My 1001 Albums Journey

136

Albums Rated

3.16

Average Rating

12%

Complete

953 albums remaining

Rating Distribution

Rating Timeline

Taste Profile

1960

Favorite Decade

Metal

Favorite Genre

Top Origin

Diplomat

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5-Star Albums

1-Star Albums

Breakdown

By Genre

Top Styles

By Decade

By Origin

Albums

You Love More Than Most

Album	You	Global	Diff
Dr. Octagonecologyst Dr. Octagon	5	2.7	+2.3
Merriweather Post Pavilion Animal Collective	5	2.91	+2.09
Paris 1919 John Cale	5	2.97	+2.03
Another Green World Brian Eno	5	3.11	+1.89
Vespertine Björk	5	3.17	+1.83
Daydream Nation Sonic Youth	5	3.29	+1.71
Deep Purple In Rock Deep Purple	5	3.31	+1.69
Songs Of Leonard Cohen Leonard Cohen	5	3.38	+1.62
Opus Dei Laibach	4	2.39	+1.61
We're Only In It For The Money The Mothers Of Invention	4	2.46	+1.54

You Love Less Than Most

Album	You	Global	Diff
The Marshall Mathers LP Eminem	1	3.47	-2.47
Rage Against The Machine Rage Against The Machine	2	3.98	-1.98
American IV: The Man Comes Around Johnny Cash	2	3.88	-1.88
Brutal Youth Elvis Costello	1	2.81	-1.81
Hms Fable Shack	1	2.76	-1.76
Highway 61 Revisited Bob Dylan	2	3.75	-1.75
21 Adele	2	3.69	-1.69
Remedy Basement Jaxx	1	2.68	-1.68
Catch A Fire Bob Marley & The Wailers	2	3.62	-1.62
1999 Prince	2	3.59	-1.59

5-Star Albums (11)

View Album Wall

4-Star Albums (27)

A Christmas Gift For You From Phil Spector

The Rise and Fall of Ziggy Stardust and the Spiders from Mars

1-Star Albums (5)

All Ratings

I Against I

Bad Brains

2/5

Revolver

Beatles

3/5

(Pronounced 'Leh-'Nérd 'Skin-'Nérd)

Lynyrd Skynyrd

4/5

Catch A Fire

Bob Marley & The Wailers

2/5

Exodus

Bob Marley & The Wailers

3/5

Bad

Michael Jackson

3/5

Speakerboxxx/The Love Below

OutKast

3/5

Sweet Dreams (Are Made Of This)

Eurythmics

3/5

Parachutes

Coldplay

3/5

Dummy

Portishead

4/5

Dr. Octagonecologyst

Dr. Octagon

5/5

We're Only In It For The Money

The Mothers Of Invention

4/5

Truth And Soul

Fishbone

3/5

Station To Station

David Bowie

3/5

Paris 1919

John Cale

5/5

Your New Favourite Band

The Hives

3/5

Horses

Patti Smith

3/5

This is one of the classic albums I've liked less the more I've listened to it over the years. The first time I listened to it several years ago, the transgressive lyrics and energetic crescendos clearly demarcated it as an important rock classic. It is clearly ahead of its time and is very novel for 1975, since it generates its emotive power from Patti Smith's charisma and songwriting skill as opposed to any kind of technical experimentation, virtuosity or progressiveness that typifies that era in my view. The issue is that its also one of the more inconsistent classic albums. Gloria, Land and especially Free Money are really amazing songs but the other songs are too monotonous and plain, to the extent that they become kind of aggravating. I personally think that lyrics are the least important part of music and good lyrics can only amplify a great song. But no matter how much of a "poet" Patti Smith might be, it doesn't matter if the majority of the songs are too limited to make her poetry shine through. I think it's telling that one of the oft quoted lyrics from the album is literally the first line, because whatever else of genius she says is buried behind a wave of identical droning chords that they are missed by the casual listener. It's very reasonable for someone to adore this album if the magic sauce of Horses' acclaimed songs applies to the rest of the album in their view. Equally I can clearly see how some people see this as trash - most of the album is quite annoying if you are not in the right headspace for it. I think it's fair that this album is critically and culturally preserved and I lean towards it being on the positive side. But it is still very unrefined and probably salvaged somewhat thanks to John Cale's production. Given it was Patti Smith's first album, released when she was only 29, those flaws are completely acceptable, and clearly, ameliorate the album for many people.

Peter Gabriel

3/5

American IV: The Man Comes Around

Johnny Cash

2/5

A Christmas Gift For You From Phil Spector

Various Artists

4/5

Such an amazing Christmas album, some absolute classics in here, velvet smooth flow and feel.

Darkness on the Edge of Town

Bruce Springsteen

3/5

Ray Of Light

Madonna

4/5

The World is a Ghetto

War

3/5

Queen II

Queen

3/5

Vespertine

Björk

5/5

Fleet Foxes

4/5

Duck Rock

Malcolm McLaren

2/5

The concept and vision of Duck Rock are really impressive but the backstory of the plagiarism and exploitation completely sours the record. Best treated as a compilation of various artists, ignoring the evil manager slapping his name and lyrics on the record. Great to use as a jumping point into genres like mbaqanqa and merengue (and the actual artists behind the songs) but functionally distasteful listening.

Led Zeppelin

3/5

Classic, jam-heavy hard rock. A little too unrefined and wild for my liking - I prefer the later Zeppelin albums. Unbelievable that these guys were only in their early 20s when they made this.

Sgt. Pepper's Lonely Hearts Club Band

Beatles

4/5

Obviously a legendary album, peak of the counterculture and lyrically potent in its own right. Lacking in a bit of meat - I do find that the middle of the album is largely filler and nothing comes close to A Day in the Life, debatably one of the most influential and critical songs of all time. Favourite Tracks: With a Little Help from my friends, Fixing a Hole, Mr. Kite, Day in the Life I can do without the others, and that includes Lucy in the Sky with Diamonds, which is actually my least favourite on the album. Still, it flows really nicely and of course the highs are stratospheric.

Bat Out Of Hell

Meat Loaf

3/5

Rust Never Sleeps

Neil Young & Crazy Horse

3/5

Remedy

Basement Jaxx

1/5

Venus Luxure No. 1 Baby

Girls Against Boys

3/5

Zombie

Fela Kuti

3/5

Historically significant record from one of the most socially conscious musicians of the 20th century. It's solid, unique and technically brilliant but not especially thrilling or emotive for me personally. The fact that so much of the album consists of similar call and response types of bars means there isn't a great deal of variation itself in the record. There are other records and artists I prefer for energetic jazz fusion-likes. Probably deserves a four overall.

Adele

2/5

I Never Loved a Man the Way I Love You

Aretha Franklin

3/5

Slipknot

3/5

Blue Lines

Massive Attack

3/5

Third

Portishead

3/5

Scott 4

Scott Walker

3/5

Metallica

4/5

The Marshall Mathers LP

Eminem

1/5

Supa Dupa Fly

Missy Elliott

2/5

Fishscale

Ghostface Killah

3/5

Cheap Thrills

Big Brother & The Holding Company

4/5

The Fat Of The Land

The Prodigy

2/5

Trio

Dolly Parton

3/5

Abraxas

Santana

4/5

My Aim Is True

Elvis Costello

3/5

Felt Mountain

Goldfrapp

4/5

Dookie

Green Day

3/5

Purple Rain

Prince

3/5

Nick Of Time

Bonnie Raitt

3/5

Pictures At An Exhibition

Emerson, Lake & Palmer

3/5

Ambitious idea, but I don't really think Mussorgsky's compositions were improved in any way, nor was this rendition particularly interesting. The original compositions they interpolate into the album are much more inspired. The whole thing kind of feels like a gimmick on which ELP went all-in. Interesting that several rock critics absolutely despised this piece, although it seems to be appreciated by fans and prog rock afficionados. There are definitely some really nice keyboard lines in here, and I don't think it's that grating or pretentious. Perfectly adequate music.

Queen Of Denmark

John Grant

3/5

A Rush Of Blood To The Head

Coldplay

3/5

Broken English

Marianne Faithfull

4/5

Merriweather Post Pavilion

Animal Collective

5/5

Deep Purple In Rock

Deep Purple

5/5

Amazing album. Side A is perfect, starting with the electrifying Speed King, the proto-sludge of Bloodsucker (wouldn't be out of place in a Kyuss or Melvins album) and the legendary progressive jam of Child of Time. Side B is much in the same vein but there are a few jarring and questionable musical choices. Into the Fire takes too long to get going, and the organ solos in Hard Lovin' Man sound pretty terrible, but maybe that is a mixing issue. I would consider this a 9/10, but since this is one of the progenitors of heavy metal and definitely one that should be heard before death, I'll grant the 5.

Songs Of Leonard Cohen

Leonard Cohen

5/5

One of the best singer-songwriter albums ever. Dark, deep and powerful. Musically pleasant to hear with even when disregarding the lyrics, which I think is important for long-term engagement.

Billion Dollar Babies

Alice Cooper

3/5

Steve McQueen

Prefab Sprout

3/5

Surfer Rosa

Pixies

4/5

Medúlla

Björk

4/5

Brutal Youth

Elvis Costello

1/5

Way too little musicality, the vocals were made front and center of the record and they sound terrible. Every time I thought there was a decent riff it is quickly drowned out by Costello and his wailing. Elvis Costello feels like a practical joke, but knowing he is taken quite seriously by the Gen X and New York rock aficionados is truly perplexing. This barely qualifies as music.

Led Zeppelin IV

Led Zeppelin

5/5

Gargantuan record. I feel like Black Dog fizzles out quickly after the opener, and Rock N Roll is relatively tame. Battle of Evermore is underrated, but its Stairway to Heaven that is justifiably the big draw for the album. I really don't think it's a stretch to say it's arguably one of the best songs ever created. This side A alone justifies inclusion on the list - this is a must listen to fully understand rock history. Side B is weaker, but Going to California is very strong. When the Levee Breaks is the other big draw, but feels a bit hollow when stripped from its original context and the direct influence of the 1927 flood to which the song is attributed.

Something/Anything?

Todd Rundgren

3/5

Pretty interesting double album. Probably best listened to on vinyl - which becomes evident after the B-Side Intro. Most melodies are quite pleasant and I thought it was pretty strong instrumentally, with a good variation of innovation. Each side seems to have a different kind of vibe to it. Nothing really captured my interest but I could see myself revisiting this.

Isn't Anything

My Bloody Valentine

3/5

Lots of ethereal, glossy shoegaze. Feels like drifting across astral realms. Balanced nicely with songs like Feed Me With Your Kiss and Nothing Much to Lose which are quite grungy. I think this album has a good balance of heavy drone with spacey effects that make it pretty accessible and a good introduction to the band and the scene.

Lazer Guided Melodies

Spiritualized

3/5

First section featured just a touch too much fuzz for my liking. Could not seem to find the ideal volume for the album. The record gets significantly spacier as it progresses but I find that it isn't very courageous, just misting around between the ambient and rock spaces, not really committing to engaging its listener. I've heard Ladies and Gentlemen We Are Floating with Space before, which is also good, but it's not really something I repeat often. Probably this will grow on me over time. Amazing cover art.

The Stone Roses

3/5

Hms Fable

Shack

1/5

It's almost upsetting this album is on this list and proves its horrible bias. There is basically nothing special about the record, it is dime a dozen rock that shows there is too little variability in what is considered "a must listen" in the eyes of this editor and it is far too skewed towards pop music and Anglophone countries. Listening to music should be enriching, but this is no less enriching than entering a pub. Listening to this album is a waste of time.

Out of Step

Minor Threat

2/5

Technically and sonically flawless, but kind of boring and fails to allure or goad. I guess since this is the quintessential Straight Edge album, it has historical merit.

Blackstar

David Bowie

4/5

Always feels awkward having to assign a score to Blackstar, and truthfully my opinion on this album has varied significantly over time. It is obviously inseparable from Bowie's death given that it was his swan song production following his 18-month battle with liver cancer. Stylistically it is wholly distinguishable from his other albums because Bowie was such an innovator and sonic chameleon. The drumming and use of haunting syncopations in Blackstar is remniscent of middle-era Radiohead, combined with phantasmal wailing from Bowie, like a call from the grave. It's intentionally a little uncomfortable and so enjoyment of the album is highly mood dependent. I'm not a huge fan of the album because of the aforementioned discomfort, and I'm not even the biggest Bowie fan to begin with. Still, there's a lot of emotion packed into this album and there's a lot to value to the album.

Opus Dei

Laibach

4/5

Very unique album from the progenitors of martial industrial music. The political juxtapositioning of fascism through these martialized pop songs is an interesting and meritorious one. The deep-seated relationship between music and politics is fully unveiled with this record. While the pop and rally inspired songs provide a strong opening, the latter half also features these experimental and krautrock-esque passages that serve to depict this totalitarian sound in a more avant-garde and subtle way. One really feels like they are sneaking through a military dystopia. The band's style helps these very obscure feelings come to life without engaging with ideology itself.

The xx

2/5

Definitively influential but only in terms of the basic sound of rock. Very solid songwriting overall, but too simplistic and hushed for lasting impact. Fantasy is probably my favourite track.

Logical Progression

LTJ Bukem

2/5

Elephant

The White Stripes

4/5

A Wizard, A True Star

Todd Rundgren

3/5

The Colour Of Spring

Talk Talk

3/5

Peter Gabriel

3/5

Daydream Nation

Sonic Youth

5/5

Calenture

The Triffids

1/5

Shalimar

Rahul Dev Burman

3/5

Home Is Where The Music Is

Hugh Masekela

4/5

Astral Weeks

Van Morrison

3/5

Never been able to pierce the veil with this one. There are certainly a lot of interesting production qualities fused together here, but I've never been able to connect to the album personally. That's Astral Weeks at its best - at its worst, it is a little irritating with seemingly few progressions. I can see this one being best heard on vinyl.

Who Killed...... The Zutons?

The Zutons

3/5

At Folsom Prison

Johnny Cash

4/5

Another Music In A Different Kitchen

Buzzcocks

2/5

Halcyon Digest

Deerhunter

3/5

Scream, Dracula, Scream

Rocket From The Crypt

3/5

Cosmo's Factory

Creedence Clearwater Revival

3/5

Basket of Light

Pentangle

3/5

Brilliant group, but not sure all the arrangements on this album are winners. Bert Jansch's rhythms are so distinct and pleasurable. Hunting Song is my pick of the bunch.

Another Green World

Brian Eno

5/5

Pearl

Janis Joplin

3/5

Janis Joplin is for sure a gem worthy of accolades. This album I feel marks her potential more than anything, as the songs themselves are not all the best.

The Atomic Mr Basie

Count Basie & His Orchestra

4/5

Figure 8

Elliott Smith

2/5

I've just never vibed with Elliott Smith. I just find his work very one-dimensional.

The Rise and Fall of Ziggy Stardust and the Spiders from Mars

David Bowie

4/5

The Chronic

Dr. Dre

4/5

Modern Life Is Rubbish

Blur

3/5

They Were Wrong, So We Drowned

Liars

3/5

Some interesting musical choices but largely ineffective and unattractive. Could see myself liking this more on future listens, though.

Jazz Samba

Stan Getz

3/5

Sister

Sonic Youth

4/5

In Rainbows

Radiohead

3/5

Very solid Radiohead release but far from my favourite. All I Need is the only real favourite of mine here.

Connected

Stereo MC's

3/5

Highway 61 Revisited

Bob Dylan

2/5

The Hour Of Bewilderbeast

Badly Drawn Boy

3/5

Pacific Ocean Blue

Dennis Wilson

3/5

Rock 'N Soul

Solomon Burke

3/5

There's A Riot Goin' On

Sly & The Family Stone

3/5

Snivilisation

Orbital

3/5

Some pretty strong highs, but it gets irritating during its troughs. Favourite track is probably Science Friction. I did like the very industrial intermission of Quality Seconds, and Attached is a capable and variable closer. Still, not sure if I would return to the album too often.

Here Come The Warm Jets

Brian Eno

4/5

Aqualung

Jethro Tull

3/5

A Hard Day's Night

Beatles

3/5

Scum

Napalm Death

3/5

One Nation Under A Groove

Funkadelic

3/5

The Only Ones

3/5

good kid, m.A.A.d city

Kendrick Lamar

5/5

Cut

The Slits

3/5

Very cool vibe and unique sound. I prefer the 80s albums - this one is is a bit too shy at times.

People's Instinctive Travels and the Paths of Rhythm

A Tribe Called Quest

3/5

The Renaissance

Q-Tip

3/5

Joanna Newsom

4/5

The Wildest!

Louis Prima

3/5

Rage Against The Machine

2/5

Enter The Wu-Tang (36 Chambers)

Wu-Tang Clan

4/5

Q: Are We Not Men? A: We Are Devo

Devo

3/5

Surrealistic Pillow

Jefferson Airplane

5/5

Beach Samba

Astrud Gilberto

3/5

Elvis Is Back

Elvis Presley

3/5

Getz/Gilberto

Stan Getz

3/5

The Girl from Ipanema is an incredible song, but the rest of the album is comparatively unassuming and not a whole lot of interest happens. Very pleasant, of course.

The Suburbs

Arcade Fire

3/5

The Clash

2/5

OK Computer

Radiohead

4/5

1999

Prince

2/5

Hail To the Thief

Radiohead

2/5

1984

Van Halen

3/5

War

3/5