Occasionally raucous and initially a little overwhelming and off putting. The album settled into a tone more akin to Hallelujah, this recording of which remains my favourite version.
Overall a rockier feel than expected.
Inaudible lyrics and repetitive tone made for a rather unpleasant listen. Reminded me of a horror movie backing track rather than an album of standalone music to be listened to for pleasure. Again, not my cup of tea but appreciate the opportunity to listen to something I would have otherwise not come across.
Pleasant enough and in the right environment I can imagine this would really help set a nice tone…not my usual listening.
Real tale of two halves…starts with energy and excitement, gradually turns more acoustic and slows down. Particularly enjoyed ‘Bob Dylan’s 115th Dream’. An interesting insight into an artist whose only songs I knew before were the ‘big hits’.
Whilst I understand Bowie has had a seismic contribution to music…his genius has always alluded my interest. His variety of sounds and personas were groundbreaking (I’m told), but, to me, this album felt very much on par with the Bowie I have heard previously. That is to say, the first half did…the ‘B-Side’ instrumental section was a real downturn in value from the album. So much so, the second time round when Sense of Doubt came on, I turned off the album.
Packed full of hits, genuinely enjoyable listen. The first album so far that I’d be happy to revisit…
Was initially excited to finally listen to some of The National on their own as I only knew some of their work as features on other tracks. First listen was a tad underwhelming but will try again to see if I have perhaps missed something that would help distinguish one song from another.
Second listen has not revealed anything especially groundbreaking…fairly monotonous record, shame.
Other than the inclusion of Even Flow on an iteration of Guitar Hero, I had not come across any of the Pearl Jam discography previously.
This was an enjoyable rock record with a distinct change in tone across the album which provided as a pleasant surprise following some initial misgivings. Not quite my own jam but can appreciate it as a decent record.
I didn’t want my first five star review to be an album that I already knew inside out…but finding myself singing along to all the tracks…it’s going to have to be ⭐ ⭐️ ⭐ ⭐ ⭐
Pleasant enough listen, inoffensive if a little uninspiring. Unlikely to revisit but wouldn’t turn off if on in the background.
Some stone cold classics in this album, some less so. Very much a nostalgic listen based on the music I was around growing up.
Felt very Americana with Eyes to the Wind being the beginning of it feeling like a Bruce Springsteen record. Occasionally the singer’s tone was reminiscent of Bob Dylan.
Unlikely to relisten but wasn’t unenjoyable.
The title and blurb suggested this might be the perfect solution to help my wife pass more peacefully through international travel hubs. The suggestion of this solution, combined with her dislike for ambient music in general, did not receive a warm reception.
I was unable to really immerse myself in this album as may have been necessary but found it pleasant enough as a backing track.
The spoken word interludes were very reminiscent of The Miseducation of Lauryn Hill. Listening to them back to back did however highlight that this album lacked the same depth and variety of tonality. That may be an unfair comparison but was what stuck in my mind. May revisit eventually.
I was excited to hear this as I am a fan of a lot of Stevie’s other work. I found that only the middle section of the album was what I was hoping for, the rest felt a tad lacklustre and, at times, preachy.
I guess anyone will start to run out of ideas after 17 albums…shame.
Had to give this a second try as I found the first listen a little raucous and intense for the circumstances in which I was trying to listen.
I feel the great tragedy of this record is that, as a posthumous release, there would have been very little opportunity for anyone to have heard these songs performed live which is where I think the music will have really shined. The energy from the band and Joplin’s vocal style would doubtless have made for an extraordinary performance.
The second half of the album really settled into a slightly calmer and more relaxing listen. Nice album…
A couple of stone cold classics on this album. Generally a fairly relaxed and funky listen. Whilst I’m sure the technical musical composition is excellent, there were a few too many instrumental tracks to encourage me to return to this whole album in the future.
Fairly unintelligible and overwhelming…did not resonate with me on any level.
I think this album is very much a case of less is more, especially with this deluxe version. For me, about 30% of the tracks are genuinely worth listening to, the rest are rather samey and uninspiring. I can see why The Greatest Hits album did much better as a collection of their better work simplified into one record.
Marginally less frenetic than ‘…And Justice For All’ and somewhat more comprehensible. Still an acquired taste that I do not possess. Nice that it exists for those that enjoy it.
An interesting introduction to fusion music, will not be revisiting, perhaps a little niche. Can understand why the cover of Jumpin’ Jack Flash gained a following as a quirky take on the original.
In much the same way that The Killers’ Hot Fuss album has been blighted by the torturous overplaying of Mr. Brightside, this album has its own seam on to battle in the shape of ‘Sex on Fire’. However, unlike Hot Fuss, the rest of the album cannot be saved by the remaining tracks. Whilst there are some redeeming songs, most of the listings were fairly indistinguishable from each other and left me somewhat disinterested well before the end of the album.
