Crooked Rain Crooked Rain
Pavement
1994
Album Summary
Crooked Rain, Crooked Rain is the second studio album by American indie rock band Pavement, released on February 14, 1994 by Matador Records. The album saw the band move on towards a more accessible rock sound than that of their more lo-fi debut Slanted and Enchanted and achieve moderate success with the single "Cut Your Hair". The album also saw original drummer Gary Young replaced by Steve West. It was a UK Top 20 hit upon release, although it was not so successful in the US charts.
WikipediaEvery time I listen to Pavement I think “wow, I should listen to more Pavement.”
Day 23 of Albums You Must Hear… 1994 was the peak of alternative rock music in some ways, and the beginning of the end in others. Kurt Cobain would lose his life and bring an end to Nirvana, the greatest band of the 90’s. (Solely my opinion). Other mega acts, though, would break into the mainstream around this time, such as The Foo Fighters, Weezer, Green Day, and Smashing Pumpkins, to name a few. Those are all tough acts to follow, however, a band called Pavement would release their second album, Crooked Rain, Crooked Rain in 1994. Full disclosure here, I never knew the band Pavement before receiving this album, though it seems through their indie rock band accomplishments over a few years, they accumulated a decent cult following in the U.S. and U.K. Pavement would never sign a major label deal. The only song familiar to me on Crooked Rain is the single Cut your Hair. I remember seeing a clip of the video on Beavis & Butthead way back when, in which they referred to Pavement as ‘Buttwipe Music’. While I know that was said in the context of a joke, I mean it is Beavis & Butthead, another comment made by the cartoon duo was to ‘try harder’. Thats a statement I can’t get behind when it comes to the music from this band, though. While Cut Your Hair has a catchy tune right out the gate, the rest of the album is totally lackluster. The band is totally talented, just not memorable to me. If you ask me, the thing that made Nirvana the best alternative band of the 90’s is the simplicity of the melodies. I still don’t understand all of Cobain’s lyrics but I damn sure know the melodies of the hooks, drum patterns and chords. I get the feeling that Pavement is trying too hard be complex and not to “sell out” that they avoid making catchy tunes. On the song Range Life, they poke fun at Smashing Pumpkins and Stone Temple Pilots, which is fair, but those bands were able to have cross-over success without watering down their brand. They made catchy songs. The only other song to catch my attention was 5-4=Unity, a fully instrumental jam session that showcases the band’s undeniable musical talent. I just wish the songs on this album had more re-playability. The music video for Cut Your Hair has the perfect low budget, nonsensical vibe of the mid 90’s, though, and was fun to watch 27 years later. Please share your thoughts, memories and opinions!
I didn't expect to like this but I ended up quite enjoying it. It's lo-fi, post-punk, idie rock and the vocals are sketchy but... it has... something. It feels like these guys were legitimately into this and enjoying themselves. It reminds me a lot of some of my favorite indie bands and artists (Gasoline Heart comes to mind) and I'm into this. The sparse instrumentation lends an opennes to the mix that makes the whole album feel like it's breathing. It's so different from the Phil Spector "Wall of Sound" mix style that's so popular these days and it's refreshing...
Not a perfect album, but close. I'd never noticed before how much Malkmus sounds like Tweedy and Wilco here. Never been a huge fan of Cut Your Hair, but Fillmore Jive is a classic tune to end it. Essential album.
What’s not to like? I mean this is probably the ultimate “indie” record. Slacker vibes galore, messy guitars that always somehow end up on beat, bursts of noise and energy followed by moments of calmness. I really like this record a lot. One of my favorites. Favorite song: Range Life Least favorite song: There ain’t one
I love this album. Pavement is such an important band that not enough people know about.
Grunge was a reaction against stadium rock, and this is a reaction against grunge: small-scale, personal, lo-fi; with an air of reluctant self-pity replacing anger.
By the end of Crooked Rain Crooked Rain, if you’re not thinking to yourself “I should start a band and try to make a record as great as this”… well, maybe we should just give up hope for the future and call it a day. It’s inclusion on this list is not only warranted, it is essential.
This is an odd one - while it was playing I was thinking this is brilliant. But after it I realised I can't actually pick out any of the tracks. It was sort of one massive amorphous blob of California stoner shoegaze indie that I really enjoyed as a unit, but don't think I'll ever just put a track from it on to listen to. The whole thing start to finish or gtfo. I can hear a bit of Suede, a bit of Beck, Blind Melon, Sonic Youth and The Thrills in there. Lovely stuff.
4.1 + I was an early teen when these guys hit the scene. At the time, I was a huge Smashing Pumpkins fan. I had a buddy who was a Pavement fan. Somehow we always argued about which band was better - the two fanbases felt diametrically opposed, and some vague beef between them further drove a wedge. The fact that Pavement called out SP specifically in "Range Life" feels like a petty dick move. To me the rift feels like the cool kids (Pavement) ragging on the spastic drama kids (SP). The cool kids are all about not trying too hard, while the drama kids suffer, often pretentiously and publicly, for their art. On hindsight, both camps seem insufferable. Setting all of this "who's-in-who's-out" nonsense aside, Crooked Rain Crooked Rain is a cool (again with that word) and composed with interesting guitar textures, poetic lyrics and slack vocals. I understand and appreciate their venerated status in 90s indie rock.
What is indie rock? Someone not signed to a major label? (I'm not signed to a major label, Greg. Am I indie rock?) Today the term indie rock seems to have no meaning. It isn't exclusively used for independent label bands, and it doesn't refer to a specific musical style. I could tell you I like indie rock, but really that doesn't tell you much, and while I like many bands that would be classified as indie rock, I also dislike plenty of indie rock. But Pavement is (was?) indie rock. When bands maintained that anti-major label thing for their whole career. (Tangent to the tangent - I heard a story on the radio yesterday about a new book called "Sellout" by Dan Ozzi - "A raucous history of punk, emo, and hardcore’s growing pains during the commercial boom of the early 90s and mid-aughts, following eleven bands as they “sell out” and find mainstream fame, or break beneath the weight of it all." Sounds super interesting.) So, anyways, Pavement stayed indie. And in the 90s I wasn't cool enough to be indie. (All mainstream grunge, flannel, and undercuts.) I've always meant to go back and listen to more Pavement. They're a band I thought I would enjoy, but never sought out. I know "Cut Your Hair" pretty well, and still think it's great. But the rest of this album was enjoyable too. I hear Built to Spill a lot in Pavement's sound - they came in at the tail end of Pavement's run, and I got into Built to Spill as I was trying to figure out indie rock in the mid-aughts. I think I prefer Built to Spill, but I enjoyed "Crooked Rain Crooked Rain." (Built to Spill is not on the list. They're not British enough. Well, not that Pavement is at all British, but... whatever.)
Peak 90's Indie/Alt rock. I've always preferred 'Slanted and Enchanted', as I find some of the tracks on here, like 5-4=Unity or Hit the Plane Down, as rather jarring, but I suppose they ultimately help make this album unique. Regardless, this is still a 5 star.
pavement should hold the spot in the cultural consciousness that nirvana does
I don't know how I haven't heard this before. Amazing sound and songwriting.
Show me a word that rhymes with pavement and i wont kill your parents and roast them on a spit. I know its a different album but fuck it
Just love the whole Pavement sound. Also love their Anglophile leanings (otherwise they'd be called Sidewalk)- inventors of what we now consider to be "indie". Absolutely love the inpenetrability of the lyrics. On this album, the lyrics to the final verse of Range Life are my favourites. Particularly starting Beef with Billy Corgan (something Corgan is still bitter about today) and Malkmus announcing he's hot for the Stone Temple Pilots. Genius. Just noticed they're doing a reunion tour of the UK next year.....time to get my tickets!
Heavier than I was expecting- for some reason I thought Pavement were like shoe gazing indie blah peddlars. 2 tracks in and they’re ok I guess... I could imagine these tracks on an indie movie soundtrack. Oh! I know this song! Cut your hair. I don’t know where from but I’ve absolutely heard this before. Very Dandy Warhols. Really enjoying this actually- grown into it a lot. “And we’re coming to the chorus now” at the end of the first verse of Gold soundz 😂 I like a quirky weird instrumental track too.
Implacably disaffected noise-mess by smarty-pants brats who work every angle--infectious melody, discord, suburban rebellion, the range life--but refuse to commit to any. Perhaps the only thing that speaks to the politics of their music louder than that mix is [screamed]: "NO LONG HAIR!"
Generic early 90s rock. Has a bit of a Weezer edge to them, but I think early Weezer was better. Nothing too memorable or catchy here. I sort of liked Cut Your Hair.
Not the kind of music I like. Lacks polish, the guitars are all over the place, the rhythm is boring, the vocals raw, the overall structure feels very simplistic.
that was ok. none of that is stuck in my memory. it's got a really good sound, the levels and tones of all the instruments and singing all work well, but there's a lack of any actual tunes. its like these and weezer started out at the same place and weezer decided to go with catchy hooklines and pavement went the opposite way to whatever this is. bit of a shame really, cultivate a nice thing and then not back it up with any substance.
Good album, can feel the influence. Big titus andronicus energy. Will continue exploring other Pavement albums following.
"„I was 14 when Crooked Rain came out. And modern rock radio, at least in Philadelphia, was playing weirder, cooler ’90s stuff on the air, which is where I heard “Cut Your Hair” for the first time. I just thought that song was cool. It’s by no means my favorite song on the record, especially now. But the album as a whole didn’t hit me right away; with every listen, though, it got better and better. I was heavy into skateboarding at the time, and “Range Life” was my favorite song. And I should say before that point Smashing Pumpkins were one of my favorite bands, but when Malkmus name-checked them on that song, of course I switched over to their side. “Stop Breathin’” is another favorite of mine; it’s just so jangly and melodic. It truly was a classic rock record.“ Kurt Vile gibt wirklich genau auf den Punkt wieder, was 1994 meine Feelings und meine Auffindesituation waren: gekriegt haben sie mich zuerst mit der Single Cut Your Hair, die ich total catchy fand - die aber gefühlt in die falsche Richtung zeigte als ich zum ersten Mal ins instantly gekaufte Album reinhörte. Bei dem brauchte ich dann 2-3 Anläufe, bis plötzlich (vermutlich erst NACH dem Kalifornien-Urlaub im selben Jahr) "Range Life" einschlug wie selten was. Und dann war es große Liebe für diese perfektionierten Unperfektion, der ich bis heute treu bin. Malkmus' schiefer Gesang, das Leiern, der ständig verschleppte Beat (bei Konzerten kriegt der Drummer ja auch gerne mal ein Back-Up an die Seite bekommt) - hier haben wir Slackertum und Generation X noch viel greifbarer als Douglas Coupland es aufschreiben konnte. Range Life und Gold Soundz sind immer noch Lieblingssongs, aber Fillmore Jive die totale Geheimwaffe. Naja, so geheim natürlich gar nicht. I need to sleep - lasst euch das gesagt sein.
Yes this album rules. Listened to a bunch of the extended edition as well and even a lot of the outtakes are killer songs. It has been way too long since hearing this all the way through.
One of the best albums of the 90s. Slightly prefer Slanted and Enchanted. Indie perfection. 9-10/10 1. Gold Soundz 2. Elevate Me Later 3. Cut Your Hair
This is great. Funky sound, interesting instrumental sections. I didn't follow lyrics closely but greatly enjoyed the sound. Album art reminds me of Flying Dog beer art.
Despite bands such as Nirvana and Green Day, Pavement was one of the most important bands from the 90's. Crooked Rain is my favourite Pavement album and it confirms that Stephen Malkmus is one of the best songwriters of his generation. A classic record, definitely a must hear!
Amazing album by an amazing band. Probably not my favorite Pavement album cover to cover (that would be Wowie Zowie), but does have one of the best songs ever (Gold Soundz). Fillmore Jive, Silent Kid, Cut Your Hair...all amazing. 5/5
This was the first Pavement album I heard, when a friend lent me the expanded version and The Velvet Underground & Nico on the same day. I immediately loved this one and they've been one of my favourite bands since. 1969 Live ended up being the album that made me fall for VU, so I clearly have a thing for sloppily played country rock. The early versions of these songs in Gary Young's garage studio with him on drums aren't bad, but they show the band was right to hire a proper mixer (who could also play piano) and to bring in a drummer with a slow swinging style who didn't greet audiences on the door with free cabbages and abandon songs partway through to attempt cartwheels. The early versions of several Wowee Zowee songs show they were right to hold them back and they were thinking carefully about how to make the album flow well as a whole. The weak link is Hit the Plane Down, though it works as a short, sharp shock to take you from the delicate, yearning prettiness of the preceding songs to the mock-epic closer. I like having at least one of Scott's songs per album, but Coolin' By Sound is a better song and maybe it would have worked as well in that position. I love this record, but if I was going to recommend just one Pavement album that people should listen to, it would be Wowee Zowee.
In the mid-90s I would have happily have said this album as in the my Top 10 favourite albums. Not listened to it in ages, probably overplayed it a bit in the 90s. Probably not in my Top 10 All Time these days but still a pretty great album. More coherent and consistent than S&E. Saw them on this tour, bought a very poor quality bootleg maroon long sleeve t-shirt outside afterwards for a fiver.
This is the definitive Pavement album for me. I came to them a bit after the fact, as they were a bit early for me, but yeah, they helped reshaped the way I and I think a lot of the music scene, think about what "indie" music is. They brought that slacker jangle pop to the masses and really perfected that sound on this album, in particular.
The thing I like most about Pavement is that they are both intelligent and lighthearted at once. They make music that is mostly fun and carefree without being simplistic. They don't take themselves too seriously but they don't come across as a joke or a comedy act. I think it's because Stephen Malkmus uses a really down to earth form of stream of consciousness that is as conversational as it is surreal. I find their music completely relatable. Comfortable like a well worn pair of jeans and a t-shirt.
When I first heard "Crooked Rain Crooked Rain", I fell in love at precisely 0:40 into "Elevate Me Later". A chaotic drum fill leads into the chorus, another layer of squalling lead guitar joins and then the falsetto backing vocals drift in over the top. It's everything that makes Pavement great: sloppily precise, casually catchy and effortlessly cool. "Crooked Rain Crooked Rain"- Pavement's second of five albums that shaped the face of 90's alt-rock and "slacker culture"- is by far my favourite of theirs, condensing most of their hits into one tight yet oh-so-loose package. The uncharacteristic commercial success of "Cut Your Hair", the laid back country-fied daze of "Range Life", and one of my all-time favourite songs "Gold Soundz" are all here in their jangly beauty. Listen to any number of songs and it's as though the band- and Stephen Malkmus with his laconic vocals- are sleepwalking around, happening upon beautiful melodies like they're stumbling through dreams. It amounts to a desire for simplicity, a yearning for an easier and looser way of life. The lyrics express this too: they spill out over the songs like jottings from a frustrated poetry book, held together by a consistent desire to make sense: "stop breathing, breathe in for me now…" "go back to those gold sounds"… "if I could settle down, then I would settle down." It all finally culminates in the repeated insistence of "I need to sleep" in the transcendent closer "Fillmore Jive". The only duds are "Newark Wilder" and "Hit the Plane Down", for either feeling too nebulous or out-of-kilter with the rest of the album's flow. Still, they're not offensive enough to drop the album below five stars. It's an absolutely sensational, deliciously skewed take on the 90s' return to guitar rock.
Malkmus and the boys make more gold sounds on possibly Pavement’s best album. Quirky, idiosyncratic, Pavement do their own thing and bring others along for the ride. I really love the sound they make, the ambling lyrics, the switches in tempo, the evident ability to make great poppy tunes such as Cut Your Hair and Gold Sounds which they then undercut with shouting or discordant guitar stabs. It’s just them and god love them for that.
i thought wowee zowee was my favorite but upon revisiting this is by far my favorite pavement album it's so good
You can draw a straight line from R.E.M. to Pavement to Wilco. Or to be more specific, from Murmur to Crooked Rain to Yankee Hotel Foxtrot. They're all classics. This is the Pavement album for those who like the Eagles and can appreciate bands like Stone Temple Pilots and the Smashing Pumpkins being taken down a peg. It's also a decent argument that Stephen Malkmus is the Donald Fagan of the indie-rock scene. Pavement's first two albums are both justifiably on this list, and this is the one that I prefer. Don't @ me.
Bought this LP after I was denied getting into a bar to see Yo La Tengo. Loved it. Was later denied getting into a bar to see Pavement. Effing Puritanical laws denied me many good shows as a teen. 5-4 = Unity is super fab.
One of my absolute favorites of the 90' indie boom, I also think it's pavements best, with classics like stop breathing, cut your hair, and of course Gold Soundz, Crooked Rain Crooked rain had Stephen Malkmus and gang capture lightning in a bottle.
I actually really enjoyed sure, it was really awkward and even a little annoying but they had some really cool stuff in there and I loved those interesting time signatures they did on tracks 7 and 8 9/10
I was in college when this album came out, and I probably caught "Range Life" or "Cut Your Hair" on the radio at the time. But I never really took the time to get into Pavement's music. I'm happy to admit I was off the mark back then, because this album is pretty brilliant. It fits in perfectly with what was going on in music in 1994, but Pavement has a musical depth lacking in a lot of their peers. The album is musically much smarter than it pretends to be, kind of in the same vein as some of Alex Chilton and/or Big Star's work. There are some nice jangly country rock-ish sounds and hints of a melodic pop hook here and there. But it's layered under a prickly, noisy veneer with strategic uses of dissonance and quiet. Stephen Malkmus' laid back, slacker-y vocals belie some surprisingly poetic and affecting lyrics - musings on war, love, disaffection and self-doubt. This is the kind of album I just want to hear over in over because there's so much in there to hear. I really loved hearing it today. Fave Songs (All songs, from most to least favorite): Range Life, Stop Breathin, Silence Kid, Fillmore Jive, Newark Wilder, Cut Your Hair, Gold Soundz, 5-4=Unity, Unfair, Heaven Is a Truck, Hit the Plane Down, Elevate Me Later
Here's a really nice album by a band I have never heard before. Pavement is an Indie Rock group from California, created in late 80s. They rose to fame as a completely underground band, refusing to give live shows at the beginning, which created a sort of legendary status. This, together with a rather experimental approach to the compositions on the album, was what most likely put it on the list of greatest albums ever. Is it enough? We have seen records here, that didn't even have half of those accolades, yet it is still surprising to see more 'just good' albums. Crooked Rain Crooked Rain has 12 songs, and most of them have a certain gimmick, or a style, by which they are composed. Each song starts as a typical pop/rock tune, that you could hear in a radio everyday, but by the midpoint of it, it turns into a very alternative, interesting and original sequence. As an example, first song of the album "Silence Kid", starts as a sort of soft rock with a cowbell, and then breaks the mold and decomposes itself, together with a vocalist, who clearly doesn't care about clean singing. Yet the song has its charm and stays with you for a while, similarly as the rest of the album. It is a very pleasant surprise and a big candidate for an album I will come back to again.
I just saw Pavement live in person three nights ago, so this has been very fresh in my mind. Great record, I go back and forth which album of theirs is my favorite, and this one is always middle of the pack. Great to listen to it again a few days after seeing so many of these songs live.
90s alt rock, kinda felt like a mix of Weezer and Pixies and a few others. Really enjoyed it
I like Pavement. The famous singles here are Cut Your Hair, Gold Sounds and Range Life, all of which are excellent: hooky and lyrically cool. The opener Silence Kid and closer Fillmore Jive bookend the album nicely - Silence Kid kicks the album off with high energy and a good guitar riff while Fillmore Jive wraps things up using a slower tempo and some droning jamming. Some of the lesser-known tracks don't really stand out too much as individual songs, but everything works well together in the context of an album, which is probably the only way I'd really like to listen to this - this is a much better experience as a whole album than if individual tracks popped up randomly on a playlist, which I suppose is the point of the listening project. Other standouts: Elevate Me Later, Stop Breathin, 5-4=Unity for its jazzbo riffing
I like it a lot. Every song is extraordinary and I like the whole album, it is nearly perfect.
So peculiar. I kept thinking that I didn't like it, but then I REALLY did like it. I will absolutely listen to it again. It took me somewhere else.
Got a Silver Jew's album yesterday and a Pavement album today, interesting...I've known and loved Pavement's singles for a long time but I don't remember listening to this album through many times. I definitely will be again, there's some great tracks on here, apart from the obvious 3. It goes to show that a band doesn't have to take themselves too seriously to produce great music.
I do these long lists to hear new stuff. Everywhere once in awhile having an all time favourite is comforting.
Nice, a bit rocky, but different Experimental, but not too crazy Wow, it just gets better abd better, nice solos, nice transitions Really awesome find! This is going to my favourites
I love this album. It defined a part of my life and it is really one of the the best of the low-fi indie rock genre in my opinion. Although it was never hugely successful, it had a strong cult following and I was 1000% a member of that cult. My friends and I used to parse out Steve Malkmus' clever/ironic lyrics and recite them as poetry to each other. Although I've moved past that degree of lead singer crush/hero worship, this is still a really well crafted album and these guys are great musicians. Now I can appreciate not just the hipster irony (I'm really over that part of it, actually) but the moments of touching pathos ... "Put it on a postcard: Dad, they broke me." Fantastic album and a personal favorite. 5/5
no puedo escribir sobre este disco con objetividad simplemente porque lo amo. silent kit te introduce estilisticamente en lo que vas a escuchar y la cosa se pone melanco con una de mis favs, stop breathin. cut your hair es el unico hit que metio pavement, esta bien. que se yo gold soundz es un tema super nostalgico en el que cualquier persona que tenga una historia especial con la musica se puede sentir identificado, y range life tiene esas refes a los pumpkins y los stone temple pilots que son un refljeo de epoca: ellos, las estrellas, y nosotros los fracasados. el indie es uno de mis generos favoritos porque cuando saca un disco como crooked rain es imbatible. las canciones estan escritas por hombres adultos con problemas de hombres adultos: no hay pelados con voz de rana o rubias suicidas. vivir en el capitalismo tardio es soportar la sobreoferta, el estímulo constante y a la vez necesitar mas. es sentirse vacio incluso estando lleno. i wanna range life, if I could settle down....
Such a unique and enjoyable album by a great band. Fav song: Elevate Me Later
To me, this is nothing less than the quintessential 90's album. They've toned down their The Fall influences from the last album and mixed them with that slacker approach that they've come to embody. Malkmus' lyrics, which often sounds like they are improvised, are more concerned by how the words sound than by what they mean, yet he manages to deliver them in a way that makes them sensible and evocative. This is one of my favorite albums of all-time and listening to it never fails to make me happy.
Only a couple week spots. Not a fan of the slower songs but the rest holds up. Classic.
"Crooked Rain, Crooked Rain" is the second album by American indie band Pavement. The album is noted as being more accessible than their debut "Slanted and Enchanted." I would say they're very equivalent. The music is also categorized as slacker inie and alt rock. I also heard elements of folk-country, jam band and at least one hard rock song. The themes are varied but several focus on the music industry with lyrics mentioning skateboards, plane crashes, girls and mocking The Stone Temple Pilots and Smashing Pumpkins. It's about time. The album had moderate succes. "Silence Kid" sounds like the band is setting up during rehearsals and then kicks into slow driving rock. The melody is brought in. Lead singer Stephen Malkmus with laid back vocals. I have no idea what this kid is about. Innocence? Drummer? Ecstasy? Interesting fact: Due an ink error, it appears as Slience Kit on the album cover. Ooh-ooh, ooh-ooh, ooh-ooh and we're off with one of the catchier 90's songs in "Cut Your Hair." A pop melody. A break going into a great brief guitar solo. Malkmus is sarcastically attacking the importance of image in the music industry. Speaking of great 90's songs, "Gold Soundz" continues the wealth of catchy melodies. Malkmus is actually singing and showing emotion. The song builds with tremendous overlaying guitars. I think well deserving of Pitchfork naming it the best song of the 90's. The band goes slacker country-folk in "Range Life" with the guitar. And of course dissing STP and The Pumpkins. The albums ends with one of my Pavement songs in "Fillmore Jive." At the time, I didn't know they had jam band and Neil Young "Cowgirl in the Sand" in them. This is more of what Malkmus would do in his solo career. The songs starts slow and then alternates lyric verses with extended guitar solos three times. It tells the story of partying individually at like a frat party and then partying in the music industry. I recommend all five Pavement albums to some extent. Some more than others. I'd put this one in the middle but it has just some outstanding songs, some of their best. An overrode of great melodies. Highly recommended.
More melodic and enjoyable than slanted and enchaned, and overall I like the songs better. Pretty great album.
I partially love this because I feel like I can hear the bands this inspired, and partially because it's a fun record. Jangly, lackadaisical, makes me want to smoke and lay in the sun. And dance like the singer from Cage the Elephant. Favorite tracks: "Unfair", "Gold Soundz"
Love the first track It's all pretty good, added a lot of the tracks to my regular playlist
mellow vibes, very indie rockie, some strokes, some straylight run, some modest mouse, overall recommend
I can hear the influence of this in other indie alternative bands, a fun listen and a new one for me.
Really enjoyed this! A song added to my regular playlist too. Great music to work to. Look forward to hearing more from them.