Loved the funky groovy mood, the drums, and how danceable this album is.
Short and sweet! Fell for the harmonies and the mix of energy and tenderness.
Politically charged alt rock with brains and mood. Loved the darker tracks.
Some songs blurred together and felt dull. The standouts for me are Love is Blindness, Ultra Violet, One, and Who’s Gonna Ride Your Wild Horses.
Tried to get into it, but just couldn’t. Nothing stood out. Didn’t feel it in the lyrics, the vibe, or the voice. Not for me.
Love this album for its raw sound and emotional journey. Can’t relate to the theme, but the album is great.
Fun, loud, and energizing. The background sounds of charmingly naive crowd added to the experience.
Dark and powerful. I loved the heavy guitars and drums across the whole album. Didn’t love the drug themes, but the overall atmosphere really worked for me.
Slow and smooth classic with warm, velvety vocals. Didn’t expect to like this, but not bad!
Super artistic, playful, and full of personality. Loved how diverse it is. Just a wild ride through themes and sounds.
Didn’t connect with Peter Perrett’s voice. It made the songs feel a bit dull to me. Some nice guitar work in places, but overall the album didn’t land.
Stripped down and full of energy classic hard rock sound and a thousand variations of ‘yeah’. Fun and punchy, but felt a bit generic overall.
Gentle, calm, and poetic album with beautiful harmonies and melancholic mood.
Loved the stylish sound and great bass throughout. The sharp, groovy post-punk vibe really worked for me.
Way too much brutal energy and shouting for me. Couldn’t get through it. Not my thing.
Fun and fast-paced burst of teenage nostalgia.
I love this album. Hard to believe she wrote it at 21. It’s emotionally powerful, beautiful, and timeless.
It’s weird, but I like weird. Liked the futuristic and hypnotic sound. More of a mood piece than a regular listen.
Loud and energized. I love grunge for its rawness. Definitely hear the influence on Nirvana.
Very honest, very powerful and painful.
Weird to hear traces of country in rock. Found it a bit too sloppy, and I didn’t quite like the vocals. An interesting mix, but not for me.
Such a cool and bright mix of moods, styles, and sounds! Really multilayered music. Funky, bold, colorful, and very textured.
A nice ambient album. Beautifully produced, great as background music, but not particularly memorable for me.
Deep, wise, and poetic. A farewell filled with grace and reflection. There’s so much wisdom in this album.
Appreciate the idea behind it and the lyrics but just couldn’t connect with the way too relaxed manner of singing. Not really memorable.
I enjoyed it. Minimalistic and simple, but intimate and reaching the heart.
Jazzy and soft, but not really memorable. Enjoyable as background music, it didn’t leave a strong impression.
Fun to listen to, with a different kind of punk vibe. Still, it didn’t feel particularly memorable for me.
Interesting blend of styles like folk, blues, gospel. Great guitar work. But the lyrics didn’t resonate with me, and the overall style isn’t really my thing.
Nice smooth jazz and blues. Felt good as background music. Elegant, easy, and well-crafted, but didn’t hit me emotionally.
Loved the lyrics and the spiritual longing. The dreamy production was beautiful. Sad Gene Clark wasn’t recognized in his lifetime. It’s a moving and quietly powerful album.
This album hit me on an emotional level I didn’t expect. Nina Simone’s voice feels like a private conversation. Intimate, soulful, and full of quiet storms. There’s something weightless and eternal in how she delivers the songs. I’ll return to this album when I need something soulful.
Fun and catchy. Balanced instruments and good sound.
This album had a magnetic pull. I Wanna Be Adored and Made of Stone stood out immediately. One oozing with ego, the other quietly unraveling. I loved the way this album blended rock with a psychedelic haze without ever losing its groove. There’s something hypnotic about the sound. It felt both of its time and weirdly timeless. I’d come back to this when I want to feel energized and a little detached from reality.
This album hit like a punch and a prophecy. The guitar riffs are crisp, massive, and unforgettable. Ozzy’s voice is haunting and unique. It still feels super relevant. War Pigs, Iron Man, Electric Funeral.
This album felt like stepping into an entire world. Each track brings something new, yet it all hangs together with Stevie’s unmistakable voice and feeling. His talent is undeniable. This is the kind of album you live with. A soulful journey I’ll definitely revisit.
It was interesting to step into the world of electric blues, and there’s no denying Muddy Waters’ presence. The raw energy and the swagger of the band are awesome. But after a while, the repetition and hyper-masculine energy wore thin for me.
This album felt like a milestone for the industry and for female artistry. It’s wildly expressive, poetic, and emotionally unfiltered. But as much as I respected it, it didn’t really land for me emotionally. Still, it’s the kind of album I’m glad to have heard once.
This isn’t usually my style, but I’ve got to admit that this one flowed. The album feels smooth and thoughtful, balancing soulful beats with a grounded presence.
This album sets a powerful mood. It’s minimalistic, ambient, and ideal for rainy afternoons. I loved the stripped-back sound and its emotionally cold yet not hollow feel. However, it didn’t quite connect with my current mood. I can imagine revisiting it when I want to immerse myself in a quieter, darker mindset, but for now, it felt more like watching a storm than being in it.
I really enjoyed this one. It’s light, fun, and charming, and definitely more than just pop. The contrast between the sweet, almost retro melodies and the darker, emotionally tangled lyrics works beautifully. There’s a cleverness to it that doesn’t take itself too seriously. A solid, stylish listen that I’d come back to when I want something catchy with a bite.
This album flowed so smoothly. Mystical and romantic at the same time. It felt soft, sad, and a little surreal. Perfect for a train ride when you just want to sink into the background and let your thoughts wander.
This album felt deeply nostalgic and unmistakably English. The themes were sweet and the storytelling was charming, full of small details and gentle humor. It didn’t hit me emotionally, but I appreciated the way it painted its world. A soft listen with a strong sense of place.
I couldn’t really connect with this one. Rod Stewart’s voice clearly carries emotion, but something about the delivery just didn’t land for me. The whole album felt a bit dated and bland.
An album full of bangers. Every track feels like a hit. It’s essential listening for understanding pop and the 80s in general, not just for the songs themselves but for the way it shaped music, videos, and stardom. Slick production, iconic performances, and an energy that still holds up decades later.
A powerful, cinematic rush. Energizing, emotional, and impossible to sit still to. This is electronic music with real thought and craft behind it, balancing raw aggression with atmosphere. Perfect for imagining yourself in a high-stakes movie scene.
I appreciate the album’s concept and the way it moves through different moods and styles. It’s diverse, detailed, and pleasant to listen to, but it didn’t grab me enough to make me want to return. More of an interesting one-time experience than a future favourite.
A great listen. Powerful and complex while still being accessible. The riffs hit hard, the production is massive, and the balance between heaviness and melody makes it easy to see why this album became such a landmark in metal and beyond.
Fun and groovy, this is music built for raving or hallucinating rather than sitting down and listening closely. Hypnotic beats and textures make it easy to imagine its impact on early rave culture, but it’s not an album I’d reach for outside of that context.
Kinda fun, but the repetition wore on me after a while. Still, I can see exactly why it blew up. Big, cheeky, and built for late-90s parties and festivals. A cultural moment, even if not one I’d revisit often.
This one felt pretty mediocre to me. I didn’t find it particularly emotional or special. I’d rather give this place to Ariana Grande’s record. A smooth listen, but not one that stood out.
I loved the variety in the music, the mix of unusual sounds with poetic, meaningful lyrics. It’s psychedelic rock at its most evocative: beautiful on the surface, but with an unsettling undercurrent.
I like the chaos. This album is fun, unpredictable, and packed with weird energy. The funky, sample-heavy tracks speak to me most, and Beck’s playful approach makes it an interesting, entertaining listen.
Funky and groovy with great guitar work, but the lyrics and meanings felt a bit predictable and repetitive. Still, it’s easy to hear why the sound was so influential in shaping funk and soul.
A very pleasant listen, with the experimental edge resonating most. There’s a punkish energy here that I loved, even though the lyrical ballads were beautiful too. At times it felt incoherent, but that unpredictability made it special.
I couldn’t really resonate with the breakup themes or the sound of this album. It wasn’t bad, but it also wasn’t memorable enough to stick with me.
The harmonies were fun and the sound reminded me a bit of The Beatles. It does feel dated, but in a charming, sunshine-pop kind of way.
A great example of 60s garage rock with plenty of energy, but I found it a bit repetitive overall.
I really enjoyed this one. This is electronic music with a soul. Dark and emotional, yet ambient and hypnotic, it makes you feel something deeper than just the beats.
The energy was undeniable, and I loved how B.B. King’s voice and guitar felt like a duo in constant conversation.
It felt dark and bluesy, carrying weight in its atmosphere and poetry. Still, it came across a bit monotonous for my taste, even if I can appreciate the depth of the lyrics.
I enjoyed this album. It felt diverse and intense. I liked the string-like textures and the folk, bluesy tones, but what really drove me was how they turned it into rock. Since I’ve Been Loving You stood out especially. Deeply emotional with impeccable guitar work.
It was okay—quirky in a way that didn’t fully click with me. Some songs had good music, but overall it wasn’t really to my liking.
A blast of fun rock ’n’ roll, full of raw energy and wild performance. You can feel how much life and excitement he poured into every track.
Atmospheric and artistic, with an experimental edge that felt way ahead of its time. I especially connected with the moody, textured side of the album—it really shows why Bauhaus are seen as pioneers.
Weird, theatrical, and full of character—but not really my thing. I can appreciate the creativity and storytelling, but the sound and style didn’t click with me.
Slick and enjoyable in the moment, with Goya Soda as a highlight, but overall not very memorable. The songs were nice but didn’t leave a strong impression, and none felt essential enough to listen again.
I loved the raw, sometimes brutal and noisy electronic sound combined with piercing, vulnerable vocals by Beth Gibbons. This record created a dark and anxious atmosphere. I wouldn’t play it everyday but it’s nice for when you want to be alone in your thoughts and just get deeper into darkness.
Beautiful, poetic storytelling paired with a thoughtful, cohesive concept. The album feels reflective and human, quietly exploring time, memory, and disconnection in a way that lingers rather than demands attention.
I really loved this album. The pace, the rhythm, and the emotional undercurrent all clicked for me. It feels cool and controlled but still expressive. Velouria with its theremin stood out as especially mysterious and whimsically romantic.
Technically impressive, fun listen with clear Beatles DNA, but it doesn’t leave a mark.
White Light has an undeniable rawness and intimacy, but the country and folk trappings kept it at arm’s length. The sparse, unhurried pace lost me before it could land.
Loved this album. Artistic, poetic, and emotional. It carries pure, raw energy that feels both legendary and deeply personal. Patti’s voice and vision come across as unapologetic and powerful. A true icon.
Definitely an influential album. The darker tracks stood out for their ambient, moody atmosphere. You can hear how much future music grew from these sounds, even if it’s not always an easy listen.
A shot of pure, lively fun. Great as a palate cleanser and proof that Prima’s chaos was a genuine art form, even if it’s not a world you’d live in.
It was lovely. Intimate, raw, and melodically rich. But Murdoch's voice didn't quite cut it for me.
A solid, soulful listen with real emotional backbone. Respect to Lauryn Hill for her strength and artistry. The R&B and soul sound hits right, but the constant religious references got in the way of a fuller connection.
Didn't see the mariachi/flamenco-jazz combo coming but honestly? It works so well. Moving, sensual, and emotionally complex. The kind of album that makes you feel things you don't quite have words for.
Some solid guitar work and heavy moments, like the riffs hit hard and the desert atmosphere. Just couldn’t quite find a way in emotionally, which kept it from being more than a cool listen.
Loud, dramatic, prominent and theatrical! Loved the orchestral arrangements and the different side of Alex Turner. Reminded me of Panic at the Disco! in places.
