Undeniably incredible voice. I actually think I like the second disc more than the first. It's not entirely my style of music, but it is incredible for what she does. Christina has incredible range, from powerful, soulful, subdued, seductive, dominating, and playful. Sort of a mixed bag on themes. First song is about prayer, but then there are other, much raunchier songs. Sort of emblematic of the dichotomy of the time, where female pop artists were expected to be chaste, but also sexy. A bizarre period of music in retrospect.
Later punk vibes. Long songs that descend into chaos at times, very little melodic singing, mostly monotone but with feeling. Driving songs. Heavy beats. Kind of good to zone out too. I haven't listened to the lyrics much, but I like the sound. Reminds me of Dinosaur Jr (love) but more droning and heavy.
It's fine. I don't speak Spanish and don't particularly care for cubano music, so it's just ok. Probably won't return to it. They do appear to be talented musicians, and I'm sure one who is more into this style will appreciate it, but it's not for me.
Good lord. I could get absolutely lost in her sweet velvety voice. Just sit and listen to nothing else and be enveloped. Music behind her is good, but is not so prevalent to overtake her at any point. Her voice is the focus and dominant part of each song, and she's just incredible. Fantastic album, making me yearn for more of voice.
Been a fan of this album for YEARS. The Funeral is by far my favorite of these albums, but this one is also incredible. Easy to listen to, with Win's unique voice and very interesting instrumentation. It just makes me feel some kinda way. From the first note on, I love this album.
I'm just not into Cubano music. It's not offensive at all, and the instrumentation and vocals appear to be well done, but I just don't jive with the musical style. Unfortunately I don't speak Spanish, so I can't relate at all to the lyrics. And the musical style elicits dancing, which is not in my blood. To my ears, all the songs sound the same. I didn't make it far into the album before I had to give up. Will not finish and probably will not go back.
One of my all time favorites. I caught wind of this a few years ago and has been a grail of mine. It is just so well written, catchy, and so much more than just its lone hit single. I love it significantly.
Not easy listening - this is haaaaard. Pre-grungy punk, spoken word lyrics, repeating, thumping guitar beats, dark lyrics, bad singing. It would make an incredible live show, I'm sure.
Pretty great for Reggae. Classical themes of oppression and strife, rebellion and resistance. Good vibing music.
Love it. It's unique and timeless, really. Released in the 80s but the style fits even for today. Sounds as great as ever with each listen. I love the Pixies' style in both not trying to sound great, but still delivering a sound that I want to hear. Songs are fairly varied, but also you can tell that they're the Pixies. I can tell that it's not for everyone, but it's great for me. This album definitely opened my eyes and ears to the genre of 80's punk/pre-grunge that I enjoy.
It's not bad. Neil Young isn't the most gripping artist, but this one isn't bad. I didn't get to listen as intently as I'd wished, but it's ok. I may try and go back to it.
Oh wow. I get it now, how Ray Charles could be such a beloved artist. He is masterful and soulful and commanding, while being subdued. Having not listened to much Ray Charles before, I want to listen to more. The orchestration and vocals behind him are complementary and never overpowering. Such an incredible singer and artist. Genius of Ray Charles, indeed!
I got introduced to The National about 15 years ago via Boxer, and I have been in love ever since. I was living abroad prior to music streaming, so I had to rely on downloaded music delivered via iPod. Boxer and others were instrumental in pushing me through that time.
This album continues that excellent streak for The National. Terrible Love is an incredible opener, Bloodbuzz Ohio plays on repeat in my brain. Gosh, just so many of these songs are heavily enjoyable, balancing Berninger's easygoing vocals rocking instrumentals so perfectly. The songs vacillate between slow and peaceful to rocking to rocking subdued. For me, Boxer reigns supreme in their catalog, but followed closely by High Violet.
Not a bad listen. The Police definitely have a unique sound, at least for the time that they were around. Probably pioneers of the sound, if I wanted to dig into it. The biggest problem I have with most of their songs (and not specific to just these songs but one that I have with many songs) is the tendency to repeat choruses ad nauseum. It's like they ran out of words so they just repeat the chorus over and over and over.
Musically, I appreciate the unique vocals and instrumentation as they are distinct. The songs aren't terribly varied in their form across the album, but just different enough to provide some interest.
It's a great album. Each song is different but also uniquely Radiohead. This being their first album (I think), you can see this album being a foreshadowing of things they flush out more completely on later albums. For me, this is a thoroughly enjoyable album, but perhaps 3rd or 4th in their catalog.
It's fine. I've listened to it before, but it was unmemorable for me. I'm not a huge fan of the ambling songs without a chorus or more regular rhythm. It's the Dylan style, where it's just singing and singing and singing, ambling. I just don't care for it. Will likely not come back to it. His voice is just boring.
It's a fun album! Emblematic of the 90s (particularly West Coast) rap ensembles. Everyone has their own style and the beats repeat during the song, but there certainly is enough here to keep me interested. I like their flow and they are goofy enough to be really enjoyable.
It's definitely a unique album. It's got a very distinct sound, one that I haven't quite figured out if I enjoy. Several of the songs employed long guitar breaks, which I don't know if I cared for. The singing was very different, seemed to have a sort of pomp about it, but not in a great way. I may come back to this album, but I don't think it's one that I really want to turn to again.
Definitely some bangers on this album! Such an easy album to groove to. Having never listened to ABBA much outside of their more well known songs, I can say that I get it now. Knowing Me, Knowing You, Tiger, Money, Money, Money, and Fernando were especially noticeable. Just fun songs that tell an interesting story.
I will say the decision to start the album with "When I Kissed the Teacher" was an interesting selection. Sort of a weird concept for a song. Well written, but not something that would go over especially well in modern times.
Overall a really great album! I'll probably be coming back to this one and exploring more of ABBA's catalog.
Such a powerful voice. What a power move to include an a capella track in the middle of an album, and so wonderfully done.
Obviously I've heard the bigger hits, but this is my first time hearing the lesser known tracks, and they contain every bit of her talent as Fast Car. But she's such a powerful singer. Insanely powerful, subdued, and pensive voice and lyricist. I could listen to this album for a while and still be flabbergasted by it. A couple of the songs seem dated to the early nineties, but I feel that is heavily outweighed by the rest of the great songs.
It's a fun album, but a bit weird. It does tend to repeat itself quite often. I do like the bigger hits, like Rock Lobster. That song is weird, but familiar so it gets a pass. The other songs are fine but not an album I want to consume too often. Great for a dance party. Not so great for a casual listen.
Pretty fun album. It had a good rock vibe but not overly aggressive. Having only been aware of Bittersweet Symphony, I was prepared to be underwhelmed by the rest of the album. However, it was pleasantly surprising how much I enjoyed the album. In fact, I think their sound is a lot more timeless than some of the other bands of that time. Sometimes songs from the nineties feel dated to that time, but this album was pleasant to listen to even now. I will likely be going back to this album sometime soon!
This kinda blew my mind. I hate the album cover so I thought I was in for a rough listen, which was almost confirmed by my first listen of the first song. However, the longer I listened, the more I fell in love with this album and sound altogether. Tom Waits is such a visceral, guttural voice and lyricist, rife with age, smoke, mysticality, adventure, and so much more. It's bold to put something out there so 'out there' that is completely unique from everything else. This album is weird and bizarre but infectious. Combining so many different sounds and instruments. Makes me want to further my Tom Waits journey.
It's punk, but in such a very different way. The lyrics and vocal styles are very punk, but instrumentation blurs the lines between punk and various other styles. A brass band is an incredible addition as it adds so much variance to what could be just another punk album. Songs are great and varied, ranging from pure punk to chill dancing beats. It's an enjoyable album, for sure.
Possibly my favorite Beatles album. It's not as experimental as Sgt. Pepper, but not as juvenile (relatively) as their earlier albums. It's just a good album that's easy and interesting to listen to. Is it the Beatles at their best? Perhaps not, but for me it is quite enjoyable.
I like it. I've listened to a few Stevie Wonder albums and have not been gripped by any of them. This one is pretty easy to listen to. Good beats, great singing, good variety of styles. Showcases his abilities as a singer and also a bandleader.
Undoubtedly, Shady is a great artist. Equally talented and honest, a proven lyricist and rapper. Because it is so well done and familiar to me, I do not dislike this album. However, I cannot relate to the themes as much as I did in my youth. He portrays a lot of anger and violence in this album, which may at one time during my angsty youth phase. I still enjoyed the listen, but it gave me feelings that I didn't care to feel any more.
This is the second of Willie's albums that I've listened to fully, and it goes even fuller to cement my opinion that he is completely original and incredible. This album is fairly mellow (same as the last one I listened to) but less lamenting than Shotgun Willie. It's poetic and beautiful, the right amount of gruff and sense and beauty. I will definitely be coming back to this as soon as I can.
I really like this album. While it doesn't have the punch and popular songs of his other albums, it still provides a great flavor of what Black Sabbath is. Short, powerful lyrics; hard rocking guitar solos; empty space left for feeling the music; and hard rock.
It's a pretty good album to listen to, albeit short. A couple of the songs tend to linger a bit long with the guitar solos, but it's not unenjoyable.
I listened to this album before and remember not being terribly impressed. However, having put it on just now, I immediately started to be entranced by the rhythm. It really is a fun album to dance to!
Bowie is not the greatest singer of all time, and I don't purport that he would say otherwise. He sings fine, and his vocals match the musical style well, but he's not on the Mt. Rushmore. He's one of those artists whose gravitas outweigh their native talents. He's got so much confidence and creativity that it doesn't matter how well he sings, because the listener is just enveloped by him. That's how I feel about this album. It's not got the most obvious talent or composition or complexity, but there's just something that makes me want to dance when I hear it.
Definitely one of my favorite Kendrick albums. Iconic flow, incredible style. Really sets himself apart from everyone else with this album.
