Basket of Light

My wife: "Why are you listening to mediaeval music?" Me: "It's that 1,001 albums thing." [She rolls her eyes and walks off, shaking her head] I approached this album with trepidation. Seeing it pop up on the generator was the equivalent of walking into your local and spotting the pub bore already sat on his favourite stool, dimple glass in hand, waiting to pounce on any unsuspecting saps with a thousand tedious tales and unwelcome opinions. As a teenager in the seventies, my knowledge of English folk-pop music consisted of not really liking All Around My Hat and vaguely knowing that Sandy Denny, the female voice on Led Zeppelin 4, was in some diddly diddly band that sounded like a business meeting. Even now it's not something I often make a bee line for, despite enjoying a bit of Unhalfbricking and Liege and Leif every now and then. So yes, I wasn't excited about this selection. And yet, some of it has been quite magical. Bert Jansch's guitar playing is spectacularly nimble at times and Danny Thompson's double bass playing is a jazz-tinged joy. It's all a bit Finger In The Ear At The Malt Shovels On Tuesday Folk Night (Hotpot Available!) at times but it does break out from its traditional folky heartland on enough occasions that you don't always feel like you're harvesting turnips in the rain in a Shropshire field in the 13th century. Though sometimes you do feel like that. Strangely, though, I know I will be playing this again. I must be getting old.

There were moments in the beginning, mostly when the glockenspiel and sitar featured prominently, when I couldn't decide whether I loved or hated this album. Ultimately, it won me over. The harmonies are tight and the guitar parts are impressive. It's a solid English folk album. Best track: Hunting Song

There was some wild shit going around in 69 man

White British people playing the sitar will always be a little sus to me, but I'll also also always be a sucker for an album that blends genres so well. And folk, rock and jazz with some parts that just sound medieval European make for such a fun combo

Yesterday I gave Incubus a 1.5 rounded up. Today I’m giving this a 1.5 rounded down. Here’s the difference: if I were out and about and incubus were playing in the background, I would barely notice it. If this were playing in the background I would say “What is this. Why.”

Very oldtimey folk album. Should relisten when in the mood for ancient rituals.

Absolutely GORGEOUS and lush 60s baroque folk. So beautiful, one of my favorite genres ever!

Ooh Pentangle is a bit cider and Cornish pasties isn’t it. That’s lovely.

It was kind of interesting at first but it lost me over time. I ended up just not really liking it without being able to put my finger on why.

Wow this is super cool. Psychedelic, almost medieval sounding folk full of funky time signatures. '69 really was possibly the best year in music history.

Great album with stellar musicianship. Not sure why there are three versions of Sally Go Round the Roses, though.

It reminds me of the band Renaissance, except not quite as good. Nevertheless it is very pleasant and enjoyable throughout. This music ignites my deep desire to live in an isolated pagan Nordic mountain village hundreds of years in the past. I wish the industrial revolution never happened. Globalism has destroyed everything that made the world beautiful and awe-inspiring Will definitely return

Holy shit! This is one of the best records I have discovered on this his app so far. Listened to it twice because it’s so good.

We listened to this album at the perfect time - driving through the Lake District, taking in the beauty of the scenery accompanied by this folky, jazzy, ethereal album. We both enjoy this genre and are surprised to have not discovered Pentangle before: we will definitely be listening again.

Basket of Light is a swirling, psychedelic mixture of folk, jazz, blues, sitar and traditional music that may be one of the most surprisingly great records I’ve ever heard. Surprising in that, typically, folk and medieval sounding music are not very enjoyable to me. Pentangle’s intricate guitar arrangements and interplay were the highlight of this record to me, but each member, whether on guitars, bass, drums or vocals all execute at a virtuosic level. Most importantly, Pentangle doesn’t let their ability outshine the song: They aren’t playing only to showcase their talents, but to serve the song. Each part of every song sounds considered and well written, transitioning smoothly from one to the next; playing with an edge that I would consider to be uncommon in most folk music. A truly enjoyable album experience.

Man, this was the tune of my time. I remember hearing it first 1482 at the wine-fest of the kingdom of Baden. I swear I saw the ancle of princess Hiltrude this day.

I think I got this album on the perfect day. Something about this just clicked and now I might be a little bit obsessed with it.

I feel like I'm in heaven listening to this, 5 stars, easy peasy

tom bombadil ass

I really enjoyed this album. lol @ the extended version that is 2s longer. Each song is a banger.

60's Folk just seems to scratch this itch in my brain, and this album is certainly no exception. Solid 5 Stars.

These guys really rock. Listen to those guitar chops. Marvel at the deep knowledge of folk music. The weirder it is, the more they probably *actually* believe in what they're making. They made a believer out of me, that's for sure.

It’s nice to finally dive into Pentangle. This album has been on my list for a while, and I’m glad I got around to it. Seeing Bert Jansch as a key member is a great bonus. It gives me a good starting point with his work too. For ‘60s psychedelic folk, this album really nails it, blending traditional British folk with jazz, blues, and rock. It has an ethereal feel with a haunting undertone that pulls you in.

Every now and then, you hear an album that you didn't know you needed in your life. This is one of those albums. It's deeply unique, while still referencing its own time. The arrangements are thought provoking and the playing is marvellous. I am not usually a sucker for folky stuff, but this is amazing!

Retro upon retro. Don't ask me why but this is the kind of Christian shit I can enjoy.

Aldrig hört förut men det är ju alldeles lysande.

This album is as old as I am, but I've never heard of Pentangle. When you hear the words "Folk Band" you might expect something else, but you're hoping for this.

I know already that Alan is going to dismiss this as English folk but in all love and affection give me 20 of these over French folk. With that out of the way, that British and Irish guitarists of the 1960s were incredible. This is Beck Page Clapton Townshend, Rory, etc. But the acoustic guys were better in a sense. On this album Jaensch and Renbourn. It’s a true fusion - jazz blues folk all mixing as if they always did. This, Solid Air, Planxty and Fairport. And this stuff leads to zeppelin, Jethro Tull and other such acts.

I loved this album. Had not heard of The Pentacle before, but had heard of Bert Janche. I listened to this on a 3 mile walk around Oak Park. The lilacs are blooming (along with everything else). Good smells everywhere, sweet sunshine, and this beautiful music straight to this big fat hippie's heart. This album took me down many pathways mentally. It started in the backyard of my family's house in Lombard. My thoughts were how much I would have enjoyed this if I had been a teenager in the 60's, smoking shitty weed and sneaking Seagram's 7 from my parent's liquor cabinet. Then I realized that's exactly what I was doing in the 90s, just listening to Dylan, Simon and Garfunkel, and Grateful Dead. The Pentacle is very much in the vein of The Mamas and the Papas, but I will go as far to say that this is better. Cleaner guitars, folkier, less pop, more elfish magic from across the sea. My favorite track here was House Carpenter, which took me straight to Applacia, then back across the ocean to the old Irish sod and my ancestors. Thank God for Alan Lomax. So much wonderful music sprung from his diligent work and passion.

Unbelievably creative, quite suprised at how much I liked it and the risks that they took

Great folk album. five out of five

This was awesome! Can’t believe I hadn’t heard of these guys. It’s folk meets blues meets jazz meets Renaissance.

Sensacional, sei nem explicar

This was weird. And great.

This was a surprise to me. The first song already had me hooked with its alternating 5/4 and 7/4. Overall really enjoyed this one.

10/10 I FUCKING LOVE BERT JANSCH

Harmless, pleasant fun. Listening is like hanging out in a nice field on a warm sunny day, with flowers and drinking mead. some of the chants and vocals are Medieval

This is the kind of thing I was hoping for doing this. Really liked it, had never heard of them before.

How is this on any top list? Pentacrap, Basket of crap. Was this meant to be a comic effort? This is a great example of music that is unremarkable and forgettable. If nothing else, it has me fired up to listen to something good.

I have a pretty expansive Steeleye Span collection. This was right up my alley

9.5/10. The music is absolutely lovely. I love its medieval vibes very much! I love this kind of folk music!!! It’s relaxing, but not boring. I love the various things that go on in this fantastic album!!! :)

great witchy folk music

The first song, with it’s Beatle-esque riff, folk guitar and jangly pop could only have been released in the 60s. I also loved “The Hunting Song” with its dual lead vocals and jazzy instrumentation, which includes some crazy double-bass. Also, “House Carpenter” with the banjo and sitar playing off each other. Jacqui McShee and Bert Jansch are good vocalists but when they share the vocals the contrast is amazing. And the fact that the whole band sings makes for some very untraditional harmonies. As much as I liked those tracks (and "Lyke-Wake Dirge") there were a couple of stinkers on the album and it was a no more than a 4 for me. Then I watched the 1971 live performance of “The Hunting Song” on YouTube and was blown away (as much as you can be by watching five people sitting around) so it’s +1.

Took me back a few years to a time before crude and non-musical music took over the world. A joy to behold.

I’m rather cheating with this one, as this is already a favourite album of mine. Imbued with dark magic, this wonderful collection of harmonic songs marrying the ancient and modern is delivered with remarkable artistry by the twinning guitars of Renbourn and Jansch and one of British Folk Music’s very finest voices

This is delightful. This album has shades of 70s prog rock blended with the sensibilities of a medieval bard.

I truly don't understand the low scores, that's something beautiful! Incredibly interesting fusion of genres

Oh I do love some wonderful folk music. It was a lovely blend of voices and acoustic instruments, and a lovely blend of traditional and new songs.

The opening bars of the first track had me super interested...then the vocals came and became quite hesitant...but then after I got my ears adjusted to what this album would be introducing me to, I REALLY dug it!

Loved it! Indeed a basket of light. Super sunny.

I was not aware of my need of some rock-tinged-renaissancy-baroque-folk until this fell into my lap. Fantastic! How I wish I could have seen this performed in the Royal Albert Hall.

I thought it was rather fabulous. Normally this sort of folk ages pretty badly but this endures through pure quality. Excellent

Before today I'd never heard of Pentangle before. The album cover provided no hints as to what I was in for, so I googled their name. The first thing that came up was the definition of Pentangle, which is "another word for pentagram". Given that definition, I figured I would be in for a heavy metal album perhaps? What I heard was the polar opposite! Pentangle are a folk group from the UK. Their music includes dual guitars (one artist who is Blues trained, and one who is folk trained), amazing bass grooves, and male and female vocalists. The singers are amazing, and the harmonies created by the two of them is beautiful. This album also prominently features sitar and glockenspiel parts, which is awesome!! These guys remind me a lot of Fairport Convention. This album combines jazz, Blues, and folk along with some psychedelica into one beautiful album. They may start a jazz number, then flawlessly switch genres half way through. Overall, an amazing album! Another one that blindsided me! I love discovering these kinds of records! I will absolutely listen again, I listened to it twice today! Favorite songs: House Carpenter, Hunting Song, The Cuckoo, Sally Go Round the Roses, Once I Had a Sweetheart, Springtime Promises, Lyke-Wake Dirge, Cold Mountain Least favorite songs: Train Song 5/5

Beautiful.

Love the instrumentation and vocal style. Would love to hear this stuff live.

Say what you want about this record, but, for better or for worse, there aren’t many that sound like it. To state the obvious: it’s a jazz-folk-psychedelic trip through Renaissance England. And I am here for it. John Renbourne and Bert Jansch provide the most solid instrumental foundation for any album to succeed, but Jacqui McShee’s vocals flit weightlessly around the whole record. It conjures the same eerie juxtaposition of contemporary and profoundly folkish as the Wicker Man soundtrack (songs like Luke-Wake Dirge almost demand a Maypole to be truly appreciated). It’s a product of its time, and by no means perfect. But I love it, and that’s why I’d give it 4.5 (rounded up).

Groovy

They didn’t have to go so hard

My favourite Folk band. Supremely accomplished musicianship. Well produced- it's rockier and jazzier than other albums but these guys are at the top of their game. I understand most people don't like this at all but that's always the way and always will be.

This is my favorite album ever I think. I love almost every song.

One of Pentangle's best.

pretty

Brilliant. One of the most beautiful albums ever produced

Excellent album, avec des petites sonorités particulières et une sensation un peu religieuse, mais appréciable.

hippy, sitar, Gregorian chant

Not too bad. Pretty interesting actually. Never would have guessed this came out in the 90s. Sounds so 60s folksy.

It’s nice to finally dive into Pentangle. This album has been on my list for a while, and I’m glad I got around to it. Seeing Bert Jansch as a key member is a great bonus. It gives me a good starting point with his work too. For ‘60s psychedelic folk, this album really nails it, blending traditional British folk with jazz, blues, and rock. It has an ethereal feel with a haunting undertone that pulls you in.

decent

Usually not my style, but this was nice enough.

This was wonderful.

Cool, not quite rock-y enough for me personally to give it a five.

I liked this one! Folk is a genre I enjoy a lot and while I'm less familiar with traditional/older English folk, this was very enjoyable. Pentangle is not pure folk of course, more like folk-fusion, and the jazz influences where noticeable enough that it won't get 5 stars, but it's a very solid 4 stars. Favourite track: Either 'The Cuckoo' or 'Lyke-Wake Dirge'

Das isch mal e big basket of Überraschig gsi für sone schüüche Dunnstig Morge. Bim erste ertöne vode Stimm - woni no im Bett glegge bin - bini chli überrascht gsi vo dem wo jetzt chund. Bi mim ufstahritual (bestaht us ufstah vode ligeposition) und mim duuschritual (id duuschi ine und wider use) hani denn aktiv Lied für Lied glost und bin zum Schluss cho, dass es für sone schüüche Dunnstig Morge absolut ahgnehmi Musig isch. Die psychadelische Kläng hend mich chli ines australischs Yogaresort im herze vo Bali katapultiert, woni grad ned so abgneigt bin degege. Nachem erste mal lose bini no chli unschlüssig gsi und hans mer grad es zweits mal durs Trummelfäll zoge und han mi selber überzügt, dass s Album bim zweitemal lose nomal biz besser gsi isch. S Album isch wie guete Wii: ich han kei Ahnig was es genau guet macht aber finds super! Da gibi gern vier downward facing dogs uf acid für de gspass!

Basket of Light is kinda lit. In some cases it almost feels like peak acoustic music before it all became electric.

Not really my cup of tea, but there's no denying the talent at work on this album, so I'm going to give it four stars.

Surprisingly great! Made me think of the Wicker Man with Christopher Lee.

Really nice album. Beautiful guitar playing and the vocals suit the folk sound. I can see why this isn't to everyone's taste as it does sound quite old-school folk, especially several years after the likes of Bob Dylan was going electric. So maybe it sounded a little old fashioned when it came out even, but I like it!

I’m at a pretty high 4. I think after this and the Pogues album we got, I might just be a sucker for medieval-style music with modern instrumentation. I really did like this album; the only reason I’m at a 4 is because the choice to go mostly acoustic sort of creates a homogeneity that the album’s instrumentation never fully overcame for me. To be more specific, there’s just too many tracks that suffer from a “first minute is the whole song” syndrome for me, but those are still pretty good tracks. The ones that overcome it are great, and I think the last track in particular nails it really well. For the lyricism, I think my only real nag is that a few tracks feel sort of similar in subject matter, but otherwise, they completely nailed the feeling; some of these have to be actual old poems and songs brought into modern times. It’s a relatively breezy 40 minutes, save for Hunting Song, which did feel like the track that dragged the longest; not just in its runtime, but in how slow the pacing of the story felt. Regardless, I enjoyed this a lot – it executes the sort of “folk jazz” thing it’s going for pretty well, the vocalists are both nice, the acoustics (which eventually lose their luster) sound great, and if nothing else, it’s a super easy listen. Pretty solid 4 for me.

Bert Janch, you sneaky SOB. You did it. Here’s your four stars. I was fully expecting this to be a three, but it had enough very good songs on it, and I liked the musicians enough.

Some really good stuff, this experience is definitely improving my view of hippies and psychedelic music

Nice album with some really nice vocals, especially those sung by the Jacqui. It feels like many songs go in the same key using the same chords, but I don't mind too much, it sounds good. 'House Carpenter' is a really good song, and I could've sworn I had heard it in the Read Dead Redemption 1 or 2 video game, but can't find it now for some reason. Maybe I'm just imagining. Feels like an iconic track somehow though! I feel like this beats a lot of other type of folk records I've heard, so giving it a weak 4.

Surprisingly fun! Liked the more upbeat songs like "Train Song" and "Hunting Song". A bit of medival Fleetfoxes over the whole thing. Both the guitar playing and singing were on point. Brownie points for being quite short and not overstaying its welcome. Weak 4.

I really enjoyed how this was medieval one minute and bluesy the next. Something I would definitely gladly relisten to, but not quite an absolute fave.

Wow. Very good bluesy hippie folk. Recording is amazing. Def will will listen again.

The first song Light Flight sounds like it alternates between time signatures of 5 and 7 in the verses which is possibly my favourite thing about this album. Your mileage may vary wildly on this. It gets a little churchy (13th Century Cathedral-ly?) in parts, a bit "tilling the fields in my bonnet" in others. It's a bit fey so tread lightly - as the band did. So while it's very possible or even probable that I may not listen to this again, it kinda feels like too much creativity, uniqueness, and talent to not give it respect. Definitely puts you in another time and space and how many records can really do that? 7/10 4 stars

Good stuff. Close to a 5 but couldn't bring myself to voting that high. But I like English folk! (Keep on) bring(ing) it back!

Les influences médiévales-Renaissance (je ne m'y connais pas assez pour les identifier) me plaisent beaucoup. Il y a un aspect intemporel qui en résulte, même si les guitares rappellent parfois les années 1960. En même temps, m'évoque Belle & Sebastian par moments, alors peut même passer pour plus moderne. J'aime particulièrement la voix de la chanteuse aussi.

Really enjoyed this hippy crap

Nice vocals and harmonies, with good guitar in the base.

a really cool late 60s folk album. in a lot of respects, this reminded me of fairport convention, who were one of their contemporaries in this space. very delicate folk music, very beautiful. what i liked about this one is that there is a full band aspect to it, you have drums and bass (although not used all the time) which allows for a greater range of dynamics. big moments can be big and soft moments can be soft. definitely an album i will come back to!

i'm always in the mood for gwent

7.7/10.

Loved it

Gezellige babyboomerfolk. Oma's ladenkastje van zolder gehaald, en dan met bloemen in het haar gestoken zelfgemaakte bosbessenjam op je boterham smeren, met deze sympathieke kippenhokmuziek op de achtergrond, bevolkt door ridders, prinsessen, rovers en ander Middeleeuws gespuis. Luistert lekker weg.

Het eerste waar me dit aan doet denken is Jefferson Airplane. En dan met name het een beetje vage. Maar dit is veel meer folky kampvuur, dus de vergelijking loopt eigenlijk best mank. Ook een soort middeleeuwse Enya of Clannad invloeden zitten erin, alsof ze oude sages en mythen bezingen. Ik lees nu dat het ook veelal oude traditionals zijn inderdaad. Ik vind het wel erg leuk om te luisteren, want er klinken meerdere akoestische gitaren door elkaar heen, die elkaar aanvullen en versterken. Het is daardoor ook iets bluesy en ik zou zelfs durven zeggen grungy en gothic. Die gooiden er alleen vaak zware distortion overheen. Ik had hier nog nooit van gehoord, ze komen blijkbaar uit dezelfde periode als Fairport Convention, dat ik ook niet kende. Klaarblijkelijk hebben dit soort bandjes NL amper bereikt. En het is geinig om ze nu in deze lijst een beetje te leren kennen. Vermakelijke 3,5 ster.

jumalaa pelkäävää musiikkia! hyvä! meikääkin pelottaa mahdollinen pidemmänaikainen kiirastuli aika jonkin verran... ai oonki luterilainen... nvm... epäuskovainen... menen suoraan helvettiin nvm... nvm guyz... vitun MARTTI MARTTI!!! paskiainen!!! meidän aikana ristiinnaulittiin tommoset.... perkele....... nykyänä pääsee selkäsaunati kaikesta.. kaiverreltiin silmäpallot meidän aikana tommosist... 95 teesiä?? pojalle annettaisiin 95 raipaniskua meikän sukupolven aikana... pehmeitä ne nykyään, pehmeitä... lätsä pois päästä ja nyljimään prkl... train song

This is some Renaissance Faire type shit! Loved it!

It's some kind of hippie folk church music or something. Not my usual thing but I still like it.

Ever listen to a song that feels like the equivalent of stepping outside to bustling city traffic, looking side to side, and then putting on sunglasses to walk right into the fray without a care in the world? Just me? Well, whenever I get the urge to actually do this, it's probably the most self-assured and relaxed I feel. "Hazey Jane II" by Nick Drake is a song that makes me feel like this; "Light Flight" by The Pentangle could make me feel like this too. Not that this is "cool" music by any means. This was recorded by the leading band of the height of the English folk revivalism period in the 1960s. As much influenced by Renaissance Fairs as it is smokey, sultry jazz, it happily traverses nerdy sonic terrains. There were some real eggheads in The Pentangle, notably Bert Jansch (yes, that one) and John Renbourn. The former is probably best remember for his solo records of true "m'lady-core" quality. But credit must also be given to the rhythm section of Terry Cox and Danny Thompson (no relation to Richard and Linda) for taking The Pentangle and giving it a robust and dynamic bottom-end, thereby making the band stand out over their contemporaries in Fairport Convention or Incredible String Band. With every "Lyke-Wake Dirge" (nerdy), you get a "Sally Go Round the Roses" or "Springtime Promises" (cool and sensual). Leave it to producer Shel Talmy, of The Who's "My Generation" fame, to imbue both cool confidence and earnest acoustic arrangements that feel like a woven tapestry or, you know, a basket weave. Very cool album art. What you see is what you get: warm, glowing vistas in motion, like you're sticking your head out the passenger-side window to get a view of the sunset. Turns out "Springtime Promises" was written after a bus ride on an early spring day. I believe it. A

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