The Bones Of What You Believe

This made me feel so real, so big, and so alive. It made me want to run barefoot across a dewy field with all my energy until I get tired. It made me want to conquer the sky. It made me want to aggressively put positive energy in myself while commuting.

I was honestly shocked to see CHVRCHΞS (people always remember the "vee" but not the "equivalent to") on here but they definitely belong. This is not my favorite album of theirs but maybe since it was their debut album it makes sense for this list. This is not normally the kind of music that appeals to me, but this album is fantastic. Maybe it's the 80s feel, or the clever (without being eye-roll-y) lyrics, or the lead singer's sheer charisma. Whatever it is, it's a great listen. 4.5 stars.

Vsvally, synth-pop albvms don't do mvch for me becavse of the pavcity of uariety. The bvbblgvm chorvses are not vnlike the vnceasing hvm in the backgrovnd of Christopher Nolan's Dvnkirk, except that I'm qvite svre he was actvally trying to make his avdience vncomfortable. Howeuer, this albvm was a departvre from the rvle. Best track: Recouer

Perfectly serviceable, perfectly dull synth pop with a retro edge to it. Perhaps I'm getting a little too long in tooth and jaw, but the wide-eyed sweetness of the vocals and the video game crispness of the music fail to charm. Where's the human, beating heart to this whole endeavour?

The pretentious spelling of the band's name immediately pisses me off. See runtime is over an hour, crack my knuckles. Two points knocked off and the music hasn't even begun. The music isn't terrible, and at its best sounds a little like Robyn, just without the magic. Synths are usually urgent, the songs have velocity and the album is dynamic both within the tracks and their sequencing. Were this half its length, I could call this consistent, but as it is over an hour it is samey. My ear lobes were curling up with boredom by the halfway mark. 2.

4.1 + If someone were to stop me randomly on the street and ask, "What's an album that Pitchfork would've called 'Best New Music' in the 2010's?", this might be the first record that comes to mind. Such a perfect encapsulation of a certain "Pitchfork-core" sound of that era - breezy electro-pop with plenty of 1980's synth throwbacks. Standouts: "Under the Tide", "Recover."

This is a top 1001 album?

I added this album to my collection a few years ago based on the song Science/Visions that played at the end of a podcast episode I had listened to. The rest of the album does not disappoint. Chvrches takes synth-pop to epic stadium levels and I love the lead singer and the construction of the songs. Great!

Quite a painful listen after artists like Michael Jackson and Fleetwood Mac. The chord progressions were simplistic, there was no harmony, just bland synths and lyrics. This nearly fell into a 1 but I did like the Scottish accents coming through, and one of the songs was Ok (can’t remember which one). Overall this made me really question the list. This just feels like such an arbitrary choice, probably added shortly after it came out. I’d say at least 10 years should pass before an album can be considered for the list, looking back on this album now you can see it for what it is, soulless synth pop, or as the Scots say “a load a’ shite”.

i remember these being all the rage when they were out but i never got involved. It sounds like some sort of Taylor Swift prototype, a precursor of the misery to come.

This is an album I knew a lot of songs from already, thanks to the copious airtime this received when it came out. I think at the time I got a bit bored of just how much it was played, but it's been nearly 10 years now so I can appreciate this again, as well as acquire a palate that really enjoys indie electronica. With all that being said, I loved this album. Sitting down and hearing this properly, I thought it was excellent. The lyricism was wonderful and Mayberry has such an energy and charisma to her vocals. Overall it's absolutely dripping with 80s Synth-Pop flair, but it still manages to stay varied enough to not grow stale by the end of the 67-minute long record. Really tempted to get this on vinyl... I took early 2010s pop and electronica for granted - this is so much better than any of the endless TikTok crap that Radio 1 plays these days... Favourite: Recover

Somewhere in my shoegazey, guitar-driven hard-rock heart I have a big soft spot for indie electronica, and I’m pretty sure it’s this album that started me down that path. When this LP dropped in 2014, it was the first melody-driven, well-executed electronic music I’d heard that didn’t revolve around massive drops or progressive builds. Mayberry’s featherlight yet strong vocals on top of some great synth choices and big, booming rhythms is a great play of light against heavy, light against dark. The use of space is exceptional - not a single track goes by without feeling huge and anthemic due to the airtight production and heavy use of reverb, but the group still manages to make tracks feel small and intimate (‘Gun’ is a great example of this). To this day the album feels fresh, alive, and new thanks to the strong songwriting and use of texture that makes every line, beat, and word resonate hugely in a wall of vibrant sound. It’s unfortunate that the band hasn’t been able to innovate their sound with much success in the following decade, but with an opening statement this strong, unique, and fully-formed, I have no problem if the group continues to stay in their lane and make excellent indietronica.

This shit spiked in popularity about 10-15 years ago in "big indie" circles. Very beige, very predictable, catchy without huge hooks. Would suit one of those triple j festivals where bands from 500 different genres (not metal) tell the crowd they have a "great vibe" - groovin' the moo, byron bluesfest, falls, etc. Would ruin my acid trip for sure. I was gonna give it a 3/5 because it isn't *that* bad, just not my thing. But oh Christ, this shit only has one setting and it SUCKS. Every song sounds identical, none of it remotely interesting. Still 3 songs to go and time has slowed to a crawl. Update: it got no better. After writing this, I googled "chvrches falls festival" just to see, and they're playing it this year. First result. ha ha, fucking picked it. Fuck off and die, hipster shit. 2/5.

Synth pop in general and CHVRCHES in particular are fine, but nothing here grabbed me. I don’t regret listening but I also don’t see me putting this album on any time soon. I wonder if their popularity says more about when it came out than anything else

Feels like I could either patronizingly skewer this or praise it. The childlike/simple vocals (a great review has it being a mix between Lorde and KidzBop) have this almost childlike quality which isn't necessarily devoid of emotion but approaches it. Yet that vocal clarity kind of cuts through the synths perfectly. And wow...the synths...: everywhere and everything. Almost right away the sequencers seem a bit much. On every track. I guess that's the entire point of the album/band. But.... still the melody is pretty damn infectious on every track. Maybe it's not necessarily a dichotomy that the sound is so lightweight AND each song carries a strong melody. My biggest *want* would be that I keep thinking that on at least some of these songs changing up the instrumentation to add some organic elements like guitars - both electric and acoustic - could really have pushed this to another level. Still - what they do, they do pretty damn well here. Not sure I can listen to the entire album as a whole again but I can't dismiss it either. 7/10 3 stars.

Album is way too long, vocals are childish baby talk, otherwise it’s ok. Indie techno, not super annoying but also not motivating. Middle of the road is the place I’ve landed with Chvrches.

The Chvrches magic remains just as potent as ever, something evading attempts to summarize. I didn't expect weeping this time but did, for the time, for the intervening decade, for being picked up in each and every song by some element. I cases, the saving moment arrives late, and the enduring consistency is even confusing. Irreplicable; irreplaceable.

Now this is the type of synth pop that absolutely tickles me. This had me jamming the whole time. I'll definitely be diving into their discography!

I've been listening to Chvrches on shuffle for so long that I forgot which songs were on which albums. I've always liked them ever since I first heard them, and seeing them live was amazing. It's also really cool that they have an album on this list now. This album came out in 2013 and it cannot be overstated how fucking abysmal mainstream pop/rock was at this time. Every single song sounded the same with a buildup to a drop and a chorus that was just a bunch of mmms and ohs. Calvin harris type bullshit was taking over. Chvrches does buildups and drops on here but they are so natural and produced so well. Everything has a deep sound to it. The vocals are unique too in the sense that there are regular male and female singing vocals but also a ton of mouth sounds mixed into the song itself, it's pretty insane how much of each song is just singing digitized and harmonized. It's cool and gives them their iconic sound. Science/visions is their best song and it slaps hard as hell. Very unique sound and structure to it. Their 2nd album is just as good. Score: 90 Art: 80

Big Tegan and Sara energy

I first heard this band 10+ years ago on a rock/new rock fam radio station I didn’t like them, I gave the whole album a chance. Lyrics are way too soft for my taste and I like pop music. Very electronic Had a hard time getting to the end

Absolutely fucking terrible album.

Good album I enjoy the chvrches style of music. I'd heard the song The Mother We Share before and already loved it so I enjoyed hearing the rest of the songs from the same album.

Lauren Mayberry has such a cute posh Scottish accent. This album is definitely a modern classic in both Scottish music and synth pop.

Album #42 If you like synth-pop, you should love this album. If you don't like synth-pop....what's wrong with you?!? CHVRCHES have been on my radar for about 10 years and I just hadn't gotten around to listening to anything other than an occasional single. After listening to this album, I'm planning on going through their discography. This was the kind of music that I felt all throughout myself and I didn't want it to end. 5*

I actually loved this album - it just makes you feel alive and it's so full of energy. Great, unique, pseudo-futuristic sound. 9/10.

An excellent album. It came out when so many bands were doing the retro-synth thing, and for most it was just an affectation. On this album CHVRCHES built songs that would stand out regardless of the instrumentation.

This must have been influential on Jack Antonoff’s synth heavy production style making it therefore influential on Taylor Swift, Lorde, and others. The actual album was fine though no track truly stood out to me.

It wasn’t so long ago that the term “indie” was reserved for music that was an alternative to mainstream/popular music, not the literal embodiment of it. This is basically a Debbie Gibson record, except you’re too young to know who Debbie Gibson is.

Wispy and soft and totally edgeless - and a little electro.

The first couple of songs would be great for a teen Disney movie. Couldn't make it through all of them.

I know the band from a distance, may have listened to this a decade ago. It's enjoyable and listenable, but I am not thinking this is a 1001 worthy overall - it breaks no new ground, the vocals are above average, two lead singers, the hooks are there but no classic or cornerstone track on the album. Oddly, the first track has 183M listens on Spotify but I've never heard it on the radio, XM or at a party. There's a Taylor Swift vibe to "Gun" and "Lungs" for sure. "Recover" is a good song but it's textbook pop but it sounds like a weak B-side from Metric. "You Caught The Light" is self-indulgent nonsense. You get 16 songs so there's value if you're a fan. Designed for Millennials maybe? Nothing really intriguing or catchy. Again, this one isn't worthy of being I need to hear before I die.

Within 15 seconds I knew just how dreadful the next 48 minutes would be

I'm a huge fan of electronic music, but this is really just crap. What list should this be on? List of pathetic failures? The spelling of the "band name" says it all. Why can't I give negative stars?

Someone teach the kids how to use compression, yikes.

Not sure if I don't like Indie Music or just am grated by this woman's voice.

I feel it's unfair for me to rate this. It's absolutely not the type of music I like listening to. I really hated having to listen to this.

This album has always been loved by me. I went on a very long car journey with a friend and we set the challenge of an album from the 80s, 90s, 00s and 10s where one was from England, Wales, Northern Ireland and Scotland. I chose my 10s album as Scotland and went for this absolute gem. Absolutely beautiful album and synth-pop at its finest.

9/10. Very sweet vocals. The instrumentation is great. This is some extremely enjoyable synthpop right here! :)

Love the contrast between the upbeat songs with sweet vocals and the e very dark lyrics.

4.6/5 Pixelated Feelings This album walks a perfect tightrope-Danceable despair. Pop apocalypse. Digital vulnerability. It’s like if Robyn, Blade Runner, and a breakup letter formed a band.This album is a glitter grenade. It explodes inside your ribcage, and instead of pain, you get a light show. Mood: “I’m crying on the dance floor but make it neon.” Voice is like: “Here is my soul… now run it through a distortion pedal and throw it off a building.”

This record was the soundtrack of the twenty-teens. I remember hearing "The Mother We Share" for the first time. I was driving in my car and I immediately cranked it. I first heard Phantogram around the same time, as well. I feel like 2010-2019 was a ripe period for great pop music, especially more underground and synthy varieties.

I'm passingly familiar with CHVRCHES, but I'm not sure I've actually heard any of these tracks before. It's great synth-pop music, and I was happy to see that at least a bit had made the list. Favorite track: "Tether"

Synth pop dance eletronica noise that feels like it should be from the late 80s early 90s but it's actually 2013. It's not really my thing usually but this slapped, it just had a really infectious energy about it that kept me engaged, and even when he sings it's detracts a bit but not enough to annoy me.

love it!

I loved this album! And I had never heard of them before. But I will definitely be listening more in the future

“Gun” immediately bumps this to a 10/10.

Lauren has such a beautiful voice which is only enhanced by the near absence of guitar backing. What a great piece of music for a self produced album.

Assai bello.

Miglior album synthwave dei 2010 don’t @ me

This album is my view of perfect synth pop and I really like the female singer's voice. The album gets better and better as it goes. Love it. Rating: 5

This was brilliant, 80s synth-pop melodies with more modern beats and samples. They were just generally interesting and inventive songs though, would have been good on guitars. Knew the name but hadn't heard anything before (except that marshmallow song as it turns out), will be going through their catalogue now.

DEFEND SYNTH POP

Peak alternative music era, life was so full of hope. I was worried about opening on a banger/their biggest song but it just kept slapping. Should have listened to this full album before. Just good vibes. 5* Highlights: the mother we share, tether, recover

An easy 5 stars for me. I've always benn captivated by CHVRCHES and love Lauren's voice and the power-pop-synth backing her up. This is an album I've already spent a lot of time with, must be time to branch out. Faves: The Mother We Share, We Sink, Gun, Recover

This was awesome. I had never heard of Chvches before, but I couldn't stop listening to this album after hearing the first track. So amazingly perfectly composed, performed, and recorded. So, so fucking good. Like candy for my ears, I listened to it twice and will probably be listening to it even more. Five stars, easily.

One of my faves

This wasn’t really my kind of thing back in 2013, but this sound is *so* 2013 that it’s got me nostalgic in a good way. This plus other kind of random-seeming selections like Hot Chip I think help me make sense of some of the more baffling patterns on the overall list (why so much drab new wave) (why so much crappy drum & bass techno). The common element really seems to be that these were all big deals in the British club music scene of each era. Like that’s treated on the list as it’s own entire ecosystem in the same scale as rock & hip hop. Which is insane, but at least it’s a throughline.

This went hard back when it released, I'm pretty sure i wore myself out on the singles before it even came out though, especially Gun and Recover. Still incredibly fun synthpop though, not a weak track to be found.

OVERALL: I like this a lot. This album cover is also really good. I am very biased towards this genre because my music taste has been corrupted by Geometry Dash, so I tried to be more critical when rating (still ended up giving high scores). I don't really dislike any song here, and can rate most of the songs here between 7-10/10. The only thing I disliked was the intro to Lungs, but that's about it. I guess it can be boring sometimes and the girl's voice can be annoying? Anyways, I really like synths, which is something that this album does very well. I also like the girl's vocals on the songs. It can be a little basic, but it gets the job done and sounds really good. This is something that I really like but is probably not that good objectively. But it's here, so maybe I'm wrong. There is an extended version for the 10-year anniversary, but I'm not reviewing that right now. Also, the scores added up are exactly 100. Not intentional, just something cool ig. SONG AVG: 8.3/10 PERSONAL RATING: 9/10 The Mother We Share: Very surprised that something like this was included, especially after getting basically only rock and soul. I guess it's a little basic, and also kinda sounds like a Kidz Bop or 2012 copyright free background music, but I like the synths, and I think it sounds pretty good. 8.75/10 We Sink: The synths are very good and pretty catchy. I like the vocals here, but she sounds awkward when she says fuck, and there is a weird noise that sounds like someone saying "uh" pitched extremely down (same criticisms for the last song, didn't want to make the review too long). I like this a lot, but there are some weird crackling noises that bring this down. 8/10 Gun: Great but simple synths, and the vocals sound fantastic, but it does a fade out outro and the lyrics aren't the greatest. Still sounds amazing. 9/10 Tether: Everything sounds great, but it's overall very simple. The synths during the drop are absolutely incredible. Obviously it sucks lyrically, but that doesn't matter in this genre. Pretty good vocal performance. 9.25/10 Lies: It doesn't do anything special, but it still sounds great. The synths aren't doing anything that interesting, but it still sounds good. The vocal performance isn't that impressive this time. The drop sounds great. 7.75/10 Under the Tide: Pretty nice synths, and a very classic buildup style for this genre. Sounds pretty generic, but there are some pretty nice synths sometimes. Fairly weak vocal performance, still not bad. 7/10 Recover: As much as I like synths, this is pretty basic. Same with the vocal performance, just a little bit above average. It still sounds good, but it also just sounds very boring/generic. 5.75/10 Night Sky: Really good. Still suffers from being simple, but this just sounds really great. It does some weird stuff at the end, but I think I like it. Very catchy, just great overall. 9.8/10 Science/Visions: I have nothing bad to say about this other than that it is maybe a bit basic. Very good overall, a bit chaotic, and sounds incredible. 10/10 Lungs: Why does that intro have to come right after Science/Visions. There is a weird noise that serves as the main percussion, but it isn't that bad. It sounds pretty good when it wants to, which is when the girl is singing. Pretty fun. 6.75/10 By The Throat: The chorus sounds like that one Imogen Heap song that I forgot the name of, and I really like that Imogen Heap song. This is overall really good, there isn't really anything I don't like about it other than the fact that it's slightly basic and the lyrics are just okay. 8.75/10 You Caught the Light: Very slow. When it gets interesting, it sounds really good, but it does the thing where it sounds like the guitar peaked the microphone. I still like it, as it sounds very good and I think the guy's singing is his best on this album. 9.2/10

Didn't expect to say this, but that was a damn good album.

I heard this album at a pivotal time in my life, so it’ll always be special to me. Nostalgia aside, it is such an amazing album.

A killer album no “Bones” about it

eu amoooo esse album e essa banda

Has it really been 11 years already? Seems like yesterday that CHVRCHES took the world by storm with this fully focused debut. The trio of "Recover", "Night Sky" and "Science/Visions" is something special.

Synth-pop of the 2010’s peaked with “Night Sky”. CHVRCHES entered the scene hard with this sublime debut album!

I really enjoyed this. Basically reminds me of a synth-pop version of Belle & Sebastian (which I also loved). Mostly because it has male/female duo vocalists and they're from Glasgow. But yes, solid from front to back, a nice rare find on this list.

Was lucky enough to be at their first ever gig at The Art School in Glasgow. You could tell right away that they had something special. All the singles leading up to the album being released were brilliant and I was concerned that it would be a record with three good tracks and the rest filler, but the whole album is great. Under The Tide and Science and Visions were both good enough to be singles, and Lies is just one of the best tracks released in the 2010s.

# Album Name: The bones of what you believe # Artist: CHVRCHES # Rating: 5/5 # Comments: I really enjoyed this album. Its best form is in its original 12 tracks album format coming in at 48 mins. Every song is quality. It has a real synth vibe with super catchy tunes. It is a very poppy album but i think it gets that tag from its catchy tracks. I can easily listen to every song on this album. Theres some real quality tunes on this album which is a testament to its strength. Despite it being one of the "newer" albums on the list, i think it smashes some of the 80's stuff on here. # Top Tunes: Could easily listen to every track. # Would I listen to it again? Yes

Hay que hacerse el oído pero bien escuchados sueenan muy bien

I will admit that nostalgia is affecting my opinion on this album a little. But this brings me back to a great time in my life and I loved listening to this album again after not hearing it for a couple years. I am sitting on Dylan's futon, high as a kite, vibing all over again.

After listening to this from the generator I have fell in love with this album as well as Every Open Eye. It is really good!

this album made me happy, full of energy and positivity, loved it

I mvst admit… I’m a fan Screen Violence was one of my favourite listens from 2021. I should admit that I didn’t listen to a second CHVRCHES album until today. However: *rocks in a rickety chair* back in my day iTunes used to give away free songs to promote new artists. Through that I got tastes of artists like Phosphorescent, Bahamas, Bastille, and CHVRCHES, the last of which gave away the song “Recover”. Long story short, I was rocking to “Recover” years before I bothered to learn any other of their songs Maybe due to that early exposure, I find this a joy to listen to. As indebted to yesterday's Cocteau Twins as the summery pop in She's Not Unusual by Cyndi Lauper, CHVRCHES’s debut holds up 11 years later. No notes HL: “Recover”, “The Mother We Share”, “Tether”, “Science/Visions”, “Lungs”, "Night Skies"

Truly the best of 2010s indie pop. It’s energetic and dynamic without losing its depth.

Ah, Chvrches! I had no idea this album was included in one of the more recent editions of the book until I saw it listed on the List Challenges page. I've had a healthy obsession with Chvrches since I first heard the sweet synth notes of "Recover" on an Austin radio station back in 2013. I bought a copy of this album on preorder, and I own a copy of the 10th anniversary edition as well. I've gotten to see Chvrches live twice, and I've gotten to meet the band on both of those occasions (they're wonderful people). I've easily listened to this album more than any other album, and once I'm done with this list, I imagine that this will be what I list as my favorite album. Like I said, it's a healthy obsession. Now that the details are out of the way, let's jump into the music! Those opening 'oh-oh-oh's' of "The Mother We Share" are absolute perfection. You know right away what this album is going to be, and the rest of the album makes good on delivering on that promise of beautiful synth arrangements and perfect drum machines. I went on a solo trip to Germany in October of 2013, and I would listen to this album every day while I was there. Listening to this song reminds me of the crisp autumn air on my face as I walked to the train station every morning. "We Sink" is a perfect follow up to the opening track. The synths are a little bit deeper in tone, but they pulse at a pace that keeps the momentum going. "Gun" slows things down a bit and allows Lauren Mayberry to be in the driver's seat for the emotional tone. I love that amongst all the brightness of the synthesizers, songs like "Gun" can still pack a punch. I love how "Tether" starts off as one of the more stripped-down songs on the album, but the crescendo it builds to is perfect. Knowing that the blistering synthesizers are coming makes the song even better on repeat listens. "Lies" is probably one of my least favorite songs on the album, but I still love it. To me, it's a great bridge between the first four songs on the album and "Under the Tide." "Under the Tide" is the most underrated song on the album in my opinion. One of two songs on the album where Lauren Mayberry doesn't sing lead vocals, Martin Doherty gets to take over, and he crushes it. Another song that builds to an epic crescendo, "Under the Tide" is the perfect lead-in to "Recover," one of the strongest tracks on the album. I don't know what it is about "Recover" that I love so much. Yes, it was my first exposure to Chvrches and their brand of synth pop perfection, but it still holds its magic for me, over eleven years after I first heard it. I think it's something in the pacing of the song that draws me in. The song never really builds to a peak, but somehow, the anticipation of some sort of peak is there, waiting to be uncovered. I think "Recover" always makes me want to listen to more Chvrches, and that's what I love about it. "Night Sky" and "Science/Visions" are a shift away from the brighter tones of "Recover," but nothing about that shift feels unnatural or forced. "Lungs" shifts back to the brighter sound, and features some of my favorite drum machine parts on the album. The rhythm of the drums matches the pacing of the vocals perfectly, and that pacing is perfect for the lyrics of this song too. "By the Throat" and "You Caught the Light" are great closing tracks, letting the album flex its emotional muscles, instead of hitting with more blissful synth sounds. To me, it's perfectly fitting that the album closes with these two tracks, because while this album has so many great synth pop sounds, the emotion and the lyrics are great too. I love this album so much, and I'm so glad I got to write about it today. If you somehow made it to the end of this review, and you like Chvrches, I highly recommend their second album, Every Open Eye, and their most recent album, Screen Violence. Listening to Chvrches always makes my day better, and I'm so glad that this wonderful trio has shared their talents with the world.

Virkelig fed faktisk, havde ikke lige forventet det. God dance, føler jeg er i neon-verden ligesom pigerne i Karamelldansen, men en smule mindre lalleglad. Take me back to the naugthies baby

own

This is a fantastic album! I’m glad to have the excuse to listen to it again, because I’ve only heard it about three times. The synths are beautiful, sounding much better than most of the synth… music from the 2010s. Favourite song: ‘Tether’. (The instrumental is FANTASTIC).

Mgmt adjacent. Maybe m83. Really good stuff.

This album was really it. I felt like I was in Tron. La Roux/Grimes/The 1975/The xx hybrid in the best way possible. I am now a CHVRCHES fan! Gonna be replaying this one a lot.

This album is amazing! Science/Visions blew my mind! Don’t know why I haven’t listened to CHVRCHES before. I knew a couple of songs that were on FIFA but that was all. They’re a bit like The 1975, a bit like La Roux, but more sophisticated than both. The singer has a great voice and I love the synths. Such a beautiful colourful soundscape, made me feel all tingly.

That's a good one. Modern music finally!

Okay, this is getting 5. Is it a 10/5? No, but I just love it so much and have so much nostalgia for it. I played this to death when it came out, and am happy to say it still holds up as some fantastic synth pop. Not a single skip for me. Lauren Mayberry has such a lovely, unique voice. A great album for shaking it out with some cathartic dancing as well, which I definitely did!

This is what I was hoping to find with this experiment. Music I would never actively seek out, and surprisingly fun. I didn't love the songs with the male lead vocals. I thought the last song fell flat. 4.5 stars, but going to 5 since that's not an option!

-this is such an awesome album -bops after bops -great synth pop music -it feels so psychedelic for some reason -I love the female vocals -the album cover reminds me of Kraftwerk, "Radio-Activity" -so danceable -favorite songs: The Mother We Share, We Sink, Gun, Tether, Under The Tide, Recover (<3), Night Sky, Science/Visions (<3), Lungs, You Caught The Light -least favorite song: By The Throat

Great debut album. A fresh sound with a delightful voice from Lauren Mayberry. The song writing is good and the melodies are catchy. Really enjoyed this disc. The Mother We Share and Science/Visions are the standout tracks. Worth another listen.

10/10 When I first heard Chvrches I had frisson from beginning to end. I can't explain the sense of future nostalgia I feel get when listening. They have better albums than this, and that is saying a whole bunch. 7-3-2024

I've been listening to this one since it came out. Probably still my favorite of their records. Lauren Mayberry is great on this. I'm not a big fan of the two songs where she's not the lead singer.

Thoroughly enjoyed this album - good variety, great beats!

I loved this when it came out and it's still a banger. I listened to this album on repeat.

I have a hard time explaining why CHVRCHΞS is one of my favorite bands. Synth pop isn’t typically my thing. High twee vocals aren’t typically my thing. And yet, I love their sound. Love their style. Love Lauren Mayberry’s vocals. Somehow it just all fits together perfectly. I think while their music is very synth-driven, labeling them synth pop just doesn’t quite capture their sound. Iain Cook and Martin Doherty crafted a sound for CHVRCHΞS that is like everything else and yet like nothing else. And this makes sense, as the artists the group cites as their heroes and influences cover a broad and fascinating range. Over the years, CHVRCHΞS has solidified themselves as one of the bands that I will immediately seek out new music from, go to see them live any time they come through town, and extol their brilliance to anyone who will listen. They’ve been pretty successful since “Bones of What You Believe,” but they are one of those bands that I remain mystified that they aren’t even bigger than they are. I shouldn’t be surprised though. Only rap and pop acts are ubiquitous and culturally pervasive. And Mayberry is a writer and singer not afraid to speak truth to music industry power. Mayberry and CHVRCHΞS are never going to be a band that does whatever the label execs and marketing people tell them to do to make money. They have fought sexism and misogyny in the way the band is represented in the media, pushed by record executives, and in their response to the anonymous online harassment that pervades internet culture. They portray themselves as a band despite encouragement to put Mayberry not just in front but alone to appeal more to the male gaze. On their debut, they wanted to write and produce their own stuff, not deceptively front for a faceless producer like so many pop acts. And while they have loosened up a bit on some of those points through their career, Mayberry’s lyrics still question the cost of stardom and bite back at those who have suggested that she soften her accent or put more emphasis on her looks.

Chvrches is a weird one for me. I shouldn't like it. I mostly don't go for synth pop. I mostly don't like singers who sing in such a high register. And yet Chvrches is one of my favorites and my go to music to help pull me out of a funk. I have spent so much time trying to find similar bands and I can't quite find anything that is similar despite the ubiquitous synth pop sound. Lauren Mayberry's lyrics are constantly challenging her relationships, the way she views the world, and the way the world views her. Chvrches is a complete package and even though it makes no sense, I am drawn to it like a moth to the flame.

I heard The Mother We Share on a Pandora station I had and was instantly hooked. I bought the album, slid the CD in my car’s player, and it didn’t leave for the better part of 2 years. I’m most in love with the electronic elements, especially the synths. Iain and Martin are geniuses IMHO. They layer synth lines with guitar effects and vocal loops into a modern symphony. Even more so, the particular passages of the album that are the most satisfying use emptiness, sparsity, the negative space, to build to volcanic eruptions of joy. For instance, the first 2:40 of Tether feel laid back, dripping with anticipation until the fist pumping synth line punches through. Or the end of the 1st chorus of Under The Tide that builds only to go straight into the second verse while the 2nd chorus builds and builds into a jump inducing resolution. The juxtaposition, the unresolved 1st chorus, makes the 2nd that much more emphatic. The live show Chvrches puts on is great. My favorite song live from this album is Science/Visions. It’s got the pedal to the metal from the jump. I must say if they would vary the set list show by show, I might go on tour with them permanently. Lauren’s brilliance shines through lyrically as well. On Lies she evicerates a former romantic interest to a pop soundtrack. She asserts her power after putting up with his shit for too long. I finally figured you out…don’t fuck with me. And on Lungs, which is a track I appreciate more and more as time goes on, the pacing and phrasing of her delivery about another deceptive relationship is something special. To Iain, Lauren, and Martin, my deepest gratitude for sharing your gifts. This is my favorite album of all time. 🙌 ❤️ 🙇🏻

While this isn't my favorite CHVRCHES album, I am ecstatic they are on the list. Killer band.

Synth Pop at its greatest... Love it, need to listen to more...

First 5 stars!! And the easiest one to give. Big fan of CHVRCHES and whilst I’d say this is probably my lower ranked of their albums, it’s still an amazing record. So many good songs on it - Lungs is one of my faves ever. I think people either love them or hate them, or are possibly indifferent to them. For me, it’s love. They’re also one of the best live bands I’ve ever seen - if you’ve seen them at the Barras in Glasgow, you’ll know.

Wow. I kinda always knew I'd love CHVRCHES but I REALLY loved this. And a debut album too? Just an awesome sound. Synthy but not so synthy it was annoying. Great vocals, too!

This is an essential part of my college soundtrack! Jammed to this so many times walking between classes. This just hits that synth-pop itch for me, so it's an easy 5/5.

Aight I need to apologize to Mason for all the crap I gave him about electronic music back in middle/high school. I thoroughly enjoyed this here album. I loved the lyrics, they did a good job of telling stories. I felt that the sounds were different on each song so the whole album didn't sound monotone. I also very much liked that they had different vocalists (granted it was only for two songs but still that's more than most bands). Very nice album.