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From the book 1001 Albums You Must Hear Before You Die.

For Your Pleasure

Roxy Music

1973

Wikipedia

For Your Pleasure

Rating

2.96

Votes

3297

Reviews

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3

That cover deserves a better album

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5

My favorite Roxy Music album and Brian Eno's last album with band. Opening with "Do the Strand", the band launch into a crazy dance song (sure to replace the mambo) with and driving instrumental break in the middle. The second track "Beauty Queen" is a slower ballad but still contains an exciting instrumental break between the verses that features Eno and Manzanera. The third track "Strictly Confidential" is an easy one to overlook but after a few careful listens the desperation and guilt in the lyrics come through and show just how brilliant the song is. "Editions of You" is the rocking 4th track. This features a siren solo by Eno during the instrumental break which comes right before the lyric that references sirens. The end of side one and fifth track is one Roxy Music's greatest tracks: "In Every Dream Home A Heartache." A song about a man's love for his blow-up doll, it depressingly depicts a lonely twisted man that appears to live in a paradise but with a deep dark secret. Side two starts with "The Bogus Man", another often overlooked track on the album (mainly due to its length). The song seems to depict the point of view of a serial killer and the instrumental breaks in the song just add to the insanity of it. "Grey Lagoons", the second track on side 2 is probably the weakest track on the album but it's still a great track. Just a fun rocker between two serious and dark tracks. It's placement on the album helps keep the mood shifting and not remaining too dark for long. The final track on the album is the epic title track "For Your Pleasure." The lyrics to me talk of leaving your old life behind, perhaps with a bit of regret, hence the final lyric on the album "Ta-Ra" repeating over and over again as it fades until the Judy Dench voice at the end saying "You don't ask. You don't ask why." Roxy Music found themselves on this album and it is by far their most experimental. The risks paid off however.

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4

Never heard of this band or album, but apparently Brian Eno was a member so I'm intrigued. We're back across the pond now, but this one's quite cool, innit? There's a strange urgency to the singer's voice that I really like, and the instrumentals are the dog's bollocks (that's a good thing). I'd honestly put this over both Bowie albums we've heard so far. It sounds surprisingly modern--if someone told me this was made in this century, I might have believed that. As I'm writing this, I just hit the "but you blew my mind" transition of "In Every Dream Home a Heartache." My god. I'm interested to hear more from this band. Given that they're British, I think this list will grant my wish. Favorite tracks: Beauty Queen, In Every Dream Home a Heartache, Grey Lagoons. Album art: Never seen this before, but I liked it straight away. The combination of photography and drawing is absolutely mental. The woman is real, but for how long? And the panther on a leash is a wild sight. I'm having a hard time looking away. I must note that seeing a woman on the cover, paired with the name Roxy Music, I thought we'd finally have an album by a female artist or female-led band. Alas, not yet. 4/5

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3

Falls into the same trap as S/T before it - several stunners on here, but buried in between overlong ballads or operatic tracks that well overstay their welcome. Still manages to be much more entertaining overall than its predecessor, though

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3

Used to think this was the worst Roxy album, sagging under the dumb bloat of Bogus Man and infantilism of Every Dream Home. While those two are still on the wrong side of prog, they're actually closer in quality to the rest of the songs than I remembered, which ocassionally reach very good but mostly coast around just-good. I get the sense Roxy sublimated their fun qualities to whatever they were trying to achieve here. Sadly, that means Ferry's voice isn't as bonkers as on the debut, Eno's weirdo effects play second fiddle to stolid rhythms, and the lyrics veer into absurdist settimentality just a few times, mostly on Beauty Queen, e.g. "Deep in the night / Flying very strange cargo / Our soul-ships pass by / Solo trips to the stars... in the sky". Maybe this should be a two, but I gave that to Tubular Bells which, to be honest, was totally whack and definitely much worse than this. So I'm gonna go three and get back to protecting my two stars from here on out.

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2

Some interesting production from ENO but man is Brian Ferry’s voice annoying

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5

- this is good - yes - damn, cool !! - I listened to this 3 times in a row. Every time I found a new song to be my favorite. -another time the next day

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5

Really interesting album. I never listened to this album before even though I'm familiar with some Roxy Music songs (e.g., Virginia Plain). I found it amusing that the 1001 Albums book describes In Every Dream Home a Heartache as "plain ponderous." I really enjoyed that track! Other standouts were The Bogus Man and For Your Pleasure. The sounds used in the latter track make me think a lot of Eno's solo work. Do the Strand and Beauty Queen have that classic glam sound. Love Phil Manzanera's guitar solos in Editions of You and Grey Lagoons. Bryan Ferry is a great and unique singer and I see he's credited with writing all the songs. There isn't a weak track in the bunch.

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3

Roxy Music never really resonated with me for some reason, although I can appreciate the talent, the uniqueness, and the production. I think it's Bryan Ferry's voice that bugs me. This is a good album though, definitely interesting. 3 stars.

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3

I have to say this - never been a big fan of Bryan Ferry's vocals. I'm not sure why they are so off-putting to me, maybe because they are a cross between a crooner and Peter Hammill's. But I have never liked them. The instrumentation is unique, and I liked how the sax blends with the other instruments, but Ferry's vocals just turn me off to the rest. I don't know why, it just does. So 2.5 rounding up to...

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2

Two Roxy Music albums within one week are just too much for me. The first one was OK, this second one feels a bit overwhelming already. Didn't feel like listening to it completely.

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2

What a striking album cover. An all-black white woman with a panther on a leash as if she can control one of the kings of the jungle. I like the album cover but I’m nervous about this album. It’s 70’s rock I haven’t heard of and it’s only 8 songs at 42 minutes so these will be longer songs it looks like. I already don’t like the first song. The band is called Roxy Music, I’m trying to see if they are British, as they certainly sound like it. “Oi Gov, we’re puttin out a’notha album?” “Yeh Mate, collin it for ya pleasha! The ladies will be drippin. A real saucy experience. Trus me.” “Right but..deres hundreds a rock bands out there…will anyone even listen to us?” “Camon mate, even a drop in the bucket gone cause ripples, innit?” “Oh sha tup, Brian, I’m sick o dis band. I bet we end up on some list where American pricks are saying how shite we are.” “Nah mate, were goin down in istory!” I imagine the conversation kind of went like that before recording this album. And despite that conversation being very silly, I still enjoyed writing it more than I did listening to this album. I’ll just highlight the Bogus Man and suggest they’d call this album the Bogus Album.

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5

9,2

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5

Big fan of the early Roxy Music output. They were a brilliant band up until Eno left them, at which point they transformed into almost unlistenable.

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5

A great album. Blends their art rock sound with the styles of Can

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5

I really liked this album, very nice variation in songs yet very cohesive. Iconic.

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5

Life-changing album; thanks to Oscar, you blew my mind.

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5

One of my favourite albums ever. I loved the first album, it was so different from all the other artists out there at the time but this took Roxy Music to a higher level. Could not recommend it more. Would give it six stars if possible.

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5

This was an unexpected delight. In many ways, it sounds like a seedy alternative to Dark Side Of The Moon. There's some decent songwriting, plenty of analogue electronic sounds with some complex arrangements and plenty of experimentation. It's albums like this that remind us why Prog-Rock was so popular in the early to mid 1970s.

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5

1973 was a good year, wasn't it?

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5

From '72-'75 Roxy Music recorded five classic albums; this is album number 2. Its widely known, so not much to say other that than it is yet another iconic pop album from the seventies, like practically every 70s album on this list. (From some reason, after 200+ albums, the generator is still feeding twice as many albums from the seventies than literally every other decade, and all these albums are way better than the average 21st century album on the list.)

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4

Really like this album. Smooth as a tiger in a tuxedo!

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4

Roxy did great singles and great weirdness

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4

A lot of really good songs on here. Was very unsure if I'd enjoy Roxy Music, pretty delighted by it. "Do the Strand", "In Every Dream Home a Heartache" and the closing track, "For Your Pleasure", with its eerie fade-out

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4

Very strong Eno in this iteration of Roxy Music. With his typical operatic flourishes which are always interesting to me, though not quite pop.

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4

was pretty good. Should listen to more of T.Rex!!!

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4

Super interesting! I'm still not sure if I enjoyed it but I'll give it more listens later on

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4

Am I just a sucker for raunchy saxophones and sinister sounding music?

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4

Divertidíssima música, animada e tal!

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4

There is just something silly/fun about listening to Roxy Music. I enjoy this album, if just for ambience.

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4

What a fun surprise this was! If Bowie & Elvis parented a child and named it Roxy this would be the genius result. The singer in Beauty Queen sounded like Elvis had entered the building. Super ziggy album cover. I feel like there were other songs they held hostage somewhere, to be released in the future, that represented the Killer Cat image. The strength of the panther totally subdued by the killer woman was so deep. Reversed power- very slick. I had several favorites: Beauty Queen, Gray Lagoon, Bogus Man, The Strand. Exceptional beat through out the album. Even if I stopped listening the the lyrics, I found myself tapping the beat. Definitely right up there with all that I enjoy of Bowie’s work. Well done Roxy.

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4

she was fun!

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4

Really enjoying listening to this one.

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4

Some very fun artsy and punky glam. And those synths are absolutely going wild!

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4

very good

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4

Very pleasantly surprised by how much I enjoyed this album!

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4

Fun experience. Not a perfect album, but a couple of really cool tracks (The Bogus Man).

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4

weird shit but good you know

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4

3.5.... but I think it's the first one in awhile to tip upwards on the scale. I just don't feel good about only a 3. It has that funky vocal style that's not too grating or in your face, good tunes behind it, really good album.

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4

Sick album. Ferry is a genius. Great lyrics and a musical tour de force. I think this will only grow in my estimation.

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4

Wonderful, reminds me Zappa. Oboe didn't quite fit my taste in the sound, but I really appreciated the ensamble.

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4

Ahh classic Roxy with Eno and Manzanera before they sold out and started playing elevator music. The guitar solo after “but you blew my mind” In Every home a heartache and then the fade out/ reprise is a highlight for me. This was Roxy near its best, if this album had my fav track Both Ends Burning I would have given it a 5

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4

The combination of Andy McKay on sax and Brian Eno on synthesizers gave them a different sound than most of the other bands kicking around at the time. Do the Strand and Editions of You are classics, and I remember them from back in the day. In Every Dream Home a Heart Ache is dark and eclectic, but I especially like the last 3 minutes of For Your Pleasure which gets quite experimental yet melodic.

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4

Saugut weil nicht greifbar. Saugut weil quasi unfassbar, vor allem wie das 1973 stattgefunden haben soll… Was will das eigentlich genau sein? Vor allem zu Anfang steht hier nix fest; Anhobi/Anthony Hegarty muss sich bei „Strictly Confidential“ das kehlige abgehorcht haben. Sonst viel Glanzrock, aber ohne komplett auf Glitzer auszurutschen. Ab „Bogus Man“ krautet man irre um sich, dann schmatzt es mal wieder hedonistisch durch die „Grey Lagoons“, ehe diese sich durch die Rockgeschichte jammen. Finale: Just etwas for my pleasure?! Indeed !! Blew up my mind 4.1

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4

Devo essere onesto questo è un altro di quei casi in cui ero partito abbastanza prevenuto. Non conosco il gruppo, forse solo di nome, però la copertina mi aveva subito suggerito un qualcosa di Glam un po' cringe, l'unica speranza era l'anno 1973 (invece che ottanta). Devo dire invece di essere rimasto positivamente sorpreso e di essermi divertito molto con questo album. Ho lasciato un po' di tempo prima del voto perché non ero sicuro ma anche riascoltando un po' di pezzi sparsi l'idea che mi sono fatto è di un album Glam come si deve, auto-ironico ma anche punk, non il Glam che non si capisce se si prenda sul serio e finisce per essere cringe (i Judas Priest secondo me, anche se ufficialmente non Glam, rientrano in questa categoria). Anche gli assoli di chitarra su questo album sono fatti bene riuscendo dove molti gruppi più pretenziosi finora hanno fallito. Per me è un 3.6 che promuovo a 4 per la simpatia e l'originalità.

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4

Ho avuto una sensazione simile a quando ascolto musica anni '80 (pur non essendo di quel periodo), ma solo per i primi secondi! Alla fine si è rivelato un album bomba, un sax che qua per esempio non si accolla, ma comunque in generale l'uso di tutti gli strumenti, voce inclusa, mi è sembrato interessante. A tratti mi hanno ricordato i Queens of the Stone Age.

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4

Some of it got a little out there for me but overall I really like this. It is a long way between this and Avalon but you can hear the seeds of that sound in here just a bit. Cool to hear.

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4

Good enough that I bought it

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4

Mannered, clever, pop art!

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4

Nice album, easy to listen to songs. Bit short, but that's the norm for that time period.

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4

4/5. Favorite Roxy Music, Eno goes off. Ferry’s vocals are irritating still

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4

Coming with no expectations, this was the album that introduced me to Roxy Music. It's nothing like their other albums, this one is quite avant-garde, gothic before punk came around, incorporating elements of free jazz and early synths, what I consider to be Eno's first masterpiece. I noticed For Your Pleasure tends to be critics' favorite, but it's not usually the pick by fans. That may go to Siren, Stranded, or even Avalon. However, this is actually my favorite Roxy Music album. I don't think I'm biased for it being my first. I love how chaotic and dark the songs are. The opener "Do the Strand" best exemplifies what I love about the album, from the unexpected and immediate opening line and sax, it grabs your attention out of nowhere. "Beauty Queen" is a great follow-up that reminds me a lot of their Avalon soft rock album. I really like how it feels like his voice has two personalities, a Jekyll and Hyde situation, which is carried on through the entire album. "Editions of You" picks up the pace, reminding us this is a glam rock band, with a sick sax / synth solo engrained in my mind. "In Every Dream a Heartache" is a peculiar highlight, and I'm surprised it's the most-played on Spotify. For three minutes, it's creepy monotonous vocals with atmospheric sounds, not really something to appeal to people compared to other tracks, but I guess by that 3 minute mark it just explodes into a spectacle, dies down, then the instrumental randomly picks up again. According to the Wikipedia, it's been covered a ton of times and featured in Mindhunters so that must be why. Deserves its place as one of their best songs, but still 8 million plays is unusually high. My favorite track is for sure "The Bogus Man." It's haunting and a bit claustrophobic. Love everything from the one-ear sax to the creepy echoey vocals that surround me to the exotic synth effects. It's my favorite blend of rock and free jazz. And it goes for nearly 10 minutes. Last highlight for me is the closing title track with the combination of the extended instrumental. It's a solid album, with no filler, appropriate track order, coherent theme, and an intriguing yet non-excessive experimentation.

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4

Another of those bands that I appreciate are really good, really influential etc but never got into beyond the singles. This album is great and I don't recall having listened to it before. Wierd thing is I can hear how Bryan Ferry's voice influenced Nick Cave's vocal styling. A connection I had never made before. Really they are a band I should listen too more

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4

maybe a 3.7 feels a bit like guys who feel like they're more in the know than most and a bit snobbish about it and music would like this. But I enjoyed listening to the album overall

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4

Trudne do oceny. Nie znałem zbytnio Roxy Music poza paroma hitami. Mi się wokal podobał, album był na tyle eksperymentalny, że się nie nudził. Jednocześnie nie wiem czy do niego będę wracał często. Idealne byłoby 3.5, tutaj dam 4 bo jak na 1973 bardzo nietypowe.

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4

Jak na swoje lata album wydaje się dość nowoczesny. Połączenie rocka popu i muzyki alternatywnej daje czasami ciekawe efekty. Ogólnie album dość specyficzny i nie na każdą okazję.

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4

Mildly intriguing. I was impressed by innovative sounds as for the release year 1973. The album starts up shy, but as the tracks progress it gets much more interesting. I would also coin in provocative lyrics, delicate vocals as well as splendid saxophone and drums. The result is a solid album - definitely not for every occasion, but worthwhile. Highlight: In Every Dream Home a Heartache

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4

I feel like I could copy-paste my review for Deep Purple here after just swapping a few song titles about. The album sounds pleasant, but is not a stand-out in any meaningfull way, except perhaps for the vocals, which I found very pleasant. 'Strictly Confidantial' is the high point for me. 4/5

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4

"In every dream ..." really stands out still. Really like the "tension" of this song. The rest of the album is not what i usually listen to, but somehow it works for me. A special album. "..... is there a heaven... i´d like to think so....."

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4

7/10. Quite good.

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4

Eager anticipation for my first listen of a full Roxy Music studio LP having only previously heard a compilation album and focused on later songs like Oh Yeah. I only knew Strand here and enjoyed Editions equally. The slightly proggy other songs from Heartache onwards are great! A good listen.

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4

Some good stuff, would listen again

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4

Better than expected

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4

good stuff here.

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4

First track was boss. I find that i do love glam.

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3

Liked it!

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3

This was fine. Not quite my style, and the songs didn't really stand out to me.

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3

2,5/5

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3

Ok album. Kind of show tune sounding. Not bad but nothing too exciting for me.

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3

cool background mood music

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3

Some surprisingly good tracks that were very upbeat and fun to listen to. Overall, though, quite a mediocre album.

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3

Early alternative. Not the worst.

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3

Wow, another David Bowie album.....wait this isn't Bowie? But seriously, this album sounds like something Bowie would make, so that means its pretty good, even if it is somewhat derivative of all the art-rock staples, for example, I also heard a lot of velvet underground in this album. I like the non-linear song progressions, the zany vocal performances are pretty captivating, but I wish there was more melodic-meat to the tunes. The experimental songs with longer run times were my favorites because there were some very satisfying build-ups and break-downs. This album felt a lot longer than it was, because there's something very dense about these songs, it makes a 4 minute song seem like 10 minutes, and a 10 minute song feel like 30 minutes. Overall, it was solid but I was left wanting something a little bit more in terms of the melodies, nothing really hooked me but it still commanded my attention because it was interesting conceptually. Favorite track - The Bogus Man - Least Favorite Track: none

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3

Back to back Roxy Music albums. This one is more approachable, still experimental, but ultimately successful. Though the warble goes a bit overboard, i like the emotion and delivery of Bryan Ferry.

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3

Andy music 100%, good work music

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3

Interesting. If I had to say something I’d say it was right for its era and probably influenced a bunch of artists (maybe Queen and Bowie?)

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3

I was intrigued, and probably owe it another listen. Kind of a supertramp-feel. Saved track: “In Every Dream Home a Heartache”

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3

Better than I thought it would be, In Every Dream Home A Heartache is a banger

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3

I was used to listening to this band's greatest hits, this was a nice exposure to their earlier album work. I loved the sound and songs, but I do think they dragged on for me in parts. I'll probably stick with singles but add some more titles to the rotation.

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3

The sax and extended jazz sections carry this album. Favorite songs are the longer songs - The end part of bogus man, for your pleasure, strictly confidential, and portions of editions of you. Love those squealy saxes. Would I pay for it or listen to it in public? hell no.

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3

Enjoyable listen

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3

I really liked the back half of this album. In Every Home a Heartache is fantastic. Wasn't crazy about the "glam" elements of this project, such as the style of the lead vocalist.

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3

Not quite sure what I was expecting. I'm not quite sure what I took from it honestly. I didn't enjoy it, But it wasn't the worst thing in the world. Feels like it's just not my cup of tea honestly. I might check it out at another point, but the vocals were very not great to me. Not bad though honestly.

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3

Not my favourite Roxy Music music.

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3

You can hear the influence they have on other bands. I really wanted it to be everything because it starts off strong but it lost me half-way through. But Avalon begins with an 80's classic so in a sense they did find their way.

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3

A fun album from a band I hadn’t heard of.

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3

1-2 songs are interesting

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3

Alright, but spent a fair bit of time wishing it was Avalon

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3

Roxy Music is always an interesting band to listen to, captivating atmospheres and intricate sounds.

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3

Crafty and Kooky, before the descent into tuxedo wearing lethargy.

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3

Just something about that British pop I can’t get behind

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3

Eclectic. I really only knew about a couple of their 80's songs, which after reading up on I discovered was after one of the key founders/members left. The opening track got me hooked a bit, but I wouldn't say the rest of the album kept me there. There is a lot of stuff going on the arrangements, I'll give them that even if I didn't always love the sound.

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3

Bit too trippy for me. Some of the heavier stuff was alright though.

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3

Such an eclectic mix of punk and psychedelic tracks.

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3

I have never heard of this band before. A little eccentric but not bad.

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3

It was interesting. Experimental pop rock. Not my thing though

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3

Not terrible. I enjoyed the piano and horns on the tracks. 3.4

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3

Oke dit moet op me groeien maar 'in every dream home a heartache' is heel cool

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3

3,2 Nog wel tof, laat je wel wat bewegen. En ik beweeg soms nog wel graag

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3

Wel oke maar niet wauw

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3

First listen

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3

Normal

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3

better than I thought.

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3

Meh

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3

This was pretty good

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3

I've always been a fan of Do the Strand. It's a killer song. Editions of You is also quite good. I have no clue what instrument does the first solo after the second verse.  When in doubt, attribute it to the synth? The rest of side 1 doesn't work that well for me. I include in this group  In Every Dream Home a Heartache.  Perhaps one needs to have the British sense of humour to enjoy songs about blow-up dolls. I like the instrumentation just before the fake fade but overall I don't  think this song has  aged well.  On the other hand, the avant garde feel to The Bogus Man remains really cool. It's interesting that the lyrics are done less than half way through this 9:20 min song. I guess they were having fun and kept jamming. The sax, harmonica and guitar solos in Grey Lagoon are excellent. Another good jam. Side 2 ends with another avant garde song but this one didn't age so well.  Interesting note on the cover picture being BF's gf. I recall Roxy Music's album covers having eye candy  but I didn't know they were girlfriends.

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3

Ich mag - schon wieder - das krautig treibende in Beauty Queen, genauso und aus aus selbem Grund natürlich The Bogus Man. Es geht voran! Und ganz zum Schluss, in "For Your Pleasure" hört man dann ja schon sehr deutlich raus, wo Eno eigentlich hin wollte und was er konsequenterweise dann auch wenig später ohne Brian Ferry, aber mit z.B. Bowie oder Byrne/den Talking Heads fortführt. Was Ferry angeht, wird mir bewusst dass ich bei aller grundsätzlichen Sympathie halt doch zu wenig Fan von Glamrock und weniger noch von Theatralik bin um das in seiner Gesamtheit so richtig super zu finden; Strictly Confidential z.B. kriegt mich gar nicht so, und eigentlich nicht mal Do The Strand. Falsche Jugend gehabt vielleicht, ich weiß es nicht. Trotzdem; verkehrt ist das alles nicht, ich kann dem auf jeden Fall 2,8 geben.

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3

Интересно звучит, но не более.

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3

Very glam. 6/10

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3

3/5

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3

I get how some folks enjoy it, but the style is not for me.

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3

It was fine. Nothing much to say. It started off better than it ended I think, but due to road noise, I heard the end a lot less clearly.

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3

6/10

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3

progressive, but not sure I would listen again

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3

2.5/5. This was fine, kind of annoying if I'm being honest. I just don't really like the arty/glammy type of rock.

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3

The first song rocks, but the rest of the album is just normal. The last song looks like something that could be happened here, but then the album ends.

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3

Frankly, every other Roxy Music album sounds to me like a rehearsal for Avalon. That said, The Bogus Man is a really good track: I'm a sucker for those repetitive, extra unnecessarily long, tunes.

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3

Enjoyed it but other albums are better

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3

Some pretty inventive stuff here. The musicianship is very strong. The quirky voice works most of the time but can be way off. More than this I can't say.

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3

It sounded like Nigel got a kick ass backing band! The vocal stylings have a lot of similarities.

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3

Was curious to listen to a Roxy album as they have featured in many books I've read over the years. I knew a couple of their songs and there are some really interesting tunes here. A kind of darker underbelly of pop that has intriguing moments.

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3

Ciekawy muzycznie album, zwłaszcza jak na 1973. Bardzo niespójny, z niektórymi piosenkami brzmiącymi jak dowolny nudnawy zespół rockowy, a niektórymi bardziej alternatywnymi i eksperymentalnymi dźwiękowo. Najbardziej mi w pamięć zapadło "In Every Dream Home A Heartache".

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3

5/10 I don’t really see the appeal

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3

Roxy Music. Utterly baffling, weirdly listenable, doing everything possible to distract and distance the listener. I can’t review this! I am confounded. I like it, I hate it. I need more time.

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3

I think this is generally regarded by Roxy Music fans as the band's best, but I find the album kind of uneven. It's good, but I prefer the self-titled personally.

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3

Il était normal après une surchauffe totale de la part de Robert de prendre une journée pour se relaxer, à l'ombre du grand chêne de son immense jardin. Cet album moyen en est la représentation.

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3

Des eightieseries dont on se serait encore une fois bien passé.

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3

I haven’t listened to this one in a while but my first band’s guitarist was obsessed with Roxy Music and this album particularly. Bryan Ferry’s vibrato is legendary! This album is a pleasure for me.

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3

Glam rock. Ni fu ni fa.

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3

Bom.

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2

Meh

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2

Hard to listen to at points

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2

No Pleasure at all

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2

Boring and weird

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2

No traen nada.

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2

I liked a few of the songs. Don't really get it, TBH.

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2

This one is still slightly experimental, and although it didn't have the rockabilly song that their debut album had, it sounds as if they're still trying to get their groove on. You can hear Ferry's smoothness coming forward. A short album with some songs being too long.

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2

Probably wasn't really in the mood. It wasn't bad but also had no interest...

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2

Some good, other not much

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2

Not a fan

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2

Didn't really enjoy. Not sure what the style is or how it hangs together as an album. Maybe a bit experimental and I don't get it.

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2

Didn't really get anything out of this, can see why they were a thing though. 2*

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2

I am not enjoying this album. Few good songs that aren't all to remarkable. I am not enjoying this album. Even though there are glimpses of elements that might be worth a listen, such as the guitar on Grey Lagoons and In Every Home A Heartache, it isn't something I will be returning to. The experimentation elements strike me as an interesting and unique signature; but not features that entice me to continue.

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2

Too much glam. I’m sure old white men would like it but it’s not my style lol

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2

Liked some of each song. Editions and grey lagoons are best.

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2

My first glam. Kinda meh with some highlights. I can see how parts of this get incorporated into music I like more. Much sounded like Rocky Horror outtakes.

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2

Inte min smak. Men lite intressant ändå.

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2

Pretty meh. British rock, I guess?

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2

A few okay songs, but largely a forgettable album. Some sound heavily influenced by The Doors, which is why this album does not need to be revisited.

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2

aight med några bajslåtar

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2

Nothing super special, the jam on the last song was the best part

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2

114 days and albums of this have made me realize that I don't particularly care for Roxy Music. Or rather, maybe it's Bryan Ferry who I don't like. I should have known right away when I learned how he spelled his first name. Never trust a Brian who insists on that Y instead of an I. They always make things more difficult. Bryan Ferry's vocal delivery really annoyed the shit out of me from the first song on here. On some songs, he almost sounds like he's imitating the Count from Sesame Street. Other times he's trying to find out if he can do an entire song with marbles in his mouth. You'd think having a Brian with standard spelling in Brian Eno would help balance things out. For years, I've always heard about how Roxy Music will get me laid, and the band needs to be in the Rock and Roll Hall Of Fame. One of those things eventually happened. Now that I've had something of a deep dive on Roxy Music, I'm genuinely unimpressed. Possibly one of the most overrated bands of my lifetime. This is a band that has great album covers, but even those can't cover up what's inside. My favorite song was a song from their "Flesh and Blood" album that Spotify played after this album ended. The lesson is Roxy Music has some bangers, but those deep cuts are ROUGH to listen to. Not for nothing, but worth mentioning: Morrissey loves this album.

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2

Very... British? Or something. Kind of reminds me of the Ramones but without the annoying voice. 0RS

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2

I expected more from this. It didn’t give me any feels.

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2

I listened to it but didn’t really find anything too notable

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2

Left me cold

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2

Kolejny albumik od roxy music, durgi w dyskografii zespolu, nagrywany tym samym skladem co debiutancki krazek, wiec pan eno znowu zrobil robote, tak jak poprzedni przypomina troche kompozycje bowiego z okresu alladinowego, bo przeciez obie plyty wyszly w 73, ale na tej plycie o wiele bardziej slychac wokale, ktore jak dla mnie tylko zawadzaja w porownaniu do pierwszej plyty, pan ferry zadnym bowim nie bedzie i spiewa zwyczajnie nudno, wiec pan eno moze kombinowac z kompozycjami, ktore sa oparte przedewszystkim na synthowym brzmieniu i mocnym elektryku, ale jednak plyta w 42 minuty potrafi zanudzic, dosc nietypowo jest podzielona plyta, bo strona pierwsza zawiera 5 kawalkow, druga natomiast tylko 3, ktore brzmia o wiele bardziej eksperymentalnie i nie opieraja sie na wokalu az tak bardzo jak pierwsza czesc, ale na plejke leci jednak otwierajacy trak do the strand, wiec bardzo taneczny song, ktory jednak najbardziej zostaje w glowie po przesluchaniu calego albumu

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2

Beastie Boys. Rick Rubin. Blah blah changed the world. Would not choose to listen to where it all started, if this is it.

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2

I liked the synth and textures/layers of the music for the most part. The singer's vocal style is so big/dramatic that it's more comical than enjoyable.

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2

Some of these tracks got a little wild, but in general I don't "get" Roxy Music. I don't "get" how it fits into the larger scene of the era, and I don't "get" why they are constantly referenced among the greats.

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2

This one of those albums where they are exactly in between so many genres that I’m not quite sure who it’s for. Not me I don’t think

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2

±±passt scho

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2

I liked the debut album much better - this is definitely sonically interesting but I didn't really enjoy it. I think they can get a too avant garde for my tastes. My top pick is "In Every Dream Home a Heartache", I enjoyed the instrumentals in the second half.

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2

My issue with ‘For Your Pleasure’ is that it sounds like a band trying to come up with enough material to fill two sides of a vinyl record. ‘Beauty Queen’, ‘Editions Of You’ and ‘Grey Lagoons’ are ace and the best songs on the album. The rest is padding and filler, with ‘Bogus Man’ being the biggest culprit; a song dragged out to 9 minutes that should’ve been cut after 4 tops. ‘Strictly Confidential’ is also meh, as is the title track which fails to inspire. There are better Roxy Music albums than this one in my opinion.

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2

I was already pretty sure Roxy Music wasn't for me. This only proved me right, couldn't finish it.

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2

Na pierwszy rzut oka świetna okładka, Roxy Music nie znam, a po tytule i okładce spodziewałem się wokalistki. A dostałem kolejne jęki z muzyką w tle, które z wokalem mają niewiele wspólnego. Ciężko mi było określić gatunek muzyczny tego albumu, ostatecznie dochodzę do wniosku, że to przekrój od folku przez dziwny art pop do rocka, z czego żaden z nich nie jest dobrze wykonany. "In Every Dream Home A Heartache" jest idealnym tego przykładem - po mocnej końcówce "Eidtions of You" pierwsze 3 minuty utworu przegadane, by zagrać minutę całkiem niezłego Rocka, przerwę na chwilę ciszy i wrócić z eksperymentalną minutą w zupełnie innym gatunku. Najfajniejsze z płyty "The Bogus Man", wysoki chóralny wokal gościa akurat tutaj pasował idealnie. Po pumie na okładce spodziewałem się zupełnie innego brzmienia, absolutnie nie w moim guście.

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2

All of the tracks on this album were new to me. Hearing Roxy Music has never sparked my curiosity to look for more muisc from the band. For Your Pleasure fits within that same zone of interest. Did I like the album? Not really. Did I dis-like the album? ¿Maybe? The warble in the vocals and some sounds from the horns keep this album from being "okay". No one was harmed in the listening of this album, but I will forget that I heard this album soon enough.

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2

A lot of this music is interesting, except the saxophone filled tunes. I very much dislike how the lead singer sings. I think his voice could actually be good, but the way he uses it is very annoying. It almost sounds like he is imitating opera sometimes.

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2

Who would Marsha be without Greg? Or better question, who would Alice work for if Mike and Carol never met? Some may consider that Alice would be busy processing Sam's meat. (Sam, of course was the Brady's favorite butcher and had a thing for Alice). And finally, consider that we'll never know the great architect that Mike Brady would've been because he's a schmaltzy, average excuse for a man. And, because of him we are left with Brady Bunch, a campy, mediocre show from the 70's. Another Bunch we need to consider here is The Funky Bunch. What happened to the Funky Bunch? Well, Marky Mark quit, and now there's no more good vibrations. Now, we only have bad vibrations. Now, consider this album, For Your Pleasure by Roxy Music and how terrible it is. After leaving Roxy Music Brian Eno became the great architect that the world was missing. Eno created Ambient 1: Music for Airports and Here Come the Warm Jets, two incredible albums that are off-the-charts influential and groundbreaking. Absolute 5's! Can you imagine how dreadful For Your Pleasure would've been without BE's influence? It would've been like trying to enjoy vibrations by The Funky Bunch. It is apparent that this album is B-A-D, bad. However, it's difficult to fathom how awful it would've been without Eno's involvement, I'm thinking wretched. So, a big thank you to Brian Eno for making something salvageable for us to hate and for that, I've dedicated the second star to you.

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2

Couldn't get into it

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2

In theory I like glam rock, but an album all in one sitting is too much for me. Give me the greatest hits in small doses.

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2

Eh, not my style.

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1

Not a fan at all. 0/5

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1

Didn’t love it. Another average old album.

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1

Äej, det här var inte min smak. Tråkig musik, och framförallt skum sångare. Funkar ej för min del.

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1

This was not for my pleasure.

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1

did not enjoy this even a little

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1

arty shite

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1

I didn't like it.

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1

Didn’t like

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1

Found this a bit of a slog, a bit too ‘arty’ and try hard.

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1

Kind of weird album. Not my style

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1

1/5 - Nope.

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1

The cadence and tone of this singers voice removed any possible enjoyment from this.

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1

Nope

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1

A reviewer described Bryan Ferry's voice as an "elegant, seductive croon." Umm... agree to disagree on that one.

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