Fever To Tell

Maps is really the only thing this album has going for it and it's a good song, not a great one. The rest is mostly the worst aspects of indie meets a really toothless brand of punk rock I suppose you could call it. Karen O has a pretty good voice. The other guys are...present. It's a shame the band didn't write more than one decent song for her to sing.

This album is very EA Sports mid-2000s game menu core. Every track on this album sounds like it could be playing in MLB 2004 or Madden 05. Overall the album is a little too raw for my tastes except for Maps which is a classic.

The first word that comes to mind when describing this album is "fun." It's all kinds of post-punk, neo-grunge, alt-rock, fem-fronted fun. It's pretty much right up my alley. That said, it does get docked a star because some of the songs have amazingly dumb lyrics while others have amazingly brilliant lyrics. But, overall, it's a super great record.

Looking at the album cover, I'm gonna establish a baseline of 2/5 and go from there lol. aaaand it's noisy indie alternative stuff. At least the music matches the manic album art... I guess? Lots of processed vocal theatrics, and everything is buried in the mix underneath the singing and drums. It's like they heard the White Stripes and decided they could do the same, but ignored the good songwriting and instead dialled the oddest, most manic bits up to 11. So the end result is all the annoying loud tendencies of indie rock and nothing else. It has a really bratty lyrical cynicism to it that just seems fucking childish, too. "ha ha here's an angry lyric but it's done with a cutesy girly squeal!" uuugh spare me the beautiful disaster/harley quinn routine, loser. The 2/5 stays.

A shot of raging hormones.

Wicked vocals from a talented female singer, high energy sound, loved it. Want to listen again.

The worst type of indie music, all drums and attitude but with very little soul.

Great early 00's rock album. Rich is a really good punk song. Early album is filled with some good punk music, but they kind of run together a bit. Maps and Y Control are stand outs for sure

Lead singers voice felt too try-hard and put me off a lot of the songs. Sounded like a continous soundtrack to Scott Pilgrim. Best track: Y Control

Only liked one song, Maps, and it was the one that doesn’t sound like any of their other songs…

This is an album that seems to be magically created. Everything works, and the three of them just have an out of world chemistry. An absolute superb and instant classic from the golden age of indie.

Riding on the early wave of New York indie bands with their contemparies the Strokes, Interpol and the Walkmen, the YYYs and this album provide a positive nostalgia kick. The album opens with a bolt of energy, dips slightly in the middle before hitting hard with two indie disco classics (Maps & Y Control).

Whoever said this group was “Led Zeppelin with estrogen” (e.g. John Pareles, Nick Kent) was way off. Karen O has nowhere near the range or blues sensitivity of Robert Plant. Nick Zinner can’t touch Jimmy Page. Brian Chase isn’t in the same universe as John Bonham. Having no bass player (Yeah Yeah Yeahs would be a lot better if they had one) there’s no way to compare John Paul Jones. And as a group, they’re too mechanical. YYYs completely lack LZ’s dynamic vitality. So let’s just quietly set aside the Led Zeppelin comparison, intending no offense to politically correct critics desperate to promote a “female rocker” (which is almost an oxymoron, anyway). On its own merits, the album is interesting enough, worth a listen, even if just for the sake of gender diversity. But I myself have heard (indeed played) better ‘garage rock’ and ‘garage punk’ in actual garages. I give it a ‘two’.

Just like every other millennial back then, I told her to wait, that they didn't love her like I loved her... She left anyway, but the shared experience of a generation did not. this record is another one for the ages, an excellent timestamp which, with its 36 minutes long, hits swift and straight to the heart. there isn't anything bad I could say about such an excellent musical experience and yes, I believe Maps is the definitive millennial song. yes above whichever one you can mention.

Exciting album. Exciting times! Part of the Post Strokes/Hives breaking the indie wall and making music fun again. Big Beat and electronica no longer felt new, Nu Metal was getting old and indie was all Radiohead/Jeff Buckley sound alikes. A frantic call from a friend in New York, sent me to see one off show by them in 2001 at the Annadale Hotel. It was a blistering performance and I was amazed by all the sounds coming out of Nick Zimmer's guitar. Karen O was a front woman extraordinare and had a whole room of people who knew maybe one song if that eating up the worthy hype. So this album captures that night perfectly. The production really captures that energy and style and makes this a perfect debut. Date With Night and Maps couldn't be two more different songs and that extreme is one of the things that still has me loving this album nearly 20 years on

Yeah yeah yeahs, I know Karen O, and two fellas Amazing wall of noise.

IM SO HAPPY THAT THIS IS HERE THERE ARE TEARS IN MY EYES RN HUHUHUHU i am sort of validated that i have good taste in music hahhahaha

How many YYY albums are on this list anyway? This one is a burner but ends flat. Karen O's vocals are sexy and scary.

I feel like I want to like Yeah Yeah Yeahs more than I actually do like them when I listen.

That's interesting to know this album and nowadays it's absolutely obvious their influence on modern rock songs. However, listening to it today, I can't see so many qualities in these songs. They are nice to listen to, but nothing more.

Another one I've had for years but barely recognize, with good reason. "Maps" apart, very meh. An odd period, a lot of derivative noise being showered with plaudits, this included. [edit: ooh there's a pointless hidden track too! JFC]

Fever To Tell by Yeah Yeah Yeahs is a relentless and exhilarating album that bursts with energy and raw emotion. Released in 2003, it instantly solidified the band's place in the indie rock scene. Karen O's dynamic and charismatic vocals shine, accompanied by the explosive guitar work and propulsive rhythms of Nick Zinner and Brian Chase. From the infectious hooks of "Maps" to the ferocious intensity of "Date with the Night," every track is a standout. The album's production perfectly captures the band's live energy. Fever To Tell is a masterpiece that encapsulates the Yeah Yeah Yeahs' electrifying and innovative sound.

'Rich' is a great starting song, really showcasing the great vocals that are to come. Strong, angsty, fun, I feel like I have to stress that this album shines in large part because of its vocals. Not enough girl rock on here, and this shows why we need more. The songs just wouldn't pop if it was another punk rock guy singing. 'Maps' was fantastic. Actually, the entire second side was great, which is always shocking. Just a fantastic album.

Messy and yet often wonderfully melodic, this album paved the way for a lot of new popular "indie" stuff in the 2000s, for better or for worse. This record, produced by TV On The Radio"s Dave Sitek, is indeed one of the few in that period that can still hold its own today. The New York scene of that day and age is often remembered for The Strokes and Interpol, but surely, early Yeah Yeah Yeahs were the third "trendy" band in the city that had something truly special at the time. Instant hits such as "Y Control", " Maps", "Date With The Night" and "Pins" prove it. Too bad Yeah Yeah Yeahs quickly lost their rough edges after this great debut, when they elected for a cleaner sound that doesn't suit them that well. Not that this ulterior development takes anything away from *Fever To Tell*, mind you. 4,5/5, rounded up to 5. Number of albums left to review: 599 Number of albums from the list I find relevant enough to be mandatory listens: 191 (including this one) Albums from the list I *might* include in mine later on: 90 Albums from the list I will certainly *not* include in mine (many others are more essential to me): 120

At the time I thought Fever to Tell was an astonishingly good debut both in terms of the music but also the style of the band. I enjoyed the following 2 albums, but then hadn't thought of them since. Revisiting their debut many years later and it hasn't lost any of its urgency and cool. Love it.

This album was part of the garage rock revival movement in the late 90s and early 2000s. The Yeah Yeah Yeahs combine fuzzy rock elements with art punk to form an exciting driving music that features the extraordinary vocals of Karen O. A lot of the elements here can be heard in later indie rock music yet it still sounds fresh to me despite being over 20 years old.

A friend of mine years ago made me a mix tape, and on it was the song “Maps” by the Yeah Yeah Yeahs. I loved that song, but never further investigated the group behind it. I’m glad to have the opportunity to rectify that now. FEVER TO TELL is a gritty, passionate carnival of song lead by an incredible snarling, cooing, moaning, screaming vocal performance by Karen O supported mostly by grinding guitars and pounding drums. The opening number “Rich” was exhilarating to me as the album opened, then “Date With The Night” amps things up a few notches with some incredible vocals shouting ‘CHOKE CHOKE CHOKE CHOKE.’ Then in a 1-2-3 punch Karen O takes it up another notch in “Man.” WOW what a song. She punctuates the song with this sort of falsetto that is incredible. “Tick” follows and seems to just rocket the album forward. The energy is incredible as she ‘tick tick tick tick ticks’ and ‘loo-oo-oo-oo-ooses’ her way through the song. The ‘tick tick ticks’ at the end are incredible. Karen O is constantly surprising to me - witness “Black Tongue’s” ‘uh-huh-uh-huh-uh-huh-ooooh!’ The lyrics are a lot of fun too, ‘boy you’re just a stupid bitch and girl, you just a no good dick.’ More fun ensues in “Pin” with the crazy ‘bam, bam, bam, bam, bam, bam, bam, dunno, dunno, dunno, dunno’ lyrics. “Cold Light” has such a great opening. A slower song still with all the energy. “No No No” has a great slow-fast thing going on. By the time I get to “Maps” it was so exciting to hear those opening drums again. Funny in the context of the album it is one of the quieter songs thus far. It almost feels like Karen O is holding back on this one. “Y Control” continues along that energy level, then we get “Modern Romance,” a softer almost intimate song, followed by “Poor Song,” a really quiet, almost dirge-like ending to the album that brings the whole thing to a quiet, sudden stop. This was a lot of fun to listen to. I also love looking at the album cover. Absolutely loved it!

This was definitely one of the defining albums of the early 2000s garage rock and post-punk revival movement. I remember hearing it for the first time when it came out, and I loved how stripped-down, raw, and gritty it felt, especially with that lo-fi production. The distortion-heavy guitars are abrasive in the best way, bringing out the raw energy that drives the entire album.

Fever to Tell I bought this album on the strength of Maps, which is absolutely great and still stands up. I’m sure I listened to it quite a bit at that time, but apart from Maps and Date with the Night I can’t really remember much about it. It definitely feels of its time, that early 2000s indie garage rock vibe with added New York grubbiness and sleaziness, but it still sounds good I think, the minimal and unadorned production and instrumentation held together with the rough edged guitar and thumping drums and Karen O’s slightly wired and anxious charisma. Love the little guitar figure on Rich, and Date With the Night’s stomping garage punk is great too. I like Man’s scuzzy almost funk rhythm, nicely accented by the organ. It starts to get a little samey after that, the groove based garage punk being the template, but each song is so brief, direct and to the point you just move on to the next one without much worry, until the utterly great Maps comes into view. It really is a superb bit of surprisingly tender garage pop, sounding of its time but also timeless. Great guitars, a lovely spare yet rich arrangement and a super vocal. Y Control is thematically somewhat similar to Maps, and although it's not quite at the same level as that, it’s still a great track and great melody. Modern Romance again has some similarity with Maps, but with a bit more vulnerability and another great relationship song. It does seem a bit odd they put the three strongest and most similar songs together at the end, it's kind of an odd sequencing choice. There’s a lot of good guitar on here, almost Coxon-esque in places, and it’s jaggedy roughness suits them and the singing, shouting, moaning, wailing vocals. Kind of tough to rate as it's a mix of fun but relatively slight garage punk interspersed with some genuinely great songs like Rich, Date with the Night, Man, Y Control and Modern Romance and one absolute classic in Maps. I think it just about shades into a 4 on the back of those songs and the overall sense of energy and style. 🗺️🗺️🗺️🗺️ Playlist submission: Maps

The Yeah Yeah Yeahs are another band swallowed by my blithe decision in my early twenties that I was too old for new music, as I’d heard it all before. Why YYY when I have The Jon Spencer Blues Explosion, Sonic Youth, The Cramps*, MC5, The Pretenders, The Breeders, who do they think they are? They are their own creature and I’m pleased to have moved past the hors de combat mode of spotting antecedents with my arms crossed. The early rockers are marked by distinctive post-punk shrill guitar stabs and some clever lines shrieked and drawled; the better songs are in the second half, which might be their preferred mode, the strident tracks the gateway. Maps is a keeper, Modern Romance too - sleigh bells! *I’ve never listened to The Cramps. I just think I know what they sound like from bands I like.

Hell yeah yeah yeah. So many bangers.

Earnestness is underrated - especially by hipsters. The first half of the album all hinges on how sexy the listener finds Karen O's voice, with the constant moaning and jumps into the whistle register. Does absolutely nothing for me - all a bit twee. Dancey drumming, punky vocals, crunchy fuzz, and the odd synth embellishment poking its head out - all the trademarks of early 00s indie rock are here. Maybe as a 30-something Brit I'm just overexposed to this sound; everything that felt fresh back then has been rehashed constantly for the last 20 years. Makes me appreciate Royal Blood less than I already did. Maps is the turning point. It just builds, and builds, and builds. Intimate, close-recorded vocals sounding like they could break at any second but they never quite do. A wide palate of guitar lines and tones that are deployed with pinpoint decision. They gave up trying to be cool and gave us a modern anthem in the process. The following songs continue on the theme - like the reflections of someone on one long slow come-down as their relationship crumbles.

mwa mwa mwa mwa mwaaa mwaaa mwaaa mwaaa mwa mwa mwa mwa mwa mwa mwa mwa mwa mwa mwa mwa mwaaa mwaaa mwaaa mwaaa mwa mwa mwa mwa mwa mwa mwa mwa mwa mwa mwa mwa mwaaa mwaaa mwaaa mwaaa mwa mwa mwa mwa mwa mwa mwa mwa thank you And now for our next song hehehoo hoo he hoo he he hoo hoo hoo he he he hoohoohoo hehe he he hoohoo hoo he hoo hehehoo hoo he hoo he he hoo hoo hoo he he he hoohoohoo hehe he he hoohoo hoo he hehehoo hoo he hoo he he hoo hoo hoo he he he hoohoohoo hehe he he hoohoo hoo he hoo Maps really is the diamond in the rough here. But I still kinda liked it.

Some good songs, some meh songs. Kinda disappointed with this one.

Not really. Too falsely rebellious

I mean, it rocks, and it's tuneful. But it feels rather Pitchfork-y, and maybe not something that will resonate in 20 years. I might listen to again to see if I'm wrong.

I like punk. I dislike indie and sexualised riot grrl vocals.

On the first song and already hating it. Why is this even on this list? It got slightly better later on but not much. All I hear is some girl trying to be all cutesy and pretending she's tough. But this is nothing more than some poppy bullshit passed as something more because it's noisy, I guess. Not really punk either, and it's gonna tank my average for a genre I like, which kinda makes me hate it more.

Listen to this on the way to a B&E

No No No. These screechy gimmicky-radio-frequency vocals get old by the 2nd song. And it's not a single, which means there were 10 more to get through. (jumping back in after I wrote an angry review to say that "Maps" is actually pretty decent, if still *sounding* lousy overall - if only the rest of the album were like this I could have dealt. Got rid of the tired effects on the vocals, she actually sings, decent mood-building. Ok I now return to my previous diatribe...) I may have recalled occasionally interesting or potentially interesting music but a lot of it sounded too lo-fi / shitty production ala White Stripes (hate) but ahhhhhh ALL I CAN REALLY REMEMBER IS TICK TICK T T T T T TICK TICK TICK shut it 2/10 1 star.

If I’ve ever taken for granted the good fortune of being born in 1959 and growing up listening to the music recorded in the sweet, still innocent 60s, the hard rockin’ 70s, the post punk/new wave 80s, and the grunge of the 90s… then 'Fever To Tell' is my catalyst for repentance. When I read that Yeah, Yeah, Yeahs represented a garage band rock revival, my heart skipped a beat. And then I actually listened to this LP myself, and my heart broke. Count Five, The Electric Prunes, ? and the Mysterians this ain’t! Not by a long shot. Where to begin? Three-piece combos can present a challenge (Yeah Yeah Yeah’s are devoid of a bassist- a rock band without a bass!!!), unless you’re Jimi Hendrix and the Experience, or Cream, or ZZ Top, or Grand Funk Railroad, or the James Gang, or Rush, or ELP, or the Police, or… OK, so maybe three-piece bands aren’t necessarily as challenged as I first thought. Yeah, Yeah, Yeahs sure are, though. Musically and lyrically tedious. ‘No No No’ was the only song that featured a mildly interesting change in tempo and melody (although the listener will be hard pressed to actually hear a melody in the first place). Furthermore, I missed it’s significance, other than offering a welcome relief from the general sonic monotony. (Not that I don’t enjoy a good hour’s worth of Nadja in all it’s cacophonic sameness; but again, this ain’t Nadja anymore than the Kingsmen.) Mercifully, 'Fever To Tell' only clocks in at a brief 37 minutes. I’ve endured a lot worse for a lot longer. And before I forget, Yeah, Yeah, Yeahs, can you please explain your use of sleigh bells to conclude this LP? I don’t know which was worse: Karen O’s nasally, whiney (think female Jack White; although, yet again, I love Jack White) vocals, or the repetitive themed lyrics, attributed to the entire band: I met a dude, I fucked a dude, I think I really like this dude, I’m losing/lost this dude. And here’s a kicker: on two songs (‘Black Tongue’ and ‘Cold Light’), this ‘dude’ happens to be the singer’s sibling! ‘Cold light, hot night, be my heater, be my lover, and we could do it to each other, well, like a sister and a brother. Go go go go go! ... Ride, Daddy, ride.’ This out-creeps my grandmother on mom’s side of the family addressing my grandfather, affectionately, with the name, ‘Daddy.’ In this increasingly hypersensitive culture of 2022, I’m going to go out on a limb here and pronounce incest as wrong, wrongy wrong. (By the way, let’s go ahead and add Jerry Lee Lewis to the list of who this band is not.) I hope singer Karen O’s current relationship fares better than the others about which she sings. ‘Y Control’: ‘I wish I could buy back the woman you stole.’ That’s awfully sad. And my heart genuinely goes out to her. Don’t tell her what I’m about to tell you, ‘cause I don’t want to kick someone when they’re already down; but, I wish I could buy back the 37 minutes I spent listening to this dreadful LP.

Favorite song- Maps

Wow! "Fever To Tell" is truly a trip. It's clever and angry at the same time, and the words runs out of Karen O's mouth with the ease of someone who needs to get something off their chest. And speaking of Karen O: Brilliant! Her voice, the way she sings, the way she plays with her voice, what is unique on her. Yeah Yeah Yeahs' debut is simply mindblowing.

Yeah this felt like propper gurlpunk. It slapped hard and I'm surprised I've never heard of it before

Haven't listened to this one in a while. Short and sweet, gets in, rocks your head off, and goes. 4 stars for the album, 5 stars for Maps.

A tried and true favorite. Brings back all the college memories. Bought this on CD at WalMart on a whim.

One of my all time favorite indie rock groups. The way they can shift between sub-genres of rock is great. Maps is the all time classic on this album, and a song I played way too many times in Rock Band. I love Karen O’s voice so much, and was just ecstatic to see this made the list!

This album is like if the White Stripes were cool, actually. Very much cut from the same cloth. Lots of dirty blues rock that makes your colon rumble, but that isn’t everything it has to offer. No No No’s outro is a really cool sonic treat. Modern Romance sounds a bit like the Velvet Underground. And contrasting with all of that, their (probably?) most famous song Maps is that much cooler. The tremolo guitar throughout is nuts. The vocals being clean and soft makes your ears perk up because it is so different. The album has ups and it has downs. It is a work of art. Karen O is an amazing vocalist. I am extremely glad I got to listen to it finally.

No No No - more like yes yes yes This is the kind of indie, punk, alt, a little sexy type music that really gets me going. This album in particular really reminds me Pinkshift, but the stuff I was familiar with before this reminds me more of Metric or Momma (the former makes a lot of sense since the 2 bands roomed together during their formations), and those slightly more reserved songs are the ones I felt a bit more drawn to. Tonally this album does everything right - the whiny guitar, a smooth rounded bass, some classic rock drums, and the added synth effects combined with Karen’s ranging style really make for an excellent album. Mix wise, none of the instruments really get in the way of one another, and though it may be rocking and rolling it’s never overwhelming or uninteresting. Best - Maps Worst - Tick

It’s basically perfect. So of the times but it’s aged so well. Some incredible songs on here but the urgency of the entire album tells a story too. I didn’t love the album when it landed. I thought it was pretty good but I didn’t sit and do the entire thing and now I have I’m delighted.

groundbreaking for 2003 and still fresh in 20 years, a little dance-y and a little lyrical, love it!

No bad songs. Top 50 albums all time probably

Exceptional album

This was an rocking album that kept me grooving until the end. So much angry beautiful girl rock, that showed how we can be strong but still have weak moments. Rich was rocking, Date with the Night was good and Man had a fun voodoo vibe. No no no grew on me and then kind of went weird. Maps and Y Control are just downright amazing. Tick was kind of a weird short ok interlude, Pin was better. I also love their background and that they have such classical training but then go so punk rock with the band. Will I listen again? Yeah, yeah, yeah!

Great album! Love their sound. Very raw and expressive and Karen O is just a total rockstar. Date W the Night, Tick, Pin, and Maps are all great. Y Control is my favorite Yeah Yeah Yeahs song of all time. They rawk in all the right ways. THIS is rock and roll.

a pretty great 00s indie record. i liked the moments where it was more garage rock-y than the more artsy stuff, but i felt like the entire album was pretty consistent. of course, the big song off of this, 'maps' is great but i think it's pretty unique amongst all the other songs. it definitely stands out in that way. really liked it!

Only knew a few songs off this album from a long time ango and liked the whole thing.

Punchy raw

God this album is so good. Sexy, uncompromising, relentless. I like it as much as the first time I heard it many years ago.

Slaps

...ignites a 'big roaring flame!'

One of my favourites

What is there to say, this is the best album I’ve heard so far and it’s now under the timeless classics category.

FEVER FOREVERRR. Max volume straight into my veins. And my neighbors. I'm a nuisance for this one. Can't get it loud enough. Won't be able to hear my grandkids cuz YYY turned up. Permanent cloud over me for not catching this era live.

Genius in it's simplicity as it was when it was one of my favorite albums during my teenage years. The guitars scream and Karen O wails! As raw and sweet as strawberries in a mason jar.

One of my favorite indy albums of the 2000s. Maps is an all time classic.

Notable tracks: Basically all. Maps is iconic

A fave

Amazing

I liked it

Loved from the beginning, the sound, the voice, the variety

Fantastic record

Really enjoyed. Clearly the group lives what they're doing

Early 2000s indie classic. While I prefer their later material, this gave us some of their best work. Maps is an all time classic.

Another great album

Girl boss punk rock that’s probably better or just as good as other early 2000s indie rock

Baby I'm afraid of a lot of things But I ain't scared of lovin you Baby I know you're afraid of a lot of things But don't be scared of love Cause people will say all kinds of things That don't mean a damn to me Cause all I see Is what's in front of me That's you Well I've been dragged All over the place I've taken hits Time just don't erase And baby I can see You've been fucked with too But that don't mean Your loving days are through Cause people will say All kinds of things That don't mean a damn to me Cause all I see is what's in front of me That's you Well I may be just a fool But I know you're just as cool And cool kids They belong together Yeah, this is a hell of a good album. 5/5

Breath of fresh air in the middle of sad boy music and terrible British Rock. It's a bit dated but it's loud and energetic and a welcome break. The fifth star is just for that.

This is a rock album. You have to be in the mood to listen to this, but it is a great album. Short and sweet.

Contagious angsty and energetic fun.

I really like this. Made me want to listen to Wet Leg.

Howls ripple throughout Absurdities and punk riffs Punctuate this art

Oops! All Bangers.

Yeah, yeah yeah! This one rips. It's raw, energetic, and its brief runtime over the course of 12 tracks will leave you feeling you just got slapped by the coolest person you've ever met. Man I wish this band never would've polished their sound in future records.

This is truly one of the greatest albums ever written. I have so many thoughts about how good this album is I can't think of a coherent sentence to write. Personal enjoyment: 5/5 Relevance to this list: 5/5

This is one of the few times where between a debut and famous album the debut was actually better. It’s blitz was also great but this album just ripped with so many bangers like tick, pin, and maps. Felt much more punk and less poppy than it’s blitz in general.

Yeah yeah yeah

Red Rain is an instant classic and the hits keep coming with little dead air

Best song : all Worst song ; none Blew my expectations out of the water Even if lyrics isn’t it strong point

I must have listened to this album 1000 times. It's both the party that is starting to fray at the edges and the come down. No notes.

Love this album. It just exudes “cool.”

That rare combination of being catchy without ever becoming grating or irritating. Dramatic and passionate. Pretty much perfect.

Really good in my opinion

I don't love when does some squealy things with her voice, but this is solid lady punk rock. I started listening to this before I was really awake, so I started it over, and this is a much better album that I thought it was on first listen. I think the back-half of the album is the better half, but an awesome album nonetheless.

A perfect product of the time, and one of the greatest debuts ever released.

This is an album that goes under the radar. Its absurdly great like a 5⭐️ great. I always though tuat we finally had found a successor to the throne left from joan jett and chressie hynde that had been left u filled with a few failed tries to everlasting greatness. Although the single made it to the top of the charts they left this amazing group in the cold after this album, when they should have gone all in. Great voice, grest sound, great producing, very original style, good writing, simply a very well put album that doesnt get the credit it deserves. I had not realized it was this good until today.

4.5 still sounds great and so fun

I got this cd when came out in 2003 based purely on reading articles from Rolling Stone and other publications. This was before Maps became a hit, I had maybe heard "Date With The Night". I became so obsessed that I had a picture of Karen O taped in my locker and did a class project about her that involved drawing a magazine cover with her face on it. I was in middle school and this was the coolest shit I had ever heard. "Maps" has gone on to be a huge hit, featured in video games and referenced by Kelly Clarkson and Beyoncé. It's an excellent song and more in line with the direction the band followed, but I have a soft spot for the grittier tracks from the front half of the album. The energy is off the charts on "Date With The Night" and "Tick", for example. To this day, one of the most fun live shows that I've attended was Yeah Yeah Yeahs on the "It's Blitz" tour in a tiny bar venue. I got into them because pre-Youtube, written concert reviews inspired me to buy this cd and they absolutely delivered.

Frenetic. Punky, A little arty. And really good. They stretch a full sound out of guitar, drums, and vocals. Karen O's vocals kind of remind my of Siouxsie Sioux, if she was in a more garage rock kind of band. Brian Chase's drumming is almost Larry-Mullen like in its precision. Nick Zinner's guitar and keyboard create a round out their edgy sound and fill it with great textures. Maps is easily the most accessible song, but Tick and Y Control are my faves.

Raw and awesome. Not sure how I missed this in 2003