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Fred Neil
Fred Neil
1966
Wikipedia
Reviews
Like a review? Give it a thumb up to help us display relevant reviews!Comme vous le savez probablement, l'existence de ce générateur a pour unique finalité l'organisation de l'émission "Le Grand Quiz du Générateur" présentée conjointement en direct de Kiev par Nikos et Arthur. La préparation des candidats a déjà commencé avec la création de la playlist officielle sur Spotify. Sachez qu'à chacune de mes séries d'entraînement, le nouveau venu Fred Neil a été trouvé à chacune de ses apparitions. Et sans forcer.
Nice voice, but his stylings are studiously lazy. Grating on the ears. Never heard “Fred Neil” by Fred Neil before, but I did know that Harry Nilsson was disappointed that Neil’s “Everybody’s Talkin’” was chosen for Nilsson to sing as the title song of “Midnight Cowboy”, rather than his own composition, “I Guess the Lord Must Be in New York City”. Nilsson’s version of “Everybody’s Talkin’” is much better. Lyrics utterly unpoetic. I remember seeing Fred Neil in the background of some old Bob Dylan footage, never knowing that Dylan actually got started in New York playing backup harmonica for Neil. Interesting reversal. The album “Fred Neil” doesn’t wow me now. I doubt it would have wowed me in 1966. 2/5
I thought this was a very good softer, quieter rock album, primarily with Western and folk themes but with some more exotic sounds towards the end of the album. A 4 star rating might not do this one justice, but I don't think it quite rises to the "absolute classic" level of a 5.
I don't think I ever would have listened to this on my own, and I'm glad I did. There's a little country in there, and also hear Chris Isaak, which makes complete sense. And a couple of tracks that we know because of more famous singers recording them.
Alors que je rencontrais Fred Neil en 1966 peu avant la sortie de son album, voici quelques extraits de nos échanges: ---- Moi: "Eh Fred, comment ça va depuis que tu t'es fait larguer? T'es toujours aussi nul?" Fred Neil: "J'essaye de remonter la pente, et de m'améliorer autant que possible jour après jour" --- Moi: "Eh Fred, j'ai vraiment pas apprécié comment tu m'as parlé l'autre jour, viens un peu tâter de ma salade de coup de poings" Fred: "Je suis désolé je n'avais pas pour intention de te vexer, j'accepte ma punition" ---- Moi: "Eh Fred, t'es vraiment qu'un pauvre type, en plus regarde un peu ce bide, t'as avalé un trombone ou quoi?" Fred: "C'est vrai que je me suis un peu laissé aller recemment, il faut que je me me reprenne en main" ---- Vous l'aurez compris, cet album n'avait aucun caractère.
“Fred Neil is the second album from Fred Neil, a pioneer folk rock musician.” In this one he captures an unwilling child for the photo shoot.
Nick Cave meets Neil Young, with hints of David Gray, Johnny Cash, Eels, and St Paul & the Broken Bones, which (let's face it) is a pretty spectacular review. I didn't expect much from this seemingly little known 1960s folk album, but it turns out to be brilliant. A deep, soulful voice singing mournful querying lyrics with engaging, natural melody over evocative music is great. Does what it does perfectly. A massively unexpected 5/5.
Excellent - Fred Neil's voice in combination with his fine guitar is mesmerising at times and always deeply soulful.
this is the bag i'm in. best album i've never heard of that's come up on this list. Anton newcombe has listened to this album a lot of times.
Oh yeah, I loved this - one of my favorite discoveries from this project so far. Mellow and smooth enough to blend into the background if you're not focusing on it, but rewards attention if you do. Strong opener with "The Dolphins". I'm a sucker for Elizabeth Cotton covers, so loved track 2, and then the quality holds up as the album keeps going, finishing with a psychedelic raga - great stuff! Fave track - "That's the Bag I'm In" for the relatable pessimism...
Something about the way this is recorded makes it sound extra nice. Folky in a good way, not like the mics used were bad or the instruments especially noisy, but that there was real warmth in the space it was being recorded. There is a great spectrum of songs, and a few of them are shining gems: The opener, Faretheewell, and the closing Raga. The other tracks are best when they utilize Neil's low register. There's something that doesn't quite cohere, though that might disappear after further listening.
Pretty into this. Not a lot of Folk folks sounded like this in the 60s, and I can appreciate the psychedelic touches.
Buen álbum la verdad me gusto mucho que su nombre sea el nombre del álbum jajaja esta como para escucharlo con un escoses como los grandes capos de la mafia.
Old, classic folk. Acoustic sound, can hear as a source of influence for later eras of the genre
No mentiré, estaba cansado y trabajano y como que me empezó a dar sueño la mayor parte del disco. El mood no me favoreció esta vez para apreciar bien el disco digamos. De todas maneras, me gustaron mucho Ba-di-da, Sweet Cocaine y esa última pieza en la que folk gringo meets india y cuyo nombre larguísimo no pienso replicar aquí. Mood: Hickory sticks
Трек Everybody's Talkin' встречается в Борате, так что 5 из 5. Хотя... там другая версия, так что лишь 3 из 5. В прочем, подлинный оригинал то как раз тут, так что 4 из 5.
Мне норм. Замечаю за собой, что мне все больше нравится такой вот блюзовый соул, или как это там называется. Ну, в основном из-за вокалиста. The Dolphins, Faretheewell, Sweet Cocaine — вообще балдеж, можно полежать позалипать. Да и в целом, тут даже какое-то какие-то эффекты на гитарах есть, панорама треков очень гармонично построена, что как будто реально окруженным музыкантами себя чувствуешь. Хорошо, хорошо, мне нравится, 8/10
Really cool blues rock/folk record. Neil’s baritone voice reminds me of Johnny Cash. Somewhat staggering that this was released in 1966. It has that timeless quality that makes it sound like it could’ve been recorded yesterday. The Dolphins and Everybody’s Talkin’ are the two standout moments here, but really the whole record is strong overall.
I never heard of this album, or of Neil. This record is fantastic, it straddles multiple genres. His voice reminds me of Glen Campbell, Leonard Cohen or Tom Waits.
Lots of interesting styles going on here. Hard to pin down to just “folk”. Country and blues in there and eastern vibes on the last track. And of course Everybody’s Talkin’ is a great tune.
"They'll probably drop the atom bomb the day my ship comes in" - badass line in "That's The Bag I'm In" I know "Ba-Di-Da" from the excellent Mark Lanegan cover. Really enjoyed this record. A bit Cash-like in some ways. Definitely see the Mark Lanegan connection. Great record.
Soft 4 stars. Great collection of folk rock songs. I had no idea that Fred Neil existed let alone wrote everybody’s talkin’. Reminds me of futurama.
Never heard of him and thought neilson wrote everybody's talkin. Everyday is a school day. Really liked this
Never heard of him before - not consciously anyway - but I think Harry Nilsson made "Everybody's talking" his own. Great song on an album with few standouts.
4, awesome album, but not much happens really. And I mean that must be one of the sexiest albumcovers yet.
First impression: what the hell? Creepy album cover with songs about dolphins and cocaine? Listening to album: Wow, this is surprisingly good.
This is a hard one to guess by the cover, doesn't really scream "trope!" or anything. I'm almost thinking it'll be something unexpected, like religious songs or strings/piano/flamenco guitar instrumentals. I don't think this list goes that far away from rock/pop but who knows. Ok it's... country, but with a hippie twist? It sounds like Johnny Cash or Roy Orbison, but then there's sitar all through it etc. Guess I read wiki now lol. Ok, wiki says it's folk rock, but ehhh, that just feels like a catch term for anything with hippie influence at the time, like an ideological line was drawn so they could say it wasn't country. And apparently he wrote songs for the big O, so there's that connection. tbh I like it. Might listen to this again even. 3/5.
I know he's one of the pioneers of folk, but it just didn't really stand out to me. Nevertheless, it was pleasant to listen to and I liked the blues influence at times.
Another good roadtrip album that needs listening to again. I hope that's his boy, boy.
Folk rock and a little bit of progressives, did not knew I would ever pair those genres together but it kind of worked
No conocía a Fred Neil y ciertamente no me dieron ganas de escuchar más de él con este disco. No suena mal, pero entre que no es mi género y entre que hemos escuchado creo del tipo otros discos que me han parecido mejores, meh. No me esperaba la canción final, eso sí, con su toque de música de la India, muy interesante pero muy estraño. 6.5/10
Fine, albeit boring. Hard to recall anything that left an impression, good or bad. Perhaps that is the worst sin in music, then. The lone exception to this is the final track Cynicrustpetefredjohn Raga, which takes a turn from the folksy stuff to demonstrate some incredible instrumental raga rock. Felt like they took a risk on the closure and it paid off imo. Bumped from a 2 to a 3 for this alone.
Never heard of him, an interesting life story. Listened twice - it's decent, if unmemorable. Background music in a cafe.
Finally one I've never even heard of! I'm not a huge fan of the 1960s American folk scene. This is pretty engaging though. He's got a deep, brooding voice and the musicianship is strong. There's a kind of melancholy mood through the album even when the songs are ostensibly happy. First time I heard the original version of "Everybody's Talkin'" ("everybody's talkin' at me, I don't hear a word they say") - didn't previously know whose song that was, to be honest. Towards the end of the album, you get some psychedelic touches, including an 8-minute raga (or the American folk equivalent to a raga). I can see how this might be a treasured album for some. Its not a style or period that majorly does it for me, although I will keep this and listen again sometime.
Ah the 60’s. Where you could write sweet, innocent songs about your unabashed love for cocaine.
A brilliant songwriter who laid a foundation for Folk and Americana standards, which would go on to receive greater acclaim when performed by others. Musically, and stylistically it is easier to see why that happened.
Kinda good but nothing rly stands out. Found out about this guy through tim buckley (one of my favourite artists)'s cover of the dolphins, so i was excited to see what he had to offer, and while i can see how buckley would have been inspired by fred neil, and imo went on to kinda perfect his formula, this album sorta doesnt stand on it's own for me. I've been listening to this album since it popped up here, and it's currently the 2nd of july, so i think ive given it enough time to make my mind up that it's all fine, certainly not offensive, but often falls just short of being remarkable. Everybody's Talkin' is probably the highlight i'd say
This album is pretty neat to be honest. Its got so many different sounds. Blues, Jazz, Folk, and a dash of country. Some smooth vocals added in. I don't think the lyrics were the best in the world. But it's a solid good time.
Relaxing, kinda cowboy rock if that’s a genre. No individual songs stood out, but I’d put the album on for background music.
Enjoyed this marginally more than I thought I would. I wouldn't buy it though - Not sure it would make my top 1001. A solid 2.7
Never heard of Fred Neil (although I was familiar with Everybody's Talkin'), and I'm not a big "folk" fan, but this is a solid album and I enjoyed listening to it. It's simple, not over-produced (or produced at all, really) - just good song writing and solid execution. That's the Bag I'm In - great lyrics, sweet tune Everything Happens and Sweet Cocaine are also great songs.
Husky voice singing about dolphins. Interesting. Seriously, though. I'm already realizing that this 1001 list has such great records that even if they're from a genre I'm not interested in, they're a real delight to hear. I want to listen to this again. Highlights: All the songs are great, and I appreciate the non-traditional folk instruments (electric guitars, etc.)
Leans more country than folk which I don’t really like. His voice is kind of boring outside of the performances on Green Rocky Road and That’s the bag I’m in. The last song is an interesting departure from the rest of the album at least. Favorite songs: Green Rocky Road, That’s the bag I’m in
Fine for what it is. The last instrumental track tries its hardest to be good or skilled music, without success. It almost tanked the rating.
Folk pop, it seems frankly pretty lightweight. My perspective in the value of this kind of thing has become jaundiced as I watch this bad old world age.
It was decent. Will listen to again but probably need a bit of context with this album.
No fue música mala, simplemente muy olvidable. Creo que lo escuché tres veces y no sé decir gran cosa del disco. Por ahí la rola de "Sweet Cocaine" resalta como curiosidad por el descaro completo de hablar de eso sin tapujos, pero incluso la que se supone que es famosa, "Everybody's Talking" no me parece tan interesante. Ya anecdótico es que leí un poco de Fred Neil y resulta que prácticamente abandonó su carrera musical por dedicarse a salvar delfines.
Just like the Grateful Dead album I had before this, it was easy listening. No standout amazing songs but no songs that I hated. I have nothing else to say about this album except that it got very weird in the last song compared to the rest of the album. Fav song: everybody’s talkin
I find myself wanking about Fred Neil most afternoons. His voice just lights up my world and I can't help myself. I've wanked on a school bus, I've wanked in a library, a courtroom, a bouncy castle, a phone box, on a ferris wheel, in Nando's, in a primary school, in my gran's bathtub, in a tree, during a hurricane, in a desert, on a jet ski and during a jewellery heist.
Enjoyed this one a lot sounds a bit like Dylan and a good album for the time. As the album went on it got a little more annoying.
This old world ain't never change the way it's been And all the ways of war can't change it back again I've been a-searchin' for the album that's folksy And sometimes I sing, "Everybody's talkin' at me"
Spare, melodic, surprisingly contemporary in places. The raga at the end dates it, though.
Wow. Did not know that Dolphins was a cover by Billy Bragg. Great voice. Bit psychedelic at the end.
Never heard of this artist, but recognised the song Everybody's Talkin'. Laid-back folk/country/blues you can play in the background, but it did not exactly make a lasting impression.
This album seems like it should be my style but something isn't really clicking for me. Sweet Cocaine and Cynicrustpetefredjohn Raga are top picks.
Pleasant listen, it didn't really standout much or grab my attention, but it was easy to listen to. Really enjoyed the chord changes and progressions of some of the songs like Ba-Di-Da. Favourite Tracks: Ba-Di-Da, Everything Happens
Pleasant throughout. Bluesy at time, folksy at others. Some sweetness here too. Very nice album. Cute cover art. Last track was actually my favorite, felt psychedelic and full of ominous energy. If I were escaping the country while hiding on a train, this song is what I'd play.
A low end ***. I could listen to that album again, but that last song. Whew, it ambled sideways. Seems like Fred had it tough in love. He was married several times, each ending in divorce after not very long. Then later on he accidentally ran over his girlfriend and killed her. Yikes!
Great voice, he sounds like the Righteous Brothers and he was hugely influential amongst the Greenwich Village cognoscenti - but although the songs are OK and obviously Everybody's talkin' is a fantastic song, but it isn't a great or even particularly good album.
When it started I almost don't like it, but after the first songs, I kind of liked this folk album with a strong voice. I'll probably not be a fan of it, but it was good to know a new folk artist beside the clichês around.
Love the old folk music. He has a nice voice and the songs are pretty good. I will come back to this album some time. Favourite songs: - Sweet cocaine
Definitely an artist to know, but how influential he has been I can’t say. I hear lots of subtly layered playing, two great songs I’m glad to know the provenance of (I’ve always loved Billy Bragg’s version of “Dolphins” and think I prefer Neil’s original “Everybody’s Talking at Me” to the bigger hit), a wonderful jammy raga to close, and distinctive (if heavy, blocky) voice. This feels like a period piece, though, again, a good one to know. 3.2 for 3.
Interesting, not super catchy or exciting, but pretty pleasant and enjoyable. The Dolphins and Everybody's Talking were my favourite tracks
I found the first song, Dolphin, unlistenable but the rest of the album was an a-ok listen and I'm glad I didn't turn it off. I hadn't realized that Everybody's Talkin' was by Fred Neil and not Harry Nilsson
It's nice to be reminded now and again that there were more folk-rock singer-songwriters in the mid 1960s than Bob Dylan and Paul Simon. Fred Neil is one such artist, whom I'd never heard of until now. His self-titled album isn't necessarily the pinnacle of its genre, but it flourishes under a consistently mellow mood, as well as enough twists and turns to keep things interesting. The most famous track here (and possibly the sole reason the album made the 1001 list) is the original "Everybody's Talkin'", later made famous by Harry Nilsson. It's interesting to hear Neil's version, but what's perhaps more interesting is that it's by no means the standout track. It's perfectly good in a way most of the rest are: no more, no less. Neil excels at melancholia. His smooth and rich baritone voice has much more character than, say, James Taylor (whose album I had just after this one). His lyrics are introspective and often wryly dark: "You know they'll probably drop the atom bomb the day my ship comes in" is a wildly doomed line and I'm all for it. The strongest tracks for me have a lovely yearning, stripped-back quality, like "The Dolphins" and "I've Got a Secret" (originally by Elizabeth Cotten, who I'd now like to check out). But the best by atmosphere alone is the beautiful rendition of old standard "Faretheewell", a gorgeous exercise in restraint punctuated by some bouzouki of all things. There are some nice instrumental touches to keep things going: the tremolo effect on the guitar in "The Dolphins". The whistling at the end of "I've Got A Secret". The harmonica which crops up throughout many of the tracks. But it's all topped off by the closer, an 8-minute instrumental raga (titled "Cynicrustpetefredjohn Raga"). It is glaringly out of place and almost derails the whole set. In some ways, I'm not sure Neil was the man to attempt this kind of feat- what was he thinking? Still, credit to him for shaking things up in the home stretch. Overall then, I'm a fan of this album: a hidden gem (to me at least) of mid 60's folk. Not an essential listen, but a good one.
Never knew he was the originator of "Everybody's Talkin'". I'd only heard "Dolphins" before, which was quirky but a good listen. Overall I enjoyed!
Enjoyed this a lot more than I thought I would, very relaxing and melancholy at times, it was nice reading about this guy and seeing the impact he made on the music scene. The last song, the "Raga" was super interesting. "I've Got a Secret" and "That's the Bag I'm In" were my favorites.
Inoffensive, bluesy rock. Didn’t realize “Everybody's Talkin” was written by Fred Neil and not Harry Nilsson.
I can appreciate this because it really feels like it’s trying to do something different sadly none of the tunes stood out to me. Sweet album cover tho
Nice blend of country-esque and folk rock that works well together. At first I didn't understand about "the dolphins" but then I got just past the midway point of the album and "sweet cocaine" came on and I think I get it now. He's got a great voice and it's not overshadowed by the instrumentals. I didn't care to much for the instrumentals as it seems there were just there to provide some backround music to the lyrics. Overall an ok album.
I wanted to like it... i get the not exactly one genre thing going on... rock/folk/country. But the dolphins certainly didn't speak to me, and i'm not sure if anything else is interesting enough to listen to multiple times.
Deed me beetje denken aan Johnny Cash. Heb het geluisterd, maar kon me niet zo bekoren.
Its good and all, blues/folk rock, but it didnt really stand out to me. Im getting tired of using the word "generic" for 90s alternative and 60-70s folk rock, but honestly that music all starts to blend together without anything special.
Wow. Not even sure what to say to this album. It started feeling Johnny Cash and ended up tripping on some good hookah. Very melodic and well composed songs, decent production as well.
Not a fan of this country hippie. His voice is ok but he doesn't express the words in his songs too well, nor do the instruments very well, and you can he tries by his choice of instruments. His songwriting varies from song to song. "The Dolphins" just seems like typical hippie talk. But I like the introspection of "Everybody's Talking" which made an impactful cover by Nilsson.
Bluesy folk rock is not really my jam. However I can appreciate the deep Baritone of Fred Neil's voice. Best: Everyobdy's Talkin' Worst: Cynicrustpetefredjohn Raga
Sorta like Neil Diamond with a better voice and better guitar. Sometimes there's just too much going on however and things sound confused, could have used better production and some more sparse arrangements.
Everybody’s talkin was the single for Midnigjt Cowboy but the rest of the album fell flat
my guy Fred here went and recorded the most boring song about cocaine ever, but I have to admit I was real into whatever acid fueled nightmare the last track was
Fred Neil should be thankful we got Lenny Kravitz so early, otherwise this would be the least interesting album we've listened to so far. The Dolphins straight up sounds like a song they'd have Mr. Van Driessen sing on Beavis & Butt-Head, and the following track wasn't much better. I almost tapped out then and there, but thankfully, things pick up a little bit after that. I'm not exactly sure what this book wants me to hear from this album, though, because outside of being the origin story of a better version of Everybody's Talkin'—your song got *someone else* a Grammy, congrats—this is some real white bread shit. Key Tracks: That's the Bag I'm In, Everybody's Talkin'
I saw the tracklist, saw the word "raga" and got really excited for something psychedelic and Indian-influenced. Unfortunately, that was just the one track. There were a couple others on here that I enjoyed too, but overall a bit of a dud. Favorite tracks: Cynicrustpetefredjohn Raga, Faretheewell, Green Rocky Road. Album art: Very unassuming. I like the framing, but boring black and white picture. Is that Fred Savage? 2.5/5
Wasn’t a fan, I know I listened to the album a few days ago but can’t remember any of it
Kind of Leonard Cohen-esque. But nothing really jumped out to me. Perhaps that's why I've never heard of the guy before.
2.5 | Que disco tan... neutro. Su voz barítona bien afinada suena muy correcta, casi como me la imagino que sonaría mejor cantando country que folk. Las canciones bien, la música agradable, a ratitos medio blueseada , las letras correctas (excepto por Sweet Cocaine... suena a adolescente que te quiere convencer de que hace cosas malas, de verdad que casi me da risa, que le crean los delfines que a esos si se siente que les canta con sinceridad). Mi problema es el tenerlo aquí... es un disco agradable... y punto... de verdad demasiado neutro, no tiene nada realmente malo pero nada que llame la atención. ¿Está aquí por eso de que una de sus canciones salió en Midnight Cowboy? Se me haría una razón muy ridícula pero en realidad a pesar de no tener nada malo que decir de él tampoco veo nada interesante o que le distinga de manera particular. Disco bastante agradable pero que jamás volveré a escuchar ni extrañaré ni recordaré quizá en un mes.
27. Fred Neil - Fred Neil 10 tracks too many. The music in this album is as imaginative as the title. It's bang average old-style droning Crooner meets Country with some really basic guitar strumming & the occasional mouth organ. It's really not good. 2/5.
Folky rock, not really my bag but a pleasant enough listen. Didn't realise this was the original recording of "Everybody's Talkin'"
Kind of boring. I listened to it about half an hour ago and can't really remember it, but hey maybe that's my memory failing me. Nearly 37, so pretty much on my last legs. My top 5 Freds are: Fred (Man Utd) Fred West Fred the Weatherman Fred Flintstone Fred the Red (Man Utd) My top 5 Neils are: Neil Morrissey Neil Armstrong Neil Diamond Neil Morrissey (again) Neil Morrissey (a 3rd time)
Primer cop que l'escolto. Àlbum agradable, que voreja el folk i es fa interessant gràcies en bona part a la veu del cantant. Conté el seu gran èxit "Everybody's talking", que es faria famós anys més tard gràcies a "Midnight Cowboy".
The music is 3* I would say (of course, the famous song is 5*) but -1 for the vocals, which I did not like so much.
Very country and Western Sounding, didn’t really appeal to me as it was quite samey Throughout the album
Pretty strange - uninspired old school ballads, then a song about cocaine, then more boring, then a weird Greek sounding tape-loop driven closing jam track.
Este tipo de música a medio camino del folk y algo country me gusta. Ya conocía «The Dolphins» y por supuesto «Everybody's talkin'». Aunque el disco no brilla mucho más allá de estas dos.
Best Song: Sweet Cocaine. Absolutely did not expect a love letter to cocaine in the back half of this album. That alone is worth the price of admission. Worst Song: Bad-Di-Da. A bit of a forced melody made worse by the ancient mixing which threatens to blow out your speakers with each "di-da". Overall: This album's alternate title is "Old Man Cowboy." I'm not even sure if that's derogatory. Also, a bit strange that the whole album foists this okay-ish voiced Rootin' Tooter to the fore to sing ballad after ballad, but then the album ends with this long and meandering instrumental desert jam. I actually liked that bit better than anything else here.
Tja... It's ok folk music. I wouldn't get annoyed if it played somewhere in the background. But I also wouldn't be intrigued to listen to more of it. His original is at least better than Nillsons version.
Never heard of him (had heard covers of his songs, of course.) Rich, sonorous voice coupled with rather unimaginative arrangements. I’m guessing that there’s something here I’m not seeing - perhaps one had to be there to get it. Anyway, imho a rather undistinguished album…
Couldn’t quite get into it. Not unpleasant, but just not all that memorable of songs. I will say Fred’s voice is awesome though, as he switches between a sort of soft/breathy and then deep and rich. 4/10
Folk, country, blues. I prefer the covers by Nillson and The The of Everybody's Talkin' and Dolphins.
It was okay. Kind of boring. Harry Nilsson's version of Everybody's Talkin' is better, but Fred's is still a decent version.
Very strange album is a very normal type way. This guy's voice does not belong with this music, and vice versa. Everything sounds all out of place, nothing belongs. He sounds like he should be crooning old classics with Sinatra, yet here is with all the Indian influenced music. I didnt enjoy the discomfort.
Pretty dull. Fred's voice reminds me a tad of Waylon Jennings sans southern accent and charisma. The best song on here was performed much better by Harry Nilsson. There's really not much to praise. I'd give it 2 stars but then that last song went on forever and pissed me off. I hate those kinds of songs.