This album was an interesting listen. As someone from Illinois, born and raised, and still living here, it was interesting to see the take on a slice of Illinois history. This album, overall, was different for me. It was outside my wheelhouse, but I don't think it was for the better or the worse. I like the different elements of his music here. Some were more indie/folk, other numbers featured instrumentation such as brass and matched the eras of past events, which I appreciated. Overall, it was a fun trip. I liked the variety for not knowing what to really expect (I've heard of Sufjan Stevens, but hadn't explored his work).
Pink Floyd is truly one of those bands that people really love or really hate, I've discovered lately. Personally, I enjoyed this album. This was the first album I ever listened to from Pink Floyd growing up (they were much earlier than me in existence). I enjoy their experimentation and their prog elements. I like that they weren't doing the same thing as contemporary acts, and Money was the first song on bass I learned, so this one is personal. That said, I'm trying to give this a listen as if I wasn't familiar with it. I'm not Pink Floyd's biggest fan nor their biggest hater. I enjoyed this sonic journey back in time.
I never really gave the Beastie Boys much attention. I heard a song growing up, didn't like it, and moved on. Now, I'm in my mid-30s and gave this a listen. And I must say, it's really built my respect for the band. Their use of early sampling, groovy bass lines, and a mix of genre-bending elements made this a pretty fun trip. This may not be their most well-known record, but considering early hip-hop, this is a milestone venture. This was fun. I didn't think I'd enjoy this as much as I did.
This was a nice journey.
The Ramones are a band that gets a lot of flak for being repetitive. I get it. I heard this album twice through because it was so short. Yes, each song could literally bleed into the next song, and the cuts were roughly under 3 minutes apiece. While the original group has been gone for a bit, let's be real. We wouldn't have modern rock or pop punk if we didn't have the Ramones doing a lot with very little. They weren't super technical, but damn, they paved a path like no other. This was their debut, and this is groundbreaking. It's not everyone's cup of tea, but you have to acknowledge the past to appreciate the future.
This is quintessential CCR right here. This is their sophomore effort, but it clearly builds off of their debut album, "Creedence Clearwater Revival". Bayou Country might be only seven tracks, but boy, does it pack a punch. Born on the Bayou and Proud Mary both went on to propel the band and their unique sound forward. Not surprisingly, their cut of Good Golly Miss Molly is stellar as well. Other tracks, such as Bootleg and Graveyard Train, give listeners a deeper dive into their southern rock, folk, and blues-oriented grooves, and what would be the epitome of the band as we know them today. This album is a major part of how you recognize CCR when you hear them on the radio.
This album is legitimately a groundbreaking experience as it helped launch Beyoncé's career. This one has most of Destiny's Child's biggest hits. Survivor is an anthem, Independent Women was on every pop, hip-hop, and R&B radio station and in every club, Bootylicious was a rump shaker, popular of the new millennium, even though it was Edge of Seventeen. You even have the more ballad-esque pieces like Emotion. So, for a record from the turn of the 2000s, this really had everything you look for. Pop grooves, slow sexy jams, anthemic tunes, and club material. Maybe my opinion is unpopular, but really, to me, this checks the boxes.
So, on this one in general, I am getting mixed feelings. I like psychedelic rock, I like blues rock, I like the intent here. I appreciate Clapton's guitar and vocal chops, especially considering the contemporaries of the time. However, I don't like Clapton personally. That's not a part of this, though. Someone else stated exactly how I felt about this record. It is a cut of 11 songs at 33 minutes, which is relatively short. However, this one feels a lot longer. I don't know if every song just sounds the same, and I get lost where one ends, and another begins, or if it's like "Hey, it's Sunshine Of Your Love," and the rest is just kind of there.
So maybe I'm not admittedly as open-minded as I thought. This is a bit out there for me, and I've learned it's not my vibe. Yes, there's elements of a French Pink Floyd, NIN, and what I thought sounded like Megadeth (Pas Mal). I appreciate the opportunity to listen to something outside of my comfort zone. This is for some people. Sadly, I'm not one of them.
This was actually quite a groove to start out my work week. I haven't ever given War the listen, outside of Low Rider. This record was nice to get a little bit of many things. It had the disco feel, the funk, the groove of the 70s, some really good instrumentation, and was overall a smooth listen. Maybe this isn't their most popular work, but I wouldn't write it off either. It's got soul, funk, blues, jazz, and R&B in it. Just what the doctor ordered on a rainy Monday back to work.
For what it was, it was okay. And in general, I like punk. To listen to a full album in 15 minutes was wild, but expected. I liked the energy, but I just didn't vibe with this album as much as other albums. Maybe that's just me, but it felt like 15 minutes of being yelled at, rather than getting something out of it.
I didn't know about Richard Hawley, so bonus points to discovery with this one. I really liked this album. It was jazzy, more easy listening, singer-songwriter vibes than I listen to regularly. But this made for a peaceful listen. I liked the tone of his voice and I think this record is some of his best material. The Ocean stood out, of course, but I really like the old-school feel of the music despite the fact that this album is only 20 years old. It feels much older than that, but that adds the nostalgia of the doo-wop, 60s pop era. I'm happy with this album.
This is an EASY 5 stars for me. I LOVE Maiden. Two of my top 3 favorite songs from them are from this album, being Hallowed Be Thy Name and Run to the Hills. Number of the Beast was the song that actually introduced me to Iron Maiden after I played it on Guitar Hero back in the day. My parents raised me on old country, so this was something out there. Very influential Maiden album, and definitely worth the listen!
This is a pretty big record for The Police. Yielding some of their bigger hits, namely Every Breath You Take (which has been sampled, used, and recreated in various works), as well as Wrapped Around Your Finger. I know these are the biggest hits off the album, but I think the album is really a good balance. Not to mention that this album was their most successful release, the collection of songs really brings together these instrumentally and personally different people in Sting, Stewart and Andy. This was a great selection randomly thrown my way.
This might be someone's cup of tea. This gives me 2000s shopping mall vibes. It sounds like the generic music you would hear at a JC Penney, Sears (RIP), Macy's, or what have you. Maybe a Hollister & Co. Anyway, I couldn't get onboard with it. It was nostalgic maybe for like the first two or three tracks, then I completely lost track of it. It was good background music during work, but I could not tell you any single distinct feature about the album, music, or artistry. This album gives me a generic mall clothing store Hotel California vibe. You can check out any time you like, but can never leave. Also, while the cologne-esque album art gives me the old vibes of my teenage years, I'd return this product, because it stinks. If this is YOUR vibe reading this, I'm happy for you. For me, this ain't it. If you know remember the "Boots and Pants and Boots and Pants" club vibe, that's the entire album.
I remember when iTunes released "The Mother We Share" as a free single on a free singles Friday, where they'd release a handful of free songs by various artists. Sometimes they'd be great, sometimes there wasn't much to listen to. I remember this one because it was one of the ones I didn't like. I was also 13 years younger than I am now. Nowadays, I'll give anything a chance, including a former dislike. Now, I find the album decent. I'd say a couple of the songs might be added to my Spotify list of random gems from albums I listen to for this. It was very alternative/indie, which I dig more now than I did back then. In general, I'd recommend this one. I don't think this one will be in the top of my collection nor the bottom.
The Kinks are an interesting bunch. First, it should be noted that already at this album's release, The Kinks were already at 6 album releases. They were truly music generating machines. This album sits pretty well with me. It's that classic rock 60's early 70's sound. It had a good mix of flavors. This pick for the day was also nice because I hadn't really given The Kinks much deeper of a dive than their commercially successful hits. It was fun to take a trip back in time with the band. Victoria was a rocking track.
This album slaps! It also has Highway Star, my favorite Deep Purple song on it. I would call this quintessential classic rock. This was just the groove I needed. Highway Star, Smoke on the Water, Space Truckin', there's no way this can't be a 5 from me. Just phenomenal, legendary record.
This was Jack White's debut solo album. Having heard some of his work in the White Stripes and other ventures such as the Raconteurs, I had some idea of what this would probably be like. I'm a guitar player, and I respect Jack White for his writing and playing abilities. I know there are going to be reviews that call this noise, others that say it sounds distraught or disoriented, and still those that say they couldn't make it through a song. To each their own. Personally, I enjoyed this album. I enjoyed going back to hearing Jack White's solo work. I think that this album was sonically diverse and "out there", but I expected no less from Jack White. I like some of his other solo work more, but we wouldn't have that if we didn't have this to launch his solo career. I think it was fun to listen to.
Disclaimer: I'm not a big rap/hip-hop person. That said, I'm not going to be like some boomer who gives this 1 star because I hate it. I listened to this with an open mind as it is actually out of my comfort zone. I actually enjoyed this quite a bit. It just rolled and flowed. It wasn't clubby, it wasn't clunky, it wasn't autotuned, it wasn't ultraprocessed, any of that. It was raw and real. I may not be a fan of most rap/hip-hop music, but I was a fan of this. I think it earned its accolades as solo material from GZA. Having the album supported by members of Wu Tang Clan made this into a more wholesome affair. I think it was the push out of my comfort zone that I needed to start this week.
Another one that if I didn't get assigned it, I wouldn't have ventured to find it. The things I liked about this one were the same things I didn't like about it. I liked the chill vibe, very soft rock and yacht rock feeling. I enjoy the sound and feel of this sort of music as a stark contrast to my modern hard rock mix that I listen to. From one of the Beach Boys, this record didn't really surprise me as something super standout-ish. When I say I liked the same things I disliked about this, that was the case. I could tell you a couple of the standout songs, but otherwise, while I was working, this really seemed to go in one ear and out the other. It was a decent listen overall. I'd probably listen to it again. Probably not a third time anytime soon.
I don't recall this one from 2012. It could be because it didn't catch my attention, or it could be because it blended in with the rest of the music of the time. This was okay. I listened to it a couple times, mainly to see if I had any changed feelings about it. I don't really feel much about this one. I don't love it, so it's not 5 stars. I don't absolutely hate it, so it's not 1 star. I enjoyed it, but it didn't leave me feeling any particular way. It was alright.
This was really cool given the time. 90s alternative was a great genre because of albums like this. Obviously this gave Beck a couple of his bigger hits, but where some reviewers heard "noise" and "disconnect" in the music, I heard experimentation and opportunity. I enjoyed this album.
It was repetitive techno, but I actually kind of enjoyed it. Reminds me of Abby's lab on NCIS. I wouldn't want to overdo it, but I actually found this to be pleasant background music.
Their Marvin Gaye cover was neat. I admire the attempt, and the music has a certain chime to it. However, I wasn't a huge fan. It was groovy, but not one that I'd put on my top list. It was late 70s pop rock. I suppose we wouldn't have modern music if we didn't have stuff like this.
I'd listened to the Pretenders before now and then, but this was my first deep dive into a whole album. I really like this record. It's got some groove to it, it's got some of that rock grit, and of course that commercial success of songs such as Brass in Pocket. This was a great selection. From here, the Pretenders went on to achieve success, and it all started with this album.
This one kind of put me to sleep. Sometimes I listen to instrumental music to help me sleep, but this was doing this to me at work. Yay? I appreciate instrumental music. I respect that this was an effort from the 70s for some electronica style music. It was alright. I didn't love it and didn't hate it. It was fine.
When I saw 28 tracks, I was concerned. When I saw that they were about 2 minutes a piece, that made more sense. I hadn't heard of this band before, and I can see why. I have to say I personally liked this album. It was alternative/indie of the 90s. I enjoyed the variety of vibes from this one. As We Go Up, We Go Down gave me 70s feels, while Watch Me Jumpstart gave me more punk energy. Game of Pricks, the most streamed track, was energetic and gives me Oasis vibes, in a good way. Dumbchanger felt like melancholic David Bowie. I just feel like while the songs were short, there was enough difference in them to not feel like there is no break and they run together. I'm giving it a 4/5.
This is some of the fine work of the late great Aretha Franklin. Respect is one of if not her biggest song of her career commercially, but this record is great. Soul, funk, disco, pop elements. Truly, this was a joy to listen to.
I love me some 80s music. I like the inclusion of horns in music. This album was the first album I heard years ago that introduced me to Duran Duran. This was a fun record to listen to. Hungry Like The Wolf was the first song I heard by the band. Listening to this album again was fun and enjoyable. It definitely brings the 80s vibes. Great pick to start the week!
This was my first listen to anything by Nick Cave & The Bad Seeds. Honestly, I hadn't heard of them, except for a buddy of mine who mentioned going to see them in Chicago. I can see where some of the reviews are coming from with "boring". There aren't a lot of dynamic shifts in terms of feel on the album. And it admittedly won't be for everybody. As a new listener, I was hooked at the energy of the first track, "Get Ready For Love". That track gave me The Doors vibes, which is not a bad thing. Other tracks in the double album gave me vibes of other musicians I enjoy. Abattoir Blues gave me Hozier vibes, or maybe Jack White vibes. Overall, another reviewer said that Nick Cave feels familiar, like you've heard his music, but haven't. This was a time commitment, being a double album. Personally, I liked it and thought there was enough distinction between tracks like There She Goes, My Beautiful World, and Let the Bells Ring and Breathless, etc.
A great live concert by a true legend of the blues. I enjoy listening to these live albums from before my time as it's the closest I currently have to a time machine. This predates me by 30 years. I love the blues. Muddy Waters and the band sounded phenonemal, and this record really made me wish I was there. Great choice!
This was okay. It was pretty static to me, but again it's my perspective. It made good background music during my work day.
Absolutely groovy. Funk, rock, soul, this record had it all. This was a lot of fun.
This was a record that set off hip-hop and rap. Looking at this from a non-rap perspective, I respect this. N.W.A. was a supergroup, the same way you have people form a usually one-off project of all-stars. This was actually my first listen through. FTP is sadly still relevant almost 40 years later. Overall, I liked this album.
I enjoyed this Steely Dan album. It was the perfect Monday vibe. I like Rikki Don't Lose That Number, but what I liked is that this record had a little bit of everything. I have also found through this 1001 albums adventure that I like Steely Dan more than I thought I did or I used to.
Yeah buddy. This was a great listen. Soulful, bluesy, jazzy, and fulfilling. Ray Charles was a beast. This was a fun trip through his music.
I liked this. Not as out there as some of Beck's other work. Solid 4 from me.
It was alright. It was pretty mellow music, which for the 60s it fit the crooner sort of vibe, older Western country sound. It was just fine.
I freaking LOVE U2. They have continued to evolve as a band and their sound is legendary. This album was another stepping stone in their evolution, and I'm here for it. It gave off the hits "Sunday Bloody Sunday" and "New Year's Day", the latter of which I think is one of their best songs, but that's one man's opinion.
Instant classic. This is one of the greatest metal albums in history.
I'd give this a 3 of 5 stars. I wasn't blown away, and it is pretty standard sounding Britpop. I can't say I love it, but there are other albums I've gotten that were worse. Maybe I'm more generous than other reviewers on this.
This was psychadelic. First with the band name Primal Scream, I was waiting for deathcore to scream at me. This is better than that. I would say overall this gave me some varying vibes, from Wham to the Stones to Smashing Pumpkins. I kinda dug it.
