2/3. Some really good songs on here, especially Jesus Doesn't Want Me For A Sunbeam, Man Who Sold the World, and Plateau. Cool to hear live versions of hits like Come As You Are and All Apologies too. Interesting to hear so many covers, gives an idea of the kind of music they were into. Kurt's singing is a bit hard to understand sometimes (mumbling), but his voice sounds good and he the covers let him show some range. Fun album, would recommend.
2/3. Was not familiar with Van Morrison other than Brown Eyed Girl, so this was a pleasant surprise. The first half of the album is definitely stronger, I wouldn't say the second half is bad, it just didn't catch me the same way, aside from Everyone. His voice really stands out, but I also really enjoyed the simple, organic instrumentation of it, and the songwriting really shines through.
2/3. This album sounds as pretty as Norah Jones looks. It's all very much in one mood and theme (love, longing, heartbreak, etc.), so definitely not something to put on all the time, but her voice is incredible, the instrumentation is soothing and exciting at the same time, and generally speaking this just sounded great. Great lyrics too.
2/3. He obviously has a great voice, and the instrumentation on this is so groovy. Love the really clear and pronounced rhythm sections, the funky synths, and Billy Jack really stood out to me. Other songs will probably grow on me, but there are two or three songs that kinda just dragged on for me.
2/3. Some really great songs on here, Marakesh Express and Wooden Ships immediately stood out to me. Their voices are great together, the guitar playing all over the album is great, and I definitely think this is an album that rewards being listened to over and over. There were a few tracks that just didn't grab me, and I found myself wondering when they'd be over.
3/3. The first 3 has arrived. This one kinda snuck up on me, but I think on repeated listens this might actually be a no-skip album. Sounds totally modern, and the production is exceptional. You can really hear every detail, and the songwriting is there to match. This would be an easy recommendation for anyone to listen to.
2/3. Felt like more of the same from the previous Crosby, Stills & Nash album. A couple of good songs on here and generally good performances, it just doesn't grab me that much. Wish they leaned into some of the heavier sound a bit more often, but I will say that 4+20 was probably my favorite track and that was a totally different vibe than anything else on here or CSN.
2/3. First half of the album aside from The Visitors was a drag, but the second half really picked up. They just really know how to write a chorus, and there's such a sense of fun and music to what they do. The 80s instrumentation of it all is really great to hear too, some really iconic synth, guitar, and bass sounds. I'd buy a vinyl and only ever listen to side 2.
P.S. Guess I was listening to a deluxe edition with bonus tracks on Spotify, which kinda puts a damper on what I wrote above. Seems like most of my favorite tracks were the bonus tracks, but I'll leave what I wrote above all the same.
1/3. The first 1 on my list, I just wouldn't recommend this to anyone. Maybe I'm just not the right demographic or I'm too used to modern rap, but a lot of this just sounds corny to me. There are some cool beat/production ideas here and I'm sure it was very influential in its time, but for the most part I just couldn't get into it. Acknowledge Your History and Doin' Our Own Dang were the highlights for me, the rest was a wash.
3/3. The first 3, I obviously knew this album being a Gorillaz fan, but had never actually listened to it start to finish. So many cool ideas, great production, still sounds as innovative and fun today as it probably did the day it came out. Not really any skips or bores on the album for me, this would be an instant recommendation from me.
2/3. Solid listen, some cool jams on here with a distinct southwestern US sound to it (makes sense given the guys are from AZ). I feel like this would benefit from a closer listen, there’s definitely some more to dig into.
Strong 2/3. This was a surprise for me, I really enjoyed the songs on this, very unique sound overall. The female vocalist reminds me a lot of the lead singer of The Cranberries. While the music is definitely folky, it has a bit more of an edge to it, and their vocal harmonies really stand out. I kept finding myself really getting into the songs by the time they were over, and even the religious dirge had grown on me by the end. A good album for sure.
1/3. This just bounced right off me, not sure if I just wasn’t in the right mood, but nothing grabbed me. The title track has a good message and there are moments in Sex Machine that sound interesting, but nothing for me otherwise.
2/3. Fun little soundtrack album, nice to listen to on a morning walk. Regio's Cafe and Sunday Morning were particularly nice, but I thought it was a pleasant listen in general. Probably benefits further from having seen the movie prior, but even without it the music evokes a mood and scenery pretty well (Ellie's Love Theme comes to mind).
1/3. A bit harsh perhaps, but is this really something you “have to listen to before you die”? It just sounds like generically 60s rock to me. Cool to hear the different lead singers track by track and I did really like Girl in the 4th Row, but overall it didn’t really do much for me.
2/3. Weird ass music but I liked it; only a few songs immediately grabbed me, but as a whole it had such a unique and cohesive sound. There’s such a feeling of tension and anxiety through it all, but not in a terrifying way, more in a can’t sit still nervous energy way. Definitely an album worth revisiting, greater than the sum of its parts.
2/3. Very cool, trancey noise music, Definitely not something I’d listen to everyday (and even less likely while I’m sober), but there were some tracks that I quite enjoyed and overall, it was the kind of music taste expanding album that I enjoy from this list.
2/3. A lot of cool instrumentals, once again feels like an album that really benefits from being listened to all the way through. I’ll be coming back to this.
1/3. Most of this just didn't really grab me, pretty muddy-sounding production, and just not really my vibe. Raw Power and Shake Appeal were my favorite tracks, solid riffs on both, but the rest just passed me by. I do like the unadulterated hedonism and rock and roll spirit of the lyrics though.
3/3. Wow, first album on this list that's really blown me away, just fantastic overall. Great songwriting, awesome instrumentation (there's a fucking harp at the start of Another Human Being??), and lyrics to match. Every song offered something different than the last, but it still feels totally cohesive. Definitely an artist I'm going to dive deeper into.
Strong 2/3. Not as familiar with the back half of this album as I am with the front half, but man the first two sides are about as good as music gets. The back half will take some more digging, definitely some cool songs on there and the musicality of Stevie is just undeniable. Love's In Need Of Love Today and Isn't She Lovely might be two of his best, but the whole thing is great.
1/3. Album moves along sooooo fast, feels hard to keep up with it. The vocals are terrible in my opinion, but there are some nice riffs on songs like Lowdown and Strange. Overall, it's a miss for me; I never really understood the whole punk thing anyway.
3/3. Unreal, such an incredible album and moving story throughout. The beats are hard as fuck, Kendrick’s rapping is as good as it gets, and the 1 hour runtime flies by. One of the best rap albums of all time.
2/3. Good album, nothing immediately stood out to me other than Five Years and Ziggy Stardust, but definitely solid overall. I think I'd benefit from knowing some of the context behind it given Bowie's penchant for aliases and characters, but a good album either way. I'll be sure to revisit this one.
2/3. I knew the title track already, but had never listened to the other two songs. CttE is a prog classic for a reason, and that chorus at the beginning and end is so catchy and melodic. And You and I was a bit sleepy for me, might need a few more listens there, but Siberian Khatru was a fun discovery, pretty groovy.
2/3. This guy was a weird motherfucker, but the creepy horror rock vibe is pretty cool. Some solid playing, good vocals, and real entertaining degenerate shit.
2/3. I hear so much Emmylou Harris on this album and that alone makes it great. But the songwriting and lyrics, particularly on Grievous Angel and $1000 Wedding are fantastic. Cool chilled out country sound, and I like the upbeat live track too. Pleasant surprise overall.
3/3. Heard this album many times growing up, still love it today. Hodgson and Davies voices contrast so well, the keyboards are top-tier, as are the arrangements. Some really groovy songs and thoughtful lyrics as well. A classic for sure.
1/3. Maybe I just listened to this at the wrong time, but it’s such a bore to me. The only memorable moments are the main themes in So What, Freddie Freeloader, and All Blues. Otherwise, I just tune out completely, it just sounds like noise with little dynamics.
2/3. Some real 80s shit, I really enjoyed it. Well paced, great synths and production overall, and love the vocals. Will return to this one for sure.
2/3. Pleasant surprise, usually I hate punk but not this time. I can actually understand the singing which gives them big points, and the riffs are undeniable. Blitzkrieg Bop is in fact a bop.
2/3. Nothing really leapt out at me, and I have to say much of it passed me by. BUT. The influence of this is so obvious, especially on a band like Tears for Fears (one of my favorites), so I can clearly understand why it's on this list, unlike some others I've come across. I think it would be an album that I'd grow to appreciate more with repeated listens, so I'd give it a strong 3, even if it didn't grab me this time around.
Strong 2/3. Though I really can't get on board with the constant use of violent misogyny, homophobia, and unhinged violence references, I cannot deny the sheer skill that Eminem has as a rapper. Furthermore, the production on this album is incredible; creepy, fun, hard, atmospheric, etc. etc. This really feels like an album that's meant to be listened to start to finish, and though a track like Kim makes me viscerally uncomfortable to listen to, that might just be the point.
2/3. This grew on me as I was listening to it; at first, it was too thrashy and muddy for me, but it got more infectious as it went on. I like the energy of it, and I definitely feel that kind of brash, 1960s spirit of rock and roll thing going on here. Not sure if it's essential listening, but it's enjoyable for its short runtime.
2/3. Moody, dark, she definitely listened to a lot of Nirvana. I really like the dark guitar sound, but other than that it didn’t move me much. Lot of tracks bled together and the album just isn’t very dynamic.
3/3. This is undeniable. Her vocals are off the charts, the arrangements feel timeless and epic. I’m wasn’t as moved by the more melancholy songs, but for love scorned and love found, she captures it about as well as anyone can.
2/3. Really great album, I'd heard it before but it was nice to come back to. Great voice, love the production, and the running theme of love and hate and addiction and the blurred lines between them plays out beautifully in the lyrics.
2/3. Was it really a surprise that I liked this album? What a sultry voice she has, it really draws you in. In contrast to some others I've listened to recently, this album sounds like it should all sound the same and bleed together, but it just manages to keep things fresh. Maybe the hype was right all along.
2/3. A good collection of classic rock songs overall; love the prolific use of organ and piano throughout. Some really great vocal harmonies as well, and the songwriting is definitely timeless. I just think it fails to excite at times; well-executed, but not enough raw energy to take it as high as it can go.
2/3. This is a good one, caught my ear right away and didn’t let go until the last 3 tracks. Nice mix of moods and tempos, classic 80s sounds, and interesting stories. Had heard the name but never bothered to seek him out, but I’ll be coming back to this one.
2/3. Classic rock, and I mean classic. There's a reason most people will know most of these songs, and that's because they're just plain good. Great guitars throughout, lyrics that tell a story, and really great grooves to match. Great album.
1/3. Though I don't even think it's a particularly bad album, I just wouldn't recommend it to anyone. Some of it feels cheesy (Jazz Police? Really??) and I'm just not a big fan of the psuedo-singing/spoken word thing song after song. The arrangements are good and I'm sure he has better work out there for me to listen to.
1/3. Maybe I just wasn't in a very active listening mood today, but this just rolled right past me. Nothing particularly stood out, though I did enjoy Brainstorm Interlude. Overall it just wasn't super interesting to me, I probably won't revisit.
2/3. I actually kinda liked it. It does blend together a lot, but there are moments that jump out, and it was well-performed. Even if it's not really my thing, I can see how this would be a great vibe album, maybe on a late-night drive. Worth a listen if you've never heard, but I probably wouldn't revisit much.
2/3. A good intro to the band; solid songwriting, good guitar sounds, a fun and relatively quick listen.
2/3. Old-school aesthetic with a modern sound. Really groovy, great percussion and sounds, overall a fun listen. Not familiar with TCQ so I hadn't heard him before either, but I can tell why he's a legend.
2/3. Listened through this one twice since I didn’t give it a fair shake the first time, and ended up liking it quite a bit. I’m not sure if it’s just the synth sounds (is that an ARP Pro Soloist?) that call back to a lot of prog for me, but this sounds like a unique fusion of prog musicality and instrumentation with punk energy. Pretty cool.
2/3. Who doesn’t like Elton John? I found myself enjoying this one, I’ve heard it before but only listened all the way through once. Tiny Dancer, Levon, and All the Nasties were highlights, despite it’s questionable lyrics I enjoyed Indian Sunset as well. Love the simple piano, bass, and drums combo.
2/3. I struggle with the singer's voice a lot, to be honest; he's difficult to understand, and I'm not a huge fan of his timbre. But there is something about this album that grew on me as I listened, a certain enjoyment I couldn't get away from. Maybe it's just the evocative cover, but this does have some feeling of Spring to it. I think it could grow on me.
1/3. Occasionally interesting, mostly boring, entirely forgettable. I’m sure this was cool to see live and stoned out of your mind, but as an album experience it’s not worth listening to.
2/3. Weird album, but I can’t deny that it kept my attention. His voice is awful but in a distinctive way, some of the music is actually pretty interesting, and the lyrics all tell a story (some better than others). Frank’s Wild Days actually made me laugh at the end, just like Tom himself.
Strong 2/3. Love RHCP and this album is an obvious classic, and yet this is still my first time listening to the whole thing. Rhythm section is monsterous, John’s guitars and backing vocals are great, and while I often can’t understand Anthony’s voice or lyrics, I love it all anyways.
1/3. Surprising given how much I like Gorillaz, but this felt pretty unexciting overall. It's not that it was necessarily bad, just not particularly interesting and I'm not sure it really needs to be on the list.
1/3. Jazz always just feels like noise to me, I just can’t get into it. Perhaps if you saw this as a ballet with an accompaniment of dancers it would land, but for me it just doesn’t.
3/3. Yep, this one was good. He's so fucking hard, I believe every word he says. Amazing production, great flows and lyrics, and he manages to cover so much ground and touch on so many different parts of life. How have I never heard this before?
2/3. Cool album. Caught my ear the second I recognized that Peace Go With Your Brother is the song that’s sampled on Poe Man’s Dreams on Section 80. I think this album proves that I have a soft spot for Rhodes pianos and flutes, but I also thought the prototypical rap on H2O Gate Blues was very cool.
2/3. Short and sweet. Maybe I just have a soft spot for 50’s rock because of my childhood fixation on Elvis, but something about thus incredibly simple music makes it very easy for me to listen to. Won’t revisit, but I wasn’t mad about it.
3/3. Probably my favorite album by her. Emotional, danceable, dynamic. Love it.
2/3. It’s cool for sure, but the music doesn’t do much for me. I liked Frustration, Tainted Love, and Sex Dwarf (just for the lyrics), but outside of those songs a lot of the album just slipped by. But I respect the sleaze and lack of inhibition, so that bumps it up for me.
3/3. Great album, I’d definitely heard of it before and knew Knights of Cydonia and Supermassive Black Hole, but I was still pleasantly surprised. Great production, awesome guitar work throughout, and well-paced. I’ll be revisiting this.
2/3. Smooth, straightforward. A pleasing listen, pun intended. Having read these reviews, I’m not sure why some people expected literal sex music to somehow be challenging, jazzy, atonal? Would that be for the moments were you slip into the wrong hole?
1/3. Maybe I just wasn’t listening closely, but this never caught my ear at all. I feel like based on my music taste I should like Depeche Mode, but these guys just bore me. The voice, the general muted sound; this is a high offense to them but I imagine I’d get a similar album if I asked AI to generate a dark wave album for me.
2/3. Some truly questionable lyricism here; Stupid Girl is terrible, and Under My Thumb is classic misogyny. I didn't realize they were so country/cowboy crazy at this time, but I enjoyed some of it. Paint It Black is a great song and justifies the rest of the album, though I did enjoy parts of the second half. Nonessential, but Paint It Black just carries it.
3/3. I feel like it’s a given that this is necessary listening, but I still found myself surprised at how great some of these songs are. The three opening tracks especially, and Polly has some of the most chilling lyrics I’ve ever heard. Just wish Kurt sang a bit more clearly.
2/3. Felt like I was hearing interesting songs being constructed in real time, but it mostly felt like too little too late. I understand that they're an ambient group so that's kinda the point, but it does make for music that mostly floats on by. Still some good moments and I think worth listening to for the sheer interest and some really nice culminations.
1/3. I just can’t get into this kind of jazz. Little to no dynamics, the same brush drums in the back the entire time, it just sounds like meandering to me. The inclusion of the Hammond is cool I guess, but not in the way they play it here. Just a bore.
2/3. Never listened to much Sabbath, but I knew the big ones on this album, and genuinely enjoyed the rest. Some really cool guitar solos, a heavy, trippy, psychedelic metal sound, and great lyrics on War Pigs and Iron Man. Faeries Wear Boots scratches a prog itch for me too.
2/3. Couldn't quite finish this one; just became too much noise for me in the end. I actually thought it was decently paced, and some of the music itself is cool(ish), with the heavy drums, guitars, and unique sound design. I just don't like these vocals (or the boring rapping), and this level of angst and anger just doesn't resonate with me at all. I do think it's culturally significant though and deserves its spot on the list.
3/3. Classic album, very nostalgic for me. From the opening notes of Drive to the atmosphere of New Orleans Instrumental No. 1 to Michael's laugh when he says Dr. Seuss on Sidewinder, this album is just great. Great lyrics, fantastic instrumentation, and a really unique vibe all around. Absolutely deserving of its spot on this list.
3/3. Maybe generous but I really enjoyed this one, much more than White Blood Cells. Such great rhythms throughout, a distinctly 50’s/60’s rock feel throughout but thoroughly modern. Would recommend.
1/3. Enjoyed the few minutes I listened to, but half the tracks aren't on Spotify and I can't be bothered to search YouTube for literal club music on this fine Sunday.
2/3. Surprisingly good, not sure why I had a prejudice against them but whatever it was they beat it down pretty quick. Great riffs, a touch of prog, good vocals, and a real focus on music overall. A genuinely cool album.
1/3. Blissfully short. I just don’t understand how anyone can enjoy this. Saved from a 1/5 but the singular musical moment I enjoyed in one of the songs.
2/3. These songs are undeniable, whether that’s through great songwriting or sheer cultural force (I think it’s mostly the first one though). Some amazing riffs throughout, balance in the track listing (they know how to pace an album), and while I’m not the biggest fan of Plant’s vocals, I still enjoy them and think they’re integral to this album.
1/3. Boring live album, slipped right by me. I like Neil’s voice for about 5 minutes and then I get tired of it. Not sure if I’m missing something visual here, but I’m not sure how this pushed any boundaries for live albums.
2/3. Really enjoyed this album, and love the lyrics and message throughout. Gives real perspective and agency to women that we otherwise deny just because they don’t act the way men want them to. Great R&B grooves, solid features, and a great addition to the list.
1/3. Reggae just isn't my thing I guess, or at least this album isn't. Such a snoozefest, literally felt like a full hour of the same song being played over and over. I know reggae is defined by the beat, but this was just so samey all the way through; I was so close to finishing but halfway through Reefer Madness I had to tap out. Supposedly the lyrics are good, but unfortunately I didn't catch any.
2/3. Not my thing, but it was good gym music I guess. Drummer is off the charts though.
2/3. Really fun album, some really chunky rhythms. Much more of a straightforward rocker than I expected. Ian’s flute is always fun to hear as well, such a great addition.
2/3. Really enjoyed this one. She has a great voice, and I don’t know if it’s just because of the album cover, but I definitely feel the vibe of almost steam/cyberpunk meets roaring ‘20s on this. Great production overall.
1/3. Maybe I need to give it a listen in headphones rather than speakers (ironic for a rap album), but holy shit this is muddy. Couldn't understand most of the lyrics (not good news for rap) and the production just sounds so lo-fi. As a fan of 3 6 Mafia I don't think that's a bad thing, but their music has the low-end thump to make up for the muddiness, where these guys don't. I know it's legendary and iconic, but I was not a fan.
2/3. Still not a fan of punk and doubt I ever will be, but TV Party and the two closing tracks actually caught my ear (especially the lyrics on the last two), and there did seem to be legitimate attempts at writing songs on this album, rather than the usual kindergarten noisemaking and screaming incomprehensible "socially conscious" lyrics.
2/3. I didn’t really like it to be honest, but it’s undeniably more artistic and forward thinking in its production than much of the stuff I’ve heard on this album (looking at basically every punk album on the list). She has a pretty impressive voice, and the style is certainly unique.
2/3. Such great energy on this album, the songs are fun to listen to, the crowd loves it, and for a live album it actually sounds good! I know Cash is a controversial figure, but he certainly seems like a cool guy on this album.
2/3. This album sounds like luxury. The arrangements can be a little boring at times, but more often than not they’re actually very musically interesting. But the centerpiece is obviously her voice; so rich and sensual. Really enjoyed listening to this, even if much of the album feels similar track to track.
2/3. Not at all what I was expecting (I’m not sure what I was expecting but it wasn’t this). Actually pretty good and kept my ear overall; he makes a pretty damn convincing copy of Stevie Wonder when he wants to. The lyrical content and 20-something “I’m sexy and wanna fuck” mannerisms do get a bit tiresome after a while, but that surprise Clipse feature was one of the highlights of this whole list to me so far, short as it was.
2/3. Finally a bit of a hot streak for the album generator. I really enjoyed this project, more than most of the classic hip-hop albums I've heard so far. It reminds me a lot of MF DOOM, but less of the obscure/corny lyricism. This is definitely more grounded in reality, class/race consciousness, etc. The beats are always interesting, the samples are fun, lyrics are great, and overall, I think it earns its nearly hour-long runtime.
1/3. Not bad by any means (actually pretty well recorded and produced), just not a standout in any way. None of the riffs really grabbed me, and with the billion other great rock records out there, this would never be in the top or even middle of my mind to reach for or recommend.
2/3. For a bunch of Irish people, they sound surprisingly American in terms of songwriting. Pleasant, not world-changing, but I wouldn’t mind hearing it again.
1/3. Literally can’t understand a word that Thom Yorke is singing. The music is definitely interesting at times, but his vocals just take me out of it completely. Not sure why since I love Julian Casablancas and he’s hard to understand to, but this album just missed for me.
2/3. Surprisingly understandable for a concept album about a disabled pinball kid, given it was my first time listening to it. The story is silly at the end of the day, but the music is great. Enjoyed this quite a lot and I’m looking forward to hearing more of the Who (hopefully the less conceptual kind).
1/3. Pleasant, but nothing special. I knew In the Street from that 70’s Show of course, and Ballad of El Goodo was a fun rocker, but the rest just didn’t grab me. Well recorded and well performed, maybe it was just the wrong day.
2/3. Pretty damn cool album, I wish more albums (rock especially) had a low end and rhythm section like this. Legit sub bass that shakes your car and hard drums, but paired with great melodies and fun lyrics. Glad this came on.
3/3. So fucking good, I only knew about Hurt before this but the whole album blew me away. To produce something like this the year before you die is real legend shit. Personal Jesus literally made me laugh at how good it was, just unreal.
2/3. Such a cool sound; this would sound futuristic to me no matter what decade I heard it in. The sound choices are incredible, but it’s definitely an album I need to be in the right mood for. Stars aligned today, so it’s a strong inclusion for me.
1/3. I liked Damaged, but DNF. It was pleasant enough, but I think you needed to be on as much acid as these guys were to really get the experience. Not my thing overall.
2/3. Definitely not what I was expecting; not exactly sure how this is "hardcore punk" but if it is then I like it a lot more than most of the punk nonsense I've heard on the list so far. So many different music ideas on this album, and many of them very well executed. It is quite a lot (43 songs and over 70 minute run time) and moves from song to song a bit too quickly at times, but if listened to in two parts it's pretty enjoyable. Overall, I would recommend it.
1/3. Boring. Nothing really caught my attention; the Edge’s guitar is cool but predictable, and this lacks any of the already limited cool that the band has on an album like Joshua Tree
