Grievous Angel

Petition to have Emmylou Harris' name added to the album. Best track: In My Hour of Darkness

The story of his wife not liking his singing with Emmy Lou Harris, enough so to remove her picture from the cover, was WAY more interesting than this album.

is it really that hard to pronounce graham?

I’ll fight y’all.

The swan song for Gram Parsons is also the coming out party for one Emmylou Harris. Their version of "Love Hurts" is the standard. You can't help but imagine the sort of future they would have had together, nevermind the fact that the great Emmylou went on to a legendary country music career that Gram Parsons could have enjoyed had not had so many demons frighten him. As it is, we have Parsons to thank for giving us the best Byrds album, The Flying Burrito Brothers, the Nudie Suit, and Emmylou Harris.

I am not a country fan but I think I have developed some appreciation for Gram Parsons, what he represents and all the lore surrounding him: what’s true, what’s not, the times he delighted his audience, the times he embarrassed himself. Grievous Angel is a great album, full of energy, heart, and passion. The voices arrangements are charming and the instrumentation is outstanding. In general, it’s a unpretentious record that doesn’t take a lot of time from your life and makes you happy.

A bit too twangy country for me. I do like Emmylou, but have never been able to enjoy country Byrds, Flying Burrito Brothers or solo Gram Parsons. Nothing wrong with this, I just don’t care for the style.

Parsons' vocals are emotive and genuine, perfectly suited to the lyrical themes. The harmonies, particularly with Emmylou Harris, are a standout feature, adding depth and resonance to the tracks.

Sad country music

Country nope

The absolute best thing I can say about this album is that its mercifully short. Its all uninspired slide guitar and country twangs which is so far from my jam they aren't even on the same continent. I thought there was a little bit of potential with the rock and roll bits but even that comes across as uninspired to me. I've given some country albums a 2 in the past because they are exceptionally charming but I don't feel any personality from this. Its a matter of perspective of course and I'm sure for people who like this genre it works but I can't see how, even if you are a country fan, that this sets its self apart from a sea of other "kinda ok albums" Nothing here for me, 1/10

Day83 - i’m glad to see this album on here. truly one that should be heard

Grievous Angel is a bit too apt of a descriptor for Gram Parsons. For all his tragically short life, he had accomplished so much: reinventing country music by fitting it into a rock and roll sized hole and thus altering the trajectories of the varying bands that he spent time in. By the time he started going solo, he was already a legend in the making. His prior album, GP, stands as one of the all time great debut albums and his collaborations with an emerging Emmylou Harris remain songs worth celebrating. Grievous Angel, as posthumous as it may be, picks up where GP left off by giving the listener an equally melodic and compelling set of songs that drew from the well that Gram created. An absolute shame that his light burned out quick, for we may have been witnesses to what he could have been capable of.

I try to be as open as I can when it comes to listening to music. I enjoy lots of different genres and I want to enjoy as many different kinds of music as I can. That is really the whole reason I'm doing this 1001 albums thing in the first place. But one genre I've always stayed away from was country. I think I've realized after listening to this that I just don't like modern 21st century country music. Country music that is designed entirely to top charts. They all sing about the same things. Their voices all sound the same, and the music all sounds the same. It is just drab to me. I couldn't care less for it. But thankfully, I can say that this Gram Parsons album displays none of those characteristics. It does pretty much the opposite of everything I just said, and I love it for that. Gram has a wonderful voice that still has a country twang to it. And his guitar work along with James Burton is fantastic. Each song on this has plenty of heart to it, and you can tell there is real passion behind these songs. Although he may be singing about similar topics to those in modern country music, like love, religion, and heartbreak, the grace and soul he puts into it makes it far better. "$1000 Wedding", for example, is a beautiful song led by the piano. Also, can I just say that the pedal steel guitar is one of the coolest instruments ever, and it sounds awesome. Gram Parsons and this album give me hope there is more country music out there I can enjoy, because there is truly something great here, and I would love to hear more of it.

GP is a better record, straight-up, though this is awfully good and highly polished perhaps excessively so. “Brass Buttons” and “Hickory Wind” are best cuts. There's just the slightest feel of this being a lark that keeps it from top rank of records.

Enjoyable country rock with a light psychedelic tinge. I could probably write an essay on the reasons why country isn’t necessarily for me, but ultimately this was an enjoyable listening experience.

No. 65/1001 Return of the Grievous Angel 4/5 Hearts on Fire 2/5 I Can't Dance 3/5 Brass Buttons 4/5 1000$ Wedding 4/5 Medley 3/5 Love Hurts 3/5 Ooh Las Vegas 2/5 In My Hour of Darkness 3/5 Average: 3,11 Okay-ish country rock

Not really my thing and it was heading for a 1, but I thought the album finished strongly with the last few tracks. 4.5/10

After the first two tracks, I was about to say that "Grievous Angel" should be taken out to the California desert, doused with gasoline, and set ablaze. But then it got a little better, with some decent bluegrass moments, and I found out that the desert cremation routine was actually undertaken when a couple of Parsons' confidants stole his body from the Los Angeles airport following his death. So maybe that joke would be in poor taste? Parsons' story is certainly a turbulent one, and not just the events that followed his death. If he'd succumbed to his demons just two months later, Parsons would be a member of the infamous 27 Club. But listening to "Grievous Angel," I never would have guessed that his youth included his father's suicide two days before Christmas or his mother's death from cirrhosis on the day of his high school graduation. I never would have guessed that he was a trust-fund kid who's grandfather owned 1/3 of the citrus farms in Florida. I never would have guessed that he went to Harvard (well, only for a few months and likely only on his family's connections). I never would have guessed that he did many, many drugs with Keith Richards. Because there is no sign of that darkness and turmoil on "Grievous Angel." It's a pretty boring country and bluegrass album. Nothing particularly stands out. Nothing feels like "cosmic American music," as he dubbed his style that was allegedly a hybrid of country and rock.

Not into country at all... This is probably the best sounding country we've had so far, but the bar was low. I thought "ooh Lad Vegas" was the only track I really enjoyed. Can leave the rest

Fairly uninspiring, twee and forgettable.

A clear case of, this is completely unacceptable. I can't stand it. Country music can hardly get any worse.

Country - the annoying kind

"Love is like a stove. It burns you when it's hot." Lord protect this man from the things I want to say.

Great retrospective of a great artist gone too soon.

Turns out I love this guy. Already had his albums w the Byrd's and the Flying Burrito Brothers, just didn't know either was him. Also had Emmylou's debut album too, I think I'd given them all 5s, and here I'm doing it again. Something about the slide guitar, the harmonies, that western rock fell good feeling. This is a top genre for me

The country entries on the list so far have been very hit or miss, but this one is 100% a big hit. Great songwriting, love the combination of their voices.

I feel like I am 100% the intended audience for this album. Emmylou Harris is the best part and most definitely what takes it from 4 to 5 stars.

Who dafuq is this guy

Solid country music album

As my 4-year old says, “oh my jeez”! Where has this gem been hiding? Maybe it never stuck out to me because of the terrible album cover his widow chose. I think every album needs a steel guitar and Emmy Lou Harris harmonies. Standouts: “I Can’t Dance”, “Brass Buttons”, “Love Hurts”, “Ooh Las Vegas”

all time fav country

This was really good. I had the other Gram Parsons album, "GP". It seems like I had the wrong one! Nearly every track on this album is recognisable and familiar, and rather beautiful if you can get into the countryness of it.

Great example of early country rock. Excellent songs and a fantastic vocal partner (Emmylou Harris). Not as successful as the Eagles, but clearly this album helped pave the way for an entire genre.

Unexpected as I had never heard of Gram. Loved this album.

‘I can’t dance / I guess, I’m just one of the unfortunate few,’ sings Parsons. I guess we’re some of the fortunate many who have discovered this artist. I’m not so sure I care that it’s a fusion of rock and country - big deal - that’s not his (or hers, Emmylou's) genius. It’s that it’s got soul, humor, voice, pluck. And he can sing, just enough, intimately, consistently, quietly. These songs story so much really - for that, it gets my appreciation.

Pretty excellent, I enjoyed the country sound but it wasn't completely over powering

Loved. Sweet country lilts and harmony with young Emmylou Harris. So much hope.

Where do I start. This is the album that gave me an appreciation of old country. It is timeles and perfect. I had not listened to it for years but as each song came on , it produced a smile to my face. One of those albums I don't own but absolutely must

A triumph in the country rock genre.

Heck yeah! GP and Emmylou's voices together is a thing of magic. Love these songs.

Discovered this dude while on a patio in big sur with hanna and the parker-zimmermans. A band playing slide guitar under redwoods with sun splitting thru the tree fronds onto the deck. 5 STARS

A rare gift of musical greatness enhanced by the addition of Emmylou Harris vocals makes this an enchanting treat.

The Roots. Where have you been all my life? Love their mix of live instrumentation plus some drum and bass elements. I even hear traces of Bad Brains on a couple tracks. Wonderful, vital, revolutionary.

Thoroughly enjoyed this all the way through. I love the male female harmonies. This guy is described as the father of country rock, but I didn't see as much Rock influence as folk and country. Maybe my concept of country has rock elements in it.

10

Emmylou Harris!

Gram Parsons was one of the godfathers of mixing country and rock music. Reminds me a lot of The Eagles. Dude was responsible for changing the trajectory of The Byrds from rock to more country oriented during his time with the band. He was also in The Flying Burrito Brothers (amazing band name), and The International Submarine Band. Emmylou Harris got her start with Gram. She went on to become a star after Gram died of an overdose. This album, to me, is fantastic. Dude had a hell of a career in his short 27 years. Favourite songs: I Can't Dance, Ooh Las Vegas, Love Hurts, Return of the Grievous Angel, In My Hour of Darkness, Hearts on Fire, Medley Live from Northern Quebec Least favourite songs: Brass Buttons 5/5

Great songwriting, sad story. Crazy how someone could live such an eventful life in such a short time. Makes you wonder if the most talented are the most tormented, therefore self destruct, or if we idolize the self destructive and in turn make their art into more than it is. Would Nirvana be as popular if Cobain hadn't died?

I’m at a 4.5 that I’m gonna bump up to a 5 with incredibly naked bias. I’ve said it a million times; I’m a sucker for the soundscape of 50s/60s country because it’s partially what I grew up on. This album takes those soundscapes and blends them really well with 70s rock sensibilities, and it does it in a way where I truly think the best of both shine throughout here. Vocally, Gram Parsons and Emmylou Harris play off of each other so fucking well that it’s kind of mesmerizing to listen to. Lyrically, I thought a lot of these songs, while a little corny or cheesy at times, did a great job of storytelling and capturing moods. Brass Buttons in particular got me damn good. I just thought this was a damn good album from start to finish – Return of the Grievous Angel is one hell of an opener, and the only track where I kind of shrugged was Love Hurts. Other than that, I just deeply enjoyed it. I’m really glad this is here, and it feels like it should be on the list. No problems with going up to a 5.

As luck would have it, I listened to uncle tom’s vinyl of sweetheart of the rodeo yesterday! The only Byrds album he played on, and today had an album of his! Both are fantastic

Got to say it's pretty cool seeing musical connections as I go through this list. Gram Parsons formed the Flying Burrito Brothers, who I loved, and Emmylou Harris, who I also loved, was promoted from background singer to duetist in this album. Pretty awesome stuff. Posthumous albums are also interesting as you listen to subtext in the songs. The original songs here, Return of the Grevious Angel and In My Hour of Darkness are both dark but sound good. The covers are fun with standouts in Love Hurts and Cash On the Barrelhead. I liked this a lot.

I love everything he ever did. This is a beautiful album.

Country folksy goodness plus Emmylou Harris. What's not to like?

On some days, this work probably be a bit too twangy for me to love, but today it suited me just fine.

This is exactly the kind of album I want in this project: an album by an artist whose name is more familiar to me than their music. And it's a bonus when the music is this good. Emmylou Harris is a bonus here. Very, very fine.

Really lovely and kind of sad knowing the background of this album. Emmylou Harris complements Gram Parsons beautifully. Special.

I used to be against any music with any amount of twang in it. Then I got into old Wilco and that was my gateway to country and Americana. I’m so glad because it opened me up to Gram Parsons, and this is one of my favorite albums now.

You'd give 5 stars just for Gram and Emmy-Lou's heart rending performance of Love Hurts. Actually you'd give 5 stars just for that last exhalation of those two words. But it's backed up by a glorious collection of what makes country great.

An manchen Tagen braucht man genau diese Musik, nichts anderes. Hervorragend!

Oh Emmylou, when you come in after the first two bars! Such a great duo, wonderfully complimentary voices. Hell of a band, great songs.

Excellent album. Probably the best of the Parsons repertoire, and really shows what a musical loss he was. The band, mostly Elvis's TCB rhythm section, minus Jerry Schett, cooks. The guests, including future Eagle Bernie Leadon, Linda Ronstadt, and legendary fiddler Byron Berline are inspired. Parsons and Emmy Lou were magic together. Parsons wife was suspicious and so excised Emmy Lou from the cover. She really shouldn’t have done that. It’s really as much an Emmy Lou album as a Gram one. And that makes it terrific.

This was his second solo album, but it was the one I heard first. It’s important to note here that when you flip the original album cover over, the biggest words are “with Emmylou Harris” at the top of the sleeve. This was the first time I ever heard Emmylou, and there’s absolutely no doubt that she embellishes the album considerably. I know this record like the back of my hand. She isn’t listed as a backup singer. It says “Vocals-Gram Parsons, Emmylou Harris.” There are beautiful ballads (Hearts On Fire, the oft-covered Love Hurts, originally an Everly Brothers’ hit, Brass Buttons & $1000 Wedding). Every track’s a winner, but the 2 absolute highlights for me are Las Vegas (which Parsons co-wrote with ex- Blind Faith & Traffic bassist, Ric Grech) & the Medley Live from Northern Quebec : (a)Cash On The Barrelhead (a Louvin Brothers’ classic) & the great Hickory Wind (co-written by Parsons & ex-bandmate Bob Buchanan). This stands beside Iris Dement’s Our Town as one of the very great “hometown” songs. (And the medley wasn’t sung live. The applause was fake). A great album.

I was not a fan of country music at all. But I used to read a lot of those expensive UK-import music mags. Around the year 2000 it seemed like every magazine I picked up over a six month period had an article about how amazing and influential Gram parsons was. Article after article. So, when I stumbled across a budget CD release of GP and Grevious Angel on a single disc, I thought "hell, I should give this a shot." I took it home and threw it on the player, and out came... country music. "Blergh," I thought "country music!" and nearly turned it off. But I didn't. In fact, I played to it on repeat for a couple of weeks, and then one day the penny dropped. I could hear past the aesthetic trappings of the genre and hear the actual songs. And the songs are really great, particularly on this album. I was surprised to read that he was under-prepared with material for the sessions, so it was a bit of a grab-bag of a few new songs (hastily compiled), covers and older tracks that from Parsons' previous bands. He was not in a good way drug and alcohol wise, and in fact died before this could be released. That said, he is in better voice than on GP where you can hear the DTs. He's a soulful singer, which overcomes his technical shortcomings. And he is superbly supported by Emmylou Harris, whose harmony singing is beyond sublime on both albums. It's a crack band too, based around Elvis's TCB band, with appearances by Bernie Leadon, Byron Berline and Linda Ronstadt. I gather Gram was so distracted that he basically let the band arrange themselves, which was a good call. I find it hard to split between this album and its predecessor, GP, as inevitably listened to them both together, being on a single CD. They are masterpieces, although they reflect the flaws of their author (and substantial flaws they were). But those imperfections make it a more human expression and easier to love. I have since learned to appreciate and sometimes even love country music, and these albums were my gateway into that whole genre. For that, I am ever grateful.

Ken Burns seems to be doing his job as I appreciated this a lot more than I expected. The hoedown situation in the Medley was particularly enjoyable, sounds like a party I want to be at. Also had a thought that at it's happiest, country could be up there with the most unselfconsciously danceable music ever.

One of my all-time favorites. Too bad he didn’t make it past 27, can only imagine what his career would have been.

Perfect psych country

A gem of an album

I had never heard of this artist before. Not sure why it is described as rock country... sounds all country to me. Loved the album. I went and listened to his first album which is awesome too. 5/5

Loved this and went down a rabbit hole on his bio, then binged on Emmy Lou as a follow-up.

Very pleasant and melodious!

Cosmic Americana. Sick.

I was surprised. I didn't expect this to be a country album. It was a great change of pace, and right in my wheelhouse. Very enjoyable!!

Wonderful songs, sung beautifully, with a lovely cameo from Emmylou Harris. Flawless alt-country / Americana / folk-rock. Right up my street, and a huge influence on many artists I love.

Amazing

Fucking incredible.

Taken too soon, he's a country rock genius and this album is fantastic. Great Emmylou Harris vocals as well. 5 stars.

love it

Own on Vinyl

## In-Depth Review of Gram Parsons' *Grievous Angel* Gram Parsons’ *Grievous Angel*, released posthumously in January 1974, stands as both a poignant farewell and a landmark in the evolution of country rock—what Parsons himself called “cosmic American music.” This review explores the album’s lyrics, music, production, themes, and influence, concluding with a balanced assessment of its strengths and weaknesses. --- ## **Lyrics** *Grievous Angel* is a tapestry of personal reflection, heartbreak, and Americana storytelling, with Parsons mining both his own history and the broader tradition of country songwriting. - **Autobiographical Depth**: Songs like “Brass Buttons” are deeply personal, written about Parsons’ mother as she lay dying, and deliver an emotional honesty that is both raw and poetic[3]. “$1000 Wedding” recounts a tragic, failed marriage, its funereal imagery and narrative structure evoking both sorrow and resignation[3][4]. - **Classic Country Themes**: The lyrics often dwell on loss, longing, and the search for meaning—“Return of the Grievous Angel” follows a cross-country journey back to a loved one, encapsulating the restless spirit of the American road[1][4]. - **Collaborative Spirit**: Though not all songs are Parsons originals, his interpretative skill is evident. The duet with Emmylou Harris on “Love Hurts” strips the song to its emotional core, transforming a well-known standard into something uniquely intimate[3][5]. ### **Pros** - Lyrically rich, blending personal pain with universal themes. - Parsons’ voice, paired with Harris, brings a haunting sincerity to every line[1][3]. - Narrative-driven songwriting gives the album a cohesive, story-like quality. ### **Cons** - Some tracks, like “Medley Live From Northern Quebec,” feel less authentic due to added crowd noise and lack the lyrical depth of Parsons’ originals[3][5]. - The brevity of the album (just over 30 minutes) means some stories feel cut short or underdeveloped[3]. --- ## **Music** Musically, *Grievous Angel* is a masterclass in genre fusion, blending traditional country instrumentation with rock and folk sensibilities. - **Instrumentation**: The album features a stellar cast of musicians, including James Burton (guitar) and Byron Berline (fiddle), whose playing is both technically superb and emotionally resonant[5]. The arrangements range from the rollicking energy of “Ooh Las Vegas” to the mournful balladry of “Brass Buttons.” - **Vocal Harmonies**: The interplay between Parsons and Emmylou Harris is central. Their harmonies, especially on “Return of the Grievous Angel” and “Love Hurts,” are widely regarded as transcendent, elevating the material beyond standard country fare[1][2][3]. - **Authenticity**: The album’s sound is rooted in classic country, but with a looseness and warmth that feels organic rather than calculated. Even the covers and older compositions are given new life through Parsons’ arrangements[4][5]. ### **Pros** - Exceptional musicianship throughout, with each solo and arrangement serving the song’s emotional core[4][5]. - Harmonies between Parsons and Harris are a highlight, often cited as some of the finest in country rock[1][2][3]. - The album’s pacing and variety keep it engaging, moving seamlessly from upbeat tracks to somber ballads. ### **Cons** - The “live” medley is marred by artificial crowd noise, which detracts from the otherwise genuine feel of the album[3][5]. - Some songs are reworkings of older material, which may give a sense of creative stagnation to listeners seeking all-new compositions[3][4][5]. --- ## **Production** Produced by Parsons himself, the album’s production is understated, prioritizing clarity and warmth over studio gloss. - **Organic Sound**: The production captures the intimacy of a live performance, with minimal overdubs and a focus on natural acoustics[5]. - **Studio Choices**: While most tracks benefit from this approach, the decision to simulate a live setting on the “Medley Live From Northern Quebec” is widely criticized for its inauthenticity[3][5]. - **Posthumous Editing**: After Parsons’ death, his widow Gretchen Burrell made several controversial decisions—removing Emmylou Harris’ name from the cover, altering the artwork, and cutting several tracks meant for the final release[3][4]. These choices arguably compromised Parsons’ original vision. ### **Pros** - Warm, unpretentious sound that highlights the strengths of the performers[5]. - Production choices generally serve the emotional tone of the material. ### **Cons** - Posthumous alterations and omissions (notably the removal of three tracks) limit the album’s completeness and possibly its coherence[3][4]. - The faux-live track is an unnecessary distraction[3][5]. --- ## **Themes** *Grievous Angel* is suffused with themes of loss, longing, mortality, and redemption, all filtered through Parsons’ unique vision of American music. - **Mortality and Farewell**: The album’s release shortly after Parsons’ death lends songs like “In My Hour of Darkness” and “$1000 Wedding” a haunting, almost prophetic quality, as if Parsons was composing his own epitaph[4]. - **Cosmic American Music**: Parsons’ ambition to blend country, rock, soul, and folk is realized here, making the album a manifesto for his “cosmic American music” ideal[4]. - **Love and Heartbreak**: The duets with Harris, particularly “Love Hurts,” explore the pain and beauty of romantic relationships with rare emotional clarity[1][3]. --- ## **Influence** Though *Grievous Angel* was not a commercial success upon release, its legacy has grown exponentially. - **Genre-Defining**: The album is now widely regarded as a cornerstone of country rock and Americana, influencing artists from Ryan Adams and Beck to Fleet Foxes and Kings of Leon[1][4]. - **Emmylou Harris’ Launch**: The record introduced Emmylou Harris to the world, launching her into a legendary career and cementing her as a torchbearer for Parsons’ vision[4]. - **Cultural Impact**: The album helped bridge the gap between rock and country audiences, drawing in listeners who might have previously dismissed country as old-fashioned[4]. --- ## **Pros and Cons Summary** | Pros | Cons | |---------------------------------------------------------------------|------------------------------------------------------------------| | Lyrically rich, emotionally honest songwriting | Artificial “live” track detracts from authenticity | | Superb musicianship and arrangements | Posthumous edits and track omissions | | Iconic vocal harmonies (Parsons & Harris) | Some reliance on older material | | Warm, organic production | Short runtime, leaving some stories underdeveloped | | Genre-defining influence; bridges rock and country | Album’s original vision compromised by widow’s decisions | | Introduced Emmylou Harris to a wider audience | Cover art and credits altered for personal reasons | | Poignant, cohesive thematic content | Not as unified or ambitious as Parsons’ debut (G.P.) | --- ## **Conclusion** *Grievous Angel* is a bittersweet swan song—an album that distills Gram Parsons’ vision of “cosmic American music” into a concise, emotionally resonant collection. Its blend of country tradition and rock attitude, its lyrical vulnerability, and the sublime partnership with Emmylou Harris have made it a touchstone for generations of musicians and fans. While not without flaws—most notably the posthumous meddling and the questionable “live” medley—the album’s strengths far outweigh its weaknesses. *Grievous Angel* endures as both a personal testament and a cultural milestone, its influence echoing through the decades in the work of countless artists who followed in Parsons’ footsteps.

Gram Parsons, figura clave del Country Rock (término que jamás le gustó), tanto en solitario como con The Byrds o los inigualables The Flying Burrito Brothers. Este y GP han ganado enorme consideración con los años, y con toda razón figuran entre los mejores discos Rock. Aportaciones clave de Emmylou Harris y parte de la banda de su adorado Elvis. Su voz no es la mejor, pero suena sincera y emocionante. El tono general es pausado y meláncolico, desde la inicial Return of the grievous anges y Hearts on fire. Aportan algo de brío I can´t dance y Ooh Las vegas. Incluye además un falso directo con Hickory Wind ( de Sweetheart of the rodeo) su canción por ontonomasia (cuenta con una historia propia pues fue la que los Byrds tocaron en el Grand Ole Opry en vez de la versión de Life in Prison de Merle Haggard , quien luego se negaría a producir este disco de Parsons por entender que seguía una corriente alejada del country) y Cash on the Barrelhead de los Louvin brothers. Sobresalen, muy por encima del resto: 1000 $ wedding y Love Hurts, dos temas enormes. Un disco que tuvo escaso éxito pero gran influencia y (desde los mejores Stones hasta Wilco). Su prematura muerte ayudó a crear el mito.

Chad

Don’t really know what kind of music to call it but I enjoyed it

8/10. It's a great country rock album. It's sad that it's a posthumous release. RIP.

Although I’m not that well-versed in country/adjacent records, I feel Grievous Angel is quite the good one. Haunting honesty overtop pleasantly detailed arrangements ranging from silky to rugged. What Gram himself may have lacked in vocal technicality, he more than made up for in his simple-man charm and absolute knack for delivering on vulnerable narrations. Especially with gang vocals or along with female-accompaniment, Gram’s voice becomes an understated weapon that perfectly glues his songs together. There are really good songs scattered all throughout this album. 8/10

I'm surprised so many people hate this. I honestly don't think people are listening which is so weird to voluntarily decide to listen to 1001 albums and then just dismiss an entire genre. This is a good album. I listen to this a lot. It deserves a spot here more than a Deep Purple live album. People dismissing this out of hand is pathetic.

I've got high expectations here given how much I love his work with Flying Burrito Brothers and The Byrds. Honestly, I've got an unexpected soft spot for old time alt-country rock. I LOVE the twangy guitar, raw vocals, thumpy lugubrious bass lines, and fiddle. Absolutely love Brass Buttons. Hey, its that Nazareth song! Very stripped down and beautiful vocal duet (not actually sure if that's the right term when the vocals are in parallel). Ooh Las Vegas is great. Gotta give this another listen. First impression is this is extremely enjoyable. Second listen confirms the first. Great album: solid 4 for me

Nice, easy going country folk rock. Reminds me of Kris Kristofferson with Rita Coolidge. Love Hurts is a nice version.

I don’t think I had ever listened to this before. Will definitely listen again.

sacred relic. refined humanity.

Really beautiful country rock

I had no idea what to expect. I think I was thinking this would be more prog synth stuff. But it was pretty awesome old country. Honestly loved the album.

I often don't like country but this was pretty great.

Classic country, easy listening, lovely harmonies, and a nice discovery in general.

This is a tough one to rate. I’m not a fan of that pedal steel classic country sound generally. But their voices sound great together and there is something appealing about this, particularly the second half with the live medley and Love Hurts. Really want to give a 3.5 but what the hell, I must be in a good mood

I think I'm really into country and folk but I never actually gave it a try, its always a welcome surprize to listen to albums with this vibe, very cool

This is riiiiiiiiiiight up my alley. In my opinion, it’s a rare song that can’t use a little more steel guitar. Gram had a knack for finding or writing songs that are old or just sound old. He had a weird timeless sound that woulda been totally at home in Bakersfield in 1960 or Austin in 2025. His voice isn’t much to write home about, but that’s why you bring in an angel like Emmylou. Hell, Dylan did the same thing. I like every one of these songs. Some of the takes are a little boring, but the players are all aces. I wonder what Gram coulda done if he kept himself together a bit more or lived beyond 26. I appreciate that between the Byrds, Burritos, and his solo recordings he was pretty much responsible for creating this genre that’s one of my favorites. Fairly cool I spect.

Je trouve dommage qu'Emmylou Harris ne soit créditée que pour une chanson (du moins, sur Apple). Sinon, j'ai beaucoup aimé l'écoute, ce sont des pièces solides et tranquilles, touchantes, où perce la joie de la musique même dans les moments plus sombres

Cool album with a smooth-country feel to it

Surprisingly good, country's not my usual taste but this album is fine