Bryter Layter

Two days in a row I've gotten a Nick Drake album. In fact, I have been given his entire catalog (it's sadly only three albums) in just over a week. I'm not mad about this. If anything, it's solidified the fact that Nick Drake was absolutely one of the greatest songwriters to ever live. This album was my least favorite of the three but it was still amazing. It perfectly expresses Drake's struggles with depression without being dark. It's a perfect picture of depression, honestly. It just IS without being a whole dramatic deal. The production is more involved on this album than on the one before and the one after and that detracts from the power of the songs, in my opinion. It's a testament to how damn good these songs are that the album still receives full marks from me.

A depressed man sings 7 in-differentiable sounding melancholic, nostalgic songs (plus 3 instrumentals) while strumming an acoustic guitar to a pretty but generic easy-listening background.

I’m aware that Nick Drake felt the sounds of Bryter Layter were too full, but it’s my favorite of his three albums. Pink Moon occupies a sort of singular space for the sounds he was able to create, but this album takes what was truly great about Five Leaves Left and elevates it with compositions that compliment Drake’s forlorn voice and searching lyrics. I love this album. 9.5/10.

Such beautiful melancholy music. Such a talent. So sad what a troubled life he led and how little recognition he received during his lifetime

This shit boring. Like coffe shop music but not a Starbucks. like a cofee shop the clientele would go to purely cause it’s not a Starbucks

Dude made some of the best folk music ever. RIP

I’ve mentioned this a few times in my reviews, but 1970s singer-songwriter albums have been tending to suit my tastes a lot. The only artist where this wasn’t the case was interestingly Bob Dylan, but I’m still excited to listen to today’s album - I don’t think I’ve heard of Nick Drake before today. Songs I already knew: none Favourites: Hazey Jane 2, Northern Sky, Sunday This album was frankly phenomenal. It isn’t exactly minimalistic like some other similar artists from the same era, as there are plenty of instruments playing at any time. Nick Drake’s voice (to use a phrase I possibly might overuse) what buttery smooth throughout. I loved his voice so much, that I felt sad at the end because I wanted more. And when the only criticism I have is that I wish the album was longer, despite it being a very normal length, it’s fair to say that this album was pretty much perfect.

Some of these songs sound like the ones on Sesame Street when they were all, "Look, here's some happy penguins." This album is delicious. I love Nick Drake.

Reading up on this I was surprised that I hadn't previously known of the familiar faces doing backing instrumentals... Good but I think Five Leaves Left and Pink Moon surpass this one.

Yeah it's Bryter Layter, five stars. Some notes though. Belle and Sebastian seem to have pinched their template from a couple of tracks here, Hazey Jane II and suchlike. Love the soulful jazz of Poor Boy as it gently soars. One of These Things First and Northern Sky are particularly excellent. Some of the rest feels a little twee at times but seems to somehow stay on the right side and remains delightful, instrumentals included. Always a great listen.

My cohorts, a quick check of my earlier reviews will reveal that I gave a shiny 5 stars to Nick Drake first album, Five Leaves Left. Here, we have poor Nick's second album, Bryter Layter. Out of the classic Nick Drake trilogy, Bryter Layter is the one I listened to the most infrequently. Don't misunderstand me, I didn't consider it in any way a bad album, but the outright prettiness of Five Leaves Later and the starkness of Pink Moon meant they were the ones that hypnotised me. So in my head, Bryter Layter became the slightly impoverished relative by default. This was of course imbecilic of me. Bryter Layter continues Nick Drake's faultless track record whilst remaining particular to itself. Bryter Layter is in no way a rehash of Five Leaves Left, but instead shows dear Nick developing his style by exploring new musical vistas. Now, Bryter Layter is not as musically eclectic as Five Leaves Left, but that is not to its detriment. To say that Bryter Layter is more coherent is not the right term, but its consonance definitely stands out as a progression from Five Leaves Later. Lyrically, we have still the gentle sadness laying foggily over the music. Bryter Layter does not evoke death as Five Leaves Left does, nor is it as raw as Pink Moon, so we have the paradox that the listener feels Bryter Layter to be Nick Drake's healthiest record, despite the album's loneliness and remorse. Also, note that several songs concern love, albeit love tinged with inexact regret. A more remarkable addition to sweet Nick's arsenal is humour. In One of These Things First, a paean to a lost love, he lists the choices he could have pursued, how he could have been a sailor or a cook. But then he muses that he could have been a signpost or a whistle. Since this is Nick Drake, the absurdity is understated, but it is still there. Finally, in perhaps the album's best song, Northern Sky, we have one of the rarest and most precious qualities in a Nick Drake song: hope. Is Bryter Layter an anomaly in the Nick Drake canon? No, that's far too strong a reading. But it does partially dispel the notion that all his work was written under the gaze of the black-eyed dog. A wonderful record that entices the listener to luxuriate in its nuances.

i have the fattiest crush on this mystical man and all the sweet sounds he makes.

I like all three of his albums, but haven't listened for a couple years. I remember the debut one best, which has a '60s folky sound turned melancholy. This one has some more upbeat stuff, but Drake's distinctive vocals give it all an edge of darkness. The music is great, and his lyrics so striking. His voice isn't technically great, but spot-on for the art he created. I can't think of anything I would change, and the album realises Drake's peculiar vision.

In terms of pure folk beauty, the high points on this album are about as good as it gets. Overall, it’s a little inconsistent - but when it hits its peaks - damn.

It’s probably just because I’m so used to the sparse arrangements on Pink Moon from years of listening, but I’ve always felt that Nick Drake’s music works best in a more stripped back form. Not to say the arrangements on Bryter Layter are ill fitting or that this is by any means a bad record, only that the simplicity on Pink Moon suits Nick Drake (or at least my impression of him) better than the busy orchestration here, which dates the record just a little bit in spots.

4 Towards the end of college I got really into Elliott Smith, an artist who is often compared to Nick Drake. Despite having active careers nearly 25 years apart from one another, both were known for their soft singing voices and acoustic playing style, their struggles with depression and mental health, and ultimately leaving this world far too soon. So, fascinated by the parallels, I binged all three of Nick Drake’s albums in one day, and while I really liked what I heard, at the time, Bryter Layter stood out to me the least. I didn’t re-visit the album again until about a year ago, when the usage of the song Fly stuck out to me in a viewing of The Royal Tenenbaums (coincidentally, Elliott Smith also has a song in the movie). I still didn’t love the album, but Fly became a part of my regular musical rotation. Listening to it now, I stand by my longstanding sentiment that this is not his best album, but to say it’s bad by any means would be flat out wrong. My only major criticism is its overproduction - as Pink Moon would later show, Drake was at his best with just his guitar, voice, and raw emotion alone. I don’t think the production here is necessarily bad, because when it works, it works - case in point being Fly and Northern Sky, songs elevated to transfixing highs with their touch of accompaniment, but when it doesn’t, it doesn’t, and we get elevator sounding music like Poor Boy. Compared to Five Leaves Left, this one feels a bit like one step up, two steps back. Really struggled with my rating for this one. I know I just gave quite a bit of criticism, but I do think this is a very good album despite its faults. I had 3.5 originally, but I went back to look at my other 3.5s and I just can’t help but feel it’s a step above them. So, 4 it is - the guy seriously did not release a bad album, and I can’t understate how immensely sad it is that he didn't get to see any of his success during his lifetime. Anyway, shoutout to The Royal Tenenbaums for getting me into Fly - pretty overrated movie, but the soundtrack is fire. The scene with Judy is a Punk by The Ramones is also absolutely 10/10.

Gentle folky music with a bit of a jazzy, funky influence. It sounds like a bit of an odd combo, but it works surprisingly well. The fact that it's so relaxed means that I think it would work well as background music in a coffee shop, but I can't imagine somebody saying "Bryter Layter is my favorite album".

I love that Hazey Jane II came before Hazey Jane I. See, you don’t wanna get mixed up with a guy like Nick. He’s a loner, Dottie. A rebel. I've never been a fan of his vocals. I can never put a finger on why I don't really like Nick Drake, but I always come back to that. I enjoyed a few tracks but overall it's just not my thing.

Was never really a fan of country, but it was pretty alright as far as it goes.

It was ok. I listened to it yesterday and really cant recall a single thing about it so that should say a lot. I would have remembered if it was bad though.

not another nick drake

“One of these things” sounded like a collaboration with Dr Suess. But did like Northern Sky. Blake was the one kid in English class that fist pumped when the teacher said”Today is learning poetry day” while the other 25 booed😣

yes

Can hear the cleat improvement over the previous album, some of the best 60-70s folk music you are going to hear 5*

**Album Review: Nick Drake - Bryter Layter** Nick Drake's *Bryter Layter* remains a timeless masterpiece, a hauntingly beautiful blend of melancholy and warmth that enchants listeners with every play. Even after years, its soulful melodies and poignant lyrics resonate just as deeply as they did upon first listen. The album showcases Drake's unparalleled songwriting skills, inviting us into a world where light and dark coexist seamlessly. Tracks like "Northern Sky" and "Fly" exhibit a delicate elegance, wrapping the listener in a comforting embrace despite the underlying themes of sadness and introspection. The lush arrangements, featuring strings and brass, elevate the music, creating an uplifting atmosphere that is both soothing and thought-provoking. Drake's unique ability to convey profound emotion with simplicity cements his status as one of the greatest singer-songwriters of all time. *Bryter Layter* is not just an album; it's an experience—one that deserves to be revisited often. A must-listen for anyone seeking beauty in music, this album continues to inspire and uplift, a true testament to its enduring significance.

I'm beginning to really like this guy. These albums have such chill coffee house vibes and have been great at putting me at ease. The backing instrumentals add so much to this without feeling over-produced.

A must have album.

Great album

Beautiful. My third Nick Drake of the project. Normally this is when I say "surely there are other artists that deserve a spot on this list" but in this case, no, all three albums should be here. I hadn't listened to Nick Drake before this project and now I'm a huge fan. One of the wonderful gifts of this multi year effort. No regrets. Bryter Layter feels less intimate than Five Leaves Left or Pink Moon, but it is super pretty. I don't have to pick a favorite so I won't. I love them all.

Great album

If there's one thing I've learned from doing this project, it's that I really love Nick Drake.

One of the best ever, hands off.

Just excellent

ooooh another Nick Drake, what a treat! Dreamy, wistful, thoughtful songs and sounds heavily dipped in 70s sound I loved this little trip, it was so pleasant and 'cozy' I enjoyed every single track. What a loss to only have him for a few years making such beautiful music

I have always thought this was my least favorite Nick Drake album but I was reminded yet again how great this man is. Certainly rooted in the British folk of the time and featuring many of the key players but just outside of that. In the end - it' the voice that sets the tone and the songs that set him apart. Northern Sky is a career high that is full of them in just 4 years of recording.

First time listening to this, more familiar with Pink Moon, interesting to hear him with a full band, very complex musically yet so easy to listen to, Northern Sky stood out most for me, also some nice instrumental interludes.

Mellow accoustic. Beautiful.

Great background noise!

What a great record. I did not emojis pink moon that much but this is so good.

Nick Drake impresses me more and more as I delve further back in his repertoire.

Gorgeous album. Beautiful acoustic guitar arrangements and the vocals are haunting. Captures an amazing mood. 10/10

This was just lovely. It helped that I was in the most calm, serene, open and receptive place I could be. The music came in, languished and was received with understanding. The sad juxtaposition of a troubled existence exhibiting beautiful craftsmanship. Northern Sky is a dreamy classic.

Good

i actually really love this album! i had never heard it before this, and now i'm kind of glad i found it. it's acoustic coffee shop jazz, and reminds me of margo guryan, vashti bunyan, laura nyro and the velvet underground. it's a very casual, listenable album that you could throw on while cooking or drawing or something like that. i really like music like this, and it hit the right spot for me. i definitely see myself listening to this more often :)

All Nick Drake’s out is magnificent and this is no exception. Stunning album.

I love Nick Drake's music. So sad that he died so young.

Wow what a beautiful album. The song writing is incredible. Really amazing, emotional and heartfelt songs. I haven’t heard it before but really enjoyed it. My favourite track is Hazy Jane Part I, but they could all be

What an amazing and epic album... Wanted to read about him and saw that he died aged 26 from an overdose...What a tragic story of talented young man... Some interesting facts: There is no known video footage of the adult Drake; he was only ever captured in still photographs and in home footage from his childhood. During the early hours of 25 November 1974, Drake died at his home from an overdose of amitriptyline, an antidepressant. He had gone to bed early after spending the afternoon visiting a friend. His mother said that around dawn he left his room for the kitchen. His family had heard him do this many times before, and presumed he was eating cereal. He returned to his room a short while later, and took some amitriptyline. Whether his death was an accident or suicide has not been resolved The grave where Drake's ashes are buried with those of his parents. The gravestone is inscribed with the epitaph "Now we rise / And we are everywhere", taken from the lyrics of "From the Morning", the final song on Drake's final album, Pink Moon.

Northern Sky is one of the best songs ever made.

Incredibly beautiful album, it is very introspective and vulnerable. It has a healing quality which only someone who is very introspective can achieve. I hope one day I can write music as beautiful as Nick Drake. Rest in Peace. I will definetly listen to it again. Favorite tracks are At the Chime of a City Clock and Sunday. 5/5

This is the second-best of Nick Drake's albums - the best being Pink Moon. If you've never heard. Nick Drake before, it's jaw droppingly good. Beautiful melodies, completely original guitar style, softly understated vocals all add up to wonderful songs. John Martyn fans will particularly love Nick Drake - they were friends and were on the same record label. Solid Air was written about him. Both turned out to be tragic figures and Nick Drake's story is especially sad. The cover photo on this album is hugely evocative - you can almost feel the pain and his internal struggle.

The opening is regal with the strings and acoustic. A lush, calm, and exquisite entrance. Second track definitely feels like Drake songs I know, sets a quickened pace and we are off. I love the sax in Chimes of a City Clock, a track I've loved a long time. It is a very mature sound far from the reckless abandon of 80's sax. Perfectly understated and not saccharin. I'm sure I am not alone in thinking that 'Fly' is superb. I feel the early notes of 'Poor Boy' are the weakest section of the album, the melody getting lost a bit with over-complex transitions. The angelic background singing pulls it all back together, however, and then this triumph rises to a completely harmonized sonic tunnel that gives way to a just slightly dirtier sax outburst and I'm all in! Northern Sky is excellent and an all time favorite. The album ends on a low note for me as it barely averts drifting into 70's schmaltz.

Gone way too soon, Nick Drake had a well-balanced talent that most singer-songwriters do not. He was a musician who knew how to put words to music, and equally put music to words. Many singer-songwriters tend to lean heavily in either direction relying on musicians to put music to mindless drivel (e.g. Suzanne Vega) or putting less than on par words on to otherwise really great music (e.g. Tom Waits). Nick Drake does so well at both, that the listener wants to hear both giving neither favor over the other, hard-pressed to find fault with the lyricist and musician. Nick Drake was truly special and his talent is sorely missed.

Definitely not feeling this, but if you’re in to that late 60s early 70s sound, go for it…

it was fine.

New to me! Great album

i like this a little bit more than Pink Moon. yeah i know, it's a stupid contrarian opinion. i know that a Nick Drake album with sax solos shouldn't be anyone's favorite (even if i do think they kick ass). i couldn't even really tell you what wins me over about Bryter Layter. maybe i like Nick Drake with a few more overdubs; it makes him sound a bit less like a hermit, and gives him a complex character in my head rather than this omnipresent idea of the recluse. british folk rock instrumentals also win me over, and that sure is Fairport Convention on this thing. maybe i just like hearing him a bit happier, soul chorus or not. i can't see this album as summer or fall, not in the slightest. it feels like false spring; it's a week of wearing shorts outside and a chilly wind blowing while the sun beams upon you. before the snow falls, everything cautiously shines, and the birds visit their trees as guests.

This was definitely a surprisingly great folk record. There’s some dull stuff here, but there are lots of really fun tracks. I don’t love Nick’s voice, but the instrument arrangements are excellent.

Not as good as Pink Moon, but decent.

such a pretty folk album

Nick’s lyrical delivery is mesmerizing in Hazey Jane II. Its abrupt fluidity creates an urgency that I love. At The Chime Of a City Clock is beautiful, especially the beginning - mysterious. Fly is impressive, too. I liked it!

I'm pretty sure if you checked the dictionary definition for the word "pleasant," you'd see a photo of this album.

Enjoyed this one. Something about his music is oddly comforting. Would be good for a fall or rainy day. 4/5 Would listen again

(the website's wrong this was released March 1971 not 1970) Few people were as influential while being commercially this unsuccessful but Nick Drake's lyricism and the way he wrote his songs influenced many people like Robert Smith from The Cure. This particular album (his 2nd) was a continuation of the Chamber Folk style that his debut started with but adds a more Jazz-inspired sound to the very Folky and Singer-Songwriter style. It also features artists like John Cale from the Velvet Underground and a couple of musicians that worked for Fairport Convention, The Beach Boys or Jethro Tull. While it isn't his best, it still has a lot of great moments that make this an incredible listen through and through. A little 'Introduction' introduces the album with a short instrumental Chamber Folk piece that shows the mix between the acoustic guitar with the Baroque Pop inspired strings (or other instruments) to create a warm and pastoral feeling. The first "actual" song, 'Hazey Jane II' which now adds Nick Drake's vocals and lyrics and of course it makes the whole thing better. It is an upbeat and lovely arranged Folk song with a lush and soft sound. It flows really well and the way it builds up to the guitar bridge in the second half is really great with the dynamics. A great song even if I much prefer what Nick did after this album with a nearly all-acoustic Folk. His soothing voice works well with the Jazz inspired rhytmn section/saxophone on 'At the Chime of a City Clock'. The whole song simply works. It is a combination of styles that fit not only this song but Nick Drake's whole musical style at that point so well. The slower and more sentimental approach is what he can do best and of course this song does that in a phenomenal way. 'One of These Things First' comes closest to the style that I love with Nick Drake so much. It focuses on his lyrics with not much arrangements arround it except the guitar. This feels much more stripped down from what most the album features. No strings, no horns, no brass, just guitar, drums, piano and bass. It is a perfect song through and through, I absolutely love it. The delivery is just a perfect mix between warm and soothing and sentimental and poetic. The second, or better first part of 'Hazey Jane'', 'Hazey Jane I' closes the albums first half. It is a more melancholic version of the one at the start with more alienated lyrics and arrangements. Its guitar sticks out much more and the strings move more into the back. I really enjoy the arrangements here more than on 'II' but the song does have some unfitting nuances that slightly harm the enjoyment. I overall think they are pretty equal in how good they are, I personally would prefer this version if I had to choose. On Side 2 we are met with the title track 'Bryter Layter'. It's an easy listen with a relaxed sound to it that gives off a very Lounge sounding feeling. It's also fully instrumental with just some flutes that break the steady arrangements. It's a cute song but I am not too fond of it or its sound. The lyrics return on 'Fly' and while it is pretty good, it doesn't feel really fitting here. It isn't really interesting or has anything to kind of grab onto, not even the lyrics or the performance of them. It all just kind of sits there, waiting to be turned into something great but looses me way to fast. While the Jazz before mainly came from the drums, 'Poor Boy' is a whole Bossa-nova song with some Folk mixed into. It's also the longest song here with over 6 minutes. I really like the style in which it was made. It's so groovy and full of energy but relaxed and laid back at the same time. It fits Nick Drake and the album in a way it shouldn't but ends up still doing. The keys, the backing vocals, the saxophone, it all fits the song and turns it into one of the best songs on the album. Most people say 'Northern Sky' is the albums true highlight and many people say it's one of the best songs in Nick Drakes whole career. I absolutely understand both opinions. It is a beautiful song that accumulates the influences of what the album had to offer thus far and combines it with melancholic lyrics with very tragic sounding arrangements. It is a perfect song without a doubt and maybe the best song here. And I see this as a Top 15 Nick Drake song but not much higher, if you asked me. The album ends with the last of the three instrumentals. 'Sunday' is a more lonely and melancholic sounding one compared to most of the instrumentals. The strings add a finishing touch to the finishing song and it is probably also the best of the instrumentals as well as a great closing track to the album. favourites: One of These Things First, Northern Sky, Poor Boy, Hazey Jane I least favourites: Bryter Layter, Fly Rating: light to decent 8 https://rateyourmusic.com/~Emil_ph for more ratings, reviews and takes

I have loved the song “Northern Sky” for years and I was happy to see I knew that and another song on this album. It was pleasant listening, features an unexpected amount of flute.

4.5. No half stars on here apparently. This is my first day of the 1001 greatest albums. I had never heard of Nick Drake or Bryter Layter before today, but i absolutely loved this album. The soft yet striking vocals and instrumentals really hit me. My favorite track was Hazey Jane I. I’ll be back tomorrow 🫡

Really enjoyed the britfolk and the ensembles. Great album. Will listen again and put songs on playlists

Really good album, better than the other Nick Drake I’ve had. Such a wonderfully peaceful style, enjoyed it a lot. 4/5

Another great example of why I'm digging this 1001 project. I first heard Nick Drake from that Volkswagen commercial and always meant to hear more from him and never got around to checking him out. Now I'm committed to listen to his catalog. I played this a couple times this weekend and each time it was the perfect soundtrack to what I was doing. Easy, spacey, and just so nice. I'm a fan!

Such sparkling instrumentation, and such deep sadness. Another fine effort from Drake.

He was such a unique talent. His songs are of timeless beauty.

Production: 17/20 Songwriting: 17/20 Innovation: 15/20 Bangers: 10/20 Emotional response: 17/20 =76 Awwww just lovely. Quack.

I enjoyed the jazzy/folk arrangements. Flute, saxophone, piano. Very nicely arranged, and very creative. Easy breezy vibe. Unique artistic expression. The fact that he chose two songs, including the title track, as pure instrumentals is a testament to that.

Nice. So laid back. He never sings with any energy; it’s like he’s not sure he has a good voice and so he delivers tentatively. But he does have a decent voice and the songs are pleasant. His guitar playing is good and the backup musicians are good. I’ve never heard Mr. Drake before - but I certainly might listen again.

fine?

1. intro - 1 2. hazey jane - 1 3. at the chime - 1.5 4. one of theze thingz - 2 5. hazey jane 2 - 1.5 6. bryter layter - 1 7. fly - 1 8. poor boy - 1 9. northern zky - 1.5 10. zunday - 2

It is a good album. I enjoyed quite a bit of it. Folks music though is generally not for me

Not my favorite flavor of Nick Drake, but useful from a completist perspective.

Never need a reason to listen to Bryter Layter. So beautiful. Thanks for the reminder, machine! Also, Lord grant me the self-control never to click on the "Reviews" link. I have no interest in reading semi-literate hot takes on why a "country" album like this is boring "cofee" shop music.

Nick Drake's songs are always lovely.

top ten record of ever for me at this point. so many of my favorite moments in music Period come from here... the beaming bright horn opening on hazey jane ii, the strings on the chorus of chime of a city clock which feel like uve raised the window and the whole song has opened up into an expanse of fresh air, every single melody twist on one of these things first...i dont just wanna do a checklist but i do have to reach the piano solo in northern sky, one of my lowkey favorite solos ever played on any instrument, augmenting what already has to be one of the very very best songs ever made. ull notice how many of these are the result of the contested arrangements on this record! i find them expressive, blissful, and a worthy complication of drake's hyper-inward sensibilities. obviously i feel many of my anxieties captured on here, but what they are translated to is what brings them full circle and melts them. this is also the peak for me of nick drake's very Comfy To Me Specifically gender expression,,,not trying to speak on the man himself, but My genderweird self interacting with the aesthetics of his music, there is a comforting apathy to traditionally Masculine and Feminine elements, still stumbled into but in a way that feels distant, muted, autistic, pastel,,,i see my soul in it. it kinda speaks to the appeal of the whole record for me...interfacing with the outside through a safe, protective bubble. there is not any time or any place where i would not listen to this record, its just an irreplaceable part of me now

5.0

Cool album, would listen again for e.g. driving or cleaning up 4/5

Very good.

Nick Drake at his most fleshed out and massive in terms of sound. Knew Northern Sky for years when I was younger before rediscovering his music as an adult. Pink Moon is still my favorite overall, but this album is an easy second.

A new year and what a belter of an album to start a fresh year with. A lovely relaxing album perfect to listen to quietly after all the rush and excesses of the last week. As is usual when I listen to a Nick Drake album the last one I listened to always becomes my favourite so this is it. At least until the last remaining Nick Drake album on my list, Pink Moon, arrives from the 1001 Gods. What a talent he was and so sad he passed so young. But maybe in this case less is more. When listening to any of his three albums I hear something extra every time which is extraordinary given that the songs and arrangements are basically simple in their structure. Perhaps my favourite Nick Drake tune Northern Sky appears on this album. Such a beautiful tune to close your eyes to and transport yourself to that personal place where you keep all your memories and emotions. Gorgeous beyond words.* 5/5 1/1/25 *Language not normally used by me but that’s what this album and Nick Drake in particular does to me.

I am not sure what all to say. This album was pretty perfect from beginning to end. It was super enjoyable and I loved every second of it. The vocals took me a second or two to get adjusted to, but they are so good. The instrumentation was beautiful and this album was peaceful and so enjoyable. The trumpet part in "Hazey Jane II" was GREAT. I am going to dive into more of Nick Drake's music. Liked Songs: The entire album although I didn't LOVE the song "Sunday"

4,5 arrondi au dessus. J'ai été vraiment très agréablement surpris par la douceur de cet album. Et bon, je suis biaisé, en tant que flûtiste, je ne peux qu'apprécier comment l'album se termine.

Great arrangements. Voice reminded me of the zombies or Belle and Sebastian. Really liked this album!

Nick Drake had a brief recording career - only three albums - but has become known as one of the great folk rock songwriters. Bryter Layter is his second album, and may be the most upbeat and of his work. That said, Drake's work, and the songs on this album, express an introspective, melancholy perspective. Bryter Layter includes "One of These Things First," which has soaring piano and technical bass parts to accompany Drake's warm, rich voice. All of the songs on the album have interesting orchestrations, even employing horns and a string section, creating a sound closer to jazz than most folk rock.

Beautiful

I love discovering artists like Nick Drake through this list.

Introduction was beautiful, such a wonderful orchestral number to start the album. Hazey Jane II was a fun beat with Drake’s soft voice being a sweet contrast. At the Chime of a City Clock is a more somber song but the sax hits. One of These Things First is so relatable. Like I, too, want to be an inanimate object. Also this song sounds like it’d be good in a Twilight movie, the vibes are there iykyk. Hazey Jane I is another orchestral banger. But who the heck is Jane? She seems like a love interest but kinda rude to call her slow so many times. Bryter Layer’s another great melodic song with that prominent flute. Fly is wonderful, I love the sound of a cello so that was great. Poor Boy is another more somber song but the piano and percussion gives it a more jazzy feel which is nice. Northern Sky was good. Sunday brings back the flute, some soft guitar, and a mild percussion to end the album with grace. Loved this album, Drake is a true composer - it gets a 5 star rating from me! Fave song: Introduction Least fave song: Northern Sky

Probably my favorite Nick Drake album so far. So fascinating that he didn't get a following until after he died. Hard not to feel a bit of heart break but it does make the work feel especially pure. Like art and expression was the point. This 1001 project has cemented Nick Drake's name in my music life without a doubt.

Another banger from Drake. The uniqueness of his voice and songwriting just shines with his incredible use of instrumentals. I also really appreciated the instrumental-only introduction track as it really shows off, along with the rest of this album, how great of a songwriter and musician he really is. Favorites were Hazey Jane II and Poor Boy

Favorite Track: One Of These Things First

Good album

Nick Drake siempre será una de las figuras más trágicas de la música por una sencilla razón: porque estaba a años luz de sus contemporáneos. Si Bryter Layter hubiera sido lanzado en los '90s, Drake probablemente se hubiera transformado en una de las estrellas más grandes del firmamento alternativo, sin embargo, no vivió lo suficiente para ver como sus canciones se transformaban en verdaderos clásicos. Hágase un favor y escúchelo, este LP es espectacular, ofreciendo una experiencia única que quizá solo "Pink Moon" del mismo Nick podría ofrecer.

1971 England. folk pop, folk rock

Simultaneously infinitely happy and infinitely sad. Great album.