Suede is the debut album by English alternative rock band Suede, released in March 1993 on Nude Records. It was recorded in London at Master Rock studios late 1992 and early 1993 and was produced by Ed Buller. At the time the fastest-selling debut album in British history in almost a decade, Suede debuted at the top of the UK Albums Chart, won the 1993 Mercury Music Prize, and is often cited as one of the first Britpop records. Displaying a sound of Britishness and glam rock, its music and lyrical content has been compared to The Smiths and early David Bowie.The album was preceded by what Rolling Stone called "its triptych of instantly classic singles." The three singles, "The Drowners", "Metal Mickey" and "Animal Nitrate" helped to create a media buzz leading to significant hype for a year leading up to the album's release. It was met with generally favourable reviews both in the UK and in the US. Although it remains the group's biggest-selling album in the US, it struggled to make headway commercially compared to the success in the UK. In 2013, NME placed the album at number 78 in its list of the 500 greatest albums of all time.
I think I've realized why I tend to dislike Britpop: so many of the bands seem to just want to suck The Smith's dicks. Well, jokes on them; Morrissey sucks his own dick harder than they ever could.
Utterly pointless waste of time. Milquetoast britpop. Apparently, people compare Suede to early Bowie. Those comparisions are bold at best and insulting at worst. The only reason this doesn't get one star is because there's nothing TECHNICALLY wrong with it. The musicianship and production values are fine. It's just so damn bland. It's cream of wheat to Bowie's strawberry tart.
No thanks.
It's got 90s style, but reminiscent of Smiths, Cure, New Wave stuff, and some Bowie. So Young - good teen-emo jam. Animal Nitrate - Interesting title. This one reminds me of something. I can't place it. The riff is kind of like Oasis. She's Not Dead - slower ballad. Good song - apparently about joint suicide of his aunt? Moving - Reminds me of Empire Records. Rock song. Called moving and it moves. Pantomime horse - Weird title, like one of those costumes two people wear of a horse? The Drowners - This is another great song. Awesome guitar work. I'm told this one's about a man trying seduce another man. Could be. Hopefully not incest. That word Brother is dubious. Sleeping Pills - beautiful song, very sad sound. Breakdown - Another slow one with a good build. Instrumental solo is solid. Sounds like Bowie, and also about loss. Metal Mickey - Strip club? She sells heart, meat, money shaking in time. Animal Lover - Story is apparently about singer's girlfriend, returning with scratches from being with another dude from the band? Guitar at the end sounds like Matthew Sweet. The Next Life - Damn - what a downer of a sad song to end it on. Another Bowie sound.
This was my favorite front to back listening experience of this whole club so far. This album explodes from its very track and pulls you in with earnest, impassioned vocals, glistening, piercing guitars, and driving grooves. The opening track alone had me hooked. Listening to this album felt like the first time I listened to This Is It by the Strokes-- I kept thinking "there's no way the next song will be as good as this one", and I kept getting proved wrong. This album has moments of solemn sadness and moments of anthemic triumph. It's remarkably sonically consistent without being samey. The lyrics are not the focus of the music, but are interesting and sometimes arresting. The guitar work is fantastic, up there with some of my favorite rock albums (examples such as This Is It, The Color and the Shape, Ten). My favorite tracks include "Animal Nitrate", "The Drowners", "The Next Life", and "Where the Pigs Don't Fly." I couldn't believe I had never heard of this album before today. I honestly loved it and I'll revisit it often. 9/10 listening experience for me
every song in this album is iconic. the album cover : mwah. and it just all feels so GOOD. the guitar was fucking awesome too. loved it đ©
Man oh man am I tired of getting served bands like this, where the lead singer is a whiny wet blanket. Why are so many of these albums in this style making this list? Where is the instrumental stuff? World music? Anything but western male-dominated bands? Oh well, I kinda liked their sadder songs like "The Drowners" and "Sleeping Pills."
An arse-slapping, Smiths-succeeding, coke-huffing ball-tearer of a debut. Still stands up.
No weak or filler songs here. Really well structured and produced. Incorporates elements of psychedelia, glam, and rock but is still fresh and timeless.
Sexy, sleazy, gritty, glitz and glamour. All the good stuff. Like shagging behind the bins while clothed in your most extravagant finery and covered in glitter.
Wonderful album with great instrumentation. There an anthemic quality to this album that characterizes a lot of Britpop, but thereâs a lot of art rock influence here also. I definitely hear the influences of Bowie and the Smiths.
I like this album. It sounds familiar and new at the same time.
This album has a strong sense of melodrama. I'm not sure what Brett Anderson is so exercised about, but I get the impression he could benefit from taking a step back and gaining some perspective. I like it, although don't love it. A more reined in, less emotionally OTT album could be brilliant. 3/5.
Very surprised by this one. Every song maintained and interesting level the started high and ended high. Great album
Not really my cup of tea but not too bad
An album that had a nostalgic vibe despite me not knowing many of the songs.
I was super excited to listen to this album since I have heard so much about it and how important it was in Britpop formation. Overall was pretty disappointed...super generic and nothing all that special about it. 2.5/5
Ears hurt and Hershey squirts. Britpop ruined my Saturday. I'm going to throw this back in a closet and hope it doesn't come out again. I know there's more Britpop-y bands on this list and eventually, I'll lose. Some day, I'll have to unpack all the reasons why bands like Travis, Verve, Lush and yes- even The Smiths, Morrissey and The Clash make me unwell. It's going to be messy and today isn't the day.
apparently it created britpop as a genre? well im not British
Can't get enough of Morrisey's whining? Want something a little faster? Try Suede.
"Does your love only come....in a Volvo?" I want to write a lot about this record but I don't have time today. Been with me my whole musical life, pretty much. I think of pre-Britpop and post-Britpop Suede as two different bands because they kind of are. From Trash onwards they glistened, before that, the beauty and ugliness in life was celebrated in equal measure, no punches pulled. The drop off from album 3 onwards might have been pretty marked, but these first two and their B-sides and outtakes... sublime. Not *quite* as genius as Dog Man Star but the margins are narrow. The gorgeous riffage in Pantomime Horse - fuck me.
Probably 9/10 but rounding up for Animal Nitrate alone
Tired, overstayed its welcome, and everything being done has been done better before.
Crooning power ballad after ballad, wanna be smiths.
2/5. This falls under a category of music thatâs almost worse that bad for me - music that is neither good nor bad, has the potential to be fantastic to me, but is just missing a few intangible things.
Going to start putting a link to a better album I canât believe didnât make the list on the review of every stupid, randomly picked, infuriating British album on here. A Day Without Rain by Enya, 2000 (5 stars) https://open.spotify.com/album/2ioso1tqQ5zABQDVYyiUi5?si=BNSjbtnHTd2s4QIhUhkw8g Youâre welcome.
Itâs the first ever album I bought, I love this thing! Some b sides are better than some of the album tracks but this is still amazing overall, Brett Anderson is one of the most underrated singers of the 90âs (kinda like a higher pitched Morrisey with more swagger) and Bernard butler is a brilliant guitarist too. Best tracks: animal nitrate, the drowners, breakdown and metal mickey Worst track: sheâs not dead 5/5
Ah, the dawning of the Britpop era, what a time to be alive. This is one of the best albums of the period. They were fucking awesome live as well.
Pleasantly surprised yet again! I'm really digging this. I love The Smiths and I can hear that influence on Suede's (The London Suedeâs?) sound. They're obviously way less maudlin and melodramatic than Morrissey could ever be, but they still give me that beautiful combination of melodic songs and achy alt rock lyricism. The yearning desperation of a 20-something misfit in the 90's is palpable. I like it, and will definitely listen again, and again! And thank you Suede for the boldly homoerotic album cover, nothing subversive about this. "Have you ever tried it that way?" No, but I'm going to now!
The artifact of what could have been had Britpop not evolved (or degenerated) into Union Jack waving, lager swilling, anthemic anthems for the sake of anthemic anthems. Suede (or The London Suede đ€ź) quite possibly made the thorniest, horninest, debauched, depraved album of 1993. Various songs on this album sounds as if it could have originated yesterday and the roughed up glam nature should still be seen as a blueprint for how to make a statement.
I have a genuine fondness for this album, not particularly for the music (which can be great) but because it reminds me of some exciting teenage years. I can bore you with tales of pre-fame Suede (Ricky Gervais at the ULU! 20 people at the White Horse in Hampstead!) but I'm becoming a cliche here. Suffice to say - those early singles were *so* exhilarating, and watching some shaky pub band turn into (UK) megastars still gives me a vicarious thrill (even though no-one I worked with really achieved anything of their magnitude). The Bowie affectations are a bit tedious (esp. the, shall we say, "faux-***" (TM) posturing that attracted deserved mockery at the time) but some of the tunes are fabulous (-ly derivative) with enjoyably bitchy lyrics ("..the canine in the A-line..") and provincial delivery ("..daahn to Werthing..") that warms the cockles of this old git. Nostalgic 4*
Iâm at a crossroads on this one⊠Suede is clearly a very talented band and they can actually rock, which is more than can be said for many of their compatriots in the British rock scene of their era. On the other hand, they are very clearly full of themselves and the subject matter of some of their songs is hokey at best. I meanâŠtheyâre singing about astrological signs at one point on this record. Come on.
Not my cup of tea
Iâm not a big fan of the lead singers voice. I get annoyed every time he says âohh-vahâ on The Drowners. His voice is not Axl Rose level offensive, but itâs noticeable enough to cost Suede a star. The potential of the songs is consistently let down by his voice. Some of the musical parts are quite enjoyable. I like the piano part on The Next Life. The guitar part on Metal Mickey is top notch. The drum and guitar parts for Moving are greatâŠand then he starts singing, ughh. Sleeping Pills and Breakdown really bog the album down. I thought Just A Day (Early Demo) was by far the best song on the album and itâs a throw away bonus track. What a shame.
I had never of this band and this record made zero impression on me. I never really paid any mind to the Britpop movement at all. Nothing bad about it, just kind of meh, and I had a hard time contextualizing it at all.
I love Bernard Butler's "People Move On" album, so I had high expectations for his work with Suede. â I was not disappointed: "Suede" is very Morrissey-esque, but edgier and grittier, with wailing guitars! I enjoyed every song. Their more melodic tracks (like "She's Not Dead") compliment the album's overall edginess incredibly well. Suede is a wonderful addition to my Britpop library, alongside Gene and Strangelove.
Never listened to this band before. I was pleasantly surprised by this. I played it three times and it got better every listen. Really solid Britpop. Highly recommended.
a Britpop classic, a breath of fresh air when it was released
The Rise of the flamboyant side of Britpop at it's best, this.
One of the best debut albums of the 90s.
Gud sÄ bra detta Àr!!!! det Àr till och med bÀttre Àn coming up som jag annars haft som favorit. konstigt att jag ej lyssnat pÄ detta innan?
So beautiful
Frickin awesome
Britpop personified. Love this⊠so evocative!
It was beautiful.
Muy padre e inesperado en el sentido de que no me esperaba que el britpop sonaba asĂ de darketĂłn pues mi Ășnica referencia que he escuchado mucho ha sido Blur y un poquito de Oasis. Canciones favoritas: He's dead, Animal Nitrate y Painted People porque tiene mucha energĂa caĂłtica. Mood: You only like me when you think I'm looking sad.
Un gran disco, sin skips. De su tracklist original me parece muy uniforme: tiene el suficiente nivel de rock que me gusta, junto con vocales muy exageradas a veces, pero agradables. La canción de salida, "The Next Life", cumple muy bien porque es justo como una despedida del ålbum, mientras que la entrada irrumpe ya para poner el tono de lo que viene. Hay vibras bowiescas, yo digo y creo mi fav es "Pantomime Horse", y seguiditas quizå van "Animal Nitrate" y "Breakdown", pero, como mencioné, para mà no hay skips. 9.5/10
Revisit
Hadn't listened to this in years, but I definitely still really like it. It's a bit mood dependent, but it's got a unique feel (although many would rightly say that this is what set off the Britpop explosion, it definitely doesn't sound anything like Blur or Oasis). I should try to revisit this (and the rest of their albums) soon. Solid 4.
An introduction to much more to follow from them. Listening back a bit disappointing weird enough, Coming Up maybe more commercial, but for me their best, as are some of those that followed. So just 4 stars for this one.
first listen pretty good britpop record
"Suede" is the debut album by English alternative band Suede. The album is considered one of the first Britpop records and also glam rock with influences of David Bowie and The Smiths. Guitarist Bernard Butler composed the majority of the melodies and music and singer Brett Anderson wrote the lyrics which he said was mostly about sex and depression. Interestingly, the two did each part separately. The album was the fastest selling debut album in Britain in a decade (since Frankie Goes to Hollywood. I'm not sure if they made the challenge) and won the 1993 Mercury Prize (Best Album in UK). "So Young" opens the album and we get the strengths of Suede: Butler's guitar is alternative sounding, melodic and hard. Anderson's vocals have a higher tone and at times he goes falsetto. It's about his girlfriend's overdose and the knife-edge of being young. Suede flexes their glam-rock muscles in "Animal Nitrate." Very Bowie-esque. Melodic. The vocal chorus. A wah-wah guitar solo. Violence, abuse, sex and drugs. A groovy guitar riffs opens their first single "The Drowners." The guitar goes melodic and stays hard. Eerie lyrics as he's kissing in his brother's bedroom. Is he kissing his brother? A girl? A boy? "Metal Mickey" was inspired by Daisy Chainsaw vocalist KatieJane Garside. A chunky swirling hard rock guitar. Catchy vocal chorus. "She sells heart." The album ends with "The Next Life," a piano-based ballad. Emotional vocals as Anderson laments his deceased Mother. This is an excellent album. For what's called Britpop, the guitar is edgy and hard. Anderson's vocals are mostly emotional and very glam. Risqué lyrics with implied incest, drugs and sex. Risqué album cover too. Adding all this up makes this definitely worth a listen.
Quite a debut. It just about still stacks up with all the hype it received at the time. Suede aren't shy about where they lifted their ideas from. At least they have a decent taste in music with Bowie and a brief stomp through the glam back catalogue. It's a shame what followed with the Britpop bollocks. Suede never fitted into this scene. They were far too clever, far too questioning of everything. This led to their sound being drowned out when arguably they had reached their peak. This debut was a hard act to follow. Very strong. I've had my moments in the past listening to Animal Nitrate...
My pointless Suede fact is the bassistâs younger brother is Richard Osman from the U.K. game show PointlessâŠ. Suede is one of the Brit Pop bands Iv only ever heard of a couple of songs from. Really enjoyed this album can see the Smiths influence on them, Animal Nitrate is the stand out song. A great debut and makes me want to check out their other albums.
Big, anthemic, aims for the cheap seats and successfully nails them. I've never been a big "britpop" guy but Suede is convincing me otherwise (between this and the other album I've gotten from them on here, "Dog Man Star"). The Bowie inspiration is obvious, and I can definitely see The Smiths in this as well. Don't think the production is that great. Favorite tracks: "The Next Life", "So Young", "The Drowners"
The album created a spasmodic expectation, is a learned encyclopedia of melodramatic tricks, often touching progressive rock arrangements, with a lot of Genesis and Moody Blues between the lines. Moreover, the songs boast lyrics saturated with references to the singer's bisexuality, heroin, sodomy, suicide, according to a plot that sets the music in a bestial world that contrasts (or complements wonderfully) the graceful and innocent face of the singer. (7/10) FT: So Young, Animal Nitrate
Suede is one of the leading Britpop bands that sprinkled alt-rock twists while drawing inspirations from the likes of David Bowie in their self-titled album. This is apparent in its airy Bowie-style vocals, with ballad-like acoustic guitars and simple reverb-heavy drum arrangements to boot. With that, 'Suede' is still quite influential, controlled, and musically understands the intended direction.
I had an extended Suede streaming session earlier in the year. As with many bands of that era, I'd lost touch with them but discovered their last album, 'The Blue Hour', which is excellent (and highly recommended if you haven't heard it.) I had all the initial EPs that came out before the album so at the time it felt like I'd already heard a large chunk of the album. I think I like this album even more than I did back when it first came out. The album of theirs I listen to most often is Sci-Fi Lullabies, which has always shown they left many of their best songs off this album. Seen the band a bunch of times over the years, including their first tour (still have The Drowners t shirt, it's not as white as it used to be) and a fan club show at the Electric Ballroom, that I can't remember how we got into. They played all of the just released/about to be released 'A New Morning' and then did a random greatest hits set where they got people out from the audience to spin a big wheel with the song names on it. Great show, good times. Can't believe this is going to be 30 years old next year. Was Bernard Butler the last British guitar hero?
I have loved this record since I girl I had an instacrush on in college mentioned that I should listen to it. The record wears its influences on its sleeve - Bowie, The Cure, Joy Division are all in here. I'm glad this was on the list, as I hadn't revisited it in quite some time. 4*
Excellent debut, great singles (Animal Nitrate, Metal Mickey etcâŠ) and the 25th anniversary edition features b-sides that are some of Suedeâs best work and somehow didnât make the album. Definitely not Brit Pop, this is art rock of high quality. A great band.
This album warmed up on me as it progressed. The Smiths really did a number on the UK, didn't they? I feel like every single band post-1983 tried so hard to emulate them, and Suede is no exception. But, hey, there are worse bands to ape. I really enjoyed the swirling guitars and the flighty vocals.
I really liked this one! Didn't know this band existed. will revisit.
I didn't care much for this album as a whole, but those first two songs are killer.
There's a winsome video of Bernard Butler demonstrating and describing the riff to "Animal Nitrate", which sounds champion as it crunches out of a Vox amp, more powerful than what came out on the record, which sounds both overly busy and thoroughly leashed. The band was almost polished out of the picture, sounding like half-acquainted session musicians backing Brett Andersonâs well-honed histrionics to the directions âBolan, Bowieâ felt-tipâd on his Oxfam blouse. Iâve been reading a lot about and by Steve Albini since he died, and this record reminds me of a cutting piece he wrote on how the British music industry once revolved around scenes and stars, that âwith a slick manager and some connections, a career could be arranged, in the manner one lands an entry position at Barclaysâ - bands crowned by press release before a noteâs out, and he declared Oasis as the apotheosis of this tendency. Iâd argue Suede were the archetype. I remember the âYANKS OUTâ cover of Melody Maker, and being annoyed and amused at the idea that they were being stifled by mucky grunge kids an ocean and continent away - imagine being oppressed by Lou Barlow! The hype was off-putting, and I ignored them for a couple of decades. A shame, as they appear to be good people. This has some strong songs, though returning to it at this distance shows the joins between modish influences; I enjoyed the parts that sound like The Verve of âA Storm In Heavenâ, but also feel embarrassed for them. This is confectionary more than meal, and I wonder what might have been had they spent more time playing together rather than rushing to stardom. But that wasnât the model. Iâll give Dog Man Star another go.
sehr smiths. aber 90er. erste song rech cool. animal nitrate isch nice. happy und hÀssig glichzitig? nögsti paar songs sind chli jooo ich trurig jooo. pantomime horse goht kinda hard mit intro und denn riese refrain. gitarre nochem refrain eee trem geil. die dudes hend spass gha bim ufneh. the drowners wieder sehr smiths findi. und oasis halt vor oasis. bi breakdown tönter scho seeeehr nochem morrissey. animal lover isch gnau glich cooli riffs aber afoch joo morrissey. aber de refrain isch huere geil. oke und de schluss nochem gitarresolo au.
Första tvÄ lÄtarna Àr ju jÀkligt bra. Resterande lÄtar Àr sen inte sÀrskilt spÀnnande.
"So Young", "The Drowners", and "Metal Mickey" I like very much. The rest of the album is good, but doesn't live up to the hype that the British music press heaped on the album.
I thought this was alright, some songs were quite catchy - others a bit more irritating. I didn't know about Suede, but Luke informs me they were a headline Britpop bad alongside Blur and Oasis. He does not approve of Suede and told me I should give it 1 or 2 starts for the whiney voice and boring songs. I dunno, I didn't hate it that much and I shalln't be swayed
Decent Didn't get all the way through.
I reviewed my notes from the last album of theirs. I mentioned a Bowie influence, which I hear less of now, but I'm getting more Morrisey. This LP doesn't seem to have a standout track like 'We are the Pigs", but there are a number of rockers throughout. Again, there are too many ballads, schmaltzy ballads. 5/10 for me.
I detect hints of Glam-rock with Brit-pop top notes. It has a nice shoegaze finish but unfortunately the lead vocalistâs singing style leaves a bitter aftertaste. This hasnât aged very well and should be returned to the cellar.
Can't really write a decent review about this one. During the early nineties, I was into American indie/grunge acts, but I was also interested in former eras, such as the punk movement and sixties pop. And I could also enjoy some britpop acts. But not *this one*. The first time I listened to Suede, I found their mannerisms pompous, and I did so not only for *Dog Man Star*, but starting from this band's debut album, actually (when the second one was panned, it was as if everyone was stating what was obvious to me from the get-go). Of course, at the time, I didn't know a lot about Bowie and The Smiths, who were *huge* influences on Suede. Since those days, I have learnt to appreciate those very influences (especially Bowie). But the irony is that, because of what I know now, it's *all the more difficult for me* to enjoy Suede these days. When I listen to them *now*, I just can't help thinking they're still a somewhat bland variation of earlier, far more impressive acts. With very awkward and dated production values, to boot (some of the effects on the vocals and guitars are just plain horrible). And I'm *still* a little annoyed by the overall mannerisms, mostly because I find a lot of them stale, shallow and irritating (Anderson's overkill *outré* voice is grating to the extreme sometimes, even on one of the few decently written songs from the album, such as Animal Nitrate for instance). Suede are just not as fresh and exciting as the models they are desperately imitating. And because of all this, I can't manage to find any *substance* in the songs of this record, as hard as I've tried. Oh, I know that Bowie himself once praised them. But it won't even make me change my mind. When Bowie praised Suede, he wasn't exactly in the best creative spot of his career anyway. Maybe it was just a way for him to send all those winks Suede had made to him back to them. At the time I didn't care. Now, I do, somehow. But even Bowie could make blunders (he actually made a lot of them in the later parts of his career). And this brings me back to the original influences informing this album. Sorry, but I'm always gonna prefer the originals... How ironic. It seems that Suede were never there in the right time for me. I know they've been critically reevaluated, and they probably at least deserve some of the *current* praise for going against the grain during their heyday. But it's still impossible for me to genuinely appreciate their music. Sometimes, it's as simple as that. [Number of albums left to review or just listen to: 985 Number of albums from the list I find relevant enough to be mandatory listens: 5 Albums from the list I *might* include in mine later on: 6 Albums from the list I will certainly *not* include in mine (as I think many others are more important): 4 Albums on which I feel my judgment is muddled by my past forays into specific genres instead of others: 1 (including this one) Technically, I shouldn't even be grading those records. But *some* might end up on my final list for their somewhat *objective* cultural importance, who knows?]
Didnât mind listening, but didnât save any either.
Not sure...At least I finished listening.
Solid Brit pop album, with a Smiths-y sound, overall a pleasant listen. Brett Andersonâs idiosyncratic vocals are a bit of an acquired taste, but I enjoyed them. He has a really varied range that can be quite elegant but also glammy and playful. I can see the comparisons some want to make to Bowie, but Iâm getting more of a Russell Mael meets Pete Shelley vibe. I love how he hits the high range, but itâs also a lot, like eating a box of truffles in one sitting. Some may not want to sit through 45 minutes of it. Fave Songs: The Drowners, So Young, Sleeping Pills, Animal Nitrate, Metal Mickey
Another "great riffs, shame about the singer" album/band
I quite liked his voice, and seem to be in a majority. Like a lot of 90s britpop/rock, I found it ok, though I judge it on whether I find it decent now.
Not sure how this made it. One of the most boring Brit pop albums
I miiiight take 'Where the pigs don't fly' but leave the rest.
I tried. I wanted to like this. I read the lyrics and the Wikipedia back story. But I didnât hear this at the time and now I feel it is too late. Perhaps I am missing something, but I donât really feel that I missed out. And am not a fan of the voice. I can see what they are trying to do (I think) but it doesnât really speak to me and I donât find the music particularly original or moving. So Young is an okay start (maybe partly because I recognised it from the radio) but for me it chugs along with variations of the same theme for the rest of the album, with diminishing returns.
Lots of sort of swirling layered guitars. It sounds kind of lush and not necessarily noisy. Some heavy usage of flanger some other modulation effects like this. Kind of interesting playing but I tend to prefer things with a more driving beat. The guitars tend to sort of fade into the soundscape and instead of being out front. The real dealbreaker for me was the singer. To my ear, his voice is thin, nasal and whiny. There is a lot of falsetto but I think his main voice is just too thin. Not for me at all - basically the opposite of what I gravitate to. Overall, not terrible but just not for me.
My least favorite of the BritPop 90s, I had never listened to this whole album, and gave it a chance. 30 years later, I still prefer Blur, Supergrass, and Pulp in this era/genre of music. Suede is fine, but just never really grabbed my attention. I still find Andersonâs delivery to be vaguely annoying, while the music never delivered much excitement or engagement for me.
This is a pretty solid Example of Britpop that I don't super care for. I sounds old, but it was made in the 90's so I don't super get it. Plus, To keep it honest I found the lead singers vocals pretty grating. Glad it's over lol. It wasn't horrible, and I imagine a lot of people like it. Not for me.
Had not heard of the band or heard any of their music before this. Not an album I think I'll come back to but there are some interesting tracks, and reminds me of some of music I liked in college.
Okay, but nothing I'd come back to.
interesting cover art lol. initial reaction: okay, sounds good. enter his voice: ?? okay, could work still. doesnt seem very 90s to me though. 'she's not dead' is not available on spotify. not awful, even liked some parts, but ultimately not my thing. lyrics were bland at times but at times i was like ??? is he singing from a female perspective or. idk. i did save 'moving'.
On first listen this is a slab of ponderous guitar Brit-pop. Not grunge, not Oasis, just slow and dull.
Oof. Hard for me to get beyond his voice. That nasally screech, which is too common in British punk-pop, brings all of the music around it down for me. Some of the music is strong and the overall concept of the albums is interesting, but...that voice...
90s English alternative rock. Considered one of first Britpop albums. Really explores the whole genre, fantastic.
10/10
Pleasant surprise. Made me feel nostalgic for this time even though Iâd never heard of this group or album. I liked it!
This is #day283 of my #1001albumsyoumusthearbeforeyoudie challenge, and⊠you should've seen the look on my wife's face when I showed her what album I got this morning. She's very much into Brett Anderson and his early '90s androgynous looks, and Suede (along with Manics, though they're coming from a slightly different realm) is one of those bands we've bonded over throughout our marriage. This particular album is also one of those we own in our vinyl collection, the others being Coming Up, the most recent Autofiction, and the 30th anniversary 2-LP edition of Dog Man Star. Some absolute killers here, including So Young, Animal Nitrate, The Drowners, and more. This is one of those seminal albums that defined the era. I'm going with a 5. Can't wait to revisit Dog Man Star when it's time. Looking forward to #day284.
Didnât think it would be so enjoyable.
Personally, I love Suede, so Iâm totally biased.
âLetâs chase the dragon, ahhhhâ while Bernard Butler lays down one of the most earth shuddering riffs of all time. And then when the piano starts tinkling in during the big build up finish? Come the hell on, best song on any of these 1001 albums.
YESS!!
Well, well, if it isn't my favorite britpop band. It could be a 5/5 already simply because of Brett Anderson's voice. Their music makes me feel alive, And that's all I need to know. Couldn't care less about anything other than that. This one is a classic. Maybe just not as good as Coming Up, which is as far as by me, their greatest album.
Suede, not the London Suede, with a perfect band name and self titled for the British scene.
Bangin'
Totally loved it