Clearly an influential album. One year older than I am, 53 years ago this psychedelic and acid rock influenced soul and funk record has a lot to unpack. Experimental, sonic exploration with blues and rock influence. This record really stands tall in its expression. I loved it.
This music isn't written for me. While I appreciate it as a debut record with his departure from NWA and for possibly moving rap forward, there is nothing for me in terms of relatable content.
Clearly an influential album. One year older than I am, 53 years ago this psychedelic and acid rock influenced soul and funk record has a lot to unpack. Experimental, sonic exploration with blues and rock influence. This record really stands tall in its expression. I loved it.
This was my first listen to Arthur. I learned this 1969 album was originally conceived as a companion soundtrack to a now-lost television drama by the same name. It tells the story of a working-class man navigating post-WWII Britain. The album captures feelings of a generation that saw the empire shrink, promises fade, and modernization creep into every corner of their lives--parallels easily drawn in 2025 for multiple nations. There’s a raw edge throughout this record. Fuzzy guitar riffs, punchy drums, touches of brass, and intricate vocals carry each track’s tale. It teeters between stripped down garage rock (even though that term didn’t really exist yet) and full on theatrical storytelling. Tracks like "Shangri-La," "Some Mother’s Son," and "Young and Innocent Days" stand out. While the bombastic "Victoria" kicks off the record, "Shangri-La" builds from something quiet and nostalgic into a takedown of the suburban dream. The anti-war track "Some Mother’s Son" is beautiful, bleak, and haunting. And at my age, my favorite track was probably "Young and Innocent Days." It’s reflective and melancholic, yet beautifully underscores loss of youthful idealism. Despite commercial ups and downs, Kinks remained a band unafraid to evolve. Their relevance lies not in stylistic consistency, but in their ability to mirror contradictions of modern life across decades of shifting musical landscapes--and make great music while doing so. This album was foundational to their future. Five stars from this guy.
Classic post doowap should album. Very much enjoyed it.
Not my favorite Floyd but still a great listen.
Cutting edge record. A hard listen back in the day but it is classic now.
Faith is excellent front to back. It really was something when it came out. 4 number 1s. I Want Your Sex banned all over the US. And it won the Grammy for the record of the year at the 1988 Grammy Awards. This record made women want him and made men want to be him. And as it turned out, maybe the other way around too. This record was a part of my teenage universe and it's still as good today--and in some ways, better. I highly recommend the Wham documentary and the George Michael documentary that he was producing prior to his untimely passing.
Classic.
Not a fan.
Interesting. Not my jam, one listen is enough for me.
Love the bass opening followed by synth and piano on track 1. Very jazzy opening followed by some 70s samples and a trip beat. His vocals flow in over the top and you're already groovin'.
My favorite. Their best. Shoot to thrill, baby.
This is easily in my top ten records of all time. No need to review it. Just listen and you'll know why.
This eponymous 1997 album marks a pivotal moment for Blur, the band that helped define 90s British music. Moving beyond their Britpop roots, Blur embraces a raw, stripped-down sound, reflecting a burgeoning interest in American indie rock and even grunge. It captures the pent-up energy of a post-punk youth, channeling the era's restless spirit. This album stands as a testament to the band's evolution, showcasing their versatility and willingness to reinvent, cementing their place as key figures in the alternative landscape of the 90s.
So dang good.