Warehouse: Songs And Stories

More like Husker don’t

I like some of the individual pieces of this album but as a whole, not an enjoyable listen for me. Vocals especially rubbed me the wrong way. Kind of felt like "what if REM, but worse"

Why is this so fucking long. It's okay I guess, but I can't sit through over an hour and 20 tracks of it

I get this was an influential band, and this album was their last. But this was not good. Turns out good bands can be greatly influenced by bad bands.

Good energy in the music, but it was very samey and hard to tell one track from another. Also a word of advice; on double albums you're meant to branch out and experiment, genre hop. Nope, none of that going on here. The backing vocals on several tracks added a little depth and to be fair there was some good guitar playing. But overall (to my ears) this is another unexceptional album on this list. 2.5 rounded up

"Had it been pared back to a single record it might have had more impact, but we were already loggerheads at that point." You're right about that, Bob. That being said, you're also right when you say you're still proud of this one, just as Grant was, I hope. *Warehouse...* is Hüsker Dü's swan song, and also their second double-album. For the first one, they were still emerging from their first phase as a take-no-quarter hardcore-punk act, and yet also slowly transitioning to some more melodic songs here and there. *Zen Arcade* was therefore not an easy listen for everyone... And yet it was not merely long, it was also inventive, rich, unpredictable. This one here is the end result of that transition to more pop melodies started with that first double-album, after three other LPs, and it highlights the band as a sort of REM rolling on all overdriven cylinders, as most reviewers noted here. Most of the songs on the first two sides are great, even if at first, you might worry that Mould, Hart and Norton might not be able to keep the pace 20 tracks in given the somewhat one-note aspect of that first part. Fortunately, the second side proves those misgivings wrong. There are nice touches in a lot of the tracks (a synth here, some off-kilter rhythms there, a sea shanty..). The last tune, "You Can Live At Home" is one of the best farewell song a band has given to their fans since the one the Beatles did on *Abbey Road*. Of course, it's far weirder than that, with its stragely hypnotic quasi-dance rhythm. But it's fitting for a band that could never be fully cornered in one box. Now is that the *one* album from Hüsker Dü you'd need to select for a list aimed at general audiences? It's a little tricky to say... It's still a long one to digest if you're not keen on punk rock aesthetics (and even if you are, parts of side 3 are a bit lengthy, it's true). On the other hand, *Warehouse...* is far less abrasive than *Zen Arcade*. What about the other records?, you might ask.... Well, *Flip Your Wig* is probably their most cohesive LP, but if some of the songs in it are all-time indie-pop-punk classics, there are still even *bigger* classics on *Zen Arcade* or *Candy Apple Grey*. Whereas *Warehouse* is the most comprehensive and ambitious album of their whole discography, showing the full scope of what Hüsker Dü could accomplish... My oh my, why can't we have a list of *2001* albums instead? Number of albums left to review or just listen to: 842 Number of albums from the list I find relevant enough to be mandatory: 86 (including this one--maybe with *Zen Arcade* and/or *Flip your Wig*, if the latter doesn't simply replace it) Albums from the list I *might* include in mine later on: 39 Albums from the list I will certainly *not* include in mine (many others are more important): 32

The same song repeated 20 times.

Rock in a tin can. I should like it. I should love it, even. But I don't. Bob Mould's voice has a lot to do with it. It's too... well, not too anything. That's the problem.

Wow, absolutely loved this! Sounded like pop punk before it even was pop punk. I had only known one song by Husker Du before, but didn't think to even check out their albums. I'm a fan. (Shocked that the other reviews are so bad!)

I love Hüsker Dü especially Zen Arcade and Candy Apple Grey as well as Bob Mould's other work. So I don't know if I conciously avoided Warehouse Songs or just never got around to it. There are some great songs on here which always the case for Hüsker Dü but it just feels over-long and I don't think the magic of the previous albums is there.

Ah the Du. Was ever such great songwriting let down by such awful production....oh guys you did it yourselves? Try and listen past the fact that the drums sound like they are made out of plastic, and there is no bass, to the late-period Du majesty. There are tunes that are catchy as hell (Could You Be The One, ice cold ice, She's A Woman), thrash outs (closer You Can Live At Home Now) and just plain weird (She Floated Away). A warehouse full of songs and stories.

In a 1983 interview, Bob Mould told interviewer Steve Albini, "We're [Husker Du] going to try to do something bigger than anything like rock & roll and the whole puny touring band idea. I don't know what it's going to be, we have to work that out, but it's going to go beyond the whole idea of 'punk rock' or whatever." And I don't think anybody realised what that change would mean, but change things they did. Husker Du married the noise and aggression of punk rock with the melodicism of classic rock and pop, which became the dominant sound of alternative rock by the early 90s. Their willingness to pour on layers of guitar noise over everything helped pave the way for shoegaze. And most importantly, they showed that an underground band could sign to a major label and maintain creative control, which is probably the most seismic shift in the rock music industry at the end of the 1980s. Their output was quite extraordinary; 6 albums between 1983 and 1987, two of them doubles, including this, their swan song. The band was imploding at the time, citing nearly every single one of the classic reasons bands split up: egos and control, money, musical differences, drugs, exhaustion, compounded by the stresses of Bob Mould and Grant Hart being closeted in 1980s America (a very conservative society to start with) in the notoriously homophobic American punk scene. Husker Du's output was prolific and of a consistently high standard, so I'm not quite sure why this album in particular is on the list. The critical reputation of Husker Du's catalogue seems to be in flux and contested; it's hard to get any consensus on what is their best album. I would argue that Warehouse is a pretty good example of what Husker Du were all about. In the words of Bob Mould, they did "Guitar, bass, drums, melody, aggression, intelligence." And all of that is here in spades. Both Mould and Hart are writing strongly melodic pop songs, but presented with guitar noise and frantic drumming, which was the blueprint for the alternative boom of the 90s. The major label recording budget helps somewhat, but this is not radically different from the independent label albums from a few years prior, so this is not the seismic shift forward of, say a Goo or Nevermind, where major label budgets and recording techniques were applied to previously underground bands. A combination of timing and a more palatable sound helped those albums break in the mainstream in a way that Husker Du never did. Husker Du opened the door, which allowed other bands to go through, for better or worse. Personally, I mourn the loss of the alternative music industry from the 1980s. I'm not entirely sure why 1001 Albums doesn't include New Day Rising or Zen Arcade or Flip Your Wig instead of Warehouse, and an argument can be made for any of those records as an alternative to Warehouse. They are not quite as well recorded, but they also don't have some of the weaknesses of Warehouse; too much material (most double albums would make a better single album with judicious editing), clear tensions between Mould and Hart (some argue that this is really two solo albums knitted together with clever sequencing), and a disengaged Greg Norton not playing at his best (you can take a pretty good guess at which songs had his bass parts replaced). My favourite song here is 'Ice Cold Ice', which has a lot of Husker Du's strengths; ferocious energy, strong melody and vocal harmony arrangement, impassioned vocals, a tearing guitar part that switches between rhythm and lead, ambitious harmonies that alternate between major and minor keys, and possibly the best pick slides in the whole of rock history. I can't quite bring myself to give a full five stars, because I'm not convinced it is their best record, so 4.5 stars, rounding up.

Not going to lie I’m only 5 songs in but I get the jist. It’s a fun album that I’ll come back too but I’m too many days behind on this list. I remember this on the list of cool bands my older sister and city cousins listened to. And they have an oomlat like me so they’re basically family.

I'm a bit torn. I liked the album quite a bit, but I'm not sure why of all their albums this one was picked. I don't know their stuff well but this was quite the departure from their earlier trailblazing and fast temp days. So I almost feel like a sellout for liking this more subdued version of Husker Du. For me, what I noticed was a bit of a mix of REM mature rock and post punk/early alternative (Social Distortion, Bad Religion, The Replacements). Almost had a Wilco feel at times. It probably didn't need to be 20 songs but I guess that's what happens when two main songwriters can't agree. Even though I probably wouldn't have said this was an album that deserves to be heard before you die - if I was making a list - I enjoyed the sound so much that I'm giving it 4 stars.

Crazy selection for 1001 albums. The Huskers deserve to be here but it should have been Zen Arcade and it's not even close. This might be the most egregious error yet on this list and I'm afraid that to the extent this list is influential, it may unjustly damage Husker's legacy. Most fans would tell you Warehouse is not a bad album, some would, actually, but it's widely understood to be their worst and a terrible introduction. It's their last album when they weren't really getting along anymore and it's too long and self-indulgent and despite the major label budget it still has that incredibly thin, low budget sound. They may be the only band in history who's recordings got worse sound quality-wise as they matured and got bigger recording budgets. I never understood that. So Husker Du was an awesome band but you wouldn't know it chucking this on the turntable. The best way to be introduced to Husker Du takes a little work, but it's totally worth it: what you have to do is take a bad acid trip alone wearing an Army surplus trench coat in a desolate junk yard on the outskirts of Minneapolis on a freezing overcast winter afternoon that's getting dark weirdly early during Reagan's first term, eventually crawling home to be inexplicably greeted by "Diane" from Huskers' Metal Circus. On behalf of Husker Du fans everywhere, please accept my apology for this terrible mistake and try to put this entire day out of your mind. Thank you!

I really wanted to like this. Why is it so dull?

Ice Cold Ice was great. I was getting some serious BNL vibes from the vocals throughout which is always a good thing.

It didn’t really do anything for me at first, then it did, then it didn’t, then it kind of did again.

Not a bad album, but it can't touch Pixies who were on the upward curve as Hüsker Dü were falling. That's how the music industry works. Bands fall in and out of fashion. The songs don't quite hold together, the production is up way too high in the mix. It gets a little repetitive in places. She Floated Away would have been a decent folk rock song if it was recorded properly. Turn It Around would make a great nursery rhyme. Too much clutter for a double album.

couldn't finish

I'm quite reassured this one appeared. Recently I've been listening to too many interesting obscure albums I've never heard of and actually being impressed but this one is by a band I've heard of but just never liked and that was way back in the 80's. I appreciate the energy and integrity but see no musical merit. It shouldn't be here I'm afraid.

So boring

A Friday night in late November 1995: Husker Du is gone for years now, but Grant Hart is still alive those days and giving a solo-concert in the Brouwershoeck. Next to a couple of busy "alternative rock" pubs where people are oblivious to the fact that a legend is playing next door. It is supposed to be a 2-person concert, but the other musician is ill. Hart is switching to guitar on this occasion and is just performing classic Husker Du songs by himself. A heckler in the 60-person audience is disrupting Girl Who Lives From Heaven Hill. Afterwards, Hart gets interviewed in the locker room, where we pick up our coats... ..not sure if any songs from that concert came from this pretty perfect, final HD album. The album is a far cry away from their initial hardcore work and contains a melodic mix of typical Hart / Mould songs, as always Hart songs being the best, but not by much: the overall quality is just very high. This is how guitar rock should sound. The album closes with what might be their strongest song: You Can Live at Home, a Grant Hart song, obviously..

The best and most important American band of the 80s that most people have never heard of. Not only are Bob Mould and Grant Hart (RIP) great instrumentalists but both of them should also be in the conversation for best songwriters of their generation. Is this album a little overstuffed? Maybe but I don't really care, give me more. Highlights: These Important Years, Standing in the Rain, Ice Cold Ice, Could You Be The One, She Floated Away, Tell You Why Tomorrow, She's A Woman and You Can Live At Home. Also is there a different band called Barenaked Ladies because, the fact that at least two people have compared them to the Hüskers is weird.

It's cool to see this type of music coming out of st Paul! Great sounds, love the way the music is somewhat harsh but still easy to listen to.

This is pretty good punk rock. It's not amateur hour screaming. It's actually good music. I can hear the basis for a lot of early 2000's alternative here. I wonder if they were inspiration for those musicians. I enjoyed this album.

Hüsker Dü’s later work is straight alternative rock. It is highly layered both musically and vocally and is very melodic. I read that they are the main link between more simplistic and driving hardcore punk and the melodic college rock that would dominate in the 90s. I think this is the best way to describe the later part of their career. Though their hardcore roots are present, I can hear tinges of Barenaked Ladies and Hootie and the Blowfish here that point towards what would become college rock.

Good alternative rock album. Reminiscent of other early alternative/indie bands- kind of like what you'd hear on a college rock station. Very good throughout, enjoyed listening to it- She Floated Away is a cool one that almost sounds like a sea shanty.

I had never heard of this band before. My first impression was that they sounded a little like REM, and perhaps some Definitely Maybe era Oasis. I read that they started out as a hardcore punk band and evolved to this indi rock style. I like this music and the style - has a good feel to it. I could imagine listening to this on a solo road trip, on the freeway. And I also think I would enjoy this music live.

Gave me some major R.E.M. vibes mixed with Barenaked Ladies. I actually really liked this alternative album a lot and didn’t feel like I was listening to the same song over and over on the album.

I was expecting this to be dodgy dance music (not sure why) so I was happily surprised and enjoyed it.

5/10. Nothing special for me. Wasn't terrible, but nothing stuck out. Added 'Could You Be the One' to the playlist.

-this feels a bit like R.E.M with a punk rock twist to me, I’m surprised they didn’t get more popular. Definitely quite a few solid songs on here (Ice Cold Ice is great) but it felt a little bloated especially near the end when it felt like I was listening to the same song over and over. Not bad at all tho -Favorites are Charity, Chastity, Prudence, and Hope and Ice Cold Ice

My only experience with HD is "Dreams Reoccurring," which was recorded backward. I didn't get in context until reading about that album. It's too bad how the band fell apart after this one, but I can see it. The album is too much, and they admitted it. It should have been edited down to a single album (although which songs should have been cut I am not sure they would have been able to agree upon). A lot of the songs started to sound the same to me. I want to _like_ their stuff, it sounds like something I would be interested in, but this album seemed... bloated to me. Is it highly regarded by HD fans? I wonder...

Reading a few other reviews, a few people have compared this to Barenaked Ladies. Steady on, chaps and chapesses. Them's fighting words round our way. Also, they don't! I have no idea why they'd make that comparison. More reasonably, plenty have noted that this sounds like a heavier REM, mainly because it does. But is that a good thing? I mean, six albums into Hüsker Dü's career (to do umlauts, hold Alt Gr and press 2, then the letter you want umlauted: that's Uncle Stylo's tip of the day), and they've managed to sound like college rock? That seems closer to settling than progressing. Also, why is this a double album? I can't say it gains anything by being supersized, and turns an okay album into an okay album that's twice as long. Now, of course there are highlights and good songs, and there's no fluorescent duds on this, but why would anyone hold this to their heart? Competent but ultimately unlovable. Barenaked Ladies' One Week contains the lyric "Chickity China / The Chinese chicken / You have a drumstick / and your brain stops tickin'". Is it me, or is that a wee bit racist?

Jangly melodic indie punk. I used to love this album, but I haven't listened to it in years and I was just disappointed and a bit bored this time round. It still has quite a few amazing tracks, but so many just sound the same.

So I’ve never really dabbled with Husker Du before – so this was all new to me… Being honest – I kept getting this “harder edged REM” vibe, as well as a “pop punk” vibe – so not sure how that maps on to what the critics say, but that’s what I heard… For me, the album got better and better the more I listened, so that was a pleasant surprise – and while not exactly my cup of tea (i.e. not a punk fan by any stretch…) I found several songs that I enjoyed… Best songs IMO were – “Ice Cold Ice” – 4 out of 7 stars… “Too Much Spice” – 5 out of 7 stars… “She Floated Away” – 4 out of 7 stars… “It’s Not Peculiar” – 5 out of 7 stars… “You Can Live At Home” – 4 out of 7 stars… So nothing life changing, but not bad for punk… It is interesting that the bulk of the songs that I liked, were written by Grant Hart – and NOT Bob Mould – who I always heard was the heart and soul of Husker Du – not sure what to do with that, but there it is… Can’t quite get this to a 3, but a 2 from me for a punk album is pretty good, and never would have found this album without the 1,001…

I like some alt rock, but a lot of this album either bored me or made me cringe. The album felt bland to me, especially considering its runtime. It seems like the singer is trying to win a contest called "How many songs can I worsen with my awkward ugly voice." It wasn't all bad, but I don't want to sift through this album again to find the few moments I didn't mind. I thought it got a bit better towards the end. I seriously doubt a real human has ever said "Wow I really feel like listening to some Husker Du today"

There is nothing interesting or notable other than decent heavy rock and roll guitar playing. That and $5 will get you a ham sandwich.

Svårbedömt. Bitvis bra, melodiöst och rockigt, annars för "amerikanskt" och Smash Mouth-punkigt. Bob Goulds röst är ganska tråkig, förutom på ett par spår då han plötsligt låter som Ozzy? Albumet tappar väldigt mycket på sin omfattning. 20 låtar är alldeles för mycket. Spår 5 och 7-14 är ganska bra, och skulle ensamma bilda ett bra album. Nu är det som ett bra album insprängt i ett dåligt. Vilket är synd. Spår 11, She Floated Away, har ett helt annat tempo än resten av skivan, och låter nästan som någon Pouges-aktig shanty. Mkt bra. Överlag, helt ok myspunk. Bästa låt: She Floated Away.

Not the strongest album of theirs in my opinion. Definitely miss the edge of their earlier stuff

Really? We're down to the level of "stuff indistinguishable from noise" here?

Ooh this was good

I'm torn. This is probably a 4.5 album for me, it's really good, I like it a lot. Zen Arcade should be on this list, though, and I'm not sure if it is or not. If it's not, that's an oversight. I'll round this one up just in case.

Loved it. She Floated Away is a legit awesome song and I listened to it multiple times yesterday. After this album I listened to a few more of theirs and liked them too. Would listen to this entire band again even though I had never really listened to them before.

I know I am 100% biased, but it’s hard for me to find a bad Husker Du album, and this is not the exception. Warehouse is melodic and nostalgic without sacrificing rawness and distortion. It is a great album

Great fun, love the genre, don't think it quite rises to the level of REM or Depeche Mode, but glad it exists

Friend you’ve got to fall and up in the air

4.5 stars. Key album in paving the way to 90's alt rock sound. Knocking off a half star because it's a bit long and the sound can get repetitive, but I really liked this. "Bed of Nails" only track that was a real dud. Otherwise standouts are "Could You Be The One?", "These Important Years", and "You Can Live at Home".

Reminds me of a combination of Green Day and BNL - fun punk rock!

Masterwork

GREAT ALBUM, GREAT BAND!

epic classic

Awesome!!

meh

This is totally in my wheelhouse, I listened to this a lot while I was in college. It might not be everyone’s cup of tea with the guitar sounding pretty similar from track to track, but to me this is an alt rock classic.

The imagery and name of this band has never made them feel real to me they feel made up, listening to this album has only solidified these feelings for me, kinda awesome

December 19, 2023 I got Covid and stopped.

I dont think any Husker Du fan would choose this album over any other album with the exeption of MAYBE Everything Falls Apart. That said it's still a pretty solid album. I rarely listen to this one when I want to hear Husker Du. These Important Years is a really solid track though. I'm still giving it a 5 because I think it's their lone album on this list (for shame!) and they are easily a 5 star band.

An awesome album! Just love this genre of rock/punk/pop/Americana. I discovered Husker Du late, starting with Bob Moulds solo stuff, then working back through Sugar and then onto Husker Du. Moulds vocals and lyrics are great and I just love the relentless pace of this album.

Solid album. Loved it

Loud, frenetic, and grungy; just the way I like it

Super cool and slightly genre defying! I wish I had more time to listen to it, but the 1/2 I did was killer. Will listen on my moto ride 2morrow!

Cumple con lo que es: un buen disco de punk rock, no le pidas más

I had never even heard of Hüsker Dü before listening to this album, so I really wasn't sure what to expect. I ended up loving this album and planning to do a deep dive into Hüsker Dü's discography. I was very surprised to see that this album came out in 1987 - just judging by the sound, I was expecting to see that it came out in the early to mid-nineties. I hear elements of Barenaked Ladies, REM, some songs even gave me a bit of a Weezer vibe. Usually, I don't rate an album a 5 unless I love every single song, or maybe I only dislike 1. I'm making an exception for this one. There were several songs that I strongly disliked - "Charity, Chastity, Prudence and Hope" drove me crazy and I was gritting my teeth until the end - but the good songs were SO good that they brought the album to a five all on their own. Over half the songs on the album are now in my regular rotation. Standout Tracks: "Ice Cold Ice," "Could You Be the One?" "She Floated Away," "No Reservations"

A fabulous album. I'm not a HUGE Husker Du fan but I love this album as well as New Day Rising. In fairness I haven't really explored any of the others like Zen Arcade and Flip Your Wig, but revisiting this album makes me want to. The reviews call this album slicker and more polished than previous Husker Du albums, now I don't know about that, but what I do know is the songs are consistently excellent and sound pretty rawe to me. The one negative I would say is the production sounds a little thin to me I would definitely like to more clearly hear bass lines and kick drum but its a minor quibble. For me it's hard to determine if I prefer the Bob Mould songs or the Grant Hart ones, they have different songwriting styles but each appeal to to me in different ways. In summary it's hard to conceive of a better collection of songs. Absolutely one of the best double albums of all time. 5 stars

Revolution starts at home, preferably in the bathroom mirror

First listen to a fantastic album.

Favorite Track: Ice Cold Ice

The final Hüsker Dü album is a banger, a double album hitting all the power pop high notes. Great record.

Refreshing, but didn't have the time to listen to it all

This is #day285 of my #1001albumsyoumusthearbeforeyoudie challenge, and... this list keeps throwing curveballs. I mean, why not Zen Arcade or New Day Rising? Hüsker Dü is an essential band in the American hardcore punk and alternative rock scenes, but is this the album to showcase that legacy? I'm not sure. So... Do I rate it a 5 because of the band's impact? Or a 4 because, while it's worth checking out, it might not be their defining work? I've run into this before with a few other entries on the list. Still, the record has its moments. I like what I'm hearing, and I also like the artwork, and that's always a big deal to me. I guess I'm landing on a 4. After all, it deserves more love than it seems to get. Looking forward to #day286.

Really liked this - more than I thought I would.

Generally good, but it isn't striking right away. Except for the last track, which is a symphony of guitar, both gorgeous and powerful. I can see really appreciating this album, but thats a lot of album to take on at once. 4/5

I enjoyed it

Listening to this album felt like unlocking a time capsule — the jangly guitars, the emotional weight, the driving energy. Warehouse brought me right back to my freshman year of college, racing down I-10, late to class, with the windows down and cassette tapes scattered in the back seat. It has a place in my soundtrack to that year along with R.E.M., Sonic Youth, and 10,000 Maniacs. Standout tracks for me were “These Important Years” and “No Reservations.” There’s something grounding in Bob Mould’s raw clarity and urgency — that perfect blend of melodic and messy.

Too long for what it was but I was fuckin with it

SAINTS ROW

I always forget I like Husker Du until I listen to them, then I always really enjoy. Anyway, this album was very solid but slightly long

Me fait penser à REM par la voix et les guitares, parfois à Pearl Jam. Une belle surprise que je n'ai pas vue venir du tout

Knew of husker du, had no idea of this particular album’s existence. Super solid, super engaging college rock songwriting and performance.

Важко знайти альбом, що був би настільки болючим для слухача, як остання робота Husker Du. Починаючи як хардкорний та енергійний гурт, що був ладен посунути гори - вже в 85-му музиканти поступово обрали шлях більш емоційної складної та проникливої музики. Але емоції та творча амбітність вирували не лише в їх піснях - поступово Боб Моулд і Ґрант Гарт - рушійна сила «сонрайтингу» цього гурту починають конфронтувати між собою та боротися кожен за свій власний голос у творчості. Ця боротьба, зрештою, і створила цей монументальний, надзвичайно довгий альбом довжиною у 20 треків. 11 з яких написані Моулдом, а решта 9 - Гартом. Кожен з них по своєму сяє - Моулд подарував більш напружені та жорсткіші Could You Be the One? та Ice Cold Ice, а гарт більш ліричні, барокові та мелодійні - She Floated Away, Charity, Chastity та Prudence and Hop. У висновку вийшов, до болю щирий, трохи емоційно перенасичений «альтернативний» альбом із доволі розмитими нечіткими контурами. Так це вже далеко не той рівень енергії, що був на Zen Arcade, але в той самий момент - він значно глибший та більш «дорослий» ніж усе що вони робили до цього. І щоб зрозуміти «смак» цього альбому, його варто послухати далеко не один раз - доволі вдумливо та уважно, що для багатьох стане задачею не з легких. Втім, тільки так можливо відчути його «справжній дух», «розсмакувавши» головні теми -втрата, зруйнованих мрій, та врешті решт, прощавальна епітафія гурту. Епічна робота, яка, на мій погляд є дуже недооціненою.

Fun.

sounds and feels like being in a cool older cousin’s car

Not the album i would choose for this list, but I get it I guess. It's their most "mature" but that means least daring. Some good songs but too many just OK songs. Rounding up the stars

Not sure on this one. It started off great, but the production is a little rocky. Sometimes it seemed a little samey. Doing some research I find they were overshadowed by REM, but were influential to other alt rock bands. I can hear that. I get some elements of Goo Goo Dolls and Hootie and The Blowfish. A few songs I really enjoyed, but particularly "Bed of Nails". I just wish it had a little more variety. Being their last album it makes me curious about their other work. I can't take anything away from the album though, it's decent enough for me to keep listening, but it's only just a 4 because sometimes I had to drop the volume.

nice and noisy

Hüsker Dü is great and that’s not just the umlauts talking.

I enjoyed this album it was fun to listen to. Too bad it seems it was the last. I am sure I will run across them in my music's algorithm.

Album is really a mash up of 2 solo projects from a band going in different directions. In Bob Mould's case those new directions would yield some great music. As many already have noted it's just way too long which results in the only Husker Du album I will not listen too. How to rank it? 3.5 is really where it's at but given the band I'll round up.

Not my favorite Husker Du album. A little long. Maybe a band on the verge of dissolving comes through to much on this album. Still I enjoyed this more on this listen. Could You Be the One? is a great song.

"Fuzzily and ferociously fantastic – is there any poppier punk in this list? Such sweet melodies in all the furious shredding. That the two vocalists have similar styles may be a function of old couples coming to look and/or sound alike. Holds up well – really well – and better than the of others in their peer group. "Friend, You've Got to Fall" is one of their best-ever cuts.

Eigentlich ganz cooler Sound, ging flüssig runter wie Honig - 4 Sterne

I need to get a message to teenage me, to get hold of a few Hüsker Dü records. Like most smart teens I was busy with R.E.M. and PiL. From the vantage point of Now, it may seem like H.D. didn’t add much to the mix. But I think they did… this was a punkier, grungier band that clearly influenced many breakout bands of the 90s. But as for Now, I’d say the album still sounds good and is worth some time. Emphasis on “some” because it’s too long (a common complaint for double albums). But there were enough songs I want to hear again to rate it 4/5, such as: “Back From Somewhere” “Too Much Spice” “She Floated Away” (retro yet not) “Tell You Why Tomorrow” (a top pick) “You’re a Soldier” (admittedly *so* R.E.M.)

Another good album from bob

Surprisingly good. Gave me allstar vibes

Took a minute to adjust to tone / level of guitar but it grew on me Will be listening to more Husker Du

For the most part, Bob Mould is the better songwriter on this one. Very long but pretty good throughout. I like Hüsker Dü but I hadn't even heard of this album before it came up yesterday. Weird one to put on this list.

Favorite tracks: Back From Somewhere; Could You Be The One?; Friend, You've Got To Fall; Turn It Around; She's A Woman (And Now He Is A Man); Up In The Air. I just really love music like this! It's a bit long, and not all of the songs stand out, but it's definitely something to add to my collection.

I've been hit or miss on Husker Du. I think this is more hit than miss though. I liked this a good amount. 3.5/5