it as a fan of the band. They always do a great job with choosing album openers and “2+2=5” is no exception… I feel like “Hail to the Thief” does a great job of mixing their Kid A-type experimental/moody music with some really interesting guitar music from “OK Computer”. Plus it retains some of the themes of the Bush-era paranoia about surveillance, the internet, etc. Does have some slow spots, especially early on, but i have the nostalgia and multiple listens working against that for a 4 stars.
This was interesting…kind of infectious pop, but also unique use of electronics. I liked it more than I thought I would at first, and then it slowly wore on me. Decent enough tunes but I didn’t like the vocals after a while…maybe some wannabe McCartney thing in there he can’t quite pull off? Some songs really sound like The Stone Roses, who I love..Idk, it’s easy enough to listen to while you work. Didn’t love, didn’t hate, didn’t finish
For a guy who has 7,000 albums and musical directions, this is really one of Neil Young’s best. This is an album that I love and was due for a revisit, but between “Cinnamon Girl” (way harder guitar tone than I remember), “Down by the River” the title track and “Cowgirl in the Sand”, this is basically a greatest hits for ‘60s Neil. Also his first album with Crazy Horse and it sounds fantastic in the remastered edition…a couple of the slower songs go on too long is the only thing preventing it from being a 5 star.
Dylan at his best and also his most caricatured. You're either with him or you’re not…his virtues as a songwriter and acquired taste as a vocalist have been written/debated to death, but “I Want You”, “Stuck Inside Mobile….”, “Just Like A Woman” are some of his absolute best, and I love the guy for always doing whatever he wanted. If it sucked people wouldn’t be imitating it for 60 years.
Fun stuff…didn’t set the world on fire and was pretty repetitive but i enjoyed and that’s enough.
Some cool moments, I like the mix of eastern and western music. Much prefer the instrumental tracks and Indian music to the 90s British “trip hop” thing that I’ve already said in other reviews i find really annoying. Glad i listened tho
Oddly, I had never listened to this album all the way through. It’s still so odd and futuristic, but also sounds satirical in a way? What a mind Damon Albarn has.
…there is a mocking element, some of the sounds are cheap and sound like game show music but somehow it all works and sounds original and exciting. I definitely enjoyed it and want to go back for a closer listen.
Always thought Christina had the best voice compared to her contemporaries (Britney, Jessica Simpson, Mandy Moore, etc), and here she’s got some good songs to show off the pipes. Early 2000s pop is cool because R&B was the dominant influence, so even if a little dated it’s pretty easy to listen to and the songs are more clever and intricately arranged than subsequent eras. “Impossible” is a perfect example of the R&B influence, and I also liked “Infatuation” with the Spanish guitar. A lot of it sounds like early 2000s Michael Jackson, particularly the similarities between “Keep Singin’ my Song” and “Stranger in Moscow”…..“Make Over” was the only song that didn’t work for me, and it’s a little long (78 minutes got you your moneys worth at Borders back in the day!), otherwise I enjoyed it and would say 3.5 stars
Sounds like Queen, Black Sabbath and Zeppelin on heroin. Another weird mix on this record….sounds tinny overall, the vocals are quiet/unintelligible and the bass is really loud. Mostly a good grungey rehash of 70s rock, but not altogether that memorable or something i would seek out.
Had never heard of this band, and expected it to be sucky industrial noise rock based on the bizarre and kind of amateur cover art. What I found instead was some pretty solid 90s rock, triangulating “power pop” influences like Big Star and Cheap Trick with 90s contemporaries, reminiscent of early Foo Fighters, Weezer, Dinosaur Jr, etc maybe even some Third Eye Blind. I liked it, nice change of pace to have some good straightforward tunes. This is a Dewey album that I’ll probably come back to…A 3.5 that I round up because I’m a “rockist”, I suppose.
Good stuff…not normally my bag, but there’s something about Aphex Twin’s music that i find easy to listen to as background noise and kind of be hypnotized. A couple songs are more challenging but mostly good to do work to
This is a perfect encapsulation of a type of music that’s like “record store jazz”….melodic and something you can hum along with, not too avant garde, great musicianship and grooves, fairly suitable for any situation/mood, something you expect to hear in a record store or chopped up in your favorite sample which leads you to find the original, etc. I really enjoyed it, only demerit is a little long at 77 minutes
Mingus is a genius. Not always my first choice to listen to of his contemporaries, admittedly, as there is something that can sound a bit harsh about a lot of his music, but this album is a masterpiece and I think shows off his composition, arranging, and thematic skills at their peak. I of course love the prominence of the bari sax in Mingus’s band too..,my favorite on this is “Track C - Group Dancers”
More synths, more computers, more songs that sound like they’re in a 1996 Olympics/Nike commercial….but somehow works beautifully. These songs really pop on decent speakers…also a lot of the classic rock samples (Sabbath, The Who, etc) are so recognizable that they almost sound like covers, but he still made something interesting and original out of them. Idk why every album on this list seems to be 75 minutes tho, that’s a turn off for me. But i dig it
I’d say I have a love hate relationship with Lou Reed. But this album is a classic - “Sunday Morning”, “Femme Fatale” and “I’ll be Your Mirror” are all such great songs. Maybe some of the imagery is a little played out and copied but I feel the sound, attitude, and production leaves the way for so much punk, grunge, noise, etc. Underneath all that scene-y stuff, there are still some really accessible songs, and I was happy to have the reminder to listen to it. Would go 4.5 but I’ll round down to be more in step with the group
Maybe repetitive, but still good. Short, easy accessible songs, many of which sound melodically like “The One I Love”, which is a great song.
I can understand how it was ahead of its time, some songs have good energy, didn’t roll my eyes as hard at it as i did in the past. Still not for me…2.5 with a round down
Great album from before they disappeared up their own ass…I think “New Year’s Day” is my favorite U2 song but “Sunday, Bloody Sunday” and “Two Hearts Beat as One” are great songs as well. This is the only one of their albums I’m really familiar with, but I think it’s a classic…I really like Bono’s voice and some of the tunes but was never inspired to get deep into them.
One of the best debuts of any genre…given how many hits and accessible songs of theirs are on this, it really feels like they arrived fully formed. My favorite Doors album, leans more towards than the melodic/blues/psychedelia than the spooky avant-garde stuff of later albums that can feel dated(though it does include “The End”…). Love this album.
Never got into SOAD in their prime but…yeah, this rules. Great riffs, great sounding record (the mix and production make every element present), unique vocals…sounds sort of like a more prog version of early (good) Metallica with some of the Armenian/Eastern influence in the harmony. I get not liking it if you don’t like metal, but I think it’s really original and great.
Probably my personal favorite Stones album…has both a perfect opener (“Gimme Shelter”) and a perfect closer (“You Can’t Always Get What You Want”). I also love the title track and “Monkey Man”…this is the Stones at their peak: best lineup, most creative, starting to mix in country influence and anthemic songs that maintain the blues influence. No skips here, 5 stars
Another perfect debut. Toes the line between knowing its sound and having all the songs sound the same, but Sade herself is such a unique and generational singer and the music so easy to listen to that it doesn’t really matter. Love this album
It’s funny, outside the title track and the opener, this is probably not my favorite Bowie. Even from the Berlin era, I prefer “Low”… But he’s such a visionary and exciting artist that I still enjoy it, even if it’s occasionally too experimental for me.
Some good moments - the run from “Root Down”, “Sabotage” and “Get it Together” (shout out Q Tip). I love hip hop and punk separately, and i respect the Beastie Boys a lot, but there’s something about them that never clicks for me in a way that i personally relate to. It’s good music tho, so I’ll go 3.5 rounded up.
Ritchie Blackmore is such an awesome guitarist…some great, influential hard rock guitar sounds on there. Music is mostly fine, sort of proto-hard rock. “Child in Time” feels like Spinal Tap, but somehow kinda rules? I would go 3.5 for Blackmore alone, and it kinda grew on me as the album went on…Feeling charitable today so will round up.
I remember when I was about 18, having my curiosity piqued about this album after seeing some of Elvis’ comeback special in ‘68…everyone knows the impression and the hips and the myth, but this is Elvis as musician first. On this album, he is singing great songs, recording in his hometown, musically and creatively inspired, mixing genres, and backed by beast musicians, and predictably the result is awesome. This is essentially like Elvis doing a Stax record, and recorded almost entirely live in the studio (no overdubs). I love it.
The two sequel albums “Back in Memphis” and “Elvis Country” are approaching the same level of quality, and I so wish Elvis had gotten to explore more musically and have more control, but under the thumb of Colonel Parker we got 30 versions of “Clambake!” instead. But when he was inspired and singing the right songs, his reputation is earned. He was the King.
Every REM album/song is kind of the same…some great jangly pop songs with oblique lyrics, some weird mandolin/slow songs, and some filler that falls in between. For some reason that works for me - this is a 3.5 with a round up because of how much I like Stand, Orange Crush, and Pop Song 89.
Loved this album - Stan Getz has such a unique voice on the sax with his airy tone, perfectly suited for bossa nova and Latin music. Very accessible and listenable jazz for people who are not hardcore fans…Charlie Byrd cooking too.
This is probably the best Talking Heads album, and it might also be my favorite. Experimental, dance-y, funky, Afro-beat inspired and still uniquely them. Singles are great but also no filler. “Crosseyed and Painless” is such an awesome song…. “Facts all come with points of view, facts don’t do what i want them to”.
My dad loved this album and it always pops up on sort of underrated or other overlooked best of lists….sort of a forgotten psychedelic band from CA. Sometimes the psychedelic thing can be a bit much for me, but these songs are really well-written, intricately arranged and produced and mixed well. In spite of a couple corny accent vocals, I dig it. It’s a dense album and I want to dig in more.
“Oh, we’re doing that?” -Me, 2 minutes into the first track (is it a song?) on this album. Got better as it went on with some more horns/melody and they are definitely talented musicians, but 20 minute songs still mostly not my thing. You could do worse for background music while you work.
I’ve listened to this album before and found it long and dull…in some ways I still do but enjoyed it more this time around. “Pictures of You” and “Lovesong” are top Cure tracks for me, but idk their catalogue that well to say. It’s a band whose sound and sonic imprint I appreciate more than their songs. Title track is a really stupid song imo, and some of it really begins to feel like a dirge. But if you’re in the mood for reverb and gloom, this it’s good stuff.
Great songs, great harmonies, love the sound of the lap steel (and/or B-bender) and the marriage of rock and honky tonk country. Feels like the fore-runner to a lot of “alt-country” and I am a Gram Parsons fan, I’d give it a 5 if I listened more.
A smash album from a curious, interesting and unique artist. The 80s synth sounds still work, don’t sound dated. I appreciate that he’s letting the R&B influence permeate naturally, and not doing the “white singer does soul” thing that can be cringe. Feels natural…It’s a good mix of styles that still feel a part of a vision. The Kate Bush duet is a little slow, but i enjoy it…feels like St Vincent based her whole singing by style on KB. Gonna be singing “Big Time” in my head for a week. Fun album overall.
This list seems to love 90 minute albums by bands that seem like they only made 90 minutes of music. I could take this for 45 but a little British synth pop goes a long way for me. Pretty campy and overly earnest at times, but in what’s probably becoming my signature line: there is worse music to put on while you work a job at your computer.
I liked the sound of this band; I think one of our other reviews said it was Wilco-ish, which I agree with and enjoy. However, the singer was meh and the songs didnt really stay with me. I liked it while i was listening and then promptly forgot.
I’ve somewhat had it with these kinds of albums tbh. It’s not bad music per se, but why do I need to hear it before I die? When i think of an album, i think of it like a novel - consistent in tone and vision, with a beginning, middle and end; a defined piece of art. You wouldn’t do a list of the best novels ever and put a collection of short stories by different authors. This sounds like a bunch of tracks, and moreover tracks that would be movie and/or club music and/or kind of just background noise at a coffee shop. So therefore why this album, by this artist and not another album or artist? Why not put John Williams soundtracks on the list? It all just makes it hard to rate or get into the album/artist. Some of the Eastern stuff is cool, but the cover alone made me feel like it’s not something I’d seek out and I couldn't get into it from there. Doesn't help when the album is like 90 minutes and streaming services only have deluxe editions, because you dont even know where the album begins and ends. These list makers seem to have a heavy preference for 90s electronica but hopefully we’re just getting it out of the way
A lot of "better than I remembered" type tracks on this, some slow spots where they get too experimental. I love it because Radiohead is one of my favorite bands, but its not their best album and its not really even an album per se. Still good stuff.
Almost identical to my feelings/review of the last Deep Purple album "Deep Purple In Rock"...to me, the main draw is Ritchie Blackmore. As a guitarist, hes a 5/5, some of the music is a little Spinal Tap-ish (they were the "world's loudest band", at least pre-Led Zeppelin), but also highly influential and seems to bridge psych and heavy metal. "Highway Star"....what a song....they smoke on that. "Smoke on the Water" is played out but cool if you can listen to it with fresh ears..."Space Truckin" is funny but also badass. I enjoy them and this album, but would get why someone wouldn't.
I never got big into the Rolling Stone "Jack White is the 3rd best guitarist ever" industrial complex, but I mostly enjoyed this more than I thought. It was good rock music at a time when we needed some, and hes a good songwriter....more of a Beatle and specifically McCartney influence than I expected, but you know a Jack White song when you hear one and thats a testament to true talent and identity. I'll go 3.5 and round up in the holiday season.
This is a perfect album, plain and simple. An epic opener that rocks as hard as anything, followed by Elton - at the height of his powers - dipping his toes in all kinds of genres. The title track rules, there are multiple hits, and an epic closer with "Harmony". "Sweet Painted Lady" is also a personal favorite melody. It's perfectly produced and arranged music without being self-serious; there is a healthy balance of nostalgia and camp in the "old time rock and roll" type tracks and their lyrical content; thematic without being repetitive. This is also the rare double album that never drags on and seems to lack filler material. I genuinely think this has a strong case for any best albums of the 1970s list and am always happy to have a reason to listen to it.
"Dear Someone" is a cool song....shes got a nice voice and they are good tunes, I like this kind of music more than the frequency I listen to it. Feels like something my Dad likes and would listen to on WXPN. I enjoy it, and I would go 3.5 with maybe a round down to preserve my snobbish reviewer credibility.
I can't believe I'm saying this, but I loved it. Any time I've previously listened to Iggy and the Stooges, I've wanted to like it and come away wondering what the big deal is, but this time around something clicked. The songs are stronger and better produced (thank you David Bowie, though I think thats owed more to Iggy reissuing it because I read that the original suffered from specifically poor fidelity, which perversely may be part of its appeal) than the first two Stooges albums. It sort of feels like the bridge between the Doors and the Stones and the Ramones, Blondie, etc. Great energy for rock and roll, and has more melody and catchiness than I expected, while still being aggressively in your face. This album makes you want to grab a guitar and go to your friends garage and thrash around, I can see how it influenced everyone from Kurt Cobain to Morrissey to RHCP.
I love that we drew this album on my guy Keith Richards' birthday. To me, this is in a 1A/1B with "Let it Bleed" for their best album. They rock, they roll, they do some sloppy country, and they probably have their prettiest ballad with "Wild Horses". The addition of Mick Taylor gives some really tasteful lead guitar to play off of Keith and Charlie Watts holding it down. "Can't You Hear Me Knocking" is an epic jam with a filthy guitar tone, recorded live in the studio, almost by accident. "Dead Flowers" is a great song. Another 5 star for me.
I'll start by saying that "Shine on You Crazy Diamond" is my favorite Pink Floyd song (or parts 1 -5 are?), and probably one of my favorite guitar songs ever - such an incredible journey to open an album with. Also David Gilmour's tone, economy, and touch make me want to cry, especially given the topic of the song. (And it even has a bari sax solo!) Whenever I listen to this album however, I always feel a little disappointed by "Welcome to the Machine", like there's a drop-off and its kind of just a slog. But they pick it back up with "Have a Cigar" and the title track is obviously a classic...I am so torn between a 4 and 5, because it's an awesome album and includes my favorite Pink Floyd song, but only has 5 songs and one of them I don't care for. I'll go 5 because we're on a heater of classic albums lately.
An album of big hit songs that you know, but maybe didn't realize were on the same album. Yes, some of the sentiments and sounds are a little dated, but the tunes are catchy and it works. I enjoy it for what it is...3.5 with a round down because I feel like I'm getting too generous lately.
Man, this was annoying. I used to associate G Love with everything I hated about the puka shell Hollister preppy types who were so annoying in HS. At first, I thought/worried I was just being a hater, and that I was primed to not like this from subconsciously hanging on to those associations. But despite my best efforts to listen with fresh ears, this album is kind of a perfect collection of the musical quirks that annoy me the most - that vocal affectation that white guys do when they're trying a hip hop/dub accent and ends up just sounding like they have a mouth full of peanut butter (number 1 most annoying FWIW), sloppy loose jams, bad improvised guitar solos/playing, long songs that go nowhere, etc. Initially, I got lulled into thinking it was more dull than terrible, but by the time I got to "Shooting Hoops", I was thoroughly irritated. Sounds like Gen-X dads doing some unholy mix of a Grateful Dead/Beastie Boys/Dave Matthews jam at a block party, and I was ready for it to end.
If you like rock and roll or even popular music, this is like being asked to rate the New Testament. Elvis is the King, and your favorite music wouldn't exist without him. Forget that some styles have been satirized or overdone or sound corny to our modern ears, that some songs are weaker than others, or that this isn't a real album per se....it changed everything. Feels hard to rate it, but at 29 minutes of mostly upbeat music, its an easy listen even today. The version of "Blue Moon" is one of those haunting tracks that just sounds cursed....one of my favorite Elvis recordings. You can go a long way with a three piece band and some slapback echo as long as you have a dynamite singer.
"A Message to You Rudy" is such a great song, found out about it from a Sublime recording years ago. Funny to find that they re-wrote it for the same album and called it "Too Hot", that must have been intentional? The album itself is pretty cool, a nice blend of different styles and sort of ska/punk thing that never feels forced. You can hear some of the Elvis Costello influence in the production for sure, especially on "It's Up To You" (which coincidentally sounds a lot like "Watching the Detectives"). Some songs are better than others, its a tad long, but I like it. 3.5 with a round down
Listened on the way to PA a day before getting this as the album draw. I love Phil Spector, the Ronettes, Darlene Love etc and this style of music, many of these are THE version of Christmas songs…not sure if his pervy, self-indulgent over the top speech on “Silent Night” adds to its charm or is a demerit but I’m happy to give a 4. Tis the season
Hard for me to be objective on any Beatles album as they’re my favorite group; this feels like the album where their love of Black music comes through the strongest (3 Motown covers plus a Chuck Berry), but they always bring something interesting to their interpretations of songs. “All My Loving” is a perfect song imo, and both John Lennon’s driving rhythm guitar triplets (a personal favorite) and George’s solo have been praised and discussed to death in internet guitar circles. I always thought “I Wanna Be Your Man” was a weaker Beatles song but they bring energy and life to it. The reason I love them is because it’s comforting but also because despite being a 4 piece rock and roll band, every time I go back to them I discover something new, quirky, interesting. The harmonies, the energy, the chord voicings, the creativity of the individual parts etc. It’s probably a 4 star album but I have a feeling I’ll to 5 for every Beatles album.
I love Bob Marley - even as an atheist, I can feel the spirituality on songs like "Natural Mystic". Songs are similar, but they're all great. He is iconic, and funny enough I had never really dove in to an album outside of his greatest hits "Legend" that I had a burned CD of. Really enjoyed it.
Another favorite artist of my Dad's. Richard is a smoking guitarist, especially as an acoustic player, and the songs are good and enjoyable, hes got a nice voice. The album has a sort of live, spontaneous feel, doesn't feel labored over. I had listened to this years ago and this was the kind of thing I wanted to be reminded of when I started this album exercise. "Little Beggar Girl" is a cool kind of Middle Earth song - they mix that in to more straightforward rock pretty well. I dig it.
Shoutout Philadelphia soul, shout out Nile Rodgers. Funky and fun....wasn't expecting a "Gettin' Jiggy With It" sample in the first 5 seconds but here we are. Honestly, this had like 3 tracks I loved, 3 tracks that were good and two that were meh. Some went on a bit long but the talent, groove and vibe is undeniable. 3.5 rounded up to 4 for Philly.
I like Primal Scream and the sort of 90s psychedelic/dance movement in the UK. It's a little background noise-y and not as good as "Screamadelica", but has some cool sounds....you can hear the influence on Radiohead, Gorillaz and similarities to Stone Roses or other UK bands I love, so its adjacent to a lot of music I like. Some of it is overly spacey and campy, but overall its cool. Solid 3
Liked it more than I expected…despite being more commercial, it shares at least some superficial similarities with Morrissey, Bryan Ferry, Squeeze, etc. Production and songs are a little sleek but not bad…solid 3.5. Great album artwork too
Elliott Smith, to me, is one of the best songwriters to emerge of the last 30-40 years. “Figure 8” and “XO” are his albums I know best, which are a little more mature production-wise, but a lot of the signature touches were present on “Either/Or”: the lo-fi/DIY aesthetic, the odd guitar tunings to give the instrument a new voice (“No Name No. 5” almost sounds like “The Rain Song”), the melancholy lyrics and sort vocals. I know some people would dismiss it as mopey singer/songwriter music, but already feeling the way I do about Elliott, and knowing the way he actively fought that label, I don’t have that issue. Not always “fun” music but always makes me want to keep listening.
One of the best start to finish “classic rock” albums ever…and one of the best opener/closer combos. Great songs throughout that combine the thoughtful neuroses and rock opera themes of Pete Townshend with some great driving riffs and moments for the rest of the band to shine. This is an all timer for me
An indie rock classic...mumble-y, opaque lyrics, some really cool songs like "I Am Trying to Break Your Heart, I love the humorous lyrics of songs like "Jesus Etc." and "Heavy Metal Drummer". I could see people and this group particularly not liking this album, but because I grew up with it I appreciate it. Its a 4 for me that I wont begrudge anyone giving a lower rating.
A classic "I hate that I liked this" album for me. Expected it to be goofier and campier, but it was kind of the right amount of goofy and campy. Some of the tracks are almost Springsteen-ish? Particularly "You Took the Words Right Out of my Mouth"....its got that Phil Spector/Ronettes beat, and when I checked wikipedia, I learned Max Weinberg and Roy Bittan played on this album, so it was an apt observation. This is maximalist music, grandiose and operatic, and while I probably won't revisit it too too much, its enjoyable and deserves inclusion on this list. My ear probably gravitates towards the Todd Rundgren production, as I am a big fan of his (shoutout Upper Darby). Glad I listened, I'll go 3.5 with a round up for Todd
Classic "album after the historic smash album" album...good, fine, sounds a little different. I really like "Save Me a Place", sounds like a late 70s Beach Boys tune that I can hear Carl Wilson cooking....n fact, there are a few tracks that remind me of the late 70s Beach Boys.
Not as overproduced as "Rumours", has its moments but overall feels more like a solidly good album that takes the pressure off of "how do you follow THAT up?" than it does an album I would seek out. Double album maybe a little indulgent too but I guess indulgence was kinda just their get down. Another 3.5 for me, but I'll round down because something about Lindsay Buckingham is intermittently annoying.
Coming out of the gate hot with that funky bassline....this is music that everyone can like. I was expecting a bit more genre shifting after that hot start, but it went to pretty straight salsa/Latin music. Very enjoyable and fits a very specific mood.
A certified classic album of both radio-friendly hits ("Ms. Jackson", "So Fresh So Clean", maaaaaybe "BOB", i don't remember if it was a hit but feels like it was) and tracks that just flat out go hard ("Gasoline Dreams", "Humble Mumble", "Snappin and Trappin", etc). Outkast was so dope: original, unique, complementary of each other's talents, and mixing humor and lightness with straight bars. I always think its funny that people treat it like a given that Andre is the better MC, I'm not positive about that myself.....
It makes me sad to listen to such a great album in 2026 knowing that Andre 3000 is fucking around on a flute, sounding like a 7th grader who just discovered free jazz. Man, the future sucks
Ok lets get this out of the way - "Where is the bass guitar?!? WTF let Lars into the control booth during mixing?!"
As much as been made about the bizarre, tinny mix (Lars' dead snare drum sounds like shit and the total burying of Jason Newsted's bass lines, for reasons no one will ever get), this is still a solid Metallica album. Obviously "One" is a classic, but I love "Blackened" as an opener, and also "Eye of the Beholder". First half is way stronger than the second, in my opinion, makes the album drag a little. In general, Metallica is another band that may not be for everybody, but I think their first 5 albums build on - and are on par with - the best of their idols Black Sabbath. Was raised on them because my brother loves them so admitting bias.
This was a lot of fun. Sounds like early Brian Jones-era Stones if they could play in tune. There’s also a sort of sarcastic pre-punk rock energy I like. I’ll go 3.5 and round up because I’ve been feeling generous lately
One of the ultimate live albums that I'm happy to revisit for this list....they sound great, loud, full of energy. They basically play "Tommy" in its entirety while mixing in some of the early 60s "mod" stuff. Its like a greatest hits live of 60s Who, but they sound especially energized. I would go 4.5 as a Who fan and will round down because the inclusion of live albums on this list feels a little tricky
