brown sugar should slap can't get over the lyrics
didn't realize the stones were so damn solid
sway kinda slams
wild horses is a great ballad
can't hear me knocking too long
bitch rocks
B-side is nice and mellow could grow very attached to it with more listens
fuckin CLASSIC front to back? listened a million times already. south side of the sky underrated as hell
AGAIN one i know its also lovely
plastic trees is beautiful
“just” is weirdly cunty?
its a very solid alt rock album but radiohead still isnt fuckin Radiohead at this point. love it tho
m-m-m-MID
band on the run, jet, mrs vandebilt, picasso’s last words, 1985 all good-great
bluebird annoying as fuck
let me roll it, mamunia, no words all quite boring.
insane downgrade from RAM tbh
good sound but the choice to do covers really hampered it, the compositions just aren’t as interesting. still decent instrumentals for easy listening
YEAAAAAAAAH
dust brothers can fuckin Produce man. sad we cant get samples like this anymore. the beastie boys are so damn charismatic too.
78 minutes of beats to ice skate uphill to
its lovely. sadly a lot of my reviews will be subpar cause of my work trip rn but this is really in that lovely joni mitchell vein…or was joni mitchell in a joan baez vein? i can see myself getting really acquainted with this record and growing to 5 stars but i feel like it maybe couldve been trimmed to 40 minutes? could just be me getting frustrated at how hard it is to listen to a full album while managing a convention lmao
tracklist may be a bit bloated? it may serve me poorly in some of these to be so album-brained (despite it being an album challenge) as like, not all genres *work* quite like that. generally quite good. will check it out more. 3.5 if i was able to, but i cant put it on the same tier as a lot of these other listens as a 4-star lol
would be 5 if that dumb ass student demonstration time song was cut.
only knew this band from come on eileen, a song i really dislike. happy to report this album is nowhere near as obnoxious to me as that. kind of a broad-strokes palette of new wave music, hearing berlin trilogy bowie, television, david byrne, and XTC in here. i think for the most part these tracks stay in their groove for a bit too long, not shaking things up quite enough to justify the length; funny enough the longest track by far, this is what she's like, fully earns its twelve minutes to me. unfortunately though i don't think it does quite enough to shake itself free of its obvious influences. this could go up later but for now a 3.5 feels about right.
OH NO LOVE YOU'RE NOT ALONE
fantastic album weighed down by its mixing. adore those pounding drums that grind and churn like those comically fucked-up factories that seem to only exist to give cartoon characters a beating. i'm always a slut for distorted vocals. but god damn the rhythm guitar does not need to be THIS loud, some great lead guitars are all-but lost on some of these tracks...
incredible start, very unremarkable side B that starts to turn to mush in my brain. good but not the best michael jackson.
great to know about, solid but not the most impressive listen. fuck the awful stereo mix tho
stuck between 2 and 3. two good tracks (the title tracks, every breath you take is very overplayed but i have to admit its pretty good. mother is an absolute failure in experimentation that really shows why the rest of this album is so boring; if That is what happens when they try to branch out i guess i’m glad theres so few risks in this thing.
the most agreeable beatles
around the world is fantastic obviously. da funk is great, a lot of good side A stuff. alive is a strong ending. side B is just decent yet unremarkable with the only two Outright Bad daft punk tracks i can think of (rock’n roll and oh yeah) back-to-back. its a fuckin crime this is the only daft punk on this list because it just doesnt reflect their insane talent
incredibly consistent songwriting, great compositions. couldve gotten away with running longer but also doesnt feel like its missing anything significant. 2 somewhat lesser tracks (the mystery of the mystery and a better place to live) arent enough to weigh this down for me.
read on the wikipedia this is one of the first country albums to be recorded digitally. sure explains a lot about the flat, cold production. there are decent songs on here but as a whole it fails to stand out. managing to feel bloated at a relatively short 34 minutes and 10 tracks, it lacks the depth of emotion and warmth that i need from country music. i would never go as far as to say i don't respect this album, but i do think a line could be traced from something like this right into that red solo cup, beer, ford f150 shit i despise.
somewhat formulaic and any innovation it may have had is lost to me overtime but its a very consistent and fun album
was never a fan of R.E.M.'s tinny production and nasally vocalist but not a bad album. no real standout tracks but definitely pleasant to listen to. may revisit?
good! tracklist a bit too long, production felt a little off (but maybe i just need new headphones), 3.5 if i could.
HIGH 4, doesnt stand out too much in the larger beck discography (the dust brothers production is notably restrained compared to odelay or beastie boys’ paul’s boutique) but i have so much nostalgia for all of these songs
great musicianship here, excited to get to some studio albums. i despise how the record label has added more and more bloat to this over the years, the actual original tracklist really hits but the additions just draaaag things out (why is there so much pre-song yapping too?). the original cut should be rated higher but since i’m so pissed about the label making that cut so hard to experience its a 3.
good vocals. excellent production. maybe a few minutes too long? great stuff.
lush, ethereal production. gorgeous vocals. great melodies, great lyrics. two david gilmour appearances. i don't know what else i could ask for in an album, except maybe one more gilmy solo. kicking myself for not checking out kate bush earlier.
idk i just found this so damn boring!
a lot of wonderful stuff going on here. every instrumentalist is in top shape, that flute is an MVP. great lyrics all-around, i love how terribly honest the title track is towards how the average person sees the homeless, alternating between a poor helpless victim and this nasty gollum-esque creature of evil; those opening verses are just cruel and i think (or hope lmao) that its by intent. my god and hymn 43 are great anti-organized-religion pieces, "he is the god of nothing if thats all that you can see" goes crazy. going beyond individual compositions, this album is arranged perfectly, alternatively between aggressive blues rock and folksy ballads so cleanly. prog rock has always known how to use an album and this is no exception. not a fan of locomotive breath, it just felt a bit flat compared to the rest of the album. gonna be a hard choice between 4 and 5, this is really strong stuff...
i mean it's not bad enough to be a 1, i wouldn't ask anyone to turn it off in the car, but god is this dull. flat production, simple chords and melodies i feel i've heard a million times elsewhere, and an ungodly 70 minute runtime that just drags and drags. couldn't wait for this one to be over.
masterful work. the perfect display of what sampling can do, an artform under constant attack by outdated copyright laws and record labels…
really nice stuff! some instrumentals could’ve been cut by maybe 30-60 seconds to shorten the album but i wouldn’t necessarily complain about this being too long the same way many other 70 minute+ records can slog. my mind’s not blown but its very very solid!
there are two classic tracks here. breaking the “smoke on the water” effect of a very solid memorable but easy to play riff, living after midnight is solid pop rock with a good chorus. the rest of this album just sucks. forgettable riffs that sound like they were designed for a guitar hero solo, painfully obvious and corny lyrics, a drummer doing only slightly more than the minimum to keep a rhythm going, solos just tastelessly waffle on with patternless shredding. you dont have to be old to be wise was so cheesy it made me laugh out loud. red white and blue is just plain embarrassing to me. lame as hell.
nothing mindblowing to me but i see why this was so important for its time. a great mood throughout.
i wanted to like it a lot more than i did but was just very unremarkable to me
great production! i may even prefer the instrumentals on this?
tom wait’s persona is so charming, the band is perfect, everything about the recording of this album is so fucking cool what do you mean they set up a full bar in the middle of a recording studio, so much fun but also one of the most experimental albums so far in the challenge.
a marked improvement from murmur with some actual standouts, but suffers from an overly drab and slow middle act
interesting! i like the style but most tracks left something to be desired in either songwriting or performance
great individual tracks adding up to something not quite as great album. when bunched together jt just comes off pretty rote, the formula becomes apparent and it starts to meld together. if you play any single song off this (besides sickman that one kinda stinks) ill have a pretty great time. most albums just dont need to creep up to an hour in length though
somewhat weaker, transition-period tom waits that realistically shouldn’t be on this list (i’d go for small change or even closing time) still some of the best shit ever. if you cant handle tom waits’ voice you don’t deserve art.
also who the hell drinks a pint of green chartreuse? terribly aged lyric thatd be a 100 dollar drink now
decent songs on here but fuck john lydon
yeah bob dylan rocks what else do i say
dude germans were Cooking in the 70s
lol. lmao even.
pretty unique sound as a whole but majority of individual tracks are unmemorable
horrifying that this is what all psych rock sounds like to people
fuck it i know im biased towards stuff i already listen to but CMON man
werner herzog likes it so i must be missing something big here
ill swallow anything if its covered in sufficiently fuzzy guitars
great live album with fun improv
glad it exists, not for me
some great tracks. some meh tracks. i like CCR but it averages out in the middle
interesting production, not what i expected from a joni mitchell. very nice, maybe will grow to a later 5 once i can digest it more
best one yet in the challenge. high 3 this time
utterly frustrating listen. the first half is fantastic, bordering on a 5 if it stopped there. but then it just keeps on going. even on that excellent first half the mixing is just dreadful, its not "tastefully" lo-fi or invigorating abrasive, just kind of muddy and poor. i really like led zeppelin and i did not think this was going to be so hard to get through.
the record i own actually trims this down by 4 tracks (dmsr, automatic, all the critics, international lover) and i much prefer the pared-down version but this is still fantastic. those first 4 tracks are back to back hits, lady cab driver rules. its hard to make a great double album…
